Arnout Engelen arnou...@bzzt.net writes:
Do you have any ideas for improving low-resolution output? My script
is of course just a proof of concept - what would be the 'right' way
and place to tackle this?
I'm afraid there's no right way unless you're going to pixelize all
lily objects and
Anthony W. Youngman lilyp...@thewolery.demon.co.uk writes:
space has been an illegal character in most
filenames in most OSs since the dawn of computing
This is very much not true. Not being able to deal with spaces (and
therefore banning spaces as much as possible) is typical for command
Domain Admin m...@mjs-svc.com writes:
If anyone's interested, I've started work on a Sibelius plug-in to
export Lilypond data.
I'm one of the people that have to convert Sibelius scores to Lilypond
on a regular basis.
I use MIDI export from Sibelius, and the MIDI import / Lilypond export
Grammostola Rosea rosea.grammost...@gmail.com writes:
Did you try to import midi in NtEd? and export it to lily. I thought
the midi import is pretty good of nted, don't know how well the
lilypond export functions works..
NtEd has problems importing the MIDI. It seems to insist on putting
the
Johan Vromans jvrom...@squirrel.nl writes:
Either approach (plugin and Rosegarden) requires quite some manual
editing.
I tried it on a project I was just about to start with. It turns out
that (for this project at least) it was way much easier to manually
add the ties and slurs, than to fix
The following snippet:
\score {
\new Voice = HighVoice {
\relative c' {
c1 ~ | c1 | c1 | c1 |
}
}
\lyricsto HighVoice \lyrics {
aah __ _ _
}
}
This renders as:
o o oo
aah___
I would like the
Kieren MacMillan kieren_macmil...@sympatico.ca writes:
I found one hack to accomplish this: give the third note a 'lyric'
syllable consisting of a single hard space. But I'm sure there are
better ways.
I don't know if it's better, but I've defined
nullLyric = \markup \null
Yes
Joerg Anders j.and...@informatik.tu-chemnitz.de writes:
Therefore, I first separate the notes according to the instrument
which shall play them. Unfortunately, this algorithm sorts 4 flutes
which appear in 4 tracks into one staff :-((
Aha! But then the workaround is simple: just assign each
Andrew Hawryluk ahawry...@gmail.com writes:
http://www.musicbyandrew.ca/finale-lilypond-4.html
How did you make the image of the LilyPond Händel score? It suffers
from very thick vertical lines, similar to the Evince/PDF bug that has
been discussed here several times.
It may turn readers away
Dear all,
I marked this message 'off topic' since it does not have anything
to do with LilyPond -- it is intended for the musical community in
general.
As some of you may know, I'm a happy LilyPond user but I also use and
maintain a simple tool called 'chord'. It prints song texts with
chords,
Adam Monsen [EMAIL PROTECTED] writes:
Is it possible to create modern, simple chord charts with LilyPond?
I'm thinking of the kind that are commonly used for sing-alongs that
have simply lyrics and chord names above the words. Something like
this:
DGD
Valentin Villenave [EMAIL PROTECTED] writes:
http://valentin.villenave.info/lilypond/music_expression.png
http://valentin.villenave.info/lilypond/polyphony_eng.png
Seriously, this is GREAT!
More! More!
-- Johan
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Hi,
I'd like to provide metronome ticks to a Lilypond generated MIDI.
I could add an additional, non-printing (percussion) voice, but maybe
there's a simpler solution?
-- Johan
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Hi,
Basically, I've got something like this
\new Staff = smed
\new Voice = med {
\medMusic
}
\new Lyrics = med { s1 }
\context Lyrics = med \lyricsto med \medWords
Now I want to add a second melody. It's identical to the first, with a
few exceptions.
I'm trying to use lilypond-book.
I have a piece of music that contains two scores.
When I process it normally, I get:
TITLE1
subtitle1
line1
line2
line3
TITLE2
line4
However, when processed via lilypond-book, I get:
TITLE2
TITLE2
line4
TITLE1
Hi,
To generate a complete midi from a score, I need to unfold D.S. al
Coda repeats. Any suggestions how to do this?
