the other:
\version "2.23.10"
\relative c' {
<< { \ottava 1 \repeat unfold 4 c'' } \\ { \ottava 0 \repeat unfold
4 d,, } >>
}
Thanks,
-Ahanu
--
William Rehwinkel
will...@williamrehwinkel.net
https://williamrehwinkel.net
to engrave a Piano arrangement of JS Bach, Six Little
Preludes, Nr 1, where the left hand notes have a strange thing I've
never seen before, a mordent on top of a sharp sign.
I've never seen these symbols together in this manner.
I have a screenshot attached.
Thanks,
Ken Wolcott
--
William
meaning.
What remains (that I did not specify) is how to engrave this?
Thanks,
Ken
On Mon, Jun 27, 2022 at 8:51 PM William Rehwinkel
wrote:
That symbol means that the lower note is sharped. So it would be g-f#-g
instead of g-fnatural-g. See
https://music.stackexchange.com/questions/86043/w
the tremolo where the colon syntax is not understood for
midi output.
I'm apparently not doing the math correctly.
4/4 time, half notes, two 8th note tremolos
Thanks,
Ken Wolcott
--
William Rehwinkel
will...@williamrehwinkel.net
https://williamrehwinkel.net
d2-2}>>
}
\score {
\new PianoStaff <<
\set PianoStaff.instrumentName = #"Piano "
\new Staff = "upper" \upper
\new Staff = "lower" \lower
>>
\layout { }
\midi { }
}
--
William Rehwinkel
will...@williamrehwinkel.net
https://williamrehwinkel.net
! That is exactly what I needed. I still don't have the
formula down pat, but I'll work on it until it is automatically
correct.
Ken
On Mon, Jul 18, 2022 at 5:40 PM William Rehwinkel
wrote:
Hey Kenneth,
I think you may want to write `\repeat tremolo 4` instead of 2, because
that will signify
this? Anything that can be changed about
the input file or command-line call of lilypond to make this change, I
can do, if needed.
Thanks,
-William
--
William Rehwinkel
will...@williamrehwinkel.net
https://williamrehwinkel.net
le lot
of additional code to accomplish the linking. (The linking isn't
critical enough to be worth a lot of time, and I can think of simpler,
though less satisfactory solutions.)
--
William Rehwinkel
will...@williamrehwinkel.net
https://williamrehwinkel.net
codebase just painted into a corner
that can't be gotten out of in this area due to architectural design
decisions? Are there any plans at all to develop this functionality in
the forseeable future?
Andrew
--
William Rehwinkel
will...@williamrehwinkel.net
https://williamrehwinkel.net
l
It's not possible to answer your question, as most
plans to develop functionality are a private decision
of a particular contributor that are not public until
(perhaps a few days before) a patch is submitted.
Best,
Jean
--
William Rehwinkel
will...@williamrehwinkel.net
https://williamrehwinkel.net
as the slur
positioning mechanism is not quite up to positioning Staff-level slurs
correctly.
The attached Scheme Tie_engraver may be used as a drop-in replacement
for the standard C++ Tie_engraver; in my local branch, it compiles the
full regression test suite without causing differences.)
Lukas
notes within a voice (i.e. that can
be sung).
--
William Rehwinkel
will...@williamrehwinkel.net
https://williamrehwinkel.net
like this issue was last discussed
in 2015,
https://lists.gnu.org/archive/html/lilypond-devel/2015-03/msg00288.html
unless I missed something. Has this limitation been addressed since
then?
regards, Jim
--
William Rehwinkel
will...@williamrehwinkel.net
https://williamrehwinkel.net
s shell commands; at least
in this instance.
This same behaviour means I can't pipe the output of the font
command to grep for searching.
How can I search the list of available fonts?
Alasdair
--
Alasdair McAndrew (he/him)
mob: 0432 854 858
https://numbersandshapes.net
--
W
to
compile.
2) defaultBarType = #""
warning: cannot find property type-check for `defaultBarType'
(translation-type?). perhaps a typing error?
apparently is not recognized anymore ?
Can somebody point me in the right direction in order to have some equivalent
calls?
