lilypond-book - latex environment

Hi folks I managed to run lilypond-book, then LaTeX. But it took me some time to figure out all that I had to set in the environment. I would like to suggest that this be explained somewhere in the documentation for running lilypond-book. Suggestion: Let LILYPOND be the directory where you built

Beams and repeats - bug report and syntax request

Hi folks, I am running into a beaming problem within a repeat. The repeat is between two eighth notes that would normally be connected by a beam, but because of the repeat they should be flagged, not beamed. This triggers a bug in 1.6.8 (on Linux, RedHat 6.4 I think I am still running). The weird

Re: Beams and repeats - bug report and syntax request

Han-Wen Nienhuys wrote: [EMAIL PROTECTED] writes: Hi folks, I am running into a beaming problem within a repeat. like that. For obvious reasons, [a8] b does not do what I want. Actually, over here, [a8] does work, with some warnings. You are absolutely right, last time I tried [a8]

Rest(silents) with attached text become very wide

be forced to have its natural width? Rutger Hofman Amsterdam \score { \property Score.skipBars = ##t \context Staff \context Voice \notes { \time 4/4 R1*4 s1*4_G.P. R1*4 R1 s1_G.P. R1

Re: Scanning music OCR to lilypond?

Graham Percival wrote: On Fri, 30 May 2003 10:01:43 -0400 Daniel Ashton [EMAIL PROTECTED] wrote: Is anyone aware of a way to scan music into lilypond format? I very much doubt it. The best way I can think (in the near future) would be to use a commercial windows program (possibly under Wine) to

Re: notation project maintainence

Aaron wrote: My main concern now is versioning and project management. Has anyone out there had experience with this kind of thing and could they recommend an application, methodology or structure for this project?? cvs is available for unixes (linux, cygwin) and also for Windows. cvs allows

Re: scanning printed music to lilypond

why that cannot be added. [snip] Rutger Hofman Amsterdam My filter is in http://www.cs.vu.nl/~rutger/software/niff2ly-0.2c.tgz in source form. It generates lilypond 1.(6,8,..). Methinks it is easy to upgrade it to Lily 2. If anybody wants me to upgrade it to generate Lily 2, let me know. If anybody

Vertical alignment of Figured Bass?

Hi list, how can I achieve better vertical alignment of figured bass figures? See example. My preference is between: a) the top of the stack of figures is at some fixed distance below the lowest note in this *bar* or b) the top of the stack of figures is at some fixed distance below the

Re: Vertical alignment of Figured Bass?

contrived) example, and the tweaked according to the above. Thanks, Rutger Rutger Hofman wrote: Hi list, how can I achieve better vertical alignment of figured bass figures? See example. My preference is between: a) the top of the stack of figures is at some fixed distance below the lowest note

Re: Hey, ya! =))

According to the headers, this comes from 51.78.92.200 helo=ENTHUSIA. If I do a DNS lookup, I get: 61.78.92.200.in-addr.arpa domain name pointer customer-TEP-78-61.megared.net.mx. Anybody on the list recognizes themselves in this domain megared.net.mx.? Then please take action to eliminate your

Re: Lilypond bombs again.

XP names the Cygwin root directory 'C:\cygwin' Cygwin names the Cygwin root directory '/' (both without the quotes). It seems to me that Cygwin does not really understand your URL-style file name file:/c://cygwin//'lily3.ly' (which is a usual thing on Unix systems). I think you should attempt to

Re: lilypond bombs on Mandrake 10 again

I asked you not to adorn the file name with fancy URL style stuff. You do it anyway, and it bombs. You should type: lilypond lily.ly You should *not* type lilypond file:lily.ly because it will bomb on you. If you *want* to include the whole path name of your lilypond file, do it like this:

Re: No Work!

Tim McNamara wrote: On Dec 16, 2009, at 8:55 AM, John Mandereau wrote: Le mardi 15 décembre 2009 à 20:20 -0600, Tim McNamara a écrit : Wouldn't it be simplest to set the Reply-To header to the list? Then all replies go to the list by default. No. For good reasons about this, see

Re: Headword for unfretted-strings

Ravel died in 1937. In almost all countries, copyright lasts 70 years past the death of the author (I think Canada still has the 50-year rule, as one of the very few exceptions; and exceptions never extend the period of protection). Since Jan 1, 2008, Ravel's works are free of copyright.

