Thanks!
On Thu, Mar 16, 2023 at 11:35 PM Werner LEMBERG wrote:
>
> From: Kees van den Doel
> Subject: Re: Bach ornaments
> Date: Thu, 16 Mar 2023 23:12:03 -0700
>
> >> > Are the ornaments used in Bach's music available in Lilypond?
> >
> >> Not all
> > Are the ornaments used in Bach's music available in Lilypond?
> Not all of them currently. There is GSoC project that – assuming it
> is taken by a potential student – would probably add some missing
> ones.
Thanks. And where can I find the ones that are currently available?
Kees
Are the ornaments used in Bach's music available in Lilypond?
These ones: http://www.jsbach.net/images/ornaments.html
Thanks,
Kees
Is there a way to get correct MIDI when using \repeat volta and
\unfoldrepeats with a DC al fine? I.e., make the MIDI stop at the "fine"
second time through.
Thanks,
Kees
I have a \repeat volta 2 { music}, but a few bars inside "music" are
different the second time through.
Is there a way to do something like this:
\repeat volta 2 { A \alternative {{a1}{a2}} B}
Written out fully Aa1BAa2B.
Darn, of course I find it in the docs as soon as I ask:
melisma
\melismaEnd
On Sun, Nov 21, 2021 at 9:59 PM Kees van den Doel wrote:
> I'd like to indicate long melismas in the notes instead of counting - - -
> in the lyrics, but I don't want a gigantic slur s
I'd like to indicate long melismas in the notes instead of counting - - -
in the lyrics, but I don't want a gigantic slur showing.
Is there an alternative to using () slur marks to do this?
Thanks,
Kees
On Sat, Aug 28, 2021 at 3:00 PM Lukas-Fabian Moser wrote:
> Hi Tom,
>
> Tom Sgouros schrieb am Sa., 28. Aug. 2021, 23:47:
>
>> Hello all:
>>
>> The Frescobaldi people pointed their fingers back at Lilypond, of course.
>> Can anyone tell me the easiest way to convert a Midi file into
>>
A 14 year old bug must be some sort of record.
Workaround seems to put a grace note in all voices, but use 's' to make
unwanted ones invisible.
Cheers,
Kees
On Mon, Aug 23, 2021 at 11:41 AM Aaron Hill
wrote:
> On 2021-08-23 11:30 am, Kees van den Doel wrote:
> > Trying to shift a
Trying to shift a note away from the barline which it's touching by adding
a \grace s16, but I ran into what appears a bug?
\version "2.22.1"
mus = \relative {
\repeat volta 2 {
c'1
}
\alternative {
{ c1}
{ \grace c16 c1}
}
}
musb = \relative {
\repeat volta 2 {
c'1
}
Forgot to reply-all again, sorry. Picture of my problem attached as
well.Seems to be caused by the volta repeat bar as the single barlines are
OK.
[image: Image1.png]
On Mon, Aug 23, 2021 at 10:28 AM Kees van den Doel wrote:
> I have a similar problem but only in one place and it's wo
Forgot mailinglist, sorry.
-- Forwarded message -
From: Kees van den Doel
Date: Wed, Aug 11, 2021 at 12:03 PM
Subject: Re: 5.6.1 Substitution function syntax
To: Jean Abou Samra
Thanks Jean, David,
That clarifies it, subtle stuff!
Kees
On Wed, Aug 11, 2021 at 11:45 AM Jean
Referring to
https://lilypond.org/doc/v2.22/Documentation/notation/substitution-function-syntax
I don't understand this sentence explanating "...music...":
>normal LilyPond input, using $ (in places where only LilyPond constructs
are allowed) or # (to use it as a Scheme value or music function
signature?utm_medium=email_source=link_campaign=sig-email_content=webmail>
<#DAB4FAD8-2DD7-40BB-A1B8-4E2AA1F9FDF2>
On Sun, Aug 8, 2021 at 9:37 AM Lukas-Fabian Moser wrote:
> Hi Kees,
>
> Am 07.08.21 um 18:41 schrieb Kees van den Doel:
> > Great, you are updating it!
> > Ye
e: 0
On Sat, Aug 7, 2021 at 9:41 AM Kees van den Doel wrote:
> Great, you are updating it!
