Re: Slur into alternatives (lyuser: message 6 of 20)

Hello Pierre and Jan-Peter, thanks for the nice (and helpful!) welcome! Usually, I need lilypond to create midi output for choir rehearsal. So the advenced Method of pierre for the \repeatTie is a bit too much. I appreciate it, though, because /sometimes/ I need the beautiful pdfs :) Oh, and as

Re: Slur into alternatives (lyuser: message 3 of 3 -last one!-)

Hello { a'1\repeatTie } Great, and so quick :) Many thanks! cu -- Markus ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Difference between ~ and ( ) ?

Hello, what is the difference between ~ and ( ) ? a1 ~ | a1 is rendered just like a1 ( | a1 ), but in the midi output I hear to notes in the latter case and only one in the former... Thanks! -- Markus Grunwald https://www.the-grue.de Fragen zur Mail? https://www.the-grue.de/mail_und_co

Slur into alternatives

Hello, Being quite a rookie in music notation and lilypond in general, I have a problem: \version 2.18.2 { % I want a slur from the b to the c in 1) and to the a in 2) \repeat volta 2 { b'1 ( } \alternative { { c''1 ) } { a'1 ) } } } This gives me a warning:

Reusability of lilypond code?

Hello, This time, I have a more general question: I've set some scores for my men's choir using lilypond - and I love it :) With the help of this list, these scores look just like I would like to have them and our singers like to read them. But I have one issue with the reuse of my work. My

Adjust text to notes problem

Hello, I have some trouble with alignment of text to notes: \version "2.18.2" \language "deutsch" { \clef bass \key fis \major \time 4/4 { r2 r4 ais8. gis16 | fis4( cis8) r16 cis'16 cis4( \> ais8.) \! fis16 | \tuplet 3/2 {fis8([ eis gis)]} h4 } \addlyrics { Va, pen -- sie~ro, sull'

How to layout in unison and part music score?

Hello, For my men's choir I need to set a score that is mostly in unison and only a few bars with multiple voices (TTB). I have set a few simple scores with the help of frescobaldi, but I have no idea how to set this score... I would like to have only one staff for TTB where the music is in

Re: How to layout in unison and part music score? (lyuser: message 9 of 20)

Hello Kieren, > If you know exactly what the layout will be, and it really is just a few > measures of split, and you're never going to reuse the material in a > different format, then you should probably just use \new Staff at the moment > you need it. There are examples of this all over the

How do I use \tag?

Hello! Here on the list you showed me that I can better re-use my lilypond-code by using \tag s. Wonderful :) It's only - I don't understand how. given this very simple piece of code: \version "2.18.2" bla = \markup{Bla} melody = \relative c'' { c4 d e f ^\bla c4 d e f \tag #'a {^\bla} %

Re: How do I use \tag? (lyuser: message 5 of 20)

Hello Trevor > bla = -\markup { Bla } > > melody = \relative c'' { >   c4 d e f ^\bla >   c4 d e f ^\tag #'a \bla % (1) > } > > \keepWithTag #'a \melody > > \removeWithTag #'a \melody > > Hopefully this works in 2.18 too. Yes, it works :) Thank you! Could you please point me to the

Re: Reusability of lilypond code? (lyuser: message 4 of 20)

Hello Aaron, > Tags might be a reasonably simple option here. Yes, that really looks promising! I'll try that as soon as I can. Thank you! -- Markus Grunwald https://www.the-grue.de/~markus/markus_grunwald.gpg ___ lilypond-user mailing list