On Fri, 26 Apr 2024 at 16:46, Eric Benson wrote:
>
> I see. How hard would it be to write a Scheme function that would copy a
melody variable and remove the text marks, or in fact everything other than
the note values, which are all I want in the NoteNames variable? That would
be preferable to
On Mon, 22 Apr 2024 at 21:48, Kenneth Wolcott
wrote:
>
> Hi;
>
> I've made a simple mistake but I can't figure out what I did wrong.
>
> At bar #36 the first text spanner starts. I think that's correct. But
> the piano articulation should be a bar earlier? But that also seems
> correct. How
On Sun, 21 Apr 2024 at 20:44, Gian Paolo Renello
wrote:
>
> Your right, thanks. I noticed it and changed as well in my code, but the
problem won't solve (see previous mail about the context)
Hello,
The Lyrics should come after the \new Voice = "sopranoVoice".
If you get an error please send a
On Wed, 17 Apr 2024 at 21:53, Pierre-Luc Gauthier
wrote:
>
> Hi there,
>
> Is this a known bug ?
>
> The \showStaffSwitch indication seems uneasy about page breaks.
Hello,
It might be another instance of #6684, which itself is apparently a
duplicate of #6551.
On Fri, 29 Mar 2024 at 22:31, Knute Snortum wrote:
>
> This looks like a very old bug that LilyPond has. Basically, if you have
a grace note starting a measure in one staff, you have to have one on all
staves, even if it's just a spacer. So adding this to the melody will fix
the problem:
On Tue, 26 Mar 2024 at 17:05, bobr...@centrum.is wrote:
>
> Is there a way to omit the key signature at the end of a line in this
case?
Hello,
Well, here *it is* key cancellation.
\override Staff.KeyCancellation.break-visibility = #all-invisible
Kind regards,
Xavier
On Mon, 25 Mar 2024 at 22:19, bobr...@centrum.is wrote:
>
> I want to remove a key change from the ends of lines/systems. I am *not*
referring to just key cancellation, which I do also want. I mean, at the
end of a line the new key should not appear before the new line. I haven't
worked it
On Sun, 24 Mar 2024 at 17:14, David Sumbler wrote:
>
> I haven't used Lilypond for a while, but I have currently got v.2.24.1
>
> I started a new, very small, project today, but I can't compile
anything. Thinking I must have forgotten even the basics of writing
Lilypond files, I tried a few of
On Wed, 20 Mar 2024 at 19:47, Paul Scott wrote:
>
> 1. How can I cause an individual page other than the last page of a
> score to have ragged-bottom?
Hello,
I don't think this is possible.
Personally I would produce 2 different PDFs and then split and merge the
pages as desired.
> 2. How can
On Wed, 20 Mar 2024 at 04:48, Ben Bradshaw wrote:
>
> Hello,
> I think I must not be understanding how the StaffGrouper works. I'm doing
a score with instrument and piano accompaniment, and have the piano music
in a PianoStaff. I'm trying to get more space between the solo staff and
the piano
On Tue, 19 Mar 2024 at 16:08, Ralph Palmer
wrote:
>
> Hello, again!
>
> This list has been a great help on numerous occasions.
>
> I have a new problem - how to combine staccato with tremolo. I'm
> attaching an example from the score I'm trying to transcribe. The
> problem is similar to
>
>
On Tue, 19 Mar 2024 at 13:57, Peter Mayes wrote:
>
> Being relatively new to this forum, I suspect I am not the first person
> to ask this.
>
> And it is more out of curiosity than necessity.
>
> But does anybody have lilypond code to engrave the famous B.A.C.H. motif
> in the attached image?
Hi Jean,
Are you adding this to the LSR?
I don't know if it would make sense to add it to the documentation as well,
personally I don't engrave scores that would use this.
Best regards,
Xavier
On Wed, 13 Mar 2024 at 09:55, Jean Abou Samra wrote:
> Mahalo, X. I am using the naturalizeMusic
On Wed, 13 Mar 2024 at 04:51, John Helly wrote:
>
> Aloha.
