On Fri, 2024-05-03 at 18:01 +0200, Hans Aikema wrote:
>
>
> > On 3 May 2024, at 15:34, Richard Shann
> > wrote:
> >
> > On Fri, 2024-05-03 at 09:25 -0400, Kieren MacMillan wrote:
> > > Hi Richard,
> > >
> > > > > is there a re
On Fri, 2024-05-03 at 09:25 -0400, Kieren MacMillan wrote:
> Hi Richard,
>
> > > is there a reason you don't use \repeat percent in the first
> > > place ?
> > It's easier for users of Denemo to have a single piece of LilyPond
> > syntax at the place they want to see the "%"
>
> How is this
>
>
On Fri, 2024-05-03 at 13:04 +0200, Xavier Scheuer wrote:
> On Fri, 3 May 2024 at 12:43, Richard Shann
> wrote:
> >
> > In earlier versions of LilyPond I avoided the use of \repeat
> > percent 2
> > {} syntax by overwriting the stencil for a whole bar rest:
> >
uot;
{ c c c c
\once \override MultiMeasureRest.stencil =
#ly:percent-repeat-interface::percent
\once \override MultiMeasureRest #'thickness = #0.48
R1*4/4
}
Is there an easy fix - the extra-offset needed varies according to the
width of the bar...
Richard Shann
On Thu, 2024-04-25 at 01:15 +0300, Dimitri Sykias wrote:
> Hi Jacob
> Thanks for the reply.
> When I use for ex. (Version "2.24.1”)
> \figures {
> \override FiguredBass.BassFigure.font-size = #2
> <6- 4> <6> <6- 4-> <_-> <5-> <5+ _+> < 5- _-> <6 _+> <_+> <5- _-
> >}
> accidentals are
ay that if I came across your example in performance I would
imagine it was the 6 on the note earlier that was being extended. But
then, as the figures are appearing below the staff, the figures are
perhaps intended for academic use only?
Richard Shann
> Anyway most clear is to i
On Thu, 2024-01-11 at 10:43 +, Eef Weenink wrote:
> Good day to all of you.
>
> I am working on a figured bass, and now it is needed to get an
> extended line under two notes, not showing the number:
> Afbeelding met lijn, Lettertype, ontvangst, tekst
>
> Automatisch gegenereerde
specifically, if you get an email with a name you recognize check the
email address is the one that person usually uses (mine purported to
come from Jean-Abou but the email address was spurious).
Richard
On Mon, 2023-10-23 at 12:01 -0400, Rik Kabel wrote:
> The following turd was sent to me this
On Sun, 2023-09-17 at 14:58 +0200, Jean Abou Samra wrote:
> Le dimanche 17 septembre 2023 à 12:56 +0100, Richard Shann a écrit :
> > I can't figure out why this:
> >
> > \version "2.24.0"
> > {
> > \set fingeringOrientations = #'( l
ting
https://lilypond.org/doc/v2.24/Documentation/notation/direction-and-placement
Richard Shann
On Mon, 2023-08-28 at 11:27 +0200, Xavier Scheuer wrote:
> On Mon, 28 Aug 2023 at 10:17, Richard Shann
> wrote:
> >
> > There are more problems than I thought with your solution-
> > here is your example with some higher notes in it - the bar numbers
> > lea
testing further...
On Sun, 2023-08-27 at 07:50 -0700, Knute Snortum wrote:
> On Sun, Aug 27, 2023 at 7:31 AM Richard Shann
> wrote:
> > If I create a Dynamics staff above the music, the bar numbers are
> > printed on it rather than on the staff with the music. At least
> >
On Sun, 2023-08-27 at 07:50 -0700, Knute Snortum wrote:
> On Sun, Aug 27, 2023 at 7:31 AM Richard Shann
> wrote:
> > If I create a Dynamics staff above the music, the bar numbers are
> > printed on it rather than on the staff with the music. At least
> > this is
> >
\override Score.BarNumber.break-visibility = #end-of-line-invisible
\set Score.barNumberVisibility = #(every-nth-bar-number-visible 1)
<<
\new Dynamics \dyn
\new Staff \mus
>>
>>
}
%%%%%%
On Fri, 2023-08-18 at 17:40 +0200, Jean Abou Samra wrote:
> Le vendredi 18 août 2023 à 16:34 +0100, Richard Shann a écrit :
> > Is it possible to reduce the size of the TabStaff clef?
