I'm not top posting.
Is there an easier way to get an ossia Staff without SystemStart than
following code?
I'm thinking of something like SystemStartBar #'allow-span-bar = ##f
\version 2.19.17
\new Staff = ossia \with {
\remove Time_signature_engraver
\hide Clef
Dear LilyPonders,
I wanted to use a great coloring function by Urs Liska, but ran into a
problem with using systemStartDelimiterHierarchy.
If I color a music section, the SystemStart of the next system after
that section isn't displayed properly.
Anybody an idea how to solve this?
Attached
Hi Klaus,
unfortunately I have to use \startStaff \stopStaff, because I want to
set ossia variations above the original score.
I'll attach the complete score, so you can see my problem.
musicus
-- Originalnachricht --
Von: Klaus Blum benbigno...@gmx.de
An: lilypond-user@gnu.org
Ok, the \stopStaff \startStaff in the colorMusic function is only
necessary, if you want to color clefs, for example.
In my case there aren't any clef-changes, so the coloring function can
work without it.
It would be nice however, if music with clefs could be colored as well.
I tried to put
It seems to happen at the end of a line...
-- Originalnachricht --
Von: musicus tomtom-ilm...@web.de
An: Urs Liska u...@openlilylib.org; lilypond-user@gnu.org
Gesendet: 23.06.2015 20:24:35
Betreff: Re[2]: \shape curves relative to NoteHead etc.
Hi Urs,
thanks for the \shapeII link! I
Dear all,
In my last project I learned that sometimes you have to tweak a lot of
Slurs, Ties, etc. to get a satisfying result.
Of course, in many cases the \shape #'() Slur function helps a lot.
My problem with this function is the dependency on Lilyponds automatic
output.
If I want to change
the proper h-shift value for each case.
Yours, musicus
-- Originalnachricht --
Von: Simon Albrecht simon.albre...@mail.de
An: musicus tomtom-ilm...@web.de; Keith OHara
k-ohara5...@oco.net; lilypond-user@gnu.org
Gesendet: 16.06.2015 15:03:14
Betreff: Re: Control which voice if shifted
Attached another example, where changing the shift direction could be
helpful...
-- Originalnachricht --
Von: Keith OHara k-ohara5...@oco.net
An: lilypond-user@gnu.org
Gesendet: 16.06.2015 06:11:40
Betreff: Re: Control which voice if shifted left
Simon Albrecht simon.albrecht at
This helps indeed a lot.
On the other hand I'd be interested how to avoid stem merging...
NoteHeads are controllable with \mergeDifferentlyHeadedOn etc.
Is there any similar function to do the same with stems?
Am 14.06.2015 um 15:04 schrieb musicus:
Yes, I want to leave the first g4
!
That helps a lot...
I checked the details list for Slurs and wondered, if there are any
settings, which can provide a better output than attached...
Slurs seem to be very tricky!
musicus
-- Originalnachricht --
Von: Trevor Daniels t.dani...@treda.co.uk
An: musicus tomtom-ilm...@web.de
Sorry, forgot the minimal example...
See attached
-- Originalnachricht --
Von: Thomas Morley thomasmorle...@gmail.com
An: musicus tomtom-ilm...@web.de
Cc: lilypond-user lilypond-user@gnu.org
Gesendet: 14.06.2015 13:37:57
Betreff: Re: avoid merging stems
2015-06-14 13:16 GMT+02:00
?)
musicus\version 2.19.17
\language deutsch
%\include general-tools/clip-regions/definitions.ily
%\include custom-music-fonts/smufl/definitions.ily
% Define a list with original page breaks (barnumbers)
%originalPageBreaks = #'(69 163)
% Define a region with barnumbers
%\setClipRegion 4 6
% Compile
asking...
Anyway, in this case the chord syntax {g g4 bes g} does work
perfectly.
Thanks for help,
musicus
\version 2.19.17
{
\clef bass \time 3/4
\relative c' {\voiceOne g2.} \\
\relative c {\voiceTwo g4} \\
\relative
}
\\
{a, a,}
}
I don't think that a and c should share a stem. Is there any reason
to repeat the layerOne in nested ?
Following by default (without needing \new Voice) seems to be much more
understandable.
{layerOne}
\\
{layerTwo}
\\
{layerThree}
Regards,
musicus
Hello Jeremy,
did you try padding instead of outside-staff-priority?
