Hello,
%%%
\version "2.25.15"
structure = { \tempo 4=42 }
high = {e''1}
low = {a'1}
\score {
\header { piece = "Score" }
<<
\new Devnull \structure
\new StaffGroup <<
\new Staff \high
\new Staff \low
>>
>>
}
\score {
\header { piece = "Part
Dear Peter,
Assuming you wrote something like
% -
\version "2.25.7"
\score {
c'4
\midi {}
}
% -
and then ran lilypond --PNG midi.ly, then there would be no PNG output.
This is because if you only include the \midi block, then lilypond
produces no visual output at all.
We are happy to announce the release of LilyPond 2.25.16. This is
termed a development release, but these are usually reliable for
testing new features and recent bug fixes. However, if you require
stability, we recommend using version 2.24.3, the current stable
release.
Please refer
Dear Dirck,
There is a very easy way! You can simply do
\version "2.25.7"
\relative c' 4
-William
On 5/6/24 22:44, Dirck Nagy wrote:
Hi all
Does Lilypond have an easy way to display unisons on one stem? (it is
fairly common in guitar music; same note played on 2 strings
simu
the curly
brackets.
Thanks again for your earlier help; it works beautifully.
David Olson
Los Angeles
- Original Message -
From: "mskala"
To: "dadadharma @dslextreme.com"
Cc: "lilypond-user"
Sent: Saturday, April 20, 2024 5:59:03 PM
Subject: Re: subscript
I don't know what you mean by highlighting. But you can override
properties of text in lyrics like this:
-William
% --
\version "2.25.7"
\relative c' {
c4 c
} \addlyrics {
Hello \once\override LyricText.color = #red world
}
On 4/23/24 23:18, Walt North wrote:
I have found how to
ases the layout is exactly what I'm expecting/wanting).
Please help me see the error of my ways.
Thanks!
-steve
Version Info:
Lilypond: 2.24.3
Frescobaldi: 3.2
Extension API: 0.9.0
Python: 3.10.12
python-ly: 0.9.6
Qt: 5.15.3
PyQt: 5.15.6
sip: 6.5.1
qpageview: 0.6.2
poppler: 22.2.0
python-popple
-
\version "2.25.7"
\relative b'' {
\time 3/2
\scaleDurations 2/1 {
\override NoteHead.duration-log = #1
b4 a4. g8 | \once\revert NoteHead.duration-log f1*1/2 e4 |
}}
%
On 4/21/24 11:13, Xavier Mayeur wrote:
Hello,
In a \time 3/2 score, how can I write the following sni
We are happy to announce the release of LilyPond 2.25.15. This is
termed a development release, but these are usually reliable for
testing new features and recent bug fixes. However, if you require
stability, we recommend using version 2.24.3, the current stable
release.
Please refer
Hi Alejandro,
The DMG was a way to quickly install Lilypond, but it came with a few
downsides.
The biggest one was that Lilypond was bundled as part of the LilyPad
editor app. This was what was started when you would doubleclick
Lilypond.app. The LilyPad editor was a very barebones editor
is complicated (and well beyond my understanding),
using it was not.
There was some discussion of whether this script (or something like
it) could make it into the main lilypond install but I don't think it
has yet.
Cheers
Ben
On 13 Apr 2024, at 08:23, Hans Aikema wrote:
On 13 Apr 2024, at 01
in the Pedal department of
the Lilypond documentation. Happy to contribute that mention.
cheers
Maurits
Op 10-04-2024 om 12:01 schreef Jean Abou Samra:
Le mardi 09 avril 2024 à 23:55 +0200, Maurits Lamers via LilyPond user
discussion a écrit :
Hey all,
I encountered a situation where
Hi Aaron,
Yes it does. It is just unexpected that this would be necessary.
cheers
Maurits
Op 10-04-2024 om 00:12 schreef Aaron Hill:
Does the empty chord construct help?
<>\sustainOff
(I'm away from my normal environment, so I cannot test this locally to
confirm.)
-- Aaron Hill
= ##t
\repeat tremolo 12 { b,32\sustainOn b' } |
\repeat tremolo 12 { b,32 b' } \sustainOff |
c8 e f g a
}
}
}
%%%
However, this leads to Lilypond complaining about an unattached
SustainEvent. Is this a bug?
cheers
Maurits
yes:
The above three little screenshots show breathing marks in an oboe
score - respectively "breathe out", "breathe in" and "breathe
out-and-in".
I know of the \breathe command, and I have seen from the documentation
that the "comma" can be raised.
But
Thanks so much for thinking along. In the current setup that would still
require users to change their Lilypond code. Your example did give me an
idea though: if there would be something like $currentscore, the problem
of getting access to the score header would be solved...
cheers
Maurits
doesn't allow me to require users to create variables to get references
to these score blocks. It should work without any user-side change to
the Lilypond code the user delivers.