> > this doesn't work:
> > \version "2.24.1"
> > <<
&
Is it possible to reduce the size of the TabStaff clef?
this doesn't work:
\version "2.24.1"
<<
\new TabStaff \with {
\override TabStaff.Clef.font-size = #-1
}{c c c c | }
>>
Richard Shann
Reading over the docs again, I see that this is what is meant by
"footnotes outside of music expressions".
Sorry for the noise.
Richard Shann
On Wed, 2023-08-09 at 15:36 +0100, Richard Shann wrote:
> I've noticed that the following does not work:
>
> 8><8><8><
e" \auto-footnote "tune" \italic " By me"
} g'4 }
}
8><8><8><8><8><8><8><8><8><8><8><8><8><8><8><8><8><8><
I'm guessing this is something that simply can't be done but if so I
didn't guess it from the documentation. Should it be mentioned under
"Known Issues and Warnings"?
Richard Shann
On Fri, 2023-07-14 at 21:08 +, Eef Weenink wrote:
> Maybe somebody already made a script for this:
>
> In figured bass there are two fundamental rules: Avoid parallell
> octaves and or fifhts.
> So it would be nice to have some scipts what checks for this.
FWIW
There is a script in Denemo
On Wed, 2023-05-31 at 11:46 +0200, Jean Abou Samra wrote:
> Le mercredi 31 mai 2023 à 13:31 +1000, Andrew Bernard a écrit :
> > I'd still be interested to know in rough outline how Denemo lets
> > you add single notes in a GUI and have the feedback from lilypond
> > so quickly.
>
> As far as I
(that's the 2.22 version, the 2.24 version is in a subdirectory).
It lets you create wavy lines of the desired wriggliness (it's included
in Denemo).
HTH
Richard Shann
>
> This sign differs from "\prallprall". In addition, as can be seen in
> the example, it should be between th
On Tue, 2023-04-04 at 12:03 +0200, Jean Abou Samra wrote:
> Le mardi 04 avril 2023 à 11:34 +0200, Jean Abou Samra a écrit :
> Le lundi 03 avril 2023 à 20:50 +0200, Jonas Hahnfeld via LilyPond
> user discussion a écrit :
> > This shouldn't be needed: g_spawn_sync internally uses a helper
> >
On Mon, 2023-04-17 at 20:26 +0200, Jean Abou Samra wrote:
> Le lundi 17 avril 2023 à 18:51 +0100, Richard Shann a écrit :
> Someone asked me how to set some verses in columns across the page
> after the title in their piece. I found a snippet in the LSR which
> defines a markup comm
}
\column {
\line {Verse Three }
\line {Second Line }
}
}
8><8><8><8><8><8><8><8><8><8><8><8><8><8><8><8><8><8><8><8><8><8><
Where a change of global staff size is commented out for ease of testing.
Best wishes,
Richard Shann
On Tue, 2023-04-04 at 11:03 +0100, Richard Shann wrote:
> On Tue, 2023-04-04 at 11:32 +0200, Jean Abou Samra wrote:
> > Le mardi 04 avril 2023 à 10:29 +0100, Richard Shann a écrit :
> > > The situation on Windows without lilypond-windows.exe is even
> > > worse
> &
nd path of the lilypond executable is typed into Denemo and
the g_spawn call is made - so the only difference is that it is calling
lilypond.exe below the 2.24.0 folder rather than the lilypond-
windows.exe below the 2.22.0 folder. I've just tested this out by
downloading 2.22.0 to the home directory and telling the same Denemo
executable to execute lilypond.exe and lilypond-windows.exe
alternately. With the former I get the terminal popping up and not with
the latter.
Richard Shann
On Tue, 2023-04-04 at 11:32 +0200, Jean Abou Samra wrote:
> Le mardi 04 avril 2023 à 10:29 +0100, Richard Shann a écrit :
> > The situation on Windows without lilypond-windows.exe is even worse
> > than I thought - the option -dlog-file no longer generates the log
> > file
&g
reporting to the unlucky Windows users of Denemo.
