jEdit and Lilypondtool will do this, or near enough. Get jEdit from
http://www.jedit.org/ and see
http://www.mail-archive.com/lilypond-user@gnu.org/msg41849.html for some
install instructions for Lilypondtool.
Nick
-Original Message-
From:
BODY { font-family:Arial, Helvetica, sans-serif;font-size:12px; }
At the cost of manually counting what rehearsal mark you are up to:
%
version 2.12.2
fillbar = repeat unfold 8 {c8}
relative c'' {
fillbar mark default
fillbar mark markup bold (B) A little slower
It crashes LP 2.12.2 here - I tried it on both WinXP SP3 and the Windows 7
beta.
Nick
-Original Message-
It works if you also put a \layout block:
\version 2.12.2
\score {
\new StaffGroup \with { \consists Instrument_name_engraver }
a'
\midi { }
\layout { }
}
I still get a crash
For some reason I am no longer getting autocomplete help for backslash
commands - eg if I enter \stop in an ly file I no longer get a dropdown
list of backslash commands that start with the characters stop. I
uninstalled and reinstalled LPT via the jEdit Plugin Manager to see if that
fixed it (the
I'm engraving a piece that has partial measures at the beginning and end of
both repeats. The piece is in 4/4 time, with the initial measure of each
repeat being 1/8 and the final measure 7/8. In a minimal example, eg
\relative c'' {
\time 4/4
\repeat volta 2 {
breaks
between bars 13 and 24.
Adding the partials back gets correct looking output at the cost of barcheck
failed warnings.
Nick
-Original Message-
From: Jonathan Kulp [mailto:jonlancek...@gmail.com]
Sent: Sunday, 22 February 2009 15:20
To: Nick Payne
Cc: lilypond-user@gnu.org
Subject
)
b2. r8 |
set Score.measureLength = #(ly:make-moment 4 4)
}
fis4 g g c, |
}
~
Jonathan Kulp-2 wrote:
Nick Payne wrote:
Jon
What you have below works fine with the small example
Much simpler to use [..]:
\relative c' {
\time 3/4
d4. c8 b8.[ a16]
}
Nick
-Original Message-
From: lilypond-user-bounces+nick.payne=internode.on@gnu.org
[mailto:lilypond-user-bounces+nick.payne=internode.on@gnu.org] On
Behalf Of Jonathan Kulp
Sent: Tuesday, 24
Doesn't it rather mean that Lilypond v2.12.1 is installed and doesn't like
the \version 2.12.2 in the ly file. Either change the \version in the
source file to 2.12.1 or install LP 2.12.2.
Nick
-Original Message-
From: lilypond-user-bounces+nick.payne=internode.on@gnu.org
You've got the commands inside \midi. Move them to \layout:
\layout {
\context {
\Score \override SpacingSpanner #'base-shortest-duration =
#(ly:make-moment 1 16)
}
}
\midi { }
Nick
-Original Message-
Subject: Re: horizontal spacing
Imho
Two possibilities:
Change secondaryMusic to be either
secondaryMusic = \relative c {
\clef bass
c8 c c
\hideNotes
c-\tweak #'extra-offset #'(0 . 2.3)_\rptDDDInStaff
c c c c c c c c
\unHideNotes
|
}
Or
secondaryMusic =
You could use PostScript in a markup to get the sort of line or bracket you
want. See attached.