I tried to see what the difference is between what
(ly:translator-context engraver) returns and what the value is of your
Hey all,
It has been a while I posted on this mailing-list. As some of you might
remember, I have been working on a music braille output system for
Lilypond for quite some time now. The update on that front is that I do
have a system now that can reliably output (a subset of) music braille
On Sat, 2024-03-23 at 23:53 +0100, Hans Aikema wrote:
> > Jonas,
> >
> > I ran this same file my Apple M1 MacBook Pro 2021 against
> >
> > MacPorts lilypond-devel (which is still at 2.25.13) aarch64 build
> > aikebah@rajah MSDM % time (lilypond MSDM.ly 2&g
0m0.090s
> sys 0m0.185s
>
> without JIT:
> real 4m45.295s
> user 0m0.046s
> sys 0m0.277s
Thanks for testing on a larger score!
> Just out of interest, do we tweak the JIT_THRESHOLD somewhere or do we
> use the default value?
I don't think we change it from L
On Sat, 2024-03-23 at 14:08 -0700, Kenneth Wolcott wrote:
> Hi Jonas;
>
> I hope that the following information is useful:
>
> Lilypond performance stats for the engraving of one very small and one
> medium sized pieces
>
> native = Apple Silicon build
> foreign = x
On Sat, 2024-03-23 at 14:24 -0500, Karlin High wrote:
> On 3/23/2024 2:00 PM, Jonas Hahnfeld wrote:
> > Would be interesting to see how this compares to the "vanilla" package
>
> I tried it, 3 runs. First one maybe unfair because font cache
> initialization or something.
>
> real0m48.643s
>
On Sun, 2024-03-24 at 03:20 -0700, Aaron Hill wrote:
> The error occurred from my WSL1 environment running Ubuntu 18.04.
> Probably my own fault for keeping bionic around.
Ah ok; yes, Ubuntu 18.04 is end-of-life since last year already, so I
didn't check its versions.
> I do have Ubuntu 20.04
On Sat, 2024-03-23 at 18:18 -0700, Aaron Hill wrote:
> On 2024-03-23 6:25 am, Jonas Hahnfeld wrote:
> > We are happy to announce the release of LilyPond 2.25.14. This is
> > termed a development release, but these are usually reliable for
> > testing new features and rece
the second and third page, as if I had inserted
> a forced page break in two or three places. There were no conversion
> errors or warnings in any of my engravings.
>
> I don't know what was the cause of the speedup, but it is
> appreciated! I have been using the MacPorts version of
On Sat, 2024-03-23 at 11:41 -0500, Karlin High wrote:
> On 3/23/2024 10:02 AM, Jonas Hahnfeld via LilyPond user discussion wrote:
> > Windows build with Guile JIT: https://cloud.hahnjo.de/s/Ek5x9rybpiPNtoj
> > This turns on just-in-time compilation that was added in Guile 3.0,
On Sat, 2024-03-23 at 14:25 +0100, Jonas Hahnfeld wrote:
> We are happy to announce the release of LilyPond 2.25.14. This is
> termed a development release, but these are usually reliable for
> testing new features and recent bug fixes.
Following this release, I made two speci
We are happy to announce the release of LilyPond 2.25.14. This is
termed a development release, but these are usually reliable for
testing new features and recent bug fixes. However, if you require
stability, we recommend using version 2.24.3, the current stable
release.
Please refer
Hello,
I'm a new lilypond user. I want to create multiple scores in a single
file. These scores have some values on common. So I want to use
`define-music-function` in order to avoid repetition.
Here is my code now:
\score {
\new Staff \with {
instrumentName = "۱"
} \one
Dear Joop,
Use \tweak color #red , like so
\version "2.25.6"
\relative c
{
f'2( g4.)
<< { d8 | f4 f4 g16 a }
{ \tweak color #red
g8 | d4 d4 e16 f
}
>>
a8 r4
}
Thanks,
-William
On 3/18/24 12:41, Go77 wrote:
Hi,
I'm trying
Dear Ralph,
I think this replicates how the original score looks:
\version "2.25.7"
\relative b {
\clef alto
\time 4/4
\tuplet 6/4 { b2.:8 } c4.*2/3:8 d4.*2/3:8 | c2.*2/3:8 b4.*2/3:8 a4.*2/3:8
}
-William
On 3/6/24 21:53, Ralph Palmer wrote:
Hi -
Thanks for all your work and for your
perfect thanks!
Mar 6, 2024, 14:35 by lilyp...@hillvisions.com:
> On 2024-03-06 10:56 am, Michael Winter via LilyPond user discussion wrote:
>
>> I have a programmatically generated score and am now realizing that I want
>> to make a small tweak to text markups that are th
double thanks
Mar 6, 2024, 14:36 by j...@abou-samra.fr:
>
> Try
>
> \version "2.24.2"\paper { #(add-text-replacements!'(("1↑" . "1")))}{
> c'^\markup "1↑" }
>
> Best,
>
>
> Jean
>
>
haracters, or are you
> trying to replace larger chunks of LilyPond code?
>
> It would also help to know what operating system environment you are
> using. The answer may be to make a copy of the whole tree and run a
> search/replace utility recursively on all the files.
>
> Regards
I have a programmatically generated score and am now realizing that I want to
make a small tweak to text markups that are throughout the score in multiple
files that are included at multiple levels.