Please can we have lilypond-windows.exe back? It is indeed as far as I
know just an extra target in the makefile with -mconsole in it, and
given the size of a LilyPond installation not a enormous burden on the
windows users disk space.
Richard Shann
On Sun, 2023-04-02 at 11:54 -0700, Aaron Hill wrote:
> On 2023-04-02 8:38 am, Richard Shann wrote:
> > there used to be an executable lilypond-windows.exe in addition to
> > the
> > lilypond.exe which has also vanished. I suspect it was compiled
> > using
> &
On Sun, 2023-04-02 at 13:57 +0200, Robin Bannister wrote:
> Richard Shann wrote:
> > There was an option -dgui which allowed Denemo to run LilyPond in
> > the
> > background on Windows, but this has vanished without, as far as I
> > can
> > see, an
There was an option -dgui which allowed Denemo to run LilyPond in the
background on Windows, but this has vanished without, as far as I can
see, any entry in the Changes to account for it
https://lilypond.org/doc/v2.24/Documentation/changes-big-page
Is it possible for LilyPond 2.24 to be run in
Is there a way to combine a rehearsal mark with some text following it
other than the rather crude
\version "2.24.0"
{
c'' \mark \default c'' c'' c'' \textEndMark \markup {a tempo}
}
where the durations of the notes are chosen to make text follow the
rehearsal mark?
Richard
On Wed, 2023-03-29 at 10:03 -0700, Knute Snortum wrote:
> On Wed, Mar 29, 2023 at 5:08 AM Richard Shann <
> rich...@rshann.plus.com> wrote:
> > In the following snippet the text is displaced vertically upwards
> > if
> > the commenting out is removed, i.e. a note
On Wed, 2023-03-29 at 20:05 +0200, Jean Abou Samra wrote:
> Le mercredi 29 mars 2023 à 13:07 +0100, Richard Shann a écrit :
> > In the following snippet the text is displaced vertically upwards
> > if
> > the commenting out is removed, i.e. a note appears with more than
&
In the following snippet the text is displaced vertically upwards if
the commenting out is removed, i.e. a note appears with more than one
leger line later on the staff.
8><8><8><8><8><8><8><8><8><8><8><8><8><8><8><8><
\version "2.24"
MI = {
<> ^\markup \bold \italic {"text" }
On Sat, 2023-03-11 at 19:03 +0100, Jean Abou Samra wrote:
> Le vendredi 10 mars 2023 à 14:35 +0000, Richard Shann a écrit :
> > sorry, yes, I just assumed it had been shortened not lengthened.
> It was renamed because LilyPond gained other “mark formatters”, such
> as seg
On Fri, 2023-03-10 at 14:12 +0100, Jean Abou Samra wrote:
>
>
> > Le 10 mars 2023 à 13:47, Richard Shann a
> > écrit :
> >
> > I've noticed a name change in 2.24 where
> > rehearsalMarkFormatter has become markFormatter.
>
>
> (You mean the
c1 \mark #8
c1 \mark \default
c1 \mark \default
}
8><8><8><8><8><8><8><8><8><8><8><8><8><8><8><8><8><8><8><8><8><8><8><
If the commenting out is switched round this continues to work.
(The definition of xxx would be in an include file in a versioned
directory).
My question is, is this a reasonable approach?
Specifically is it reliable to use variables in this way, as components
of a property?
Richard Shann
On Tue, 2023-02-28 at 20:16 +, Timothy Lanfear wrote:
> On 28/02/2023 17:53, Richard Shann wrote:
> In a complex score with a DynamicsStaff placed above the music for
> markups and another below for the dynamics an unusually large space
> opened up below the music and above the d
;8><8><8><8><8><8><
In this example the extra spacing disappears after the third system.
Strangely, the problem goes away if the system-system-spacing.minimum-
distance is not set, however this does not happen on the complex score,
and, as there is plenty of room on the page it is difficult to see how
this setting could be called into play.
Any insights into this behavior would be most welcome, as well as any
setting that might directly address this spacing.
Richard Shann
If I use \stopStaff then systems where it is active don't display
braces, even though they do display the initial clef.
For example:
\version "2.24"
\score {
\new StaffGroup <<
\new Staff {\stopStaff c'1 }
\new Staff {c'1 }
bug in \stopStaff then, I've done some digging and it
seems I can add
\override NoteHead.no-ledgers = ##t
to it as a workaround.