>
> Here's an MWE to exhibit the issue.
>
> I have a flat note (bes) that I want to transpose down 4 half-tones to
F#. However, when the transpose is applied, the result is Gb. I
understand that a flat note was the initial value so
On Mon, 4 Mar 2024 at 11:05, achar wrote:
>
> Thank you for the answer. Label form may not be the correct translation.
We could say "diagram" for guitar.
> See an example attached. Good day. jean-Pierre
> It would save me time.
> Does anyone have any ideas or is this simply impossible?
> Thank
On Wed, 28 Feb 2024 at 12:07, Peter Mayes wrote:
> As a beginner at Lilypond, I was looking for a way to achieve this. I
started just saying c4^"III" or similar. I then modified that to use
\markup to shrink the text. But if there is a more "natural" way of adding
these fingering marks, I would
On Tue, 27 Feb 2024 at 17:28, Peter Mayes wrote:
>
> Almost certainly a fairly trivial question: in bar 3, how to put the "L"
mark above the note, but below the slur?
Hello,
Should the "L" mark really be considered as a Fingering object? Because as
you currently define it, it's a TextScript.
On Mon, 26 Feb 2024 at 22:13, Gerardo Ballabio
wrote:
>
> Thanks. It says this -- but it works:
>
> programming error: No spacing entry from BarLine to `cue-clef'
> continuing, cross fingers
Ah yes, I hadn't paid attention to that. In that case, let's add a spacing
entry between BarLine and
On Sun, 25 Feb 2024 at 22:35, Xavier Scheuer wrote:
>
> By the way I would not remove the cue end clef. This is also standard
practice: to "close" the cue clef (back to playing instrument clef).
Actually in your example I would move the cue end clef to the end of the
bar (just be
On Sun, 25 Feb 2024 at 21:36, Gerardo Ballabio
wrote:
>
> It does, thank you.
> Any ideas for the other question (how to move the cue clef after the bar
line)?
Hello,
Add this before the \cueClef (I only moved the cue-clef after staff-bar):
\once \override
On Tue, 13 Feb 2024 at 12:48, Mariya Kireva wrote:
>
> Dear Xavier,
>
> thank you very much for your answer. Do you know if I can set the lyrics
size precise in pt?
Hello Mariya,
Please keep the lilypond-user mailing list in Cc (Reply to all).
I found this in the archive:
On Tue, 13 Feb 2024 at 10:20, Mariya Kireva wrote:
>
> Hello all,
>
> it is possible to set up the staff size in lilypond precise in cm or mm?
Hello,
Do you want to set the global staff size so that you have a precise staff
height and scale everything (note heads, stems, texts, titles)
On Wed, 31 Jan 2024 at 15:12, Robert Garrigos wrote:
>
> Hi all,
>
> My first post in this list.
>
> Is there a way to accomplish this?
>
>
> the bar line across the staff is broken to enable the text to be more
visible
Hello,
Sure, use the whiteout property.
In this case you will need to put
On Fri, 19 Jan 2024 at 13:46, Adrian wrote:
>
> Thanks for the reply, and apologies for not replying to all. However,
>
> \override Lyrics.LyricsText.font-name = "Font Name"
>
> returns the following warning:
>
> warning: not a grob name, `LyricsText'
>
> and doesn't alter the font.
Sorry, my
On Fri, 19 Jan 2024 at 01:42, Adrian wrote:
>
> How would you change the font of the lyrics?
>
> \override LyricsText.font-name = "Font Name"
>
> doesn't work yet throws no error. At the moment, I haven't found a method
to identify the name of the object to style or the name of the style
property
On Thu, 18 Jan 2024 at 21:26, Stu McKenzie wrote:
>
> I often use Lyrics to provide sticking.
Hello,
That would have been my suggestion as well, especially if you want the
sticking to be horizontally aligned.
> The lyrics are below the staff, but this can be changed. Personally, I've
had
On Thu, 11 Jan 2024 at 14:43, Bernhard Kleine
wrote:
>
> Dear all, happy new year!