Nick
-Original Message-
From: lilypond-user-bounces+nick.payne=internode.on@gnu.org
[mailto:lilypond-user-bounces+nick.payne=internode.on@gnu.org] On
Behalf Of till Rettig
Sent:
\override DynamicText #'transparent = ##t
Nick
-Original Message-
From: lilypond-user-bounces+nick.payne=internode.on@gnu.org
[mailto:lilypond-user-bounces+nick.payne=internode.on@gnu.org] On
Behalf Of Kees van den Doel
Sent: Wednesday, 11 March 2009 14:20
To:
If it's only a few, you could use
\once \override Slur #'transparent = ##t \acciaccatura
Nick
-Original Message-
From: lilypond-user-bounces+nick.payne=internode.on@gnu.org
[mailto:lilypond-user-bounces+nick.payne=internode.on@gnu.org] On
Behalf Of Kees van den Doel
Sent:
\version 2.12.2
\relative c' {
\mergeDifferentlyHeadedOn
\mergeDifferentlyDottedOn
\time 3/4
{ \voiceOne c''4 s b }
\new Voice { \voiceTwo \stemUp e,,,8[ \stemDown gis'] fis'[ d] ~ d[
fis] }
\new Voice { \voiceFour e,,2. }
}
In
\version 2.12.2
\relative c'' {
{
\mergeDifferentlyHeadedOn
c8 d e d
} \\ {
c2
}
}
If you look closely at the output produced by the above, the right-hand stem
on the merged note is not exactly positioned in line with the right-hand
side of the notehead. This is the example from section 1.5.2
\version 2.12.2
\relative c'' {
{
\mergeDifferentlyHeadedOn
c8 d e d
} \\ {
c2
}
}
If you look closely at the output produced by the above, the right-hand stem
on the merged note is not exactly positioned in line with the right-hand
side of the notehead. This is the example from section 1.5.2
I wrote myself a music function a while ago to simplify modifying the glissando
end points when indicating slides on the guitar:
% modify glissando start and end points to indicate a left-hand finger slide
% between notes. Example:
%
% \slide #3 #4 g4\glissando fis
%
slide =
Maybe check your printer driver settings to see if the printer is using its
own internal fonts instead of downloading fonts.
Nick
-Original Message-
From: lilypond-user-bounces+nick.payne=internode.on@gnu.org
[mailto:lilypond-user-bounces+nick.payne=internode.on@gnu.org] On
Just installed 2.13 (Windows). When I build an ly file, I get the warning:
(lilypond.exe:3688): GLib-WARNING **: Passing a non-NULL package to
g_win32_get_package_installation_directory() is deprecated and it is
ignored.
The file built ok and output looks file.
Nick
Fixed by a small hshift on the 1/8 note that merges with the 1/2 note:
\version 2.12.2
\relative c'' {
{
\mergeDifferentlyHeadedOn
\once \override NoteColumn #'force-hshift = #0.05
c8 d e d
} \\ {
c2
}
}
Nick
-Original Message-
From: Nick Payne [mailto:nick.pa...@internode.on.net
See attached. The arpeggio on the chord without the fingering is fine, and
the fingering without the arpeggio is fine, but the two together results in
a large gap appearing between the fingering/arpeggio and the notes. What I
want is the fingering just to the left of the notes and the arpeggio
Thanks. That fixes the problem.
Nick
-Original Message-
From: Robin Bannister [mailto:r...@dataway.ch]
Sent: Saturday, 28 March 2009 01:31
To: Nick Payne; lilypond-user@gnu.org
Subject: Re: Problem with arpeggio across voices and fingering
Nick Payne wrote:
What I want
If you install the beta of Ubuntu 9.04 it has jEdit 4.3pre16 in the
distribution. You can upgrade to 9.04 (assuming you have a treasonably fast
internet connection) by opening a terminal window and entering sudo
update-manager -d (without the quotes).
Nick
From:
The padding that is applied to fingering on the left when there is an
accidental is greater than when there is no accidental. From my measurements
it seems to default to 0.5 staff units from a note but 0.7 units from an
accidental, which looks odd to me. Is it possible to reduce the default
-Original Message-
From: Neil Puttock [mailto:n.putt...@gmail.com]
Sent: Tuesday, 31 March 2009 07:07
To: Nick Payne
Cc: lilypond-user@gnu.org
Subject: Re: Fingering padding with accidentals
2009/3/30 Nick Payne nick.pa...@internode.on.net:
The padding that is applied
I got the same warning message, see
http://www.nabble.com/New-warning-msg-2.13-td22658865.html.
I didn't get any response on it. I went back to using 2.12.2.