> Yes ligatures and accidentals didn't work. I mixed in normal LP ones but
> it looks very ugly.
>
> I had some questions I sent to your email on your webpage but it bounced:
>
>
Thanks!
On Sat, Aug 7, 2021 at 1:53 AM Lukas-Fabian Moser wrote:
> Hi Kees,
>
> Am 07.08.21 um 08:12 schrieb Kees van den Doel:
> > How can I get all barlines to look like ticks? As in \bar "'".
> > I got from manual
> >
> > \set Staff.whichBar = &q
<http://www.avg.com/email-signature?utm_medium=email_source=link_campaign=sig-email_content=webmail>
<#DAB4FAD8-2DD7-40BB-A1B8-4E2AA1F9FDF2>
On Sat, Aug 7, 2021 at 4:53 AM Lukas-Fabian Moser wrote:
> Hi Kees,
> Am 06.08.21 um 19:07 schrieb Kees van den Doel:
>
>
>
How can I get all barlines to look like ticks? As in \bar "'".
I got from manual
\set Staff.whichBar = "'"
but that puts a bar between every note.
\override BarLine.glyph = #"'"
does nothing.
Thanks,
Kees
rences.
>
>
> > On 6 Aug 2021, at 21:41, Kees van den Doel wrote:
> >
> > Excuse me for being direct, but this is nonsense. It's nice you've read
> that (outdated) book but I've been actively performing Persian music for
> decades and I know how we tune. If you want t
On Thu, Aug 5, 2021 at 8:39 PM Kees van den Doel wrote:
> But there's also blackmensural.ly by Lukas Pietsch; it's quite old (and
>> to be honest I don't know it at all and can't say how it deals with your
>> problem), but maybe it's of use to you:
>> http://www.lukas-piets
t's working fine now, nothing is broken that needs to be fixed??
As far as I'm concerned the problem of upgrading persian.ly to 2.22 is
solved.
Cheers,
Kees
On Fri, Aug 6, 2021 at 9:05 AM Hans Åberg wrote:
>
> > On 6 Aug 2021, at 16:45, Kees van den Doel wrote:
> >
> > Ple
Jul 2021, at 22:30, Kees van den Doel wrote:
> >
> > On Sat, Jul 31, 2021 at 1:25 PM Hans Åberg wrote:
> >
> > Change the names for the double arrowed accidentals to the ones you want
> to use. They are in smufldata.ily.
> >
> >> Tuning is defined corre
>
> But there's also blackmensural.ly by Lukas Pietsch; it's quite old (and
> to be honest I don't know it at all and can't say how it deals with your
> problem), but maybe it's of use to you: http://www.lukas-pietsch.de/Music/
>
I got everything to work fine, except the special note shapes.
In black notation minim looks like modern 1/4 note and semiminim looks like
modern 1/8 note.
It is not correct though, semiminim and shorter notes are one flag short,
so Minim and Semiminim look identical. See example.
Unless I'm missing something this is a bug, is there a workaround?
Thanks,
I'm trying to reproduce the notes caudatae, as in image.
Attached minimal code is as far as I got, but I can't get
\mergeDifferentlyHeadedOn to do anything which would make it work I think.
Or is there a smarter way?
Thanks,
Kees
\version "2.22.1"
whitenote = \once \override NoteHead.style =
Here's a minimal example showing the problem.
On Tue, Aug 3, 2021 at 6:37 PM Kees van den Doel wrote:
> I have a score with different key signatures in the voices. The incipit
> does not align properly as the flat takes space and shifts things.
> See attached. I've simply added the
I have a score with different key signatures in the voices. The incipit
does not align properly as the flat takes space and shifts things.
See attached. I've simply added the incipits to each voice as in the
example in the docs.
I've tried adding key signature to top incipit voice and setting
be better but hasn't happened.
Anyways it's now working fine with current version so I'm happy.
Thanks,
Kees
On Tue, Aug 3, 2021 at 7:32 AM Thomas Morley
wrote:
> Am Mo., 2. Aug. 2021 um 18:33 Uhr schrieb Kees van den Doel <
> kvd...@gmail.com>:
> >
> >
> > Sorry,
Sorry, keep forgetting to "reply-all"...