>
> Ich have a separate dyn line for the dynamics, but the lines there are
> to thin. How to change it?
Hello,
\override Hairpin.thickness = #1.5
Adapt value according to your liking (default value is 1).
On Sun, 7 Jan 2024 at 21:35, Joel C. Salomon wrote:
>
> Reposting for clarity as to what I’m asking.
>
> In the second case below, instead of the slur attaching to the specific
note, it moves vertically—I assume, to avoid collision with the duration
dot. (Though it’s interesting that a tie does
On Mon, 20 Nov 2023 at 05:15, Abe Raher wrote:
>
> p.s. This story ended oddly.
>
> I uninstalled ghostscript and then installed ghostscript 10.02.0.
>
> I pinned that version.
>
> Still got the error ...
>
> Uninstalled lilypond.
>
> Reinstalled lilypond – this required unpinning ghostscript.
>
in `\bookparts`)?
Hello,
If you add ragged-last-bottom = ##f in your \paper block you have the same
result with bookpart
Kind regards,
Xavier
--
Xavier Scheuer
instead of PianoStaff.
Here it seems to "merge" the rests from your left and right staff.
Kind regards,
Xavier
--
Xavier Scheuer
However it does not work for \cresc as
> c4^\parendyn\cresc
> creates an empty () mark.
>
> Is there a way to extend the above macro to work with \cresc and \decr
> as well?
I have found LSR #1097
https://lsr.di.unimi.it/LSR/Item?id=1097
Kind regards,
Xavier
--
Xavier Scheuer
.break-visibility = #end-of-line-invisible
barNumberVisibility = #(every-nth-bar-number-visible 1)
}
}
Kind regards,
Xavier
--
Xavier Scheuer
n with a minimal example.
Add
\once \override Staff.BarLine.bar-extent = #'(-2 . 3)
after your Staff.StaffSymbol.line-positions.
Kind regards,
Xavier
--
Xavier Scheuer
f-grouped-staves
Cheers,
Xavier
--
Xavier Scheuer
the second and third control points of the slur as shown
below,
> but this does not seem to be a realistic solution.
Hello,
I guess Lukas-Fabian's "VShapeSlur" could be a good starting point.
https://lists.gnu.org/archive/html/lilypond-user/2020-09/msg00129.html
Cheers,
Xavier
--
Xavier Scheuer
unate side effects.
>
> (snip)
>
> Is there an elegant way to adjust this to the larger staff size?
Hello,
Use #(set-global-staff-size 26) instead ?
Cheers,
Xavier
--
Xavier Scheuer
ts
Cheers,
Xavier
--
Xavier Scheuer
% 150% in X and Y, change to your convenience
Or change the definition of slashSeparator, which is
slashSeparator = \markup {
\center-align
\vcenter \combine
\beam #2.0 #0.5 #0.48
\raise #0.7 \beam #2.0 #0.5 #0.48
}
% from ly/titling-init.ly
Cheers,
Xavier
--
Xavier Scheuer
Two they will only appear once in
the combined version.)
Cheers,
Xavier
--
Xavier Scheuer
\key c \major
\time 3/4
r8 f f4.( e8) |
d e f f
}
\score {
\new Staff \with {
instrumentName = "Sopraan"
shortInstrumentName = "S."
\dynamicUp
} {
\partCombine \sopranoOne \sopranoTwo
}
\layout {}
}
Cheers,
Xavier
--
Xavier Scheuer
c''' 4 d''' e f
\break
d''' f'''' g a
\break
d''' f''' g''' a'''
}
}
Cheers,
Xavier
--
Xavier Scheuer
for me...)
Hello,
It should be possible to use an Argpeggio with a custom stencil using
elements of arpeggioArrowDown and arpeggioBracket without protrusion.
This is beyond my current capabilities unfortunately.