-- Johan
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Hi,
I produce my music sheets with the PostScript/PDF backends. Now I'd
want to include a logo and some other mainly fixed texts on the
sheets.
Can this be done with Lilypond?
I tried lilypond-book but that doesn't work (it screws up the output).
OOoLilyPond doesn't seem to be able to handle
Henk van Voorthuijsen [EMAIL PROTECTED] writes:
\version 2.10.25
In chordmode I am trying to get g bes es in some kind of spelling
(I'm assuming that one can't put a chord like I just did in
chordmode).
On Nov 11, 2007, at 8:13 PM, Jay Hamilton wrote:
\chordmode { g:m6-^5 }
Have you
Thomas Bonte [EMAIL PROTECTED] writes:
You may see my current result on this pdf file:
http://www.nabble.com/file/p13829430/CL-v2.pdf
If this is what you want to achieve, I'd suggest to take a look at the
'chords' program. (It is currently hard to find, but we're working on
a new release and
Thomas Bonte [EMAIL PROTECTED] writes:
I did find you personal website, which has a lot of references to several
programs dealing with music (impressive list I must say), but can you point
me to the 'chords' program? An url perhaps?
I've put a new project page for it:
Mats Bengtsson [EMAIL PROTECTED] writes:
However, I have to warn you that this utility is fairly primitive
and might have problems to get all rhythms right, especially if your
MIDI file wasn't produced by some other notation program.
I get reasonable (= useful) results when using Rosegarden
Carl Sorensen [EMAIL PROTECTED] writes:
Here is an example.
Very nice!
Is there a way to avoid the naturals and sharps? They're rather
meaningless.
-- Johan
'Chord' is alive again -- http://chordii.sourceforge.net
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[Quoting Reinhold Kainhofer, on July 3 2008, 15:07, in Re: Chord Charts - r]
You mean the key signature (and its cancellation)?
No, the accidentals (In your examples: the # in the 3rd measure).
The leading key signature is significant. However, when transposing
the chords, the key signature
Carl Sorensen [EMAIL PROTECTED] writes:
What version of LilyPond are you using? I'm using 2.11.50, and I have
no accidentals, just the key signatures.
I'm using 2.10.33. Thanks for all the pointers to solutions.
-- Johan
'Chord' is alive again -- http://chordii.sourceforge.net
Hi,
In a template file I want to check if a particular identifier has been
defined, and act accordingly.
For example:
\score {
\allMusic
\layout {
}
}
\score {
\unfoldRepeats \allMusic
\midi {
}
}
In the MIDI block, I would like to use identifier
Dan Eble [EMAIL PROTECTED] writes:
These two functions should help.
Thanks! I can use this.
You will either need to define your optional music to be empty when
it is not required, as in this example, or provide a function to
create empty music if it is not already defined.
I would be very
Dan Eble [EMAIL PROTECTED] writes:
I have a framework for creating collections of many short pieces.
[ ... ]
A very interesting approach, and very illustrative for the powers of
LilyPond programming! I learned a lot from your examples.
Meanwhile, I'm still struggling with the easy task of
Hi,
I have a piece as follows:
hiMusic = { ... }
loMusic = { ... }
\score {
\new Voice = high { \hiMusic }
\new Voice = low { \loMusic }
}
For the MIDI part, I want to add metronome ticks, something similar to
ticktock = \drummode {
\repeat unfold 94 {
[Quoting Neil Puttock, on August 19 2008, 23:44, in Re: Metronome ticks]
makeUnfold =
[...]
Exactly what I'm looking for. Thanks!
(It is possible to add unfoldRepeats to the function?)