Re: vim pointing to pdf-viewer and reverse

On 03/07/2012 11:09 AM, Rutger Hofman wrote: On 03/07/2012 09:12 AM, David Kastrup wrote: Stjepan Horvatzvanste...@gmail.com writes: On Tue, Mar 6, 2012 at 5:48 PM, David Kastrupd...@gnu.org wrote: Stjepan Horvatzvanste...@gmail.com writes: Hello..can somebody please tell me how to get vim

Re: vim pointing to pdf-viewer and reverse

On 03/07/2012 09:12 AM, David Kastrup wrote: Stjepan Horvatzvanste...@gmail.com writes: On Tue, Mar 6, 2012 at 5:48 PM, David Kastrupd...@gnu.org wrote: Stjepan Horvatzvanste...@gmail.com writes: Hello..can somebody please tell me how to get vim and a pdf viewer (xpdf or evince of

Re: vim pointing to pdf-viewer and reverse

On 03/07/2012 11:09 AM, Rutger Hofman wrote: On 03/07/2012 09:12 AM, David Kastrup wrote: Stjepan Horvatzvanste...@gmail.com writes: On Tue, Mar 6, 2012 at 5:48 PM, David Kastrupd...@gnu.org wrote: Stjepan Horvatzvanste...@gmail.com writes: Hello..can somebody please tell me how to get vim

Articulation with parenthesis-open and with parenthesis-close?

me: warning: Cannot find glyph scripts.staccatissimo I would much prefer to not have to indicate dstaccatissimo and ustaccatissimo by hand. Rutger Hofman Amsterdam ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman

Re: Articulation with parenthesis-open and with parenthesis-close?

On 09/28/2012 01:34 PM, Reinhold Kainhofer wrote: On 28/09/2012 12:06, Rutger Hofman wrote: in my current score, there are long, consecutive lists of notes with articulations (dashes) in parentheses. Now it would improve readability a lot if the first of these parenthesized dashes has only

Re: evince handling textedit:// -- updated version

On 10/10/2012 03:05 PM, Mark Knoop wrote: There is now a new version of this in Python which should work better for most people. Now configurable to your favourite editor. https://github.com/markk/textedit-ly All versions you posted, and all efforts I had carried out independently before,

Re: Reheaseals with irregular bars

On 10/29/2012 01:29 PM, Wim van Dommelen wrote: Hi Jacques, There is the Mutopia project, but I'm unsure about the current status. I've seen no activity on the mailing list for a long time. And for my last project, which I registered on Mutopia, I even didn't get a confirmation at all. So I

Accidental like dodecaphonic, but a little different?

Hello list, I am typesetting a piece by Alban Berg. Its accedental convention i like dodecaphonic in that (nesrle), but it differs in that repeated notes Verzonden vanaf mijn Sony Ericsson X10 ___ lilypond-user mailing list lilypond-user@gnu.org

Accidental style like dodecaphonic, but not quite the same

this? And related: is there a way to remove one note's explicit accidental even when a style prescribes it? Thanks, Rutger Hofman Amsterdam ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Minimum hairpin length

Good morning list, I can set Hairpin #'minimum-length and that is fine. However, if a note also has another dynamic, as in e.g. c1 { s2\mp\ s2\ \! } the space that is reserved for the \ is also used up by the \mp, so a much shorter \ results. Is there a way to set a minimum for \ only,

Re: harp gliss spacing

On 12/01/2012 12:05 AM, Saul Tobin wrote: I'm trying to find an example image, but most of the ones I can find don't have other staves going at the same time to show the spacing I want. I want the spacing to look something like: \oboe \relative c' { s4 \times 3/4 { d4 ef8[ fs gf as

Re: harp gliss spacing

On 12/01/2012 12:46 AM, Rutger Hofman wrote: On 12/01/2012 12:05 AM, Saul Tobin wrote: I'm trying to find an example image, but most of the ones I can find don't have other staves going at the same time to show the spacing I want. I want the spacing to look something like: \oboe

Re: Output other than PDF

Hans Aberg wrote: On 21 Aug 2005, at 11:08, Han-Wen Nienhuys wrote: I think /usr/local/bin/lilypond is the shell script to invoke it from the command line. It currently says # run the program python $INSTALLDIR/LilyPond.app/Contents/Resources/lilycall.py \ $INSTALLDIR/LilyPond.app/

\mark halfway a bar?

