Re: Terminology question

rit : > > On 18.07.2018 02:41, Menu Jacques wrote: >> Text spanners can be used in LP to obtain that, but what is their name in >> music in general? > > They’re ligature brackets, used in modern editions to show that the mensural > original used a ligature for these notes. > Us

Terminology question

Hello folks, Binchois.xml, a part of the Recordare MusicXML samples, contains markups such as: 1 A 2 8 1

Re: general-align problem with 2.21.0

OK, I have to go back to 2.19.82. What’s the easiest way to do that? Thanks! JM > Le 12 juil. 2018 à 07:33, Menu Jacques a écrit : > > Hello folks, > > Doing a ‘git pull’ on my LilyDev 4 virtual machine and building Lily produced > a 2.21.0 version, that rejects: >

general-align problem with 2.21.0

Hello folks, Doing a ‘git pull’ on my LilyDev 4 virtual machine and building Lily produced a 2.21.0 version, that rejects: \version "2.21.0" P_POne_Staff_One_Voice_One = \relative c' { \tempo \markup { \concat { ( "Allegretto vivace"\smaller \general-align #Y #DOWN \note

Re: Chord \crossStaff question

mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org > <mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org>] On Behalf Of > Menu Jacques > Sent: Tuesday, July 10, 2018 12:49 PM > To: Lilypond-User Mailing List <mailto:lilypond-user@gnu.org>> > Cc: Menu Jacques ma

Two Frescobaldi suggestions

Hello folks, Frescobaldi is quite a great tool, and I often think it could even be enhanced in the following ways: - add a command to select all the skips in the window or current selection. This would help locate some recognition problems when scanning PDF files with tools such as

Re: Glissando with text?

Ooops… missed that, thanks, and sorry for the noise! JM > Le 28 juin 2018 à 23:32, Thomas Morley a écrit : > > 2018-06-28 19:04 GMT+02:00 Menu Jacques : >> Thomas, >> >> One last question: what is the simplest way to add the text value as a >> parameter to g

Re: Glissando with text?

Thomas, One last question: what is the simplest way to add the text value as a parameter to gliss-plus-text, instead of having it fixed in the code? Thanks! JM > Le 22 juin 2018 à 11:15, Menu Jacques a écrit : > > Hello Thomas, > > Excellent as usual, that solves my iss

Repeat question

Hello folks, I have a MusicXML file that displays differently with musicxml2ly: than with MuseScore or Finale: In order to obtain the same score a MuseScore or Finale, I have to uncomment the enclosing \repeat in the code. Is it right then that there are two nested repeats in such a

Re: Chord mode question

Hello Kieren, Thanks! I thought there might be a way to obtain that same result for the first chord without the risk of ambiguity, i.e. other chords with notes removed may end up as in customChordExceptions too. A nice day! JM > Le 24 juin 2018 à 20:34, Kieren MacMillan a > écrit : > >

Chord mode question

Hello folks, How can LilyPond be told to display the chords to match the lyrics, i.e. to mention that some notes are substracted from the chord? Thanks for your help! JM The code is: %% \version "2.19" P_POne_Staff_One_Voice_One_HARMONY = \chordmode { \language

Re: Glissando with text?

Hello Thomas, Excellent as usual, that solves my issue. Thanks a lot, and a nice day! JM > Le 22 juin 2018 à 10:54, Thomas Morley a écrit : > > > > 2018-06-22 9:05 GMT+02:00 Menu Jacques <mailto:imj-...@bluewin.ch>>: > Hello folks, > > Is it possible to o

Glissando with text?

Hello folks, Is it possible to obtain some text along a glissando, such as: The Internals Reference tells there’s no text property attached to a Glissando object, and I couldn’t find anything in the snippets. Thanks for your help! JM ___

Re: DrumStaff question

Hello Federico, Thanks Federico. A side question is (I’m no percussionist): how does one chose between DrumStaff and RythmicStaff? JM > Le 12 juin 2018 à 23:02, Federico Bruni a écrit : > > > > Il giorno mar 12 giu 2018 alle 22:12, Menu Jacques ha > scritto: >>