-- Forwarded message -----
From: Kees van den Doel
Date: Mon, Aug 2, 2021 at 9:24 AM
Subject: Re: Persian music package
To: Thomas Morley
Too many things wrong with that, starting with missing sori symbol, wrong
koron symbol in key
On Sun, Aug 1, 2021 at 10:40 AM Kees van den Doel wrote:
>
>
> On Sun, Aug 1, 2021 at 2:29 AM Thomas Morley
> wrote:
>
>>
>> Furthermore I'd replace the override for Accidental.extra-offset by:
>> \override Accidental.Y-offset =
>>
>
> Typo I as
On Sun, Aug 1, 2021 at 2:29 AM Thomas Morley
wrote:
>
> Furthermore I'd replace the override for Accidental.extra-offset by:
> \override Accidental.Y-offset =
>
Typo I assume and you mean "\override Accidental.extra-offset ="?
> #(lambda (grob)
> (cdr
>
On Sun, Aug 1, 2021 at 2:29 AM Thomas Morley
wrote:
>
> I'd simply drop your overrides for Accidental.Y-extent and
> Accidental.X-extent.
> Let the skylines do their job as already proposed by Jean.
>
I should have answered you first. That seems to solve everything! At least
on the demo
2)
>
> }
>
>
> Now try adding
>
> \layout {
>\context {
> \Score
> \override Accidental.horizontal-skylines =
> #ly:grob::simple-horizontal-skylines-from-extents
>}
> }
>
> and you'll get an effect on spacing.
>
> Best,
> J
1:21 PM Jean Abou Samra wrote:
> Le 01/08/2021 à 08:06, Kees van den Doel a écrit :
> > convert-ly from LP v2.22.1 also didn;t add the "alteration-" here.
> > Windows 10 system.
>
> (Please keep the list posted, so everyone can reply
> and benefit from the a
021 at 11:49 AM Hans Åberg wrote:
>
> > On 31 Jul 2021, at 19:41, Kees van den Doel wrote:
> >
> > A decade ago I wrote the attached header persian.ly which supports
> Persian music notation + microtuning.
> > A hack with a downloaded font is necessary as the Persia
Attached is a demo of meterless typesetting. Unfortunately it required
persian.ly (see email earlier today) and v 2.12
but the "meterless" aspect does not depend on that so I hope it's still
useful.
On Sat, Jul 31, 2021 at 7:30 AM wrote:
> Hello !
>
> I have a question about whether Lilypond
fine with the old version, but it is a bit annoying to be
forced to use 2.12.
Thanks,
Kees
\version "2.12.2"
%{
Author: Kees van den Doel kvand...@shaw.ca
Init file for Persian music notation.
To use download the PostScript Type 1 Microtonal Font from Andrián
Pertout (http://www
Is there a way to do a \shiftDurations of 2/3?
I have a voice with almost all dotted minims and semibreves {c2. c1. } in
6/2 and want to change to 2/2 and use \scaleDurations to make it fit.
I would not be surprised by "no" as there are a few "minim semiminim" like {e2
d4 c2.} occurrences which
Of course I find it right after posting the question, sorry.
https://lilypond.org/doc/v2.18/Documentation/notation/displaying-rhythms#automatic-note-splitting
On Mon, Jul 26, 2021 at 3:56 PM Kees van den Doel wrote:
> Is there a way to change notes that cross barlines to ties?
>
>
Is there a way to change notes that cross barlines to ties?
So in 4/4 "c1. d2 c1" should be changed into "c1~c2 d2 c1"?
I vaguely remember there is a way but I can't find it in the docs, ot maybe
it was a different program.
Is there a way to translate a ly file from italian to english?
I want to edit a score but instead of do re mi names want english names for
the note names.
Is there a way to prevent the notes in ossia staves to show up in MIDI?
Is there a way to place AccidentalCautionary a fixed distance above the
staff instead of a fixed distance above the note, which I did like this?
\override Staff.AccidentalCautionary.font-size = #-2
\override Staff.AccidentalCautionary.parenthesized = ##f
\override AccidentalCautionary
\)/LilyPond/usr/bin/python midi2ly.py
bwv0026_04.mid
LY output to `bwv0026_04-midi.ly'...