Nick
From: lilypond-user-bounces+nick.payne=internode.on@gnu.org
I have a music function I use for barring indications in guitar scores, and
for a reason that I haven't been able to work out, if the TextSpanner used
for the barring indication wraps from the staff where it begins to the
following staff, and also terminates at the first note of that staff, then
-Original Message-
From: Neil Puttock [mailto:n.putt...@gmail.com]
Sent: Friday, 3 April 2009 09:23
To: Nick Payne
Cc: lilypond-user@gnu.org
Subject: Re: Problem with barre music function
2009/4/2 Nick Payne nick.pa...@internode.on.net:
I have a music function I use for barring
-Original Message-
From: lilypond-user-bounces+nick.payne=internode.on@gnu.org
[mailto:lilypond-user-bounces+nick.payne=internode.on@gnu.org] On
Behalf Of Jan Nieuwenhuizen
Sent: Friday, 3 April 2009 19:59
To: Andrew Hawryluk
Cc: Laura Conrad; lilypond-user@gnu.org; Nicolas
-Original Message-
From: Neil Puttock [mailto:n.putt...@gmail.com]
Sent: Saturday, 4 April 2009 07:53
To: Nick Payne
Cc: lilypond-user@gnu.org
Subject: Re: Problem with barre music function
2009/4/3 Nick Payne nick.pa...@internode.on.net:
If that's the case, then the only
without breaking a
spanner. See attached, which is what happens with the modified define-grobs.scm.
So I guess I'll have to live with the hack solution I proposed.
Nick
-Original Message-
From: Neil Puttock [mailto:n.putt...@gmail.com]
Sent: Sunday, 5 April 2009 06:07
To: Nick Payne
You can use tweak:
R2-\tweak #'extra-offset #'(2 . 0)^\markup { Fine }
Nick
-Original Message-
From: lilypond-user-bounces+nick.payne=internode.on@gnu.org
[mailto:lilypond-user-bounces+nick.payne=internode.on@gnu.org] On
Behalf Of Chip
Sent: Sunday, 5 April 2009 09:32
To:
Why not use an empty pair of braces, which at the moment are just ignored by
the parser, to dignify chord repetition:
c e g gives c e g c e g
c e g 3 gives c e g c e g c e g c e g
c e g c gives c e g c - ie ignored as now if preceding element is
not a chord
Can be typed pretty rapidly too:
Is it intended that a title or subtitle in the main header should be
repeated in each bookpart that doesn't redefine the title or subtitle,
because that's what I see:
%=
\version 2.12.2
\paper {
ragged-bottom = ##t
I'm trying to get automatic beaming of 32nd notes to end every
quarter note rather than every eighth note. I thought the following
should achieve it, but the beaming of 32nd notes still breaks every
eighth note:
relative c'' {
time 3/4
#(override-auto-beam-setting '(end 1 32 * *) 1 4)
Is this a bug or not? The fingering indications for C and D don't sit just
above the noteheads as they do for the other notes. If I remove the slur
between those two notes, then the fingering is positioned at the desired
location. Why should a slur positioned below the notes affect the location
of
Thanks, that fixes the problem.
Nick
-Original Message-
From: lilypond-user-bounces+nick.payne=internode.on@gnu.org
[mailto:lilypond-user-bounces+nick.payne=internode.on@gnu.org] On
Behalf Of Neil Puttock
Sent: Wednesday, 8 April 2009 08:49
To: Nick Payne
Cc: lilypond-user
April 2009 15:43
To: Nick Payne; lilypond-user@gnu.org; Kieren MacMillan
Subject: Re: Left/right noteheads in chord containing second
Nick,
Here's a rather awkward solution. How often would you need this? And
just out of curiosity, why?
I guess I would use something like this if I were
See attached. If I have an ossia at the beginning of a staff, the lines on
the preceding staff run past the final barline. How do I prevent this? I'm
creating the ossia with
{
% normal notes here
}
\new Staff \with {
Thanks. Fixes the problem.
Nick
-Original Message-
From: Mats Bengtsson [mailto:mats.bengts...@ee.kth.se]
Sent: Thursday, 9 April 2009 00:53
To: Nick Payne
Cc: lilypond-user@gnu.org
Subject: Re: Staff lines running past final bar on staff
To solve this problem, you first have
Is this possible without faking the chord by creating two voices? I
tried putting the laissezVibrer command against a single note of the
chord but nothing displays.
relative c' {
laissezVibrer
}
Nick
___
lilypond-user mailing list
E-mail seems to have corrupted my test code:
relative c' {
}
On Thu 09/04/09 10:01 AM , nick.pa...@internode.on.net sent:
Is this possible without faking the chord by creating two voices? I
tried putting the laissezVibrer command against a single note of the
chord but nothing displays.