DrumStaff question

Hello folks, I can’t seem to get why the code below produces an empty 5-line first staff. Thanks for your help! JM \version "2.19.80" \header { title = "basic/UnpitchedTuplet.xml" software = "MuseScore 2.0.3.1" encodingDate =

Re: Ossia-like scordatura positioning question

Thanks David, I had missed that. A nice day! JM > Le 23 mai 2018 à 00:49, David Kastrup <d...@gnu.org> a écrit : > > Menu Jacques <imj-...@bluewin.ch> writes: > >> Hello folks, >> >> This is similar to an ossia, aiming at showing the scordatura

Ossia-like scordatura positioning question

Hello folks, This is similar to an ossia, aiming at showing the scordatura graphically. I don’t understand why the \new Staff shows up below the staff containing c’4, and not above it, which would be better I think. Thanks for your help! JM \version "2.19" P_POne_Staff_One_Voice_One =

Re: Intervals between various B pitches

Thanks Hans! JM > Le 20 mai 2018 à 20:56, Hans Åberg a écrit : > > Here is a two-dimensional layout fitting into the staff system (use a > monospace font to view). Pitches increase by moving up or to the right. > Moving vertically corresponds to changing position on the

Intervals between various B pitches

Hello folks, Working on intervals, I bump into this question. How is the right column below to be filled? Downward interval between B## and: B#:augmented unison or minor second? B: major second or ...? Bb:minor third or ...? Bbb: major third or

5/4 full measure rest

Hello folks, What is the best way to write such a length, that cannot be written with dots? I’m not sure about R1*5/4, and I thought R1 R4 would be OK for that, but: \version "2.19.80" \relative { \time 5/4 << \new Voice { a' b c d e | } \new Voice { R1 R4 | }

musicxml2ly fails on start and stop

Hello folks, The MusicXML example below causes musicxml2ly 2.19.80 to create the following code, which is not acceptable to LilyPond: Starting lilypond 2.19.80 [ExtendStartAndStop.ly]... Processing `/Users/menu/Documents/LaTeX/PartitionsLilypond/lyrics/ExtendStartAndStop.ly' Parsing...

Note pitches missing in some languages

Hello, It seems there are no names in Svenska and some other languages for sequiflat and sesquisharp pitches. Will that be added when triple accidentals are introduced? Thanks for your help! JM ___ lilypond-user mailing list lilypond-user@gnu.org

Intervals enharmony question

Hello folks, Say I’m considering chords with an E flat root. Is is always true that: - the diminished fifth is B double flat - the augmented fifth is B natural - the diminished unisson is E double flat - the augmented unisson is E natural or can this depend on

TabStaff customization

Hello folks, Is there a way to enforce a note name such a D instead of the fret number in a TabStaff? That would be nice to display scordaturas. Thanks for your help! JM \version "2.19.80" \relative c { \new TabStaff { \omit Staff.TimeSignature \hide Stem \mark "DADGAD"

Harmony presentation question

Hello folks, In the example below, chords are split over two voices by musicxml2ly, as it found them (as harmonies) in the MusicXML file. Would it be better to have only one chords part in such a case, to have Ebm9 at the same horizontal level as the other three chords, as MuseScore does in

Scordatura question

Hello folks, String instruments sometimes use scordaturas: I’ve wondered how this is noted in modern scores, but couldn't find examples on the Internet. Can anyone give pointers to actual scores showing that? Thanks! JM ___ lilypond-user mailing

Non standard MusicXML tuplet question

Hello folks, In 23c-Tuplet-Display-NonStandard.xml, part of the unofficial LP MusicXML suite, there’s: C 5 136 1 eighth 3 2 breve

Re: Diatonic accordion score fine-tuning

Hello Harm, Thanks for your help and thanks a lot to David for supplying this useful Scheme code. I’ll use that for sure! JM > Le 31 mars 2018 à 16:16, Thomas Morley <thomasmorle...@gmail.com> a écrit : > > 2018-03-30 18:25 GMT+02:00 Menu Jacques <imj-...@bluewin

Re: Diatonic accordion score fine-tuning

next important step will be to convert the actual note pitches into the fingerings that should be displayed instead. JM AccordionPushSpannerExample.ly Description: Binary data > Le 27 mars 2018 à 13:16, Menu Jacques <imj-...@bluewin.ch> a écrit : > > Hello folks, > &g