-- Johan
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Johan Vromans [EMAIL PROTECTED] writes:
Dan Eble [EMAIL PROTECTED] writes:
aNotes = \relative c' { ... }
%%From template:
\score {
#(if (not (defined? bNotes))
(define bNotes aNotes))
\bNotes
}
The intention is clear, but LilyPond/Scheme refuses to compile
Eluze [EMAIL PROTECTED] writes:
Talking about utilities: Has anybody ever seen one that transforms a simple
voice (pitches and durations) into a ghost voice consisting of spacers and
durations only (e.g. c2 d e == s2 s s). This is very useful for writing
simultaneous voice parts where one
[Quoting Gilles THIBAULT, on August 22 2008, 18:11, in Re: Using one identi]
Sorry i don't really understand this parser behaviour but i only
know i have to care with it ...
Ah, that's something I understand...
The parser compiles the first expression:
aNotes = \relative c' { c1 e g }
Now,
Jonathan Kulp [EMAIL PROTECTED] writes:
Sure, I'd like to try it :)
I've attached the program to this message.
I use it from my editor: I select the section that I want to
transform, and process that section through the program, something
like
|perl lyabsrel.pl --relative c''
Note that it
Yota [EMAIL PROTECTED] writes:
Well, I worked for nothing then :)
Your tool is different: it operates on a complete file. Mine just
transforms a section of notes. And it only deals with c d e .. b
notes, not with do re mi and so on.
I've posted it as an attachment to another reply in this
Alastair Irving [EMAIL PROTECTED] writes:
I'd be very surprised if this hasn't been asked before, but searches
of the archives haven't turned up anything useful. Is there any way
of converting lilypond files into music xml? If not, are there any
plans for such a tool?
I use software to
Jonathan Kulp [EMAIL PROTECTED] writes:
Yes, you can import MIDI into Finale but as Dominic notes, it doesn't
have enough information embedded to get good results. Even very
simple pieces are so badly messed up that it would be easier simply to
enter all the notes again than try to fix the
Grammostola Rosea [EMAIL PROTECTED] writes:
Is there a way to listen to the entered score in Lilypond quickly?
For example, listen to the rhythm of the entered drum score?
As explained in one of the other replies, lilypond is a language, not
a tool. However, it may be interesting to use
Yes, this has been asked before but the archives didn't show an
answer...
So, here it goes again: How can I print bar number 1? E.g.,
\set Score.currentBarNumber = #1
\bar
\repeat unfold 4 {c4 c c c} \break
\repeat unfold 4 {c4 c c c}
-- Johan
Chord is alive!
Peter Johnson [EMAIL PROTECTED] writes:
So, here it goes again: How can I print bar number 1? E.g.,
Add this here:
[...]
And it will work for any \set Score.currentBarNumber greater than 1.
And, as you may have guessed, it's number 1 that I want printed :).
-- Johan
Chord is alive!
Dmytro O. Redchuk [EMAIL PROTECTED] writes:
% add this:
\set Score.barNumberVisibility = #(every-nth-bar-number-visible 1)
\override Score.BarNumber #'break-visibility = #'#(#f #f #t)
% probably this isn't the best way
But it works perfectly! Thanks!
I believe that
Gilles THIBAULT [EMAIL PROTECTED] writes:
w Weel, not for me ...
\version 2.11.51
This works for me:
\version 2.10.33
\relative c' {
R1 * 4 \break
\set Score.barNumberVisibility = #(every-nth-bar-number-visible 1)
\set Score.currentBarNumber = #1
\time 4/4
c1 c c c
Dmytro O. Redchuk [EMAIL PROTECTED] writes:
The only thing I'd want to get rid of is the time change indicator at
the end of the first staff.
Time remains unchanged, so, why specify it?
Maybe a little explanation of what I'm trying to achieve.
I play with a pop choir
Kenny Stephens [EMAIL PROTECTED] writes:
Does anyone have any ideas about how to get a list of all the
pitches from a score? ... besides just counting off the sheet music.
Even better, to get a count of how many times each of the used notes
are played.