$ echo works!
works!
Cheers,
Kees
On Thu, Jun 17, 2021 at 6:17 PM David Wright
wrote:
> On Thu 17 Jun 2021 at 17:06:22 (-0700), Kees van den Doel wrote:
> > Thanks David, I have followed the convert
On windows 10, a fresh install of lilypond.
On Windows "powershell"
> midi2ly -V
brings up a window "how do you want to open this file".
On mintty (another CMD shell)
mintty screen dump
bash: /cygdrive/d/Program Files (x86)/LilyPond/usr/bin/midi2ly:
/usr/bin/python3: bad interpreter: No such file
I want to change all half-notes in an existing score to look like quarter
note with no stem.
Everything else should remain unchanged.
Is there a way to do this without editing every occurrence?
Thanks.
Thanks everyone, I should have read the manual, works fine.
Cheers,
Kees
On Thu, May 27, 2021 at 2:51 PM Ralph Palmer
wrote:
> On Thu, May 27, 2021 at 2:04 PM Kees van den Doel
> wrote:
>
>> Hi all,
>>
>> I want to attach grace notes after a note which is
Hi all,
I want to attach grace notes after a note which is last in measure.
Problem is the grace notes are printed in the next bar, which is wrong.
Using \afterGrace is even worse, seems broken.
Snippet and pdf of problem attached.
Any help would be appreciated. Of course I could make
Thanks, I got it working now.
Kees
- Original Message -
From: James Bailey derhindem...@googlemail.com
Date: Monday, March 15, 2010 11:43 pm
Subject: Re: lilypond-book question
To: Kees van den Doel kvand...@shaw.ca
Cc: lilypond-user@gnu.org
On 16.03.2010, at 05:16, Kees van den Doel
Hi all,
How am I supposed to use lilypond-book on windows?
I'm in a cygwin csh shell. Instructions say:
To produce a PDF file through PDFLaTeX, use
lilypond-book --pdf yourfile.pdftex
pdflatex yourfile.tex
lilypond-book is however not a recognized command.
I then tried (after
Of course there is nothing really wrong with the current website.
Most people will want to just download lilypond and try it out;
who has time to read all the crap on a product's website?
Once they've clicked on the downloaded icon on their screen something
reasonable should happen.
Kees
-
- Original Message -
From: Graham Percival gra...@percival-music.ca
Date: Thursday, December 17, 2009 9:00 am
Subject: Re: GUI
To: Valentin Villenave v.villen...@gmail.com
Cc: lilypond-user@gnu.org
On Thu, Dec 17, 2009 at 3:30 PM, Valentin Villenave
v.villen...@gmail.com wrote:
On
- Original Message -
From: Graham Percival gra...@percival-music.ca
Date: Thursday, December 17, 2009 12:48 pm
Subject: Re: GUI
To: Kees van den Doel kvand...@shaw.ca
Cc: lilypond-user@gnu.org
On Thu, Dec 17, 2009 at 8:23 PM, Kees van den Doel
kvand...@shaw.ca wrote:
From: Graham
If lilypond came with a rudimentary GUI I think it would at least octuple the
number of people trying it out.
Something simple like a window with File/compile menus, a text editor pane,
compile messages at bottom,
and a score preview. No more features needed, it's just to get people who don't
??), and move on.
What you point to looks like a plan for a serious IDE, I think that's a
different issue.
Kees
- Original Message -
From: Valentin Villenave v.villen...@gmail.com
Date: Tuesday, December 15, 2009 9:24 am
Subject: Re: GUI (was: Re: No Work!
To: Kees van den Doel kvand...@shaw.ca
Cc
- Original Message -
From: Tim McNamara tim...@bitstream.net
Date: Tuesday, December 15, 2009 6:18 pm
Subject: Re: GUI (was: Re: No Work!
To: lilypond-user lilypond-user@gnu.org
On Dec 15, 2009, at 11:07 AM, Kees van den Doel wrote:
If lilypond came with a rudimentary GUI I think
Don't forget to mention this publication where the Persian microtonal
accidentals were introduced,
which are the only ones that are standardized (and still absent in lilypond):
Vaziri, A. N., Dastur-e Tàr, Tehran, 1913.