Good afternoon list, I want to have a rehearsal \mark halfway a bar. I cannot find anything in the v2.16 manual. Thanks for helping out, Rutger ___ lilypond-user mailing list lilypond-user@gnu.org

Re: \mark halfway a bar?

On 03/14/2013 01:01 PM, Janek Warchoł wrote: Hi, On Thu, Mar 14, 2013 at 12:43 PM, Rutger Hofman rut...@cs.vu.nl wrote: Good afternoon list, I want to have a rehearsal \mark halfway a bar. I cannot find anything in the v2.16 manual. I'm not sure i understand your problem. You can simply

Re: \mark halfway a bar?

On 03/14/2013 02:51 PM, David Kastrup wrote: Rutger Hofman rut...@cs.vu.nl writes: On 03/14/2013 01:01 PM, Janek Warchoł wrote: Hi, On Thu, Mar 14, 2013 at 12:43 PM, Rutger Hofman rut...@cs.vu.nl wrote: Good afternoon list, I want to have a rehearsal \mark halfway a bar. I cannot find

Re: Page break after score header

On 05/16/2013 07:14 AM, Carl Peterson wrote: How would I go about forcing a page break after a score's header (before the actual music)? In preparing slides for my psalter project, I want to generate title cards before the first slide of each score. So far, everything I'be tried either

Re: dodecaphonic-first accidental style

On 03/05/2013 12:05 PM, David G wrote: I had been wondering that as well because I don't think it's all that unusual, at least for early 20th century music (I have some Webern scores printed in this way) but I couldn't see anything in the Lilypond documentation. If anyone has any suggestions I

Lyrics font size in ossia Staff

accordingly? Thanks, Rutger Hofman Amsterdam ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Tie placement in voiceTwo

if this is preferred engraving practice. Rutger Hofman Amsterdam \version 2.16.0 \relative c'' { \voiceTwo a8~^ties a a8~ a a(^slurs a) a( a) | } attachment: tie-voice-two.png___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman

Re: Tie placement in voiceTwo

notes. My baroque violin player friend says: oh yes, that is bow vibrato. Not vibrato in the modern sense, but 2 (3, 4) notes under one bowing. Rutger Hofman Amsterdam Verzonden vanaf mijn Sony Ericsson X10 Peter Bjuhr peterbj...@gmail.comschreef: As David points out the original example

Re: Tie placement in voiceTwo

On 09/01/2013 04:16 PM, David Kastrup wrote: Rutger Hofman rhn...@vu.nl writes: (sorry for not including the conversation, but this from my Android phone.) OK, a slur it must be. But, although the notation a8( a8) may be uncommon nowadays, it is quite common in baroque music. Most recently, I

Re: Score examples

On 09/02/2013 02:50 PM, Urs Liska wrote: Hi, I'm compiling a selection of examples to show LilyPond's output quality. I'm aiming at a collection of ca. 5 examples (1-page excerpts) of LilyPond scores tweaked to publication quality and a similar number of examples of out-of-the-box engraving.

Re: midi (and ONLY! midi) transposing

that sounding right. Or /is/ there are way to do it with a couple of code directives? thanks Doesn't \transposition do what you want? In 2.17: http://lilypond.org/doc/v2.17/Documentation/notation/displaying-pitches#index-_005ctransposition Rutger Hofman Amsterdam

Re: Bach B Minor Mass

On 03/15/2011 08:19 AM, Craig Bakalian wrote: Hi, On the Petrucci Free Music web site there appears to be on the Bach B Minor Mass page, a Lilypond setting of the Mass. http://imslp.org/wiki/Mass_in_B_minor,_BWV_232_%28Bach,_Johann_Sebastian %29#Full_Scores Does anyone know who did this work?