I have found that when I add the bit of code to get a laissezVibrer tie on a
single note of a chord to a piece that has a couple of voices, the tie seems to
leak to the other voice. When I run the attached file through Lilypond, the
laissezVibrer tie specified in the bass voice also appears on
I was attempting to shorten the entry required for indicating
strokefingering:
\version 2.12.2
i = #(define-music-function (parser location) () #{
\rightHandFinger #2
#})
\relative c' { a-1-\i }
This causes Lilypond to crash (2.12.2, Windows). The entry in the
application event log
...@dataway.ch]
Sent: Saturday, 11 April 2009 09:22
To: nick.pa...@internode.on.net; lilypond-user
Subject: Re: LaissezVibrer tie on single note of chord
Nick Payne wrote:
Is this possible without faking the chord by creating two voices?
Is this more what you are looking for?
It is not all
I find the same thing happens with guitar fingering - that sometimes the
order in which the fingering indications appear above the stave doesn't
match the pitch order of the notes they are applied to. I just use \tweak on
the fingerings to fix it.
Nick
-Original Message-
From:
Guitar stroke fingering is lower case, but with the orientation set to up,
the p is not correctly aligned with the other characters in a succession of
fingering indications, and with the orientation set to down, the i is
similarly misaligned.
This doesn't look pleasing to the eye, and indeed,
I'm getting this error showing up in the console output when running LP
2.12.2 against a particular score. LP continues building the score and I
can't see anything wrong with the PDF output produced:
programming error: minimise_least_squares (): Nothing to minimise
This means that vertical
-Original Message-
From: Neil Puttock [mailto:n.putt...@gmail.com]
Sent: Friday, 3 April 2009 09:23
To: Nick Payne
Cc: lilypond-user@gnu.org
Subject: Re: Problem with barre music function
2009/4/2 Nick Payne nick.pa...@internode.on.net:
I have a music function I use for barring
BODY { font-family:Arial, Helvetica, sans-serif;font-size:12px;
}Great! I'll wait for 2.13.1.
Thanks
Nick
On Wed 15/04/09 8:00 AM , Neil Puttock n.putt...@gmail.com sent:
2009/4/14 Nick Payne :
I asked at the beginning of the month about this problem I had
come across with the end
http://lilypond.org/doc/v2.12/Documentation/user/lilypond-program/Invoking-m
usicxml2ly#Invoking-musicxml2ly
-Original Message-
From: lilypond-user-bounces+nick.payne=internode.on@gnu.org
[mailto:lilypond-user-bounces+nick.payne=internode.on@gnu.org] On
Behalf Of Joana
Sent:
version 2.12.2
qBeam = {
#(revert-auto-beam-setting '(end 1 32 4 4) 1 8)
#(revert-auto-beam-setting '(end 1 32 4 4) 2 8)
#(revert-auto-beam-setting '(end 1 32 4 4) 3 8)
#(revert-auto-beam-setting '(end 1 32 4 4) 4 8)
#(revert-auto-beam-setting '(end 1 32 4 4) 5 8)
See s.3.5.1 of the notation reference manual. And appendix B.4 of the manual
lists all the MIDI instrument names.
Nick
-Original Message-
From: lilypond-user-bounces+nick.payne=internode.on@gnu.org
[mailto:lilypond-user-bounces+nick.payne=internode.on@gnu.org] On
Behalf Of
This shows the text:
\relative c'' {
\once \override TextSpanner #'bound-details #'left #'text =
slargandosi poco a poco
c\startTextSpan \repeat unfold 30 { c } c\stopTextSpan
}
Nick
From: lilypond-user-bounces+nick.payne=internode.on@gnu.org
this
should happen automatically.