For our handbell group, we want to
Gilles Sadowski [EMAIL PROTECTED] writes:
In any case, here is the script inline (just copy/paste the text between
the ---CUT--- marks in another file):
Please be aware that this script scans anything, including
commented-out lines and controls. For example,
title = This is a nice song
Wilbert Berendsen [EMAIL PROTECTED] writes:
Op maandag 25 augustus 2008, schreef Gilles Sadowski:
$ convert test.png -transparent white test_tr.png
This will convert 'white' to '100% transparent', but not the shades of grey
created by the anti-aliasing algorithms in ghostscript.
I'd
Gilles Sadowski [EMAIL PROTECTED] writes:
If accuracy is important, I'd advise to use the MIDI scanner I posted
here. This will give 100% accurate results.
[For my intended usage then, this is not quite accurate since I guess that
notes in repeats will be picked up several times, whereas
Valentin Villenave [EMAIL PROTECTED] writes:
That said, IIRC at worse IE6 flattens PNG images on an ugly grey
background, so I think LilyPond snippets would still be readable
(however ugly).
It's easier to add a white background to a transparent PNG than to
remove a background from a PNG. So
Damian leGassick [EMAIL PROTECTED] writes:
surely if a snippet deserves/needs to be in LSR it should be
incorporated into the next revision of the docs?
I'd consider the LSR complementary to the docs.
-- Johan
Chord is alive! http://chordii.sourceforge.net
I often use my .ly files for different purposes, e.g., to print
self-contained sheet music and to print embedded sheet music. In the
latter case I do not want headings, and use different page settings.
I want to control this from the command line. For this purpose, I'd
like to set a variable that
Graham Percival [EMAIL PROTECTED] writes:
Search the mailist archives; this has been discussed two or three
times. I think the last time was about a year ago?
The first thing I can find is dated Sun, 24 Sep 2006 11:36:08 -0700,
where you replied: This has been discussed on either this mailing
James E. Bailey [EMAIL PROTECTED] writes:
I just wish someone with a little elisp help could point me toward the
part of whichever file determines how the file is processed in emacs
so I could learn enough to be able to add to it.
You'll find the code in lilypond-mode.el. It should be
Alan Fabian [EMAIL PROTECTED] writes:
this time I did not find the following in the manual:
How to change the space between a Staff and a Lyrics?
Questions like this pop up frequently, and there are many documents
that provide some or part of the answers.
For a while I've been playing with
Patrick Horgan [EMAIL PROTECTED] writes:
!DOCTYPE html PUBLIC -//W3C//DTD HTML 4.01 Transitional//EN
html
/blockquote
The second one looks quite similar to a lilypond score when rendered
with:br
ttbr
\paper { annotate-spacing = ##t }br
/ttbr
Yes, that's one of the features I'll heavily
In a sigle-staff score, I want to add a manual break but I do not want
the broken line to be adjusted to the score width.
I'm sure I can temporarilty override ragged-right but I haven't been
able to find the right place to put it.
Suggestions welcome!
Thanks,
-- Johan
Chord is alive!
I noticed that Evince (I have Fedora 8 with Evince 2.20.2) does a
lousy job on printing LilyPond scores. It may do a bad job on other
prints as well, but the effect on LilyPond scores is dramatic.
See for yourself: http://www.squirrel.nl/pub/xfer/lpev.png .
Image left is scanned from a print by
Francisco Vila [EMAIL PROTECTED] writes:
2008/9/24 Francisco Vila [EMAIL PROTECTED]:
I also posted a bug report for this in the appropiate component, but
nobody in the devel team for Evince seems to be willing to investigate
it.
Do you have an URL so I can add some incentive?
-- Johan
Francisco Vila [EMAIL PROTECTED] writes:
see http://www.mail-archive.com/lilypond-user@gnu.org/msg37172.html
AFAICS (and you can see it on my example pics too) this has nothing to
do with the form that evince renders the rounded rectangles that
barlines are made from. It looks as if it renders
Francisco Vila [EMAIL PROTECTED] writes:
Please note that this has nothing to do with actual printing, Evince
shows this problem in preview too.