Re: Major version: LilyPond 2.14.0 released!

When I look over the changelog, I am really impressed with the new feature list (I had already switched over to the devel version for the two-sided margins). And that is without bug fixes, I presume. Rutger On 04/01/2011 10:56 AM, Nils wrote: Thats nearly the same thing as last year. And

trill spanner without tr?

Good morning list, using 2.13.60. I want a trill spanner line without the tr. How can I achieve that? Thanks, Rutger Hofman Amsterdam ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: question on a bach's canon: mordent repeat

On 06/15/2011 04:41 AM, Marc Mouries wrote: I don't mean the sign on the last bar of each staff but the sign in the final bar of the music, right after g8 a8 b4 that looks like a mordant. I'd say it is just a rest (r4). The last note has something that looks like an erased error on the lowest

Re: New User Questions

From the original, I think there are in fact 2 different scores: one with the refrain, one with the stanza. It would also be a solution to split your lilypond source into two different \score{ }s. This also solves the apparent timing issues -- however, not how refrain and stanza attach. Like

Re: Non-standard MIDI instruments

On 11/23/2011 07:46 AM, Hilary Snaden wrote: I've tried adding lines like this (ahh choir . ,(- 53 1)) to midi.scm so that I can use instrument names which match those in a soundfont set I use with the LMMS open-source sequencer, but it doesn't work, giving warning: no such MIDI instrument:

mark text (not markup) to fill Rest bars?

behaviour for \mark \markup{ ... bla ... }. Is that possible? Rutger Hofman Amsterdam Lilypond 2.14.2 ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Bug for slur and (not) restored accidental

'2( | fis'!) | } } IMHO this is a bug. Rutger Hofman Amsterdam attachment: slur-acc.png___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Bug for slur and (not) restored accidental

On 11/30/2011 09:46 PM, Nick Payne wrote: On 01/12/11 01:43, Rutger Hofman wrote: Good afternoon list, I think in the following example (see attached) lilypond should automatically add a sharp in bar 2, as enforced in the second line: \version 2.14.0 \score { \new Staff { \key g \major \time

Re: mark text (not markup) to fill Rest bars?

On 11/30/2011 03:36 PM, m...@apollinemike.com wrote: On Nov 30, 2011, at 3:33 PM, Rutger Hofman wrote: Good afternoon list, in http://www.lilypond.org/doc/v2.14/Documentation/notation/writing-rests#index-_005ctextLengthOn , the section on Multi-measure rest markup, I find a method to have

Re: mark text (not markup) to fill Rest bars?

On 12/06/2011 03:10 AM, Keith OHara wrote: Rutger Hofmanrutgerat cs.vu.nl writes: Thanks, this works well for multimeasure rests. But I would also like the same mark to work for another staff that has music in it. With these overrides, that looks weird: the markup is stretched over an empty

Auto-beaming in tuplets?

/exception? Thanks, Rutger Hofman Amsterdam \version 2.14.2 \score { \relative c'' { \time 1/4 \times 2/3 { c8. c16 c8 } \time 3/8 c8. c16 c8 } \layout { raggedright = #'t } } attachment: triplet-beam.png___ lilypond-user mailing list

Re: Auto-beaming in tuplets?

On 12/29/2011 03:18 PM, Phil Holmes wrote: - Original Message - From: Rutger Hofman rut...@cs.vu.nl To: lilypond-user@gnu.org Sent: Thursday, December 29, 2011 2:12 PM Subject: Auto-beaming in tuplets? Hello list, the auto-beaming I get with a (8. 16 8) figure is fine for e.g. 6/8

Re: pdf to .ly?

On 01/18/2012 06:09 PM, Phil Holmes wrote: - Original Message - From: Colin Campbell c...@shaw.ca To: lilypond-user@gnu.org Sent: Wednesday, January 18, 2012 1:58 PM Subject: Re: pdf to .ly? On 12-01-18 05:12 AM, Gerard McConnell wrote: Hello, Does anybody here know of software that

Re: pdf to .ly?