THank you
> % full PianoStaff
\layout {
\context { \Staff \accidentalStyle piano }
}
}
%
Happy new year
-Will
--
+ ------ +
|William Rehwinkel - Oberlin College and |
| Conservatory '24 |
|
nLabel "Section Label"
\music
}
\score {
<<
\up
\new Dynamics \dynamics
>>
}
--
+ -- +
|William Rehwinkel - Oberlin College and |
| Conservatory '24 |
| will...@williamrehwinkel.net
on successfully completed
See attached:
--
+ ------ +
|William Rehwinkel - Oberlin College and |
| Conservatory '24 |
| will...@williamrehwinkel.net |
| PGP key: |
quot;
}
\header {
piece = \markup \column {
"»Score.metronomeMarkFormatter = #format-metronome-markup-approx«"
"is assigned by a layout definition in this example"
\null
}
}
}
On 12/17/22 13:18, Paul Scott wrote:
Tempo indications in some published music doesn't use parentheses,
i.e. quarter = 120 rather than (quarter = 120). I have my own code to
do this but would like to know if I can get Lilypond to omit the
parentheses in:
\version "2.24.0"
\tempo 4 = 120
TIA,
Paul
--
William Rehwinkel
OpenPGP_signature
Description: OpenPGP digital signature
on
= #1.0
r8. g16 g g g g
}
--
William Rehwinkel
OpenPGP_signature
Description: OpenPGP digital signature
I have a tremolo that I'd like to engrave in 3/4 time, one
dotted-half note chord, double-slashed.
I'd like to use the repeat tremolo syntax so that I can obtain midi
output (without using the articulate feature).
Please see attached screenshot.
Thanks,
Ken Wolcott
--
William
ding an "x"
between the notes to signify the extension between "1" and "2"?
I am using version 22.2.2.
Thank you all,
Matt
--
William Rehwinkel
OpenPGP_signature
Description: OpenPGP digital signature
-William
On 1/14/23 12:58, Alberto Simões wrote:
Hello, Friends
Anyone knows:
- what is this expression mark (in terms of the player)
- how to mimic this in Lilypond?
Thank you!
Alberto
--
+ -- +
| William Rehwinkel - Oberl
And neither looks particularly great IMO.
--
+ ------ +
|William Rehwinkel - Oberlin College and |
| Conservatory '24 |
| will...@williamrehwinkel.net |
| PGP key: |
| http
d; I'll live with the collisions.
--
+ ---------- +
|William Rehwinkel - Oberlin College and |
| Conservatory '24 |
| will...@williamrehwinkel.net |
| PGP key: |
| https://willia
Eins
}
left hand:
f4-- r8 f as( g as4--) %26
f4-- r8 f c4-- es-- %27
f4-- r2. %28
\bar "||" \key g \minor
\repeat unfold 2 {
g4-- r8 g d4-- f-- %29 (and later, 37)
g4-- r8 g bes( a bes4--) %30
g4-- r8 g d4-- f-- %31
mões
*To: * lilypond-user
*Sent: * 14/01/2023 17:58
*Subject: * Unknown expression mark
Hello, Friends
Anyone knows:
- what is this expression mark (in terms of the player)
- how to mimic this in Lilypond?
Thank you!
Alberto
--
+ ----
= #ly:page-turn-breaking
}
\book {
\bookpart {
\markup { title page here }
}
\bookpart {
\score {
\relative c' {
\repeat unfold 1024 c8
}
}
}
}
--
+ -- +
| William Rehwinkel - Oberl
. s2. \bar "|."
}
This is called with:
\new Staff \with {
midiInstrument = "choir aahs"
instrumentName = "Soprano"
} { << \soprano \barLiner >> }
\addlyrics { \sopranoVerse }
--
+ ---------
2:42, Mark Stephen Mrotek wrote:
Hello,
The documentation has examples of coloring note heads, stems, and staves.
Where would I look for instructions to color slurs and/or ties?
Thank you.
Mark
--
+ -- +
| William Rehwinkel - Oberl
Yes, it is. You can define a markup for the copyright section, or any of the
header fields. So you could for example do \markup{\center-column{\line{ line
one } \line{ line two}}} etc.
-William
Sent from my iPhone
> On Mar 21, 2023, at 00:42, Samuel Sloniker wrote:
>
> Hello! Is there a
ine ones: those get copied when quoted, cf 2021-09.
>
> What are you referring to precisely? There are lots of messages
in the list
> archives for September 2021.
--
+ -- +
|William Rehwinkel -
edback will come instantly.