Nick Payne
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
I was trying to move a TextSpanner with \tweak and couldn't figure out why
it wouldn't move. I eventually noticed that I had accidentally typed
-\tweak #'extra-ofset
instead of
-\tweak #'extra-offset
but this did not generate any warning. Looks like this is a general thing
with \tweak, as I
Have a look at the engraving of Reubke's organ sonata done by Wilbert
Berendsen. It does exactly what you are asking for.
See http://lists.gnu.org/archive/html/lilypond-user/2009-04/msg00560.html
Nick
-Original Message-
From: lilypond-user-bounces+nick.payne=internode.on@gnu.org
Any suggestions (other than trial and error alignment of separate elements)
on how to get an effect similar to that in the attached image, where the
line is rotated but the text is not.
Nick Payne
attachment: spanner.png___
lilypond-user mailing list
I have attached the barre and half barre functions I use that work with
2.12, and your test.ly modified to use them.
Nick
-Original Message-
From: lilypond-user-bounces+nick.payne=internode.on@gnu.org
[mailto:lilypond-user-bounces+nick.payne=internode.on@gnu.org] On
Behalf Of
]
Sent: Saturday, 25 April 2009 11:22
To: Nick Payne
Cc: 'lilypond'
Subject: Re: Rotating TextSpanner
Hi Nick,
Any suggestions (other than trial and error alignment of separate
elements)
on how to get an effect similar to that in the attached image,
where the
line is rotated
For guitar scores you might like these as well. Very similar functions for
harmonics and string number indications over multiple notes.
Nick
-Original Message-
From: Jonathan Kulp [mailto:jonlancek...@gmail.com]
Sent: Saturday, 25 April 2009 21:47
To: Nick Payne
Cc: 'Allan Spagnol
= ##t
e-1\44 \grace { \gfsn g-0\316[ ~ \gfsn a-2] } g4
}
Nick
-Original Message-
From: Neil Puttock [mailto:n.putt...@gmail.com]
Sent: Sunday, 26 April 2009 00:30
To: Nick Payne
Cc: lilypond-user@gnu.org
Subject: Re: Fingering font size on grace notes
2009/4/21 Nick Payne
I'm putting together a book of pieces, and using a particular font for
headers, footers, titles, subtitles, etc. The one place where I haven't
figured out how to get that font used is for the header text for the table
of contents that Lilypond creates. Each tocItem has the font I want by using
in the middle and bass voices outputs correctly with an unfilled notehead.
Nick Payne
attachment: test.png\version 2.12.2
qBeam = {
#(override-auto-beam-setting '(end 1 8 * *) 1 4 'Staff)
#(override-auto-beam-setting '(end 1 8 * *) 2 4 'Staff)
}
rBeam = {
#(revert-auto-beam-setting '(end 1 8
From: Jonathan Kulp [mailto:jonlancek...@gmail.com]
Sent: Friday, 1 May 2009 12:43 PM
To: Nick Payne
Cc: lilypond-user@gnu.org
Subject: Re: Head of merged half note getting filled
Nick Payne wrote:
I've got a score where the heads of half and dotted half notes that are
merged
more bars are added.
I'm running 2.12.2 on Windows.
Nick Payne
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
the title and first
stave. I can't remember if I managed to fix it or just removed the commands.
Nick Payne
From: lilypond-user-bounces+nick.payne=internode.on@gnu.org
[mailto:lilypond-user-bounces+nick.payne=internode.on@gnu.org] On Behalf
Of James E. Bailey
Sent: Friday, 8 May 2009
I asked about this problem a few weeks ago (TextSpanner disappearing if it
crosses a line break and terminates on the first note of a stave), and was
told that this problem would be fixed in 2.13.1, which apparently is a
couple of weeks away.
Nick
-Original Message-
From:
For example, on p.98 of the PDF version of the 2.12.2 NR the following
example appears about half way down the page:
\repeat volta 2 { c4 d e f }
c2 d
\repeat volta 2 { d4 e f g }
If you try to build this using 2.12.2 on Windows you get
error: syntax error, unexpected NOTENAME_PITCH
c2 d
and
-Original Message-
From: Patrick McCarty [mailto:pnor...@gmail.com]
Sent: Saturday, 23 May 2009 8:15 AM
To: Nick Payne
Cc: lilypond-user@gnu.org
Subject: Re: Should sample code in NR build correctly?