Richard
>
> Cheers,
> Valentin
>
> Am Mittwoch, 1. Februar 2023, 13:17:45 CET schrieb Richard Shann:
> > On Wed, 2023-02-01 at 10:35 +, Richa
On Wed, 2023-02-01 at 10:35 +, Richard Shann wrote:
> In this piece
I've discovered this can be made still more minimal:
\version "2.24"
music = {
e'''1 \stopStaff e'''1 \break e'''1 }
\score { \music }
The \break is needed.
Richard
> the note on the first s
In this piece the note on the first system has ledger lines typeset
while those on the second does not.
\version "2.24"
music = {
s1*4/4 \stopStaff e'''1
s1*4/4 \break e'''1 s1*4/4 }
\score { \music }
The entry in the documentation for \stopStaff
On Sat, 2023-01-14 at 18:50 +0100, Jean Abou Samra wrote:
> Le 14/01/2023 à 18:27, Richard Shann a écrit :
> > I didn't get a response to this email,
>
> ?? You got a reponse from Werner last Monday. While there can be
> distribution delays on this list, you were in the
to version 2.24
is to switch to using the alt versions of the glyphs.
Is anyone able to help me get control of the choice of glyph armed with
this information?
Richard
On Mon, 2023-01-09 at 16:52 +, Richard Shann wrote:
> The figure "4" in figured bass is coming out with a st
t;8><8><8><8><8><8><8><8><8><8><8><
gives a strange-looking 4 which resembles an upside-down 7 with a
smudge on it, quite difficult to decipher (see attached examples).
Is this a bug and how can I access the previously used font?
Richard Shann
On Sat, 2022-12-10 at 17:42 +0100, Jean Abou Samra wrote:
> Le 10/12/2022 à 17:37, Richard Shann a écrit :
> > Is it possible to specify the string to be used for a note when
> > using a
> > TAB staff? So that a lower string gets marked with a number higher
> >
Is it possible to specify the string to be used for a note when using a
TAB staff? So that a lower string gets marked with a number higher than
it usually goes up to (because the next higher string is ordinarily
used).
Richard
its own format, and would know nothing about
> Lilypond (*.ly) files.
just to set things straight - Denemo certainly does know about LilyPond
files, it can write them and it can import them sometimes and can read
chunks of music from LilyPond files via the clipboard. And you can
insert LilyPond syntax at places in a Denemo score...
Richard Shann
On Sat, 2022-07-23 at 16:38 +0200, Jean Abou Samra wrote:
>
>
> Le 23/07/2022 à 15:58, Richard Shann a écrit :
> > The combination of Ambitus and a cue seems to provoke a strange
> > warning:
> >
> > 8><8><8><8><8><8>
cross fingers
/home/rshann/Skype/Ambitus-cue-notecolumnclash.ly:6:18: programming
error: note-column has no direction
c1
/home/rshann/Skype/Ambitus-cue-notecolumnclash.ly:6:18: continuing,
cross fingers
I cut this down from a much bigger score to make a MWE but in so doing
I see I have inadvertently triggered an extra warning, the first one
above about Note_column without heads and stem. The original only has
the warning about "note-column has no direction". I hope this won't
muddy the issue.
Any thoughts?
Richard Shann
. #t))
> (right))
>
> e8\startTrillSpan e c c s\stopTrillSpan
> }
> ... and simply replacing "scripts.trill" with an empty string or
> void/null ...
>
> Am 13.05.2022 um 09:37 schrieb Richard Shann:
> On Fri, 2022-05-13 at 09:
b;f=actions/lilypond/vibrato.ily;h=dadedd6859563a0bac0629b19ac729111ced29bd;hb=HEAD
>
from where you can pick it up and use it in raw LilyPond scores.
Richard Shann
On Mon, 2022-04-18 at 11:34 +0200, Thomas Morley wrote:
> Am Sa., 16. Apr. 2022 um 13:49 Uhr schrieb Nate Whetsell
> :
> >
> > I’m trying to put some beamed notes (no staff lines, time
> > signature, or anything else) in a \markup block. To do this, I’m
> > using a Staff with several engravers
On Mon, 2022-03-21 at 17:28 +0100, Jean Abou Samra wrote:
>
>
> Le 21/03/2022 à 17:24, Richard Shann a écrit :
> > On Sun, 2022-03-20 at 20:09 +0100, Jean Abou Samra wrote:
> > >
> > [...] perhaps there is something altogether
> > simpler?