On 01/19/2012 10:00 PM, Pavel Roskin wrote: On Thu, 19 Jan 2012 13:47:06 +0100 Rutger Hofmanrut...@cs.vu.nl wrote: SharpEye also has a freeware version with some restrictions. One of them is that it does not generate MusicXML. It can create NIFF though, and I wrote a converter from NIFF to

Re: Usability Question

Bertalan Fodor wrote: Graham Percival-2 wrote: Upro wrote: 1. The score has four voises. All have their own stems. I find it extremely complicated to arrange stems/notes in the same order (right to left), and stems in the correct direction. I personally would condense this down to one

Re: Usability Question

Bertalan Fodor wrote: I also tried this with \voiceOne etc (with version 2.8.8, admittedly), and couldn't get the first chord to print as 4 different voices of which three have upward stems. Lilypond gives me warning: ignoring too many clashing note columns, and collapses all three into one

Re: Usability Question

Carl D. Sorensen wrote: Bert wrote: Yes! And it *works* ! Rutger voiceFive = #(context-spec-music (make-voice-props-set 4) 'Voice) { \voiceOne g''4 ~ \stemDown g32[ f( es d c b a b64 )g] } \\ { \voiceThree b4} \\ { \voiceFive d,} \\ { \voiceTwo g,}\\ Bert I tried

Re: Problems with LilyPond 2.11.15

Diosnel Herrnsdorf wrote: Hi there! I'm sorry if this is not the exact place to post this kind of issues... if that is the case, please redirect me to the right place. ... Interpreting music... C:/Documents and Settings/DiosnelH/My Documents/Scores/Moreno Torroba/Suite

Typo in snippet LSR 131 since v2.18

Hello list, In LSR-131, the shorthand notation for staccatissimo is correct in the lilypond code (c4-!) but not in the markup that accompanies it: that still has c4-|, the syntax of v2.16 and earlier. Rutger ___ lilypond-user mailing list

Re: dodecaphonic-first accidental style

On 03/24/2014 01:50 PM, Gilberto Agostinho wrote: Gilberto Agostinho wrote The correct syntax is with the s [...] I meant without without the s, as in repeat and NOT repeats Rutger Hofman-2 wrote [...] As a fix, I made a small addition to music-functions.scm to add a dodecaphonic-first

Re: Ties across voices

On 03/31/2014 05:54 AM, Nick Payne wrote: On 31/03/14 10:56, Daniel Rosen wrote: Consider the example below: \version 2.19.3 \new Staff \new Voice \relative c'' { \voiceOne c4~ c d, c } \new Voice \relative c' { \voiceTwo c d8 q How can I tie the lower voice's c d to the upper voice's

Smarter automatic beam subdivision?

Good morning list, I would love to be able to make 'smart' automatic beam subdivision, so, for example, it automatically subdivides 16th at the quarter, but 32nds or 6/4* 16th etc at the eighths. Is there a way to accomplish that? Btw, the current syntax to do ad-hoc subdivision by hand is

Re: Smarter automatic beam subdivision?

On 04/01/2014 12:23 PM, Phil Holmes wrote: - Original Message - From: Rutger Hofman rut...@cs.vu.nl To: lilypond-user lilypond-user@gnu.org Sent: Tuesday, April 01, 2014 11:03 AM Subject: Smarter automatic beam subdivision? Good morning list, I would love to be able to make 'smart

Re: the next step?