On Sat, May 23, 2009 at 07:54:54AM +1000, Nick Payne wrote:
For example, on p
Yes, now that I've come across it, it seems quite sufficient.
Nick
-Original Message-
From: Patrick McCarty [mailto:pnor...@gmail.com]
Sent: Saturday, 23 May 2009 9:53 AM
To: Nick Payne
Cc: lilypond-user@gnu.org
Subject: Re: Should sample code in NR build correctly
You can also override the minimum size of a staff vertically, by adding the
following to your score block:
\context {
\Staff
\override VerticalAxisGroup #'minimum-Y-extent = #'(-6 . 6)
}
The default for a Staff is, I think, (-4 . 4), so test with different
values.
Nick
markup { da capo al musicglyph #scripts.coda }
defaults to vertically aligning the centre of the coda symbol with
the bottom of the text. I can change this by using raise and fiddling
with the value for raise until it looks correct:
markup { da capo al raise #0.8 musicglyph #scripts.coda }
gis b gis8 |
}
}
\new Voice = second
{
\voiceTwo
\relative c' {
\key e \minor
e,1 |
\key e \major
\acciaccatura e8 e e'2. dis'4 |
}
}
%
Nick Payne
I have created a PDF portfolio with searchable index from the English
language PDF docs and uploaded it to
http://www.users.on.net/~njpayne/music/lilydoc.pdf (23Mb). Works fine for me
with Acrobat Reader 9 on both Windows and Linux.
Nick Payne
The snippet Automatic beams two per two in 4/4 or 2/2 time signature
(http://lilypond.org/doc/v2.13/input/lsr/lilypond-snippets/Rhythms#Automatic
-beams-two-per-two-in-4_002f4-or-2_002f2-time-signature) seems to be
unneeded in 2.13.1, as the output in the snippet is the same with or without
the
I found much the same problem with the setting of the Andante from
BWV 1003 that I recently downloaded from the Mutopia web site. In bar
7 the output incorrectly had 8th notes joined with 16th notes on the
same stem, and when building the file, the Lilypond console output
gaves the warning
Is there anywhere in the documentation that states where whitespace *is*
required? I was getting a warning in my console output: warning: More
alternatives than repeats. Junking excess alternatives, and I couldn't see
what could be causing this. I eventually found that that warning was caused
by
-Original Message-
From: Trevor Daniels [mailto:t.dani...@treda.co.uk]
Sent: Thursday, 11 June 2009 6:49 PM
To: Nick Payne; lilypond-user@gnu.org
Subject: Re: Lilypond sensitivity to whitespace
There is advice in Learning Manual 2.1.3 to surround
braces with whitespace
them yet...
Nick
-Original Message-
From: Graham Percival [mailto:gper...@gmail.com] On Behalf Of Graham
Percival
Sent: Thursday, 11 June 2009 10:01 AM
To: Jonathan Kulp
Cc: Nick Payne; lilypond-user@gnu.org
Subject: Re: Lilypond sensitivity to whitespace
On Wed, Jun 10, 2009 at 06
But if you remove all instances of ' and , then you're assuming that all
notes are less than a fifth away from the preceding note - most unlikely.
Nick
-Original Message-
From: lilypond-user-bounces+nick.payne=internode.on@gnu.org
You could use native Postscript. Like so. Play around with the values to get
the line thickness etc that you want :
%===
\version 2.12.1
#(define lbracket 0.25 setlinewidth -1.5 -2 moveto 0 8.8 rlineto -1.5 -2
moveto 2 0 rlineto -1.5 6.8
Cc: Nick Payne; lilypond-user@gnu.org; Qian Li
Subject: Re: Large square brackets for modern notation
Francisco Vila wrote:
2009/6/20 Mark Polesky :
If the line joints are round here, that's luck, and it won't
always work. You need to explicitly state setlinejoin to 1:
Well
I have just installed 2.13.2 as an update to 2.12.2, and in one of my scores
that uses bookpart and parttagline, the parttagline for the bookpart does
not appear in the PDF unless I change its name from parttagline to tagline.