>
>
On Sun, 2022-03-20 at 20:09 +0100, Jean Abou Samra wrote:
>
>
> Le 20/03/2022 à 19:09, Richard Shann a écrit :
> > On Sun, 2022-03-20 at 18:43 +0100, Jean Abou Samra wrote:
> > > \version "2.22.2"
> > >
> > > markWithPageInfo =
&
On Sun, 2022-03-20 at 18:43 +0100, Jean Abou Samra wrote:
>
> \version "2.22.2"
>
> markWithPageInfo =
> %% Must not get called before line breaking
> \tweak X-extent #'(0 . 0)
> \tweak Y-extent #'(0 . 0)
> \tweak horizontal-skylines
> #(ly:make-unpure-pure-container
for
\paper {
system-count = xx
page-count = yy
}
without having to count up the number of systems (pages is not really a
problem of course).
Richard Shann
require; then
> detailed adjustments can be made with \break and \pageBreak.
Thanks for this, it works well, the only thing to watch is when you
specify too few systems the last one runs off the right hand side.
Richard
>
> Paul
>
>
> From: Richard Shann
> >
> > I'
On Fri, 2022-03-18 at 17:30 +, Paul Hodges wrote:
> From: Richard Shann
> >
> > I wonder what "There is no convenient mechanism to manually
> > override
> > spacing. " means ...
>
>
> I take it to mean that adjusting spacing on a smaller scal
On Fri, 2022-03-18 at 12:27 +, Richard Shann wrote:
> On Fri, 2022-03-18 at 12:11 +0100, Valentin Petzel wrote:
> > Let’s take a look at what’s happening here:
> >
> > if we add
> > \override Score.SpacingSpanner.common-shortest-duration =
> > #(grob-tran
horizontal
> > space as
> > the other.
> > The documentation gives an overview of the algorithm for horizontal
> > spacing but eyeballing this music I can't see any shortest-note
> > differences that could trigger this.
> > Any idea what might be going on?
> >
> > Richard Shann
>
report on
their page count (and multiple runs of LilyPond on the separate Suites
to install the correct page numbering). With this you can create an
arbitrary collection of LilyPond books and put them together into a
single PDF. Generating a title page and table of contents is an obv
On Wed, 2022-02-09 at 09:42 -0700, Abraham Lee wrote:
> Hey, Richard!
>
> On Wed, Feb 9, 2022 at 9:13 AM Richard Shann
> wrote:
> > On Wed, 2022-02-09 at 13:00 +, Valentin Petzel wrote:
> > > Hello Richard,
> > >
> > > I do not like to say su
e is for
the layout-set-staff-size, it distorts the placement of clefs/time
signatures.
I was hoping there might be a set of settings which could be used to do
what set-global-staff-size does on each score block...
Richard
>
> Cheers,
> Valentin
>
> 09.02.2022 13:04:16 Richard Shan
ot seeking radically
different approaches here as this won't be hand-written).
Richard Shann
On Mon, 2022-02-07 at 15:59 +, Carl Sorensen wrote:
>
>
> On 2/7/22, 8:57 AM, "lilypond-user on behalf of Richard Shann"
> rich...@rshann.plus.com> wrote:
>
> On Mon, 2022-02-07 at 13:41 +0100, Jean Abou Samra wrote:
> > Le 05/0
On Mon, 2022-02-07 at 13:41 +0100, Jean Abou Samra wrote:
> Le 05/02/2022 à 12:50, Richard Shann a écrit :
> > On Sat, 2022-02-05 at 11:30 +, Richard Shann wrote:
> > > Is there a way to drop the line that is drawn below the systems
> > > above
> > > the fo
\afterGrace g4(-+ {a16 g16)} }
Richard
On Sun, 2022-02-06 at 09:13 +, Alasdair McAndrew wrote:
> Thank you very much! (But in Australia, where I am, it is early
> evening). I did try that, but the difficulty is that I already have
> a symbol attached to the note (which I should have
hat those are supposed to postfixed to the
note where the slur ends, not a sequence { } of notes.