Diatonic accordion score fine-tuning

Hello folks, I've modified the AccordionPushSpanner example supplied by someone on this list (can't find who it was, unfortunately), giving the attached file and the score : How can I tune the settings to align the bar lines lower tips with the single staff line, and hide the dots in the

Producing scores for the diatonic accordion

Hello folks, A friend of mine would like to produce scores with the fingerings for his F diatonic accordion. In the « Score for diatonic accordion » example in the snippets, it is not shown how: AccordionTabTwoCBesDur = { % pull 1 %8 8 8 | 8 8

Swing tempo equivalence

Hello folks, Using http://lsr.di.unimi.it/LSR/Item?id=204 as a starting point, I obtained the code below, that produces: Is there a simpler way to obtain the same score? Thanks for your help! JM %%% \version "2.19.80" %% http://lsr.di.unimi.it/LSR/Item?id=204 %% see also

Rests vs spacers style question

Hello folks, P_POne_Staff_One_Voice_Two below contains rests which may seem to be make the score more difficult to read that spacers. Apart for single voice staves where rests are necessary, is there a best-practise style for multivoice staves? Thanks for your help! JM %%% \version

Grace notes & Co, style question

Hello folks, The example below illustrates the possibilities in LilyPond, and there are several ways to obtain the same graphics appearance, such as acciaccatura and slashedGrace slurred. As a matter of style, are some of them to be preferred/avoided? Thanks for your help! JM

Changing the ossia staff distance to another staff

Hello folks, In the example below, how can the ossia be brought closer to the upper staff while keeping the same distance between the two regular staves? Thanks for your help! JM \version "2.19.80" \new PianoStaff << \new Staff = "up" \relative { c''4 b d c <<

Removing time signatures denominators in compound meters

Hello folks, A happy new year 2018! How can one suppress the denominators in \compoundMeter below? single-digit seems to act only on simple meters: \relative c' { \once\override Staff.TimeSignature.style = #'single-digit \compoundMeter #'((2 8) (3 8)) c8 d e fis gis c8 fis, gis e d

Changing the car or cdr of a pair

Hello folks, The edge-height pair can be given a value with: \once \override Staff.LigatureBracket.edge-height = #'(0 . +0.7) but how can I change only one of the members of the pair, leaving the other one as it is? Thanks for your help! JM

Re: Hammer-on and pull-off

tp://www.bartart3d.be/> > On Twitter <https://twitter.com/Bart_Issimo> > On Identi.ca <http://identi.ca/bartart3d> > On Google+ <https://plus.google.com/u/0/b/116379400376517483499/> > > 2017-12-22 15:19 GMT+01:00 Menu Jacques <imj-...@bluewin.ch > <

Hammer-on and pull-off

Hello folks, The LPNR states that: Hammer-on and pull-off can be obtained using slurs. \new TabStaff { \relative c' { d4( e\2) a( g) } } Is that the regular way to write such fretted strings instruments music, or is sometimes an H or P placed between the two notes, as Finales

Ligatures question

Hello folks, MusicXMl has the notion of brackets (LilyPond’s ligatures) line-ends:

Re: Multiple chord names?

ernative chords on top of each other, I just place two > ChordNames contexts in the score and have the upper one contain mostly > spacers plus the alternative chord names wherever one is needed ... > > Best, Robert > > On 15 Dec 2017, at 00:20, Menu Jacques <imj-...@bluewin.ch

Multiple chord names?

Hello folks, MusicXML has the notion of multiple chord names, i.e.: 480 0 major 4 4

Re: Slur on the last note of a staff

Hello Davide, Thanks! Is there a way for this solution to apply to all \laissezVibrer occurrences, so as to put it in global variable? JM > laissezVibrer > Le 14 déc. 2017 à 11:01, Davide Liessi <davide.lie...@gmail.com> a écrit : > > 2017-12-14 10:50 GMT+01:00

Re: Slur on the last note of a staff

Found this way: << { d4-1 } { s8 ( s8 ) } >> Maybe there are others… JM > Le 14 déc. 2017 à 10:50, Menu Jacques <imj-...@bluewin.ch> a écrit : > > Hello Folks, > > Surely this question has arosen before, but I don’t seem to be able to find > the answer. &