Yes, indeed.
I'll pass you an URL of the bug.
Thanks!
-- Johan
Chord is alive! http://chordii.sourceforge.net
Daniel Hulme [EMAIL PROTECTED] writes:
As someone else suggested, try kpdf, or use xpdf, which is what I use.
xpdf is not really a modern GUI application, but I always use it from
the command-line anyway.
I use gv, which is ancient but bloody fast.
And yes, printing from the command line
Daniel Hulme [EMAIL PROTECTED] writes:
I don't know. I'm using 2.10.33 on Debian/sid, and I've just tested
running one of my lilypond scores through psbook, psnup, and psbook |
psnup, and I couldn't get any of them to not be viewable with gv.
I can reproduce this on Fedora 8.
AFAICS the
Paul Hodges [EMAIL PROTECTED] writes:
When I compile a score on my computer at work, the ps file is about six
times the size of the resulting pdf - the difference apparently being
embedded sound fonts.
I sincerely hope you mean music fonts, not sound fonts.
The PS is bigger since the fonts
Ricardo Teruel [EMAIL PROTECTED] writes:
I would like to be able to import the .ps file generated by lilypond
into Scribus (the Page Layout program) to combine texts and graphics
over the score in a more visual way. Everything works out fine when
you import the lilypond .ps except that there
Stupic question, I assume...
In a scheme function I have a symbol that is the name of a lilypond
expression. How can I get its music value?
E.g.
ifDefined =
#(define-music-function
(parser location sym)
(symbol?)
(if (defined? sym)
??? return the value of the expression ???
Carl Sorensen [EMAIL PROTECTED] writes:
You need to use the procedure primitive-eval to evaluate a symbol
YES! That's the trick.
Thanks!
-- Johan
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Mark Polesky [EMAIL PROTECTED] writes:
Wow! Someone should add this to the LSR!
Stay tuned, it'll get even better...
-- Johan
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Johan Vromans [EMAIL PROTECTED] writes:
Stay tuned, it'll get even better...
If it would only work...
What I'm trying to achieve is to have input lines processed
selectively based on whether certain symbols are defined.
For example, I have a file highstaff.ly:
\new Staff = High
Nicolas Sceaux [EMAIL PROTECTED] writes:
A more idiomatic way to do it:
Nice. This gives me the following snippet:
% \ifDefined #'symbol
% Returns the music expression defined by symbol,
% or a void expression if symbol has not been defined.
ifDefined =
#(define-music-function
Graham Percival [EMAIL PROTECTED] writes:
On Wed, Nov 12, 2008 at 05:28:37PM +0100, Johan Vromans wrote:
What I'm trying to achieve is to have input lines processed
selectively based on whether certain symbols are defined.
Umm, use \tag?
I use this for other purposes:
allMusic
Graham Percival [EMAIL PROTECTED] writes:
Hmm. I guess I don't quite understand what you were asking; I
can't see why \tag wouldn't work.
Using \tag requires that all the variables are defined, and the
variables that need (not) to be processed must get a tag.
leadWords = \lyricmode { Some
Roman Stawski [EMAIL PROTECTED] writes:
Take a look at http://lsr.dsi.unimi.it/LSR/Item?u=1id=493
Nice!
Is there a way to get rid of the warning: no such internal option:
target?
This lets you have constructs such as
\ifTargetIn #'(foo) {
...
}
A limitation is that it works on
Hi,
While comparing the LilyPond gegerated output with the output of a
competitor program, I noticed that the LP outout is much 'heavier'.
See e.g., http://www.squirrel.nl/pub/xfer/lilsib.jpg .
The top line is from LilyPond, the bottom line is from a Sibelius
printout. I think the larger
Graham Percival [EMAIL PROTECTED] writes:
This is not the default output of LilyPond.