Cheers,
Xavier
--
Xavier Scheuer
tioned in the documentation:
NR 1.1.3 Displaying pitches > Clef
Optional octavation can be obtained by enclosing the numeric argument in
parentheses or brackets:
Cheers,
Xavier
--
Xavier Scheuer
ot;|")
(set! (ly:grob-property grob 'glyph-name) ""))
(ly:bar-line::print grob))
} {
s1\mf
s1
\repeat volta 2 { s1\p }
}
>>
}
Cheers,
Xavier
--
Xavier Scheuer
oc/v2.24/Documentation/notation/modifying-single-staves#hiding-staves
Otherwise if you want to keep your \RemoveEmptyStaves solution you can
cheat and include a transparent note at the beginning of the Andantino
Solo.
Cheers,
Xavier
--
Xavier Scheuer
tation/list-of-articulations
Cheers,
Xavier
--
Xavier Scheuer
age:page-number-string
}
evenHeaderMarkup = \markup
\fill-line {
\if \should-print-page-number \fromproperty #'page:page-number-string
% \unless \on-first-page-of-part \fromproperty #'header:instrument
""
}
}
Cheers,
Xavier
--
Xavier Scheuer
t; 2.23.6 (which seems to be the case according
to your version statement), you should be able to use \magnifyStaff in
Dynamics context.
https://gitlab.com/lilypond/lilypond/-/issues/6188
Cheers,
Xavier
--
Xavier Scheuer
property that
seems to correspond to what you are looking for.
When increasing its value (50 or 100 for instance) the positioning of the
first tie is rendered like the second.
Cheers,
Xavier
--
Xavier Scheuer
e noteheads can
be merged (see for yourself without \hideNotes), thus preventing your
problem.
Cheers,
Xavier
--
Xavier Scheuer
2 \bar "|."
Cheers,
Xavier
--
Xavier Scheuer
ics-and-repeats
Best regards,
Xavier
--
Xavier Scheuer
Hello,
While replying to a query on the French-speaking list I realized that in
the latest versions of LilyPond the instrumentCueName property was
considered deprecated (as well as the engraver
"Instrument_switch_engraver", the grob "InstrumentSwitch" and the music
functions instrumentSwitch and
graver"
}
}
\new Staff \with {
\consists "Bar_number_engraver"
}
Cheers,
Xavier
--
Xavier Scheuer
(rp (grob-interpret-markup grob (markup #:fontsize 3.5 #:translate
(cons 0 -0.5) "]"
(list lp rp)))
{
\override Parentheses.stencils = #bracket-stencils
c'1-\parenthesize \< |
c'1\!
}
Cheers,
Xavier
--
Xavier Scheuer
ial-considerations
Cheers,
Xavier
--
Xavier Scheuer
tem-spacing as described in NR 4.1.4 Flexible vertical
spacing \paper variables.
\paper {
system-system-spacing.padding = #5
}
Cheers,
Xavier
--
Xavier Scheuer
k.
\layout {
\context {
\Voice
\override MultiMeasureRest.layer = #-2
\override MultiMeasureRestNumber.layer = #-1
\override MultiMeasureRestNumber.Y-offset = #0
\override MultiMeasureRestNumber.stencil = #white-under
}
}
Cheers,
Xavier
--
Xavier Scheuer
adapt Graham's "make-dynamic-extra" into a "make-extra-dynamic".
https://lists.gnu.org/archive/html/lilypond-user/2011-06/msg00335.html
IIRC the alignment was correct (dynamic part was aligned on note head ) and
it was correctly recognized for MIDI generation.
https://lists.gnu.org/a
aligner" {
\music
}
>>
}
\new Lyrics = "lyrics" \with {
alignAboveContext = "staff"
} \lyricsto "aligner" {
\text
}
>>
}
>>
\layout {
\context {
\Score
\remove Mark_engraver
}
}
}
Cheers,
Xavier
--
Xavier Scheuer
ound-details.left.text = #'()
e8\startTrillSpan e c c\stopTrillSpan
}
Cheers,
Xavier
--
Xavier Scheuer
e for example
https://lists.gnu.org/archive/html/lilypond-user/2020-12/msg00160.html
Cheers,
Xavier
--
Xavier Scheuer
ures with stable
(2.22.2) version installed.