Jean
--
+ -- +
|William Rehwinkel - Oberlin College and |
| Conservatory '24 |
| will...@williamrehwinkel.net |
| PGP key: |
|
find on tagline
was pretty sparse (unless I missed something).
I could fill out an issue if you think it rises to that.
--
Knute Snortum
--
+ --- +
| William Rehwinkel - Oberlin College and |
| Conservatory '24 |
|
version rather than current master puts out.
But now there is neither warning nor crash.
--
+ ------- +
| William Rehwinkel - Oberlin College and |
| Conservatory '24 |
|will...@
I don't know, but what I meant to say is that this use of \tuplet
outside of \voices or a split into multiple voices seems to me to be
"undefined behavior" ("unspecified"?).
-William
On 10/16/23 19:09, David Kastrup wrote:
William Rehwinkel writes:
Dear David,
This se
}
\score {\new Staff
{\set Staff.midiInstrument = #"acoustic grand" \key c \major
\time 3/4 \clef bass e,4. d,8 c, e, \bar "||"} \layout { \context {
\Score proportionalNotationDuration = #(ly:make-moment 1/2) } } \midi {
\tempo 1 = 72}}
--
+ -----
he slur from "under the note" to "above the
note".
There's definitely room for improvement, both in my example and in LilyPond
proper.
Lukas
--
+ ------- +
| William Rehwinkel - Oberlin College and |
| Co
#0.5 "B" }[ e8
e8] g8[ a8 b8] |
\bar "|."
}
\score {
\new Voice = "mel" { \melody }
\layout {
\autoBeamOff
indent = 0\mm
}
}
--
+ --- +
| William Rehwink
}
}
\new PianoStaff {
<<
\new Staff = "upper" \upper
\new Staff = "lower" \lower
>>
}
}
--
+ --- +
| William Rehwinkel - Oberlin College and |
| Conservat
| % 1
}
\score {
<<
\new Voice = "mel" { \melody }
\new Lyrics \lyricsto mel \words
>>
\layout { \autoBeamOff }
}
%%%
--
William Rehwinkel
will...@williamrehwinkel.net
https://williamrehwinkel.net
\version "2.22.1"
u structure your input with variables won't make a difference.)
--
+ ------ +
|William Rehwinkel - Oberlin College and |
| Conservatory '24 |
| will...@williamrehwinkel.net
o ruminate?
Please take your time, and thanks for working on this!
Werner
--
+ -- +
|William Rehwinkel - Oberlin College and |
| Conservatory '24 |
| will...@williamrehwinkel.net |
| PGP key:
link every executable in
/usr/bin or elsewhere, in any location 'touched' by my $PATH ?
regards
dario m.
--
+ -- +
|William Rehwinkel - Oberlin College and |
| Conservatory '24
=
#(ly:make-moment 1/32)
\override SpacingSpanner.uniform-stretching = ##t
I am also attaching a screenshot so you can see the kinds of results I
am getting.
All the best,
Jaime
image.png
--
+ ------ +
|William Rehwi
er is a s4 that takes some space, I am currently
solving it with
things like:
\once \hide Rest r16 \once \hide Rest r16
\once \hide Rest r16 \once \hide Rest r16
which will take some more space, but it is not ideal.
best,
Jaime
On Fri, Mar 24, 2023 at 6:03 PM William Rehwinkel
m
Thank you in advance for your support,
Vlad
--
+ ------- +
| William Rehwinkel - Oberlin College and |
| Conservatory '24 |
|will...@williamrehwinkel.net |
| PGP key:|
|
imal example without publishing my whole project
in public.
—Joel
--
+ ------- +
| William Rehwinkel - Oberlin College and |
| Conservatory '24 |
|will...@williamrehwinkel.net |
| PGP key:
til (other-axis axis) -1 lb
vpadding))
stil))
\relative a {
\override Rest.stencil = #(lambda (grob) (wills-bracketify-stencil
(ly:rest::print grob) Y 0.15 0.5 0.2 0.6))
r1
r2. r4
a1\rest
}
%%
--
+ --- +
| William Rehwinkel - Oberl
tion was not clear:
https://lists.gnu.org/archive/html/lilypond-user/2009-01/msg00725.html
<https://lists.gnu.org/archive/html/lilypond-user/2009-01/msg00725.html>
Thank you for your help!