Slur on the last note of a staff

Hello Folks, Surely this question has arosen before, but I don’t seem to be able to find the answer. How can I get a slur on the last note of a staff, such as the attached? Thanks for your help! JM ___ lilypond-user mailing list

Re: DrumVoice vs non-existent RhythmicVoice

Caagr98’s answer to my other post regarding DrumStaff vs Staff for instrument name is also an answer to this one: there’s no alias defined for RhythmicVoice, but Voice should be preferred anyway it seems. JM > Le 13 déc. 2017 à 10:04, Menu Jacques <imj-...@bluewin.ch> a écrit : &

DrumVoice vs non-existent RhythmicVoice

Hello Folks, There exists DrumStaff and RythmicStaff and DrumVoice, but no RhythmicVoice. In the example below from musicxml2ly, '\context Voice’ is used in the RhythmicStaff. Any reason for this asymmetry? JM — \version "2.19.58" % automatically converted by musicxml2ly from

DrumStaff vs Staff for instrument name

Hello folks, In the example below, using Staff.instrumentName makes no difference compared to DrumStaff.instrumentName. Are both equivalent, or should DrumStaff.instrumentName clearly be preferred? Thanks for your help! JM — \version "2.19" P_PTwo_Staff_One_Voice_One = \relative { \key

Re: How about a StaffGroup containing a single Staff?

Hello Lukas & Werner, Oops, thanks, sorry for not having found that myself and the noise. JM > Le 15 nov. 2017 à 23:02, Werner LEMBERG a écrit : > > >> Are there situations when a brace should be produced for such a >> single staff staff group, and if so, how can that be

How about a StaffGroup containing a single Staff?

Hello folks, In the code below, the structure of the two StaffGroup's is similar, with the second one having but one Staff in it. Yet the latter doesn’t get a brace as the first one does. Commenting the second \new StaffGroup out altogether, thus bringing the Pauke \new Staff at the same level

Tuplets curved brackets?

Hello folks, MusicXML has the notion of curved tuplets brackets: Didn’t find anything in the doc nor snippets. How can that be achieved with LilyPond? Thanks for your help! JM ___ lilypond-user mailing list lilypond-user@gnu.org

Note heads possibilites?

Hello folks, MusicXML is rather rich in terms of note heads, basically: slash, triangle, diamond, square, cross, x, circle-x, inverted triangle, arrow down, arrow up, slashed, back slashed, normal, cluster, circle dot, left triangle, rectangle, or none and some more. How can I get

TimeSignature.style question

Hello folks, I’ve found that: \once \override TimeSignature.style = #'single-digit has no effect in the example below. Is there a way to suppress the denominators in measure 2? Thanks! -- \version "2.19.65" \relative { c'1 | \compoundMeter #'((1 4) (3 8)) \repeat unfold 5

Re: Neapolitan chords & al.

One more point: there’s also ‘pedal’ in MusicXML: C pedal Is that just equivalent to having a usual pedal? JM > Le 13 sept. 2017 à 11:09, Menu Jacques <imj-...@bluewin.ch> a écrit : > > Hello Mike, > > Excellent, thanks

Re: Neapolitan chords & al.

his sophomore music theory course… > > ~Mike > On 13 September 2017 at 11.20.51, Menu Jacques (imj-...@bluewin.ch > <mailto:imj-...@bluewin.ch>) wrote: > >> Hello folks, >> >> MusicXML supports neapolitan, italian, german, french and tristan chords, >&

Neapolitan chords & al.

Hello folks, MusicXML supports neapolitan, italian, german, french and tristan chords, i.e.: C Neapolitan I’ve found information about neapolitan, but nothing about the others. What is the structure of those? Thanks! JM

Re: \chordmode problem?

Hello David and Carl, Thanks for the news, I’m eager to have Charles’ contribution available in LP! JM > Le 12 sept. 2017 à 22:48, Carl Sorensen <c_soren...@byu.edu> a écrit : > > On 9/12/17 10:50 AM, "David Kastrup" <d...@gnu.org> wrote: > >>

Re: \chordmode problem?