I agree -- are you sure the top line isn't from Finale or
something? It looks incredibly bad. WTF is up with the gap
between the sixteenth and eighth in the second bar from the end?!
LilyPond would
Carl D. Sorensen [EMAIL PROTECTED] writes:
I set that exact line in LilyPond 2.11.64. I needed to do some manual
beaming to get the same beaming as in the top line.
Interesting. When I try:
\relative c' {
\time 6/8
r4 a8 d e f | e d4 ~ d4. |
r4 r16 g,16 e'8 g e16 d | c8. ( a16
coralline algae [EMAIL PROTECTED] writes:
I have tried set Staff.midiInstrument
Chords are usually set in a ChordNames staff.
If so, did you try set ChordNames.midiInstrument ?
-- Johan
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coralline algae [EMAIL PROTECTED] writes:
thank you Johan that works nicely.
set ChordNames.midiInstrument
by way of explanation - with piano for the chords
it almost drowns out the melody line in midi playback
\set ChordNames.midiMaximumVolume = #0.5
or some other figure.
Hi,
I can do
\new Staff = FooBar ...
and
xxx = #(string-append Foo Bar)
\new Staff = \xxx ...
but not
\new Staff = #(string-append Foo Bar) ...
What is needed to get the last form working?
-- Johan
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Graham Percival [EMAIL PROTECTED] writes:
It depends on why you're listening to the piece. I *do* want to
hear it clunking along, since I only ever listen to midi as a
quick proofread [...]
Yes, though I'd say Ian has a point, too. I use the midi initially to
'proofread', but finally I
Nicolas Sceaux [EMAIL PROTECTED] writes:
Le 16 nov. 08 à 22:50, Johan Vromans a écrit :
What is needed to get the last form working?
That would require to change the parser.
Clear. Thanks.
-- Johan
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Ian Hulin [EMAIL PROTECTED] writes:
Write some wrapper functions
\setMidiRepeats to take a boolean flag and save this in an internal
Scheme variable, say unfoldmidirepeats. Your function then tests (if
Reinhold does this sort of thing in orchestrallily, so I should be
able to steal from the
Federico Grau [EMAIL PROTECTED] writes:
My lilypond print jobs consistently disappear to dev null when I try
to print them with a free software tool such as kpdf or gpdf?! My
printer is a pretty standard laser printer, (HP Lasterjet 4 with PS
support)
Sounds familiar.
The only way I can
David Rogers [EMAIL PROTECTED] writes:
If you look at a good score of anything that was printed before the
time of computers, you can see that Lilypond looks 'almost like real
music', and Sibelius looks 'like a computer'
This does not necessarily mean that old scores look better than new
[Quoting Graham Percival, on November 19 2008, 14:48, in Re: Giving back: LHM]
Could you add this to LSR? That way more users will see it, and
it can be easily added to the docs.
Sure (but how?)
Actually I was hoping for some feedback of lilypond-users before
'releasing' it...
-- Johan
Trevor Daniels [EMAIL PROTECTED] writes:
Martin Tarenskeen wrote Thursday, November 20, 2008 9:24 PM
Why \new Staff = upper {...} and \new Staff = lower {...} ? I
use just \new Staff {...} with the same results.
[...] You're quite right though, the names are quite
unnecessary.
By giving
Johan Vromans [EMAIL PROTECTED] writes:
By giving the Staff a name you can refer to its context later.
See sect. 5.1.2.
Also, the Staff name will be the track name used in the MIDI file.
-- Johan
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Arjan Bos [EMAIL PROTECTED] writes:
However, the error is signalled in the other file!
Not really.
LP processes the includeError.ly. It sees 'y', and starts looking for
and '='. I assume it processes the \version internally, and then
starts including the includedError.ly. Again, it processes
I must admit...
That I do share some feelings with John. I've been using LilyPond
infrequently for many years, and frequently for a year now. I often
get surprised by its behaviour, and I often have to puzzle how to
achieve certain results.
But...