On 04/05/2014 10:28 AM, Mike Solomon wrote: On Apr 4, 2014, at 10:33 PM, b...@wolfcomposer.com mailto:b...@wolfcomposer.com wrote: Dear All, A friend of mine asked a few questions about a pipe-organ piece i'd written that was performed recently. i ended up making two sheets of examples for

Absolute size for \epsfile, i.e. independent of global-staff-size

query the font size and correct for that? Rutger Hofman Amsterdam ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Absolute size for \epsfile, i.e. independent of global-staff-size

On 04/28/2014 09:45 AM, Marc Hohl wrote: Am 28.04.2014 00:08, schrieb Rutger Hofman: Good evening list, I want to include a title page w/ an \epsfile image in a number of files (score, parts), where the point size for the files may differ: score has smaller font than parts, basically. Now I

Re: tie and slur problem

The following code works for me. It depends on two voices having the same predicate \voiceTwo. Note that you will probably want to tune the shape of the voiceTwo slur, it is wider than in your original. \new Score { \new Staff \new Voice \relative c' { \voiceOne

Re: tie and slur problem

On 10/28/2014 09:42 AM, Dr. Bernhard Kleine wrote: -BEGIN PGP SIGNED MESSAGE- Hash: SHA1 There should be a tie between the two c and a slur from e to f. and a slur from g over b(bes) to a in the right hand. The upper g and b and a are in a separate voice and no problem. But how to

point-and-click (was: Re: vim pointing to pdf-viewer and reverse)

/disable/usr.bin.evince # /etc/init.d/apparmor restart On 03/07/2012 11:26 AM, Rutger Hofman wrote: On 03/07/2012 11:09 AM, Rutger Hofman wrote: On 03/07/2012 09:12 AM, David Kastrup wrote: Stjepan Horvatzvanste...@gmail.com writes: On Tue, Mar 6, 2012 at 5:48 PM, David Kastrupd...@gnu.org wrote

Re: Beaming and grace notes

Is the original correct? I would guess that a treble clef has been forgotten in the upper staff, at the moment the staff is crossed in the grace note run. How else can the run, and especially the cross-staff chords in the last four 1/32 notes make sense? Rutger On 11/29/2014 07:49 PM, Knute

Re: Beaming and grace notes

On 11/29/2014 07:49 PM, Knute Snortum wrote: Ah, I see. Use two voices so one is the eighth note and the other is the grace notes with their duration divided over the eighth. This also gets me the slur. Thank you. Knute Snortum (via Gmail) On Sat, Nov 29, 2014 at 10:31 AM, Keith OHara

Re: switching stem direction within voice to avoid collisions

On 01/26/2015 02:29 PM, Pierre Perol-Schneider wrote: 2015-01-26 13:45 GMT+01:00 bart deruyter bart.deruy...@gmail.com mailto:bart.deruy...@gmail.com: That made it possible for the 'mergeDifferentlyHeadedOn' to show the half-note. Ok, now I see, I missed that. See :

Re: Custom DrumStaff

On 01/23/2015 12:28 AM, Cynthia Karl wrote: I'm trying to duplicate the behavior shown in the next two images: The major things wrong with this output are: * the rests should be centered on their line, not above it * there should be a full-measure rest on the lower line of

Re: Peer review

: if the movements are clearly separated by piece titles and ample vertical white space, I don't indent the first system of the movement. In Mvt III., from [C]: I think the tuplet spanners are a bit tiring to the eye. How does it look without the spanner lines? Rutger Hofman Amsterdam

Re: Cue notes with lyrics?

On 02/14/2015 02:48 PM, Thomas Morley wrote: 2015-02-14 13:27 GMT+01:00 Rutger Hofman rut...@cs.vu.nl: Good morning list, I would like to create cue notes with lyrics. I added lyric-event to the Score.quotedCueEventTypes but that gave me no lyrics. How should I go about this? Thanks, Rutger

Cue notes with lyrics?

Good morning list, I would like to create cue notes with lyrics. I added lyric-event to the Score.quotedCueEventTypes but that gave me no lyrics. How should I go about this? Thanks, Rutger Hofman Amsterdam ___ lilypond-user mailing list lilypond

Re: Beam subdivision

count between subgroups should be 2. Is this different from Lilypond's default behaviour? Rutger Hofman Amsterdam ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: [Spam] Re: hairpins default stop at barline

On 06/12/2015 02:23 PM, Gianmaria Lari wrote: I'm not a musician. I'm editing a published violin score using lilypond. The book is a set of studies by Robert Pracht and in many of them the note which ends a hairpin falls on a downbeat. I don't know if this is something exceptional or pretty

Re: Ties across different voices?