I get no errors shown in the console log either way. I haven't been
Here's the function I use for indicating harmonics:
%===
==
harmonics = #(define-music-function (parser location text osp shorten
adjBreak adjEnd)
(string? number? pair? number? number?)
#{
% osp can
-Original Message-
From: lilypond-user-bounces+nick.payne=internode.on@gnu.org
[mailto:lilypond-user-bounces+nick.payne=internode.on@gnu.org] On
Behalf Of Werner LEMBERG
Sent: Thursday, 2 July 2009 10:33 PM
To: elu...@gmail.com
Cc: lilypond-user@gnu.org
Subject: Re: good
To get a circled number to look the same as the builtin string numbers, use
\markup \bold { \teeny \concat { \circle { \finger 6 } } }
Nick
-Original Message-
From: lilypond-user-bounces+nick.payne=internode.on@gnu.org
Here are the functions I use for a string number indication with a text
spanner. One for up, one for down. I suppose it could be simplified to one
function by passing in an extra parameter to indicate UP or DOWN.
% usage e.g.:
% \stringUp 2 #0 #'(0 . -0.5) #5 #1
% g\startTextSpan c bf'-
ItÂ’s the Chaconne from BWV1004. Matthieu Jacquot has the Lilypond source
code of his arrangement for guitar available under a Creative Commons
license on his web site, though that contains the notes without any
fingering indications. See
Since installing 2.12.858 I am quite frequently getting a permission denied
error at the point where Lilypond tries to generate the PDF from the PS:
Files/LilyPond/usr/share/lilypond/current/scm/backend-library.scm:115:15: In
procedure delete-file in expression (delete-file pdf-name):
Something like:
\header {
composer = \markup {
\column \right-align {
English Name
\lower #1 Japanese Name
}
}
}
Nick
-Original Message-
From:
I'm used to seeing the movement you describe notated as a line between the
two fingering indications, which I fake with a shifted glissando with
truncated ends:
%===
guide = #(define-music-function (parser location padleft padright) (number?
Ditto here with the latest LPT. Once the PDF has been opened in the viewer,
I get permission denied every time, even if I close the PDF preview before
building the ly file. Can't delete the PDF with Windows Explorer either. I
have to close jEdit to stop Java locking the PDF.
With the previous
BODY { font-family:Arial, Helvetica, sans-serif;font-size:12px; }
I know nothing about tablature, but to use your EPS file in a markup
would be something like
markup { epsfile #X #8 #hammer-pull.eps }
where the first parameter is the axis and the second is the amount
to scale by.
Nick
On
I use something like (this is pulled from a score I recently set):
\markup\small\italic { D.C. al \raise #0.8 \musicglyph #scripts.coda }
Nick
-Original Message-
From: lilypond-user-bounces+nick.payne=internode.on@gnu.org
Lilypond 2.13.3 on windows. I've come across a problem in a piece I'm
setting and can reproduce it in the following example. When I shift the
dotted half note in the bass voice to avoid a note collision, the dot
doesn't shift with the note. How do I move the dot. I tried doing the same
override
\once \override NoteColumn #'force-hshift = #x
Set x to negative to move to the left, positive to the right.
Nick
-Original Message-
From: lilypond-user-bounces+nick.payne=internode.on@gnu.org
[mailto:lilypond-user-bounces+nick.payne=internode.on@gnu.org] On
Behalf Of
-Original Message-
From: lilypond-user-bounces+nick.payne=internode.on@gnu.org
[mailto:lilypond-user-bounces+nick.payne=internode.on@gnu.org] On
Behalf Of Nick Payne
Sent: Wednesday, 29 July 2009 8:25 PM
To: 'lilypond'
Subject: How to get dot to move with note
Lilypond 2.13.3
The best introduction to Lilypond that I have seen is at
http://www.eugenecormier.com/pdfs/lilypond-guide.pdf. It's what I used when
getting started with Lilypond. By comparison, the manuals are a bit
daunting.
Nick
-Original Message-
From:
1 - 100 of 1124 matches
Mail list logo