The documentation has improved enormously. The
David Picón Álvarez [EMAIL PROTECTED] writes:
d''4*95/192 s4*1/192 a'4*95/192 s4*1/192 a4*95/192 s4*1/192 g4*95/192
s4*1/192 f4*95/192 s4*1/192 e4*95/192 s4*1/192 d4*95/192 s4*1/192
e4*95/192 s4*1/192 |
I was looking at the source of the converter, and although I'm not
sure if I
Arjan Bos [EMAIL PROTECTED] writes:
It certainly seems weird and I can understand why it is. And I know it
is very hard to write good parsing error messages, but if I now jump
to the error, it jumps away from my typo into a perfectly correct
file. And I can't help but wondering that it might
Keith Weintraub [EMAIL PROTECTED] writes:
I can't seem to get left-margin to work. In addition when I change the
line width the header width doesn't change.
You have several confusing and/or conflicting settings.
The paper size settings, \paper and \layout interact unexpectedly.
When you move
Mary Evans [EMAIL PROTECTED] writes:
I am having trouble getting the templates to work. Can anyone give
me a template for choral music that is in 3 parts (ie SAB) with one
or more verses between the staves? Thanks.
You may want to try the template kit I posted recently to this group.
You can
Keith Weintraub [EMAIL PROTECTED] writes:
Anyone have an example (forgive me if I missed it in the docs) of
just chords and lyrics?
Try http://chordii.sourceforge.net .
-- Johan
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Carl D. Sorensen [EMAIL PROTECTED] writes:
But LilyPond is transposable, ... one of the things I
really like about LilyPond is that I can transpose songs
automatically.
Chordii can handle that as well.
-- Johan
Chord is alive! http://chordii.sourceforge.net
Keith Weintraub [EMAIL PROTECTED] writes:
I would like the measures to be 4 per line. And I would like them to line up
from one line to the next.
For this purpose I'd suggest you take a look at
http://johan.vromans.org/software/sw_playtab.html .
(The most recent version also accepts chords in
Martin Tarenskeen [EMAIL PROTECTED] writes:
Not a very big problem. My script can still be used then, but after
startup the user will have to manually position the windows the way he
wants them on screen.
You may wish to take a look at devilspie.
Martin Tarenskeen [EMAIL PROTECTED] writes:
3. If I edit the source, everytime I save this is detected by an endless
loop in my script, lilypond is called and a new postscript is created.
This is detected by gv thanks to the -watch option. Et voila, the score
can be seen almost
Dave Trowbridge [EMAIL PROTECTED] writes:
When I select Generate PDF in the right-click menu in Windows explorer, no
PDF
file is generated, and the log file reads as follows:
# -*-compilation-*-
Changing working directory to `C:/Program Files/LilyPond/usr/bin'
Processing `C:/Program
Ivo Bouwmans [EMAIL PROTECTED] writes:
Preparing some Christmas music (see below or attachment), I saw that
the first syllables in the final system are left-aligned rather than
centred below the note as they should be.
Does anyone know what causes this?
Some deductions...
It only happens
Mats Bengtsson [EMAIL PROTECTED] writes:
Not exactly true! You have to include a \layout block if you have a
\midi block, but not otherwise.
Oops. I stand corrected -- thanks, Mats!
-- Johan
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Neil Puttock [EMAIL PROTECTED] writes:
http://lilypond.org/doc/v2.11/Documentation/user/lilypond/Fonts#Single-entry-fonts
While at the subject...
To change the default fonts for a document, the advised code is:
\paper {
myStaffSize = #20
#(define fonts
(make-pango-font-tree
Mark Polesky [EMAIL PROTECTED] writes:
How can I reduce vertical spacing between stanzas?
\context {
\Lyrics
\override VerticalAxisGroup #'minimum-Y-extent = #'(0 . 0)
}
or ...
\score {
\new ChoirStaff
\new Staff = upperstaff
\new Voice = upper {
\uppermelody
}
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