Kees
- Original Message -
From: Joseph Wakeling
The Ab's sound horribly out of tune, as if they were meantone G#'s.
Kees
- Original Message -
From: Torsten Anders torstenand...@gmx.de
Date: Wednesday, September 9, 2009 4:27 pm
Subject: Re: Microtonal Helmholtz-Ellis notation in Lilypond: fine-tuning
To: lilypond-user@gnu.org
Dear
Not sure if it will help you, but you can look at my solution for microtonal
notation in this package: http://people.cs.ubc.ca/~kvdoel/tmp/persian.zip
Cheers,
Kees
- Original Message -
From: Torsten Anders torstenand...@gmx.de
Date: Monday, September 7, 2009 5:21 am
Subject:
these programs operate as you describe
Okay, then they *do* use (essentially) the same method as Lilypond,
not some visually-oriented method which follows the key
signature...
Not so. In Sibelius, you put the key signature, e.g. F sharp
major, then
type
the plain letter names,
From: Kieren MacMillan kieren_macmil...@sympatico.ca:
Hi David R,
AFAIK, all of the graphical-interface music scoring programs
use the visually-oriented logic.
The last time I used Finale — which, thankfully, was a very long
time
ago! ;) — there were only two ways of entering
I want to have one voice all in red but can't find how to set the color of the
dot after a dotted note,
does anyone know?
Kees
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
I wonder why I (and, as I can imagine, 99% of users out there)
have always
to put \unfoldRepeats in a different \score block just for
correct MIDI
output, thus having to put in a variable all the \score
content and use it
in both \score blocks.
I would also prefer \unfoldRepeats to
- Original Message -
From: Joseph Wakeling joseph.wakel...@webdrake.net
Date: Sunday, April 5, 2009 5:21 am
Subject: Quarter-tone notation with arrows
To: lilypond-user@gnu.org
Hello all,
One of the delights to see in the News for 2.12 was the new
material on
quarter-tone and
- Original Message -
From: Joseph Wakeling joseph.wakel...@webdrake.net
Date: Sunday, April 5, 2009 2:41 pm
Subject: Re: Quarter-tone notation with arrows
To: Kees van den Doel kvand...@shaw.ca
Cc: lilypond-user@gnu.org
Kees van den Doel wrote:
A given alteration results in one
Hi all,
I updated the persian.ly init file with some more Persian keys, instructions
for setting up the fonts for the Mac (thank you Patrick) and some extended
examples.
http://www.cs.ubc.ca/~kvdoel/tmp/persian.zip
There are still plenty of problems, for example the Persian accidentals don't
Does this do the job?
h = #(define-music-function (parser location note) (ly:music?)
(set!
(ly:music-property note 'tweaks)
(acons 'style 'cross
(ly:music-property note 'tweaks)))
note)
\relative c' {
a-0 e'-2 a-3 c-1 e-08
a \h e' \h a \h c e
a e' a c e
a
I just put in the rehearsal marks (\mark \markup{\box A} etc. where needed)
and when AB is to repeated I just write it on the staff:
\staffText AB g2 s4 \bar |.
g2 is the note that I replace with AB, and staffText is defined as:
staffText = #(define-music-function (parser location marktext)
How can I remove the slur from acciacatura (or add a slash to grace)?
Kees
___
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lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
Works. I did look at the hints in ly/grace-init.ly but they didn't help.
You did (with 2 solutions!).
Thanks^2.
Kees
How can I remove the slur from acciacatura (or add a slash to
grace)?
See the file ly/grace-init.ly for hints. This is one
possible solution:
\version 2.12.2
How can I correctly suppress printing dynamics marks (which I want for the
MIDI)?
(I have a score where dynamics is indicated with note size.)
I tried
\override Score.DynamicText #'stencil = ##f
which actually works fine except I get a string of scary error messages:
programming error: cannot
Is there a way to put vibrato on a note in the MIDI from a lilypond score?