JD
--
+ ------- +
| William Reh
this could be done with substituting a text-interface for the time
signature stencil, but it would be nice if I could put this in my
style-sheet and "set and forget" it.
Thank you,
-William
--
+ --- +
| William Rehwinkel - Oberl
uot; <<
\clef bass
\new Voice = "tenors" {
\voiceOne
<< \global \tenorMusic >>
}
\new Voice = "basses" {
\voiceTwo << \global \bassMusic >>
}
>>
\new Lyrics = "basses"
\co
anks
Donna
--
+ --- +
| William Rehwinkel - Oberlin College and |
| Conservatory '24 |
|will...@williamrehwinkel.net |
| PGP key:|
|https://ftp.williamrehwinkel.net/pubkey.txt |
+ --- +
OpenPGP
My apologies for double-posting...after writing I looked some more and
found that you can use *\char ##x* to enter unicode characters in a
markup block as in here
https://lilypond.org/doc/v2.25/Documentation/notation/unicode
On 5/20/23 23:24, William Rehwinkel via LilyPond user discussion
hanks for any help you can provide. I have the Lilypond 2.12 Notation
Reference so if you even point me to the section to reference I'll
work it out.
Kind Regards,
--greg
--
+ --- +
| William Rehwinkel - Oberlin College and |
|
the docs I couldn't find anything on this. I know you could also do this
with the finished pdf using Adobe Acrobat or something else, but would
like to make this happen automatically.
Thanks,
-William
--
+ --- +
| William Rehwinkel - Oberlin College
PNGs, one with the source file's
output and one that shows how I want it to look. Any help would be
very appreciated.
--
Knute Snortum
--
+ --- +
| William Rehwinkel - Oberlin College and |
| Conser
nge staffs? What if the two
staffs are in the same clef and you jump from a note in the bottom
staff to the same note in the upper clef?
Thanks for any information.
--
+ --- +
| William Rehwinkel - Oberlin College and |
| Co
Choi wrote:
I have a section of a score where all the barlines are absent. How do I
temporarily turn off automatic bar lines?
--
+ ------- +
| William Rehwinkel - Oberlin College and |
| Conservatory '24 |
|will...@williamrehw
\new Voice {
\voiceTwo c4 r4 c4 r4
}
}
\new Staff = "upper" \upper
--
+ ------- +
| William Rehwinkel - Oberlin College and |
| Conservatory '24 |
|will...@williamrehwinkel.net |
| PG
\ras_strum { 8 }
|
}
\new StaffGroup <<
<<
\context Staff \with {
\consists "Span_arpeggio_engraver"
connectArpeggios = ##t
} {
\set strokeFingerOrientations = #'(up)
\notes
}
\context TabStaff {
\set Staff.strin
ginning of the bar to the left, except the force-hshift
fails to work on the tied d in the bass line.
I'm sure there's a simple explanation, but I've been unable to figure
it out so far.
Best wishes,
Jakob Pedersen
ps. There's a free imaginary balloo
>>
\layout {
\context {
\Score
\override SpacingSpanner.common-shortest-duration =
#(ly:make-moment 1/8 )
}
}
}
I would really appreciate your help.
Best,
George
--
William Rehwinkel - Oberlin College and Conservatory '24
will...@williamrehwinkel.net
PGP key: https://ftp.williamrehwinkel.net/pubkey.txt
OpenPGP_signature.asc
Description: OpenPGP digital signature
e a dotted quarter rest on the indicated pitch (the
equivalent of
b'1\rest
I'm starting with
rel-rest =
#(define-music-function (pit dur) (ly:pitch? ly:duration?)
#{
#pit#dur\rest
#})
but that gives me an error.
Any suggestions?
--
--
-mark.
--
William Rehwinkel - Oberl
rike) | a'4c''4( a'4\strike) f'4 | a'4g'4( g'4\strike)
\allowBreak \break
\partial 4 f'8g'8 | a'4(a'4\strike) bes'8( a'8 g'8\strike f'8) |
d'2 f'4.(d'8\strike) | c'4(c'4\strike) d'4 e'4 | f'4. }
}
--
William Rehwinkel - Oberlin College and Conservatory '24
will...@willia
) on macOS Monterey
(ver.12.6.8)
I installed lilypond using Homebrew (4.1.20)
--
William Rehwinkel - Oberlin College and Conservatory '24
will...@williamrehwinkel.net
PGP key: https://ftp.williamrehwinkel.net/pubkey.txt
OpenPGP_signature.asc
Description: OpenPGP digital signature
ark \markup { \musicglyph #"scripts.ufermata" }
\bar "||" e2
}
What do I need to do?