Richard
>
> Again, thanks.
>
> Alasdair
>
> On Sunday 06 February 2022 20:53:12 (+11:00), Richard Shann wrote:
>
> >
> >
> > \afterGrace g4(-+ {a16 g16)}
ls ...
I'm guessing setting this must impact something else, as otherwise the
present default just leads to the rather unusual typesetting for the
trailing key change.
Richard
>
> Akikazu
>
>
> On 2022/02/05 21:58, Richard Shann wrote:
> > When the following movement in a
duration
matters but what it is doing exactly seems a mystery.
Richard Shann
\version "2.22.0"
\markup {Movement I}
{
c'' c'' c'' c''
c'' c''
\bar "|." \key bes \major s16 }
\markup {Movement II }
{ \key bes \major
c''4 c'' c'' c''
c'' c'' \bar "|." }
On Sat, 2022-02-05 at 11:30 +, Richard Shann wrote:
> Is there a way to drop the line that is drawn below the systems above
> the footnotes?
Sorry for asking before searching the mailing-list archives,
\paper { footnote-separator-markup = ##f }
is the answer I see. The docs often
Is there a way to drop the line that is drawn below the systems above
the footnotes?
Richard Shann
On Fri, 2022-01-14 at 20:41 +0100, Valentin Petzel wrote:
> Hello Richard,
>
> The file you’ve given us has a lot of nonsensical quoting in lines
> 149-153.
>
> Basically `(path ...) is already quasi-quoted, so there is no reason
> to quote
> the symbol round (as it is already quoted). Also you
On Mon, 2018-03-26 at 21:06 +0100, Richard Shann wrote:
> On Mon, 2018-03-26 at 11:53 +0200, Thomas Morley wrote:
> > 2018-03-25 21:13 GMT+02:00 Richard Shann :
> > > I have been using a bit of code written by Mark Witmer to achieve
> > > wavy
> > >
> [...]
On Sun, 2022-01-09 at 12:48 -0500, Kieren MacMillan wrote:
> Hi Richard,
>
> > I guess this means it is not a well-known feature.
>
> Not well-known, likely… but sure seems like a bug and not a feature
> to me. =)
>
> > Does anyone have an idea if there are guidelines which suggest
> > what
Do you
> > have some code you can send us?
> >
> > Cheers,
> > Valentin
> >
> > Am Sonntag, 9. Jänner 2022, 13:34:48 CET schrieb Richard Shann:
> > > Hi,
> > >
> > > Has anyone experienced the direction of ties on a series of tied
> > >
the
problem at that point goes away and if I delete bars likewise (*).
I guess this might be related to the question of how LilyPond decides
the direction for ties on notes on the center line in any case? I am on
version 2.22 of LilyPond.
Richard Shann
(*) I should add that as my lyrics are written
On Thu, 2021-10-21 at 08:59 -0700, Knute Snortum wrote:
> Hi everyone,
>
> In piano music, there's a technique for holding down a key with one
> finger, then switching to another.
I see that Denemo emits
c \finger \markup \tied-lyric #" 1~2 "
for this...
Richard
> I know how this looks in
On Sat, 2021-09-04 at 22:21 +0200, Jean Abou Samra wrote:
> Le 04/09/2021 à 20:39, Richard Shann a écrit :
> > (I'm trying to write code that will draw a box round A4 or letter
> > paper
> > with just a change of some scaling factors - I can work around it
> &g
On Sat, 2021-09-04 at 20:44 +0200, David Kastrup wrote:
> Richard Shann writes:
>
> > Can someone educate me as to why this works:
> >
> > \markup \path #0.4 #'((moveto 0 0) (lineto -30 50) (lineto -20 80)
> > (closepath))
> >
> > but this does not:
to write code that will draw a box round A4 or letter paper
with just a change of some scaling factors - I can work around it but
it's distressing not to understand what is going on).