Cheers,
Xavier
--
Xavier Scheuer
On Wed, 6 Apr 2022 at 08:39, Xavier Scheuer wrote:
> Hello,
>
> One way mentioned in the documentation is to use the
"Keep_alive_together_engraver" in combination with keepAliveInterfaces and
VerticalAxisGroup.remove-layer.
> See NR 1.6.2 Modifying single staves &
in the documentation is to use the
"Keep_alive_together_engraver" in combination with keepAliveInterfaces and
VerticalAxisGroup.remove-layer.
See NR 1.6.2 Modifying single staves > Hiding staves
https://lilypond.org/doc/v2.23/Documentation/notation/writing-parts#hiding-staves
Cheers,
Xavier
--
Xavier Scheuer
stall the fonts liyjazz-chord and lilyjazz-text? The ones present in the
"supplementary-files" folder.
https://github.com/OpenLilyPondFonts/lilyjazz/tree/master/supplementary-files
Cheers,
Xavier
--
Xavier Scheuer
via lilypond
-dshow-available-fonts ?
See NR 1.8.3 Fonts
http://lilypond.org/doc/v2.23/Documentation/notation/fonts.html
Cheers,
Xavier
--
Xavier Scheuer
airpins, etc.
Cheers,
Xavier
--
Xavier Scheuer
ner to continue until bar 40?
If so, then put your \stopTextSpan in measure 40.
Cheers,
Xavier
--
Xavier Scheuer
f by
forcing an accidental shown inside brackets, (#). How do I do this?
Hello,
fis?
Cautionary accidental: add the question mark ? after the pitch
Cf. NR 1.1.1 Writing pitches > Accidentals
Cheers,
Xavier
--
Xavier Scheuer
usted every time the layout of the score was adjusted).
>
> Is there a better way?
Hello,
\repeatTie ?
See NR 1.2.1 Writing rhythms > Ties
Cheers,
Xavier
--
Xavier Scheuer
quot;
> within LP? Or is this something best down externally?
Hello,
Works for books (bookOutputName), not for bookpart or score.
There is a feature request to implement it (and some people offered $100
and 30€ bounty for this enhancement).
https://gitlab.com/lilypond/lilypond/-/issues/3154
Cheers,
Xavier
--
Xavier Scheuer
tions = #'(1 . 0.5) g8 fis
Indeed, AFAICS this is not clearly documented in the NR manual.
It is the LSR though: https://lsr.di.unimi.it/LSR/Item?id=97
Cheers,
Xavier
--
Xavier Scheuer
. 0))
Cheers,
Xavier
--
Xavier Scheuer
>
> cis'2.\break
> s
>
> }
> >>
> %
Hello,
According to the Internals Reference manual the TimeSignature grob has some
extra-spacing-width on the right side.
Try adding
\override Score.TimeSignature.extra-spacing-width = #'(0.0 . 0.0)
Cheers,
Xavier
--
Xavier Scheuer
ride #'(font-features . ("smcp"))
Cheers,
Xavier
--
Xavier Scheuer
pacing.common-shortest-duration =
#(ly:make-moment 1/128)
Other settings of GraceSpacing are shortest-duration-space
or spacing-increment (sorry I mistyped in my previous message).
Cheers,
Xavier
--
Xavier Scheuer
o include a minimal example of code showing your
problem.
Cheers,
Xavier
--
Xavier Scheuer
g
http://lilypond.org/doc/v2.23/Documentation/notation/line-breaking.html
Cheers,
Xavier
--
Xavier Scheuer
ngle staves > Hiding staves
http://lilypond.org/doc/v2.23/Documentation/notation/modifying-single-staves.html#hiding-staves
Cheers,
Xavier
--
Xavier Scheuer
ollision = ##t
g16^"ok" b g b
}
\new Voice {
\voiceOne
e,4
}
\new Voice {
\voiceTwo
e,16 b,8 b,16
}
>>
Cheers,
Xavier
--
Xavier Scheuer
de Score.BarNumber.break-visibility =
##(#t #t #t) to your parts and score.
In your case I would use different \global variables for volta/unfolded.