On 06/07/2016 09:15 PM, Joshua Nichols wrote: I've run into the need to do this, and I can't quite figure out how to make it happen. Please see the attached image. Basically, for those who can't load it, I want to create a tie from a "chord" into a "new voice." It's fairly common in classical

Re: Import pdf into Lilypond (no ocr/omr)

On Windows, there is PDFtoMusicPro, which is (of course) not free. For Unix, it lets itself be installed under Wine. The free trial version only processes the first page of a document. Rutger On 01/14/2016 10:03 PM, T4b wrote: Hi, sorry if this has been asked before, didn't find anything.

Horizontal collision of left and right spanner texts

de TextSpanner.bound-details.left.text = \markup{\bold{wieder zurück ins}} \override TextSpanner.bound-details.right.text = \markup{\bold{Hauptzeitmaß}} c''1\startTextSpan | c''1\stopTextSpan } } Thanks, Rutger Hofman Amsterdam ___ lilypo

Re: Unknown marking in Roman print (1710)

Please be careful about distributing such information about IMSLP. It is incorrect. IMSLP still allows anyone to download any score for free and without registration, but you have to wait a short time, I think 10 seconds, before downloading. If you are a subscriber, you don't have the wait

Re: Cross staff stems between notes of different durations

For me, this just works, with differentlyHeaded and with different durations for the same NoteHead type: \version "2.19.39" \score { \new PianoStaff \with { \consists #Span_stem_engraver } << \new Staff = RH << \time 3/4 \relative c'' {

Re: Cross staff stems between notes of different durations

On 07/20/2016 03:15 PM, Rutger Hofman wrote: For me, this just works, with differentlyHeaded and with different durations for the same NoteHead type: \version "2.19.39" \score { \new PianoStaff \with { \consists #Span_stem_engraver } <<

Re: Combining voices in American Hymns

gt;> } \score { \new Staff << \partcombine #'(1 . 9) \soprano \alto >> } Rutger Hofman Amsterdam ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Combining voices in American Hymns

On 09/14/2016 12:18 AM, David F. wrote: On Sep 13, 2016, at 4:14 PM, Rutger Hofman <rut...@cs.vu.nl> wrote: On 09/13/2016 11:32 PM, David Wright wrote: On Tue 13 Sep 2016 at 21:56:04 (+0100), J Martin Rushton wrote: On 12/09/16 19:21, Karlin High wrote: On 9/7/2016 11:56 PM, David F.

Re: Beaming, partcombine and pickups

On 09/16/2016 06:24 AM, David Wright wrote: On Thu 15 Sep 2016 at 17:15:02 (-0600), David F. wrote: I have a song in 9/8 time with a pickup of three eighth notes. I expect Lilypond to beam those three eighth notes together, but it does not when I combine two voices with partcombine. Am I

Re: Alternate (scheme) text spanner ignores spacers

, On Fri, Oct 7, 2016 at 9:11 AM, David Nalesnik <david.nales...@gmail.com> wrote: Hi Rutger, On Fri, Oct 7, 2016 at 2:30 AM, Rutger Hofman <rut...@cs.vu.nl> wrote: Hello list, David Nalesnik wrote a scheme TextSpanner that honours the spanner-id predicate. This is really, really great:

Alternate (scheme) text spanner ignores spacers

Alternate text spanner: https://lists.gnu.org/archive/html/lilypond-devel/2015-10/msg00042.html Attached a minimal example of correct/buggy behaviour, and, for ease of reference, David N.'s implementation. I would dearly love to see this fixed, but I have no idea where to look. Rutger Hofman

Re: Problem with partial measure at the beginning of the piece

I guess you want \partial 16*5 Rutger On 09/18/2016 09:47 AM, Serious Fun wrote: right = \relative c'' { \global % Music follows here. \partial 16 * 4 e,16 \noBeam \tuplet 3/2 {g8 e g} | a8. [a16] r4 r8. a,16 \noBeam d8.c16 | cs8. c16 } left = \relative c' { \global % Music follows