Thanks,
Kees
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lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
@gmail.com
Date: Monday, March 2, 2009 12:54 am
Subject: Re: Multiple repeats
To: Kees van den Doel kvand...@shaw.ca
Cc: lilypond-de...@gnu.org
2009/3/2 Kees van den Doel kvand...@shaw.ca:
How to write multiple repeats? \repeat volta 4 {..} does not
indicate that there is more that 1 repeat
Imho Lilypond uses to many bars on one 'row' in a-4 format. I
got about
8 bars (4/4), I prefer to have 4.
I tried to use:
\layout { }
\midi {
\context {
\Score
\override SpacingSpanner
#'base-shortest-duration = #(ly:make-moment 1 16)
But it
I need something like
music .. |s-\markup {Play loud random notes, then burn your
instrument (30s) }| more notes...
This seems to work for me (see attached files).
If I run your test2.ly on 2.12.2 it does *not* work. The output is attached.
Bug?
Kees
c.pdf
Description: Adobe PDF
In the learning material under advanced tweaks with Scheme it shows how to do
that.
Kees
- Original Message -
From: M Watts zwy648...@gmail.com
Date: Wednesday, February 25, 2009 2:03 pm
Subject: Re: Color of notes depending on accidentals
To: cuco julio.casa...@me.com
Cc:
Thanks that works except I'm in 2/4, but I can disable the stem easily.
Kees
- Original Message -
From: Robin Bannister r...@dataway.ch
Date: Wednesday, February 25, 2009 1:26 pm
Subject: Re: Writing text in a measure
To: Kees van den Doel kvand...@shaw.ca, Gilles Sadowski
gil
I'm trying to write text in an otherwise empty measure (some special
performance instructions).
not above it or below, but in it.
How can I do that? There is a snippet doing something like that
http://lsr.dsi.unimi.it/LSR/Item?id=258
but when I apply it my text overwrites music after the bar
Hi all,
Many thanks for all your help, we can now write Persian music!!
If you want to try it you can download the init file persian.ly and
the font file (put in Lilypond font directory) from here:
http://www.cs.ubc.ca/~kvdoel/tmp/persian.zip
and try stuff like:
\include persian.ly
\version
I managed to print custom key signatures from a microtonal font. One problem
remains, and I wonder if anyone can help me.
In my init file persian.ly I have defined variables for various key signatures
and keys, e.g. for Shur in E
shurEKey = \markup{
\translate #'(0 . 1) \SORISYMBOL
}
\override Accidental #'stencil = #ly:text-interface::print
\override Accidental #'font-name = #???
\override Accidental #'font-size = #?
\override Accidental #'text = #(lambda (grob)
(cdr
(assoc
(ly:grob-property grob 'alteration)
persianStrings)))
Then in \context add
\override Accidental #'stencil = #ly:text-interface::print
\override Accidental #'font-name = #???
\override Accidental #'font-size = #?
\override Accidental #'text = #(lambda (grob)
(cdr (assoc
(ly:grob-property grob 'alteration)
- Original Message -
From: Graham Breed gbr...@gmail.com
Date: Tuesday, February 17, 2009 2:06 am
Subject: Re: Persian musical koron and sori
To: Kees van den Doel kvand...@shaw.ca
Cc: Behnam Rassi beh...@videotron.qc.ca, Hans Aberg hab...@math.su.se,
lilypond lilypond-user@gnu.org
If you look at the persian.ly file I sent, you will find the
symbol for that I think (a blank).
On the other hand if you meant not the glyph but the input suffix...
Perhaps an unfortunate choice of word: as a musical
function,
regardless whether it is notated.
...you're right
- Original Message -
From: Hans Aberg hab...@math.su.se
Date: Monday, February 16, 2009 11:12 am
Subject: Re: Persian musical koron and sori
To: Kees van den Doel kvand...@shaw.ca
Cc: Behnam Rassi beh...@videotron.qc.ca, Graham Breed gbr...@gmail.com,
lilypond lilypond-user@gnu.org
I guess you need context more than resolution; here's a couple of scanned pages:
http://www.cs.ubc.ca/~kvdoel/tmp/koronSori.pdf
Kees
- Original Message -
From: Werner LEMBERG w...@gnu.org
Date: Sunday, February 15, 2009 10:54 pm
Subject: Re: Persian musical koron and sori
To:
- Original Message -
From: Hans Aberg hab...@math.su.se
Date: Monday, February 16, 2009 1:52 pm
Subject: Re: Persian musical koron and sori
To: Kees van den Doel kvand...@shaw.ca
Cc: Behnam Rassi beh...@videotron.qc.ca, Graham Breed gbr...@gmail.com,
lilypond lilypond-user@gnu.org
On the other hand, if it is lowered an unspecified amount,
then
when
transposed, you will need another symbol that raises an
interval
so
that the sum is M-m.