Now you are basically telling LilyPond to use a double barline instead of
the one from the volta repeat.
Cheers,
Xavier
--
Xavier Scheuer
Tromboni" % suggestion
} {
\voiceOne % instead of \stemUp
r4 b, cs ds |
e4 fs gs r |
r4 a b cs' |
d'4 ds' e' \cueClef "treble" \tuplet 3/2 { c''8 c'' c'' } |
c''4 c''8 c'' c''4 c''8 c'' |
c''4 c'' c'' c'' |
\cueClefUnset
}
>&g
staff divisi and it is usually successful.
Cheers,
Xavier
--
Xavier Scheuer
tation/notation/list-of-articulations.html#ornament-scripts
Cheers,
Xavier
--
Xavier Scheuer
e only for a
single note.
But if you really want to have slashed for grouped have a look at:
https://lsr.di.unimi.it/LSR/Item?id=1048
https://lsr.di.unimi.it/LSR/Item?id=721
Cheers,
Xavier
--
Xavier Scheuer
it past y'all.
Hello,
It is a bug. It has been commented as another instance of #3466
https://gitlab.com/lilypond/lilypond/-/issues/3466#note_344003849
You can remove the unwanted accidental with \omit Accidental .
Cheers,
Xavier
--
Xavier Scheuer
user/2011-07/msg00183.html
Cheers,
Xavier
--
Xavier Scheuer
signatures as
well.
\transpose bes c' for a score in B flat major (\key bes \major) lead to
something in C major, hence no key signature.
Take your \global out of the transpose if you want to keep a B flat major
for your separate parts as well (but this is not standard practice AFAICT,
both the notes and the key signatures are transposed usually).
Hope this helps.
Cheers,
Xavier
--
Xavier Scheuer
-distance but as the top element of your
system is a ChordNames context (i.e. non-staff), as explained in the same
section of the NR, you cannot really count on basic-distance and would
better increase padding.
Cheers,
Xavier
--
Xavier Scheuer
On Tue, 13 Jul 2021 at 19:45, Kees van den Doel wrote:
>
> Is there a way to prevent the notes in ossia staves to show up in MIDI?
>
Hello,
I would say try to remove "Staff_performer" from your ossia Staff context.
Cheers,
Xavier
--
Xavier Scheuer
u gave recently would be useful there too!
Thank you and have a nice day.
Cheers,
Xavier
--
Xavier Scheuer
ice { \under } >>
> }
>
> \new Staff \All
Hello,
\override Beam.positions = #'(4 . 4)
d8 e d
Maybe?
Cheers,
Xavier
--
Xavier Scheuer
,
This gives in your case the chord above a 4 measure compressed full bar
rest:
harmony = \chordmode {
g1*4:m7
}
And this gives the chord above a single measure followed by a 3 measure
compressed full bar rest:
harmony = \chordmode {
g1:m7 s1*3
}
Cheers,
Xavier
--
Xavier Scheuer
put each separate instrument in a \bookpart and not
in a \book ?
Cheers,
Xavier
--
Xavier Scheuer
org/archive/html/lilypond-user/2016-08/msg00199.html
Cheers,
Xavier
--
Xavier Scheuer
://lsr.di.unimi.it/LSR/Item?id=272
Maybe?
Cheers,
Xavier
--
Xavier Scheuer
t; But if there is a way make a full line that would be nice :)
Hello,
\markup {
\draw-hline
}
See NR A.11.3 Text markup commands > Graphic
http://lilypond.org/doc/v2.23/Documentation/notation/graphic
Cheers,
Xavier
--
Xavier Scheuer
f the slur
after the break. I am wondering why this is? And how to correct it?
>
> I guess I'm looking for any advice on how you prefer to tweak your slurs.
How do you all do it? What's easiest for you and why?
>
> I really prefer using lilypond, but my teacher may actually make me get
Sibelius when he sees all these slur mishaps lol. I've used lilypond for
years because I loathed Finale. I just still have a lot to learn and
understand.
>
> -Molly
Cheers,
Xavier
--
Xavier Scheuer
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