\version 2.18.2
\relative c {
\omit Staff.TimeSignature
{
\hideNotes
\once \override TupletNumber.text = ~ 25 sec.
\once \set tupletFullLength = ##t
\once \set tupletFullLengthNote = ##f
Dynamics contexts
- interrupting DynamicLineSpanner via \stopStaff \startStaff
Y-offsets in the Dynamics context are working well, but only if line
breaking doesn't change.
Yours,
musicus
\version 2.19.22
\header {
tagline = ##f
}
\paper {
page-breaking = #ly:one-line-breaking
paper
Hi Dominic,
i already had to deal with this particular prolem in many cases and
don't know of any reasonable workaround.
As others have mentioned, you can use either Y-offset in the Dynamics
context or attach the dynamic signs to particular staves/ notes.
Both ways have annoying side effects
f positioning objects relative to any other object.
(this feature could be a nice workaround solution for most positioning
bugs)
In terms of dynamics you could group any number of dynamics and position
the entire group between staves/ skylines...
Best,
musicus
Hi,
Both ways have annoying side
the layout tweaks of the default output via edition-engraver
I hope my thoughts are not too bad explained :)
Please excuse my mistakes with scheme and so on...i guess i have some
syntax errors here (in this theoretical consideration).
Best regards,
musicus
Hi all,
musicus wrote:
+1
.
But I don't find a solution for adjusting the distance to the upper one.
Of course, I don't want to change the standard vertical spacing, when
only the two main staves are used.
Any suggestions or workarounds?
Thank you for your help,
musicus\version "2.19.34"
\paper {
paper-wid
-- Weitergeleitete Nachricht --
Von: "musicus" <tomtom-ilm...@web.de>
An: kieren_macmil...@sympatico.ca
Gesendet: 16.01.2016 21:43:55
Betreff: Solution for: new Staff staff-staff-spacing (down AND up)
regarding only one single system
Hi all,
After i tried Kie
Dear Paul,
I really admire the effort and courage of alternative notation systems,
but I cannot see a reasonable improvement in this case. I don't think
it's a good idea to remove all great advantages, which our standard
notation system has. IMO, there are only a few problems to be solved -
Dear Urs,
I recently learned about MEI and "Beethovens Werkstatt" (and as an
example http://zolaemil.github.io/meiView/#pg=1), but I must say that
this direction has IMO too many drawbacks/ misleadings.
I didn't know http://beethovens-werkstatt.de/demo, so many thanks for
it.
IMO coloring and
as and can
present one, which is IMO good to read.
See attached. Comments, suggestions are very welcome ;)
Best regards
musicus\version "2.19.34"
chrom =
#(define-music-function (offset music)(number? ly:music?)
#{
\once \override NoteHead.stencil = #ly:text-interface::print
r orientation should be enough to solve this problem.
The omission of many distractions (accidentals, "false" notehead
position) weighs more, IMO.
musicus
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Dear Sharon,
"This last bit made me laugh out loud. Well I guess some musicians do
not
really feel like focusing on every single note. The good ones do
though."
I'd like to contradict on this one. Of course a good musician needs to
focus on every detail, but only the "bad" ones neglect the
> I don't understand. The only difference between your two attachments
> appears to be that the second one has DOS-style line endings.
> What does that affect?
My browser didn't show the first one as attachement, but displayed the
content as an image and the javascript button did not work.
Sorry, didn't know that an attached html file does'nt work...
Please change the attached file to ".html"
JavaScript_Test3.html.rename
Description: Binary data
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aybe it is better to specify
Beats/second. (tempered quint vs pure quint = 1/2 B/s)
Best regards,
musicus
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Dear all,
I have a probably not so difficult question, but cannot find the
solution by myself:
How to get a second clef at the beginning of a piece?
See attached...
Thank you all,
musicus___
lilypond-user mailing list
lilypond-user@gnu.org
forgot the attachement...
Dear all,
I have a probably not so difficult question, but cannot find the
solution by myself:
How to get a second clef at the beginning of a piece?
See attached...
Thank you all,
musicus<>
___
lilypond-user m
Dear all,
I have a problem with spacing a small snippet of music. Of course I
could manually add some extra space each time after the Clef, but I
wonder if there is a better solution.
In my opinion, this spacing behaviour should clearly adapt to the staff
size...
Cheers,
musicus\version
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