If you look at the persian.ly file I sent, you will find the
symbol for that I think (a blank).
On the other hand
-
From: Behnam Rassi beh...@videotron.qc.ca
Date: Monday, February 2, 2009 4:48 pm
Subject: Re: Persian musical koron and sori
To: Kees van den Doel kvand...@shaw.ca
Cc: Hans Aberg hab...@math.su.se, Graham Breed gbr...@gmail.com, lilypond
lilypond-user@gnu.org
Yes of-course send me any relevant
pm
Subject: Re: Persian musical koron and sori
To: Graham Breed gbr...@gmail.com
Cc: Kees van den Doel kvand...@shaw.ca, Hans Aberg hab...@math.su.se,
lilypond lilypond-user@gnu.org
On 15-Feb-09, at 6:45 PM, Graham Breed wrote:
Behnam Rassi wrote:
Yes Kees I downloaded the font and saw
This snippet:
http://lsr.dsi.unimi.it/LSR/Item?id=378
does not work as advertised; it prints both the normal accidentals and the
custom postscript.
Any suggestions on what might be wrong? Also, how could I print custom symbols
like this in the key signature?
Thanks,
Kees
--
No I do not need to do precisely that, but something else.
Kees
- Original Message -
From: M Watts zwy648...@gmail.com
Date: Sunday, February 8, 2009 3:11 pm
Subject: Re: Customized accidentals
To: Kees van den Doel kvand...@shaw.ca
Cc: lilypond-user@gnu.org
Kees van den Doel wrote
standard fonts I'd have thought if we're only talking two new
glyphs.
Though there are some variations, I think they semantically the
same.
The variation used by Farhat is for koron like an inverted flat
b, but
with the loop have the form , and for the sori, a sharp # but
with
On 2 Feb 2009, at 20:58, Kees van den Doel wrote:
I have several shelves of Persian music books and I have never
seen
that variation.
The sori is always a rotated = with an on it, and the koron
akways
has the '' body.
That is good to know - I think what you say is best
and sori
To: Kees van den Doel kvand...@shaw.ca
Cc: Hans Aberg hab...@math.su.se, Graham Breed gbr...@gmail.com, lilypond
lilypond-user@gnu.org
I also hopefully will get some pictures from Iran.
The thickness of the lines have also something to do with its
harmony
with other music notes. So
Really all that's lacking is the koron and sori. A small o is fine for the
tahrir, we have that already.
Kees
- Original Message -
From: Behnam Rassi beh...@videotron.qc.ca
Date: Monday, February 2, 2009 4:48 pm
Subject: Re: Persian musical koron and sori
To: Kees van den Doel kvand
Is there any way to print the koron (60cents flat) and sori
(40 cent
sharp)?
Check with Graham Breed - it might be possible now.
You can use any glyph, or string of glyphs, you have in a
font.
OK, my question then is: how? Assume I edit the font svg files
emmentaler-??.svg and
Is there any way to print the koron (60cents flat) and sori
(40 cent sharp)?
I am curious where you got those figures. The values in
Hormoz
Farhat's thesis suggest one should use E53 with koron lowering
3
commas and sori raising 2 commas (E53 tonesteps). He describes
the
lilypond-user@gnu.org, Graham Breed gbr...@gmail.com, Kees van den Doel
kvand...@shaw.ca
On 1 Feb 2009, at 22:35, Behnam wrote:
LilyPond now has the capability to typeset these, if one can
get
hold of glyphs, and produce correctly tuned MIDI files.
I may be able to produce
Is this for tuning a key or marking a specific note? or both?
Both. They are used exactly as normal accidentals.
Kees
Behnam
On 1-Feb-09, at 6:07 PM, Kees van den Doel wrote:
Here's an example from a Persian music book.
Kees
- Original Message -
From: Hans Aberg hab
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