Re: Problem with partial measure at the beginning of the piece

} %| a8. [a16] % 2x 1/8 = 1/4 r4 % 1x1/4 r8. % 1/4 together with the starting e16 a,16 \noBeam d8. c16 %| %1x1/4 cis8. c16 %1x 1/4 } %{ left = \relative c' { %\global % Music follows here. \partial 16*4 r16 r4 <a, e'>4 <d, a'> } %} Am 18.09.2016 um 10:20 schrieb Rutger Hofm

Re: [Spam] Re: [Spam] Re: Spanner right-hand text may disappear when padded

On 10/17/2016 06:49 PM, David Nalesnik wrote: On Mon, Oct 17, 2016 at 9:35 AM, David Nalesnik <david.nales...@gmail.com> wrote: On Mon, Oct 17, 2016 at 8:26 AM, Rutger Hofman <rut...@cs.vu.nl> wrote: Thanks for all the help! First I post some rationale, then my real question, which

Re: [Spam] request for help: huge score

You can check if my typeset of Berg's Adagio (Kammerkonzert) works. It is here: http://imslp.org/wiki/Kammerkonzert_(Berg,_Alban) then under the list of parts, there is a zip with the source, with a Makefile to build score and all parts (make -j should work). (This is also a nice test if I

Re: [Spam] Photoscore

Somewhat more affordable is PDFToMusic Pro. It takes a PDF with music fonts (so not scans) and exports to MusicXML; it ought to be more reliable than the OMR that recognizes scans. It runs under Wine (at least the trial did). Rutger On 11/22/2016 11:13 AM, N. Andrew Walsh wrote: Hi List,

Spanner right-hand text may disappear when padded

TextSpanner, and also with David Nalesnik's spanner-id TextSpanner. A workaround can be found by inserting \breaks or \noBreaks, but that is an unappealing hack, and not maintenance-friendly. Is there a 'good' workaround, or a 'good' way to let the TextSpanner behave in the way I want? Rutger

alternate spanner-id-aware spanner does not work in 2.39.48

Hello list, to my grief I noticed that David Nalesnik's id-aware spanner implementation in scheme no longer works in 2.39.48. It gives me errors like "warning: No spanner to end!!" and "warning: incomplete spanner removed!" if there are overlapping spanners. No For reference, I again attach

Re: alternate spanner-id-aware spanner does not work in 2.39.48

Finish my sentence at the end of the paragraph: ... No spanners are drawn at all in this example. On 10/16/2016 07:53 PM, Rutger Hofman wrote: Hello list, to my grief I noticed that David Nalesnik's id-aware spanner implementation in scheme no longer works in 2.39.48. It gives me errors like

Re: alternate spanner-id-aware spanner does not work in 2.39.48

Yes, this helps! Thanks a lot! Rutger On 10/16/2016 08:15 PM, David Kastrup wrote: Rutger Hofman <rut...@cs.vu.nl> writes: Hm, I suspect ((or (and (string? sp-id) (string?

Re: [Spam] Re: Spanner right-hand text may disappear when padded

On 10/12/2016 03:53 PM, David Nalesnik wrote: On Wed, Oct 12, 2016 at 8:48 AM, David Nalesnik wrote: Harm, On Wed, Oct 12, 2016 at 8:13 AM, Thomas Morley wrote: in this thread

Re: [Spam] Re: Spanner right-hand text may disappear when padded

On 10/12/2016 06:17 PM, David Nalesnik wrote: On Wed, Oct 12, 2016 at 8:48 AM, David Nalesnik wrote: Harm, On Wed, Oct 12, 2016 at 8:13 AM, Thomas Morley wrote: in this thread

Re: [Spam] Re: [Spam] Re: Spanner right-hand text may disappear when padded

that the list spoke about lately. On 10/12/2016 09:56 PM, David Nalesnik wrote: On Wed, Oct 12, 2016 at 2:04 PM, Rutger Hofman <rut...@cs.vu.nl> wrote: On 10/12/2016 06:17 PM, David Nalesnik wrote: On Wed, Oct 12, 2016 at 8:48 AM, David Nalesnik <david.nales...@gmail.com> wrote: Harm, On

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