Interesting: adding \powerChords to the part leads to the behaviour I expected in the first place, i.e.: I’ll use that by default for jazz scores, then. JM > Le 12 sept. 2017 à 17:04, Menu Jacques <imj-...@bluewin.ch> a écrit : > > Pushing things further, I found that th

Re: \chordmode problem?

\layout {} % To create MIDI output, uncomment the following line: % \midi {\tempo 4 = 100 } } %% > Le 12 sept. 2017 à 16:31, Menu Jacques <imj-...@bluewin.ch> a écrit : > > Hello Harm and Knut, > > Thanks for your answers. > > I know how to customize chord

Re: \chordmode problem?

12, 2017 at 2:51 AM, Thomas Morley <thomasmorle...@gmail.com > <mailto:thomasmorle...@gmail.com>> wrote: > > > 2017-09-12 11:37 GMT+02:00 Menu Jacques <imj-...@bluewin.ch > <mailto:imj-...@bluewin.ch>>: > Hello folks, > > I get this score: > > >

\chordmode problem?

Hello folks, I get this score: from what seems to be the reasonable LP code below. What should one write to get: Thanks if you can help! JM \version "2.19.65" PartPOneVoiceOne = \relative a' { \clef "treble" \key c \major \time 4/4 | % 1 a4 \bar "|." }

\transposition question

Hello folks, I’m trying to understand how \transposition works with enharmony. In the following, what key should be chosen (instead of D major) in the fourth score for a soon-to-be-created Trumpet in A#? \version "2.19.65" \layout { indent = 3\cm } PartPOneVoiceOne =

Re: Jianpu music notation question

Hello, I gave a try at a simple Scheme function named jianpu, and the two scores produced by the example below are identical, at least as far as I can see. What should be done for this approach to work with more complex music than a mere sequence of notes? Thanks if you can help! JM

Re: Jianpu music notation question

Hello David, Thanks for the information, I’ll look into the NoteNames context. A nice day! JM > Le 21 août 2017 à 08:22, David Kastrup <d...@gnu.org> a écrit : > > Menu Jacques <imj-...@bluewin.ch> writes: > >> As someone mentioned on this list some time a

Jianpu music notation question

Hello folks, As someone mentioned on this list some time ago, Silas S. Brown has written jianpu-ly, described at http://people.ds.cam.ac.uk/ssb22/mwrhome/jianpu-ly.html, that produces LilyPond code from a custom text description of the score. This leads to code such as: #(define (note-one

Re: Alignment problem

gt; <mailto:imj-...@bluewin.ch>> > To: "Lilypond-User Mailing List" <lilypond-user@gnu.org > <mailto:lilypond-user@gnu.org>> > Sent: Monday, August 07, 2017 1:30 PM > Subject: Re: Alignment problem > > > > Hello Phil, > > \textLeng

Alignment problem

Hello folks, Can the « Fine » and « f » be on the same horizontal line while remaining attached to two differents notes, without using any separate dynamics voice? Thanks! JM \version "2.19.55" \relative b, { \key g \major \clef "bass" \time 3/4 d4 \fermata _\markup{\italic

Re: Manual syllable durations questions

gt; > David Kastrup <d...@gnu.org> writes: > >> Menu Jacques <imj-...@bluewin.ch> writes: >> >>> Hello folks, >>> >>> I’m trying to obtain a second score identical to the first one in the >>> example below, without using \lyri

Manual syllable durations questions

Hello folks, I’m trying to obtain a second score identical to the first one in the example below, without using \lyricsto and with syllables having their duration attached to them, but no way. How can that be done? And a side question: replacing d2 by r2 in variable ‘melody' makes only the

Re: Accordion registration problem

Hello David, Thanks, I mis-ordered things inadvertently… JM > Le 4 juil. 2017 à 11:29, David Kastrup <d...@gnu.org> a écrit : > > Menu Jacques <imj-...@bluewin.ch> writes: > >> Hello folks, >> >> I tried the following, which seems OK to me: >>

Accordion registration problem

Hello folks, I tried the following, which seems OK to me: \version "2.19.55" #(use-modules (scm accreg)) { \time 4/4 c'4 \discant #"210" } but Lily issued the following error message: Starting lilypond 2.19.55 [Discant problem.ly]... Processing `/Users/menu/Desktop/Discant problem.ly'