Richard Shann
gt;<8><8><8><8><8><8><8><8><8><8><8><8><8><8><8><8><
(cautionary note: I haven't examined the code or docs on this, but it
seems a dot before and after will do the trick mid-word and a single
dot at end of word
On Fri, 2021-02-12 at 15:37 +0100, David Kastrup wrote:
> Richard Shann writes:
>
> > When I try to create a ChoirStaff brace around two staves one of
> > which
> > is a TabStaff I get two braces:
> >
> > 8><8><8><8><8><8><
>>
\new Staff
<<
\new Voice {
\music
}
>>
>>
>>
}
8><8><8><8><8><8><8><8><8><8><8><8><8><8><8><8><8><8><8><
If I replace TabStaff with Staff in the above, all is well.
Can anyone shed light on this?
Richard Shann
On Tue, 2021-02-09 at 16:47 +, Carl Sorensen wrote:
>
> On 2/9/21, 8:57 AM, "lilypond-user on behalf of Richard Shann" pond-user-bounces+carl.d.sorensen=gmail@gnu.org on behalf of rich
> a...@rshann.plus.com> wrote:
>
> Looking in the second link
On Mon, 2021-02-08 at 20:53 +0100, Xavier Scheuer wrote:
> On Mon, 8 Feb 2021 at 19:28, Richard Shann
> wrote:
> >
> > In a multi-movement piece with each movement starting on a new page
> it
> > happens by default that if one movement is very short it will be
> s
lt;
\version "2.20.0"
music = {\repeat unfold 30 c'' }
\paper {
page-limit-inter-system-space = ##t
page-limit-inter-system-space-factor = #0.2
}
\score {
\music
}
\pageBreak
\score {
\music
}
8><8><8><8><8><8><8><8><8><8><8><8><8><8><8><8><8><8><8><8><8><8><8><
Can someone suggest how to make these two movements look the same on
the page?
Richard Shann
}
\score {
\music
}
\pageBreak
\score {
\music
}
8><8><8><8><8><8><8><8><8><8><8><8><8><8><8><8><8><8><8><8><8><8><8><
Can someone suggest how to make these two movements look the same on
the page?
Richard Shann
On Sun, 2021-01-03 at 22:34 +0100, Xavier Scheuer wrote:
> On Sun, 3 Jan 2021 at 18:04, Richard Shann
> wrote:
> >
> > My understanding of the \beamExceptions function in 2.20 was that
> you
> > should be able to pass it a complete bar beamed as you would wish
On Mon, 2021-01-04 at 00:45 +0100, David Kastrup wrote:
> Richard Shann writes:
>
> > My understanding of the \beamExceptions function in 2.20 was that
> > you
> > should be able to pass it a complete bar beamed as you would wish
> > and
> > expect oth
as desired.
What have I got wrong?
Richard Shann
8><8><8><8><8><8><8><8><8><8><8><8><8><8><8><8><8><8><8><8><8><8><
\version "2.20"
barOne = {g'16 b' b'[(
es, thank you. It's a sort of multiple inheritance thing I
guess...
Richard
> --
> Knute Snortum
>
>
>
> On Sun, Dec 6, 2020 at 8:10 AM Richard Shann > wrote:
> > On Sun, 2020-12-06 at 16:52 +0100, Pierre Perol-Schneider wrote:
> > > Hi Richard,
> > &
dn't seem to lead to extra-offset as a property... I suppose I
need to tweak LilyPond so rarely that I get out of practice at finding
things in the documentation (this was my first bit of polyphony for ten
years!).
Richard
>
> Cheers,
> Pierre
>
> Le dim. 6 déc. 2020 à 15:32, Richar
df). I thought it might be nicer to move the lower dot closer
to its notehead, but I couldn't find out how to do that. With a lot of
things there are properties to tweak but this didn't seem to the the
case for augmentation dots.
Perhaps someone could steer me in the right direction?
Richard Shann
Untitled.pdf
Description: Adobe PDF document
make in Finale or Sibelius: mismatched braces, beams
> or slurs that you forget to close, notes entered in the wrong octave,
> etc.
>
> Oh, yes. That’s a huge factor as well. GUIs really do a great job at
> preventing you from making so many mistakes.
>
> www.martinrinconbotero.
On Sun, 2020-10-25 at 12:39 -0400, Kieren MacMillan wrote:
> Hi Richard,
>
> > I've never been sure why someone hasn't shown an interest in doing
> > that...
>
> How is that better than using the Frescobaldi MIDI input?
Well, I may need educating here, but it seems to be limited to entering
the
ow music, you can play it
in faster than you would perform it).
Richard Shann
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