Best Johannes
--
William Rehwinkel - Oberlin College and Conservatory '24
will...@williamrehwinkel.net
PGP key: https://ftp.williamrehwinkel.net/pubkey.txt
OpenPGP_signature.asc
Description: OpenPGP digital signature
ride Staff.RehearsalMark.rotation = #'(180 0 0)
c1
\mark \markup { \smaller \smaller \musicglyph
#"scripts.ufermata" }
c
}
>>
}
On 11/12/23 11:20, Johannes Roeßler wrote:
Am 12.11.2023 um 17:10 schrieb William Rehwinkel:
\rel
ases the layout is exactly what I'm expecting/wanting).
Please help me see the error of my ways.
Thanks!
-steve
Version Info:
Lilypond: 2.24.3
Frescobaldi: 3.2
Extension API: 0.9.0
Python: 3.10.12
python-ly: 0.9.6
Qt: 5.15.3
PyQt: 5.15.6
sip: 6.5.1
qpageview: 0.6.2
poppler: 22.2.0
python-popple
ppet in Lilypond?
I wonder how to create the 'g' note with that special appearance and
with the right duration...
--
Cordialement,
Xavier MAYEUR
Bruxelles
--
William Rehwinkel - Oberlin College and Conservatory '24
will...@williamrehwinkel.net
PGP key: https://ftp.williamrehw
found how to highlight notes in the music. Similarly is there
anyway to highlight either individual lyric words or perhaps one stanza?
--
William Rehwinkel - Oberlin College and Conservatory '24
will...@williamrehwinkel.net
PGP key: https://ftp.williamrehwinkel.net/pubkey.txt
OpenPGP_sig
of the usual
markup commands. See "Formatting text" in the Notation manual:
https://lilypond.org/doc/v2.24/Documentation/notation/formatting-text
--
William Rehwinkel - Oberlin College and Conservatory '24
will...@williamrehwinkel.net
PGP key: https://ftp.williamrehwinkel.net/pubkey.txt
OpenPGP_signature.asc
Description: OpenPGP digital signature
to invent some preprocessor step that adds a |\midi| block
to a file or perhaps removes one from a file to get png output?
Thank you,
Pete Baughman
--
William Rehwinkel - Oberlin College and Conservatory '24
will...@williamrehwinkel.net
PGP key: https://ftp.williamrehwinkel.net/
!
thanks!
dirck
--
William Rehwinkel - Oberlin College and Conservatory '24
will...@williamrehwinkel.net
PGP key: https://ftp.williamrehwinkel.net/pubkey.txt
OpenPGP_signature.asc
Description: OpenPGP digital signature
lf and quarter notes as tripletted with the tremolo mark, but I
kind of like the composer's notation.
All the best,
Ralph
__
Ralph Palmer
Seattle
USA
(he, him, his)
palmer.r.vio...@gmail.com <mailto:palmer.r.vio...@gmail.com>
--
William Rehwinkel - Oberlin College and Conservatory '24
wi
g8 | d4 d4 e16 f
\revert NoteHead.color } >>
a8 r4
} /
This results in the noteheads of /both /voices being colored instead of
only the upper one (in this case):
So, is there any way to achieve my goal of coloring only the upper notes?
Joop
--
William Rehw
the footnote number and connecting line is not shown in
the score, but the text still appears at the bottom of the page.
Thanks in advance for your help,
-William
--
William Rehwinkel - Oberlin College and Conservatory '24
will...@williamrehwinkel.net
PGP key: https://ftp.williamrehw
y may look different than your work day. Please do not feel obligated
to read or respond to this email outside of your normal working hours.
--
William Rehwinkel - Oberlin College and Conservatory '24
will...@williamrehwinkel.net
PGP key: https://ftp.williamrehwinkel.net/pubkey.txt
OpenPGP_sig
\sectionLabel "Some section label text here"
\clef alto c2^\markup\whiteout\bold "Text"
}
}
% How the section label would be positioned without the text markup
\score {
\relative c' {
\sectionLabel "Some section label text here"
\clef alto c2
}
}
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