Re: Alternative notes display

Thanks a lot Simon for the suggestion! Here is what I’ve been able to obtain: % \version "2.19.55" global = { \time 3/8 } regularMusic = \relative c'' { \global c4. } alternativeMusic = \relative c'' { \global \shiftOn d8 c4 } \score { \new Staff <<

Alternative notes display

Hello folks, I’d like to have the eighth and quarter notes displayed smaller, as an alternative to the dotted quarter note, and them not being included in the midi output. Merely making them smaller won’t solve the midi part of the problem, as won’t \cueDuring, since: > LPNR: The music from

Re: Editorial accidentals

nu.org> a écrit : > > Thomas Morley <thomasmorle...@gmail.com <mailto:thomasmorle...@gmail.com>> > writes: > >> 2017-06-25 8:40 GMT+02:00 Menu Jacques <imj-...@bluewin.ch>: >>> Thanks Simon for the idea. >>> >>> I’ve defined the f

Re: Editorial accidentals

#note #}) { \editorialAccidental cis4 cis4 dis4 \editorialAccidental cis4 } JM > Le 25 juin 2017 à 00:58, Simon Albrecht <simon.albre...@mail.de> a écrit : > > On 24.06.2017 22:09, Menu Jacques wrote: >> What are editorial accidentals actually, and is there

Re: Editorial accidentals

Hello Phil, Fine, thanks! I didn’t know what to look for. JM > Le 24 juin 2017 à 23:04, Phil Holmes <m...@philholmes.net> a écrit : > > - Original Message ----- From: "Menu Jacques" <imj-...@bluewin.ch> > To: "lilypond-user" <lilypond-user@gn

Editorial accidentals

Hello folks, I see that, when translating , musicxml2ly ignores: https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Multiple rest and system break

Hello Trevor, Thanks, I had never used \newSpacingSection. JM > Le 16 juin 2017 à 17:46, Trevor Daniels <t.dani...@treda.co.uk> a écrit : > > > Menu Jacques wrote Friday, June 16, 2017 11:39 AM > >> This beats me : in the following snippet, why is there a break aft

Re: Multiple rest and system break

R1 | r1 | r2 r4 r8 r16 r32 r64 r128 r128 | \bar "|." } is fine. JM > Le 16 juin 2017 à 14:25, Phil Holmes <m...@philholmes.net> a écrit : > > - Original Message - From: "Menu Jacques" <imj-...@bluewin.ch> > To: "lilypond-user"

Multiple rest and system break

Hello folks, This beats me : in the following snippet, why is there a break after ‘R1*2’ ? There seems to be plenty of room to put everything on a single line…? Thanks for your help! JM % \version "2.19" P_POne_Staff_One_Voice_One = \relative { \compressMMRests R1*2 |

Re: percussion clef question

C 4 4 1 whole like this: when MuseScore 2.1 produces this: and LilyPond gives: JM > Le 9 juin 2017 à 14:50, Menu Jacques <imj-...@bluewin.ch> a écrit : > > Hello folks, > &g

percussion clef question

Hello folks, I’ve never created scores for percussion, so may question is a newbie one: can the percussion clef be used in any context, without changing the number of lines in the staff? And if so, it the output for the example below the right one? Thanks for your help! JM \version

Re: \times question

Hello David, Thanks for the explanations! I’ll become a super-smart new-fangled composer only next year probably, so I’ll go along your advice for the time being... JM > Le 6 juin 2017 à 08:51, David Kastrup <d...@gnu.org> a écrit : > > Menu Jacques <imj-...@blue

\times question

Hello folks, The two tuplets below are visually different, but what’s the musical difference, and how should a performer play that? Thanks for your help! JM -- \version "2.19.55" \relative c' { \times 2/4 { e4 f4 g4 a4 } \times 1/4 { b4 c4 c4 b4 } }

Unofficial MusicXML test suite access problem

Hello folks, — For your information — The links in that page: http://lilypond.org/doc/v2.19/input/regression/musicxml/collated-files.html seem to be broken or to lead to a zip archive containing an empty « home » directory. The same holds for:

Re: Percent repeats and parallel voices

Hello Harm, You don’t live up to your name, you help does no harm, quite the contrary... Thanks a lot! JM > Le 22 mai 2017 à 10:39, Thomas Morley <thomasmorle...@gmail.com> a écrit : > > 2017-05-22 10:27 GMT+02:00 Menu Jacques <imj-...@bluewin.ch > <mailto:imj-...@bl

Percent repeats and parallel voices

Hello folks, How exactly does \repeat percent interact with voices? It seems that the percent displayed is a staff feature, so I tried to have more that one voice. But in the example below, the color is not applied to the percent. Thanks for your help! JM \version

Score anecdote

Hello folks, Some days ago, Jean-Pierre the clarinetist says: « Let’s work the Poulenc sonata for clarinet and bassoon. Oh, that’s strange, I’ve got two scores for you… Take that one, it’s more readable! ». That score I did myself two years ago with LP, precisely to have it more readable, as

Mark formatting problem

Hello folks, Mark « B » in the following is not placed in a box, like the others. Thanks for your help! JM — \version "2.19.55" \relative c'' { \set Score.markFormatter = #format-mark-box-alphabet c1 \mark \default c1 \mark "B" c1 \mark #8 c1 \mark \default

Repeat tremolo question

Hello folks, The LPNR gives as example: \relative c'' { \repeat tremolo 8 { c16 d } \repeat tremolo 6 { c16 d } \repeat tremolo 2 { c16 d } } I found by experimenting with 2.19.55 that chords can be used in such tremolos. The doc doesn’t explicitly exclude unequal

Repeat structures question

Hello folks, As of 2.19.55 in the example below, one can « replicate » the \repeat command needed in P_POne_Staff_One_Voice_One in both \chordmode and \lyricmode. The same score is obtained with the \repeat only in P_POne_Staff_One_Voice_One. Is such a « replication » good practice? Are there

Unclear doc?

Hello folks, In appendix A.17 of the LPNR v2.19.57, what doest the « No setting… » sentence mean? alternativeNumberingStyle (symbol) The style of an alternative’s bar numbers. Can be numbers for going back to the same number or numbers-with-letters for going back to the same number

Re: Style questions

Hello Dmytro, Thanks, that will help me a lot too! JM > Le 28 mars 2017 à 16:03, Dmytro O. Redchuk a écrit : > > 2017-03-28 16:50 GMT+03:00 Guy Stalnaker : >> Oh, my! This is brilliant! I write mostly choral music and this will be >> invaluable!

Style questions

Hello folks, Two questions about the display style for Recordare's Binchois20.xml file: - should there be only one set of quarter rests under (CT.) in the lower staff, and if so, how can that be done (i.e. to « mask » a rest in a voice if there’s already one at the same point in

Re: Brackets question

om> wrote: >> Hi Menu, >> >> Well I was suggesting a way of faking it out, rather than being semantically >> pure. Not sure that Binchois used such brackets! >> >> Andrew >> >> -Original Message- >> From: Menu Jacques [mailto:imj

Re: Brackets question

Sorry for not having been more explicit: I saw that when imporing Recordare’s Binchois.xml file into Finale. The meter is 3/4, so it’s no tuplet it seems. > Le 27 mars 2017 à 13:17, Andrew Bernard a écrit : > > Hi Menu, > > Making some assumptions here. > > Andrew

Brackets question

Hello, These brackets look like analysis brackets, but are not quite as Lily displays them: Maybe they’re something else? JM___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

MIssing semi-sharp, semi-flat , sesqui-sharp, and sesqui-flat names in some languages in LPNR 2.19.56

Hello folks, I’ve noticed that only the following languages: nederlands deutsch english espanol or espa~nol français italiano portugues are mentioned at page 9 regarding: semi-sharp semi-flat sesqui-sharp sesqui-flat accidentals. How does one write them in catalan, norsk,

\new ChordNames {...} placement

Hello folks, In the example below, derived from an example in the LPNR, the: \new ChordNames { \chordmode { c1 d:m } } block can be moved outside of the PianoStaff without changing the score’s appearance. Ideally, should such a block belong to the score, a part

\consists style question

Hello folks, In the snippet below, two identical scores are produced using different coding styles as to where the \consists commands are placed. Is one of the latter to be preferred? Thanks you help! JM % \version "2.19.44" musicI = { 4\arpeggio 2 } musicII =

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