" 1↑" replace with " 1" (e.g. remove the up arrow when it is preceded by a 1)
Is it possible
Dear list,
I am wondering if there is a way to omit footnotes and the text that
accompanies them from a score. the reason for this is I am making a
critical edition of a baroque trio sonata from a manuscript, and would
like to use footnotes for editorial changes in the full score and not
Dear George,
I put the following in a style-sheet which I import into every lilypond
file:
\context {
\Voice
\override Tie.springs-and-rods = #ly:spanner::set-spacing-rods
\override Tie.minimum-length = #4
\override Tie.minimum-length-after-break = #4
}
It shouldn't
We are happy to announce the release of LilyPond 2.25.13. This is
termed a development release, but these are usually reliable for
testing new features and recent bug fixes. However, if you require
stability, we recommend using version 2.24.3, the current stable
release.
Please refer
Hello all,
I've been trying to replicate a score from CPDL.
The font is terrible, the notes are weirdly shaped. I really don't like
it. I wonder what software made it. Also, why two hyphens in that short
a space?
(I'm wondering which software was used to make it in the first place.)
I've
Hi LilyPonders,
I would like to notate a piece proportionally. To do this, I have created
(with a little help) a markup command that I can use to place time
signatures above the bar lines. But as soon as I do this, they move to the
left, whereas the bar lines are in the right place if I don't
On 2024-01-21 4:43 pm, Karlin High wrote:
The question was answered in 2016:
<https://lists.gnu.org/archive/html/lilypond-user/2016-08/msg00560.html>
What would be the current version of the answer?
\includePattern [1] has a \version statement with 2.24.0, so it would
appear to
te pitch bend'
feature, so maybe someone is going to implement that in LilyPond.
I have a branch (from a few years ago) where I changed LilyPond's MIDI
microtonality from using Pitch Bends (which is a bad idea when using
chords) to using MIDI 1.0 tuning information. This works fine IIRC as
lo
On 2024-01-17 10:00 am, Knute Snortum wrote:
On Wed, Jan 17, 2024 at 9:48 AM Peter Mayes
wrote:
2. I have a lot of consecutive notes all staccato. Marking each one
individually is a bit of pain. Any way to specify that the next *n*
notes
are all staccato?
I'd like to know the answer to
, LilyPond will process each source file included
on the command-line individually. You could use the shell to
concatenate all your sources together and pass them via standard input.
(Pass the filename "-" to LilyPond to instruct it to read from STDIN.)
Another thought I had
On 2024-01-16 9:12 am, YTG 1234 wrote:
I want to use emoji within markup, and I can see in the output log that
Lilypond can't find a character in its default emoji font (Symbola). I
can't figure out how to override the default font.
%%%
\markup {
"" %% This character isn'
On 2024-01-16 8:06 am, Hajo Baess wrote:
Hello LilyPond users,
I wonder if there is a possibility to define a custom bar length, thus
for once cancelling LilyPond's automatic insertion of bar lines.
I have a complicated measure here with quite a bit of markup to
accommodate in one bar. I have
On 2024-01-12 5:00 pm, Ivan Kuznetsov wrote:
\layout {
\context {
\Score
\override BarLine.transparent = ##t
\override SpacingSpanner.base-shortest-duration =
#(ly:make-moment 1 8)
\override Stem.transparent = ##t
}
\context {
\Voice
Hi Raphael,
Am 12.01.24 um 13:32 schrieb Raphael Mankin:
I agree that 0 as a denominator would seem to indicate an infinite
duration, and allow the rest of your argument. However <> still seems
unintuitive.
I agree that <> isn't obvious. But in a complex language like LilyPo
Hi Matthew,
Am 12.01.24 um 00:29 schrieb msk...@ansuz.sooke.bc.ca:
You need to remember lilypond thinks in terms of pitch, not note names. Unlike
some (most?) other music software. So "\transpose g e" says "transpose EVERY
note up A TONE".
I'm not sure it's quite right
this? I’m using Lilypond 2.25.11.
The solutions given so far seem to be more complicated than necessary, I
think.
\relative c' {
\time 4/2
\set Timing.timeSignatureFraction = 2/2
c4 d e f g a b c d
}
Lukas
-transformations
On Wed, Jan 10, 2024 at 5:20 PM Aaron Hill via LilyPond user discussion
<
lilypond-user@gnu.org> wrote:
On 2024-01-10 1:26 pm, Butter Cream wrote:
> Hi, I have a piece of music written in the key of G major and I want
> the pitches to transpose to e minor. How do I do this
On 2024-01-10 1:26 pm, Butter Cream wrote:
Hi, I have a piece of music written in the key of G major and I want
the pitches to transpose to e minor. How do I do this.
When I use the command \transpose g e it changes to E major (all g
notes are sharped)
I think you'll need to use
On 2024-01-07 11:14 pm, John Helly wrote:
Aloha.
In reading the documentation about \include
(https://lilypond.org/doc/v2.24/Documentation/notation/including-lilypond-files),
I find the following sentence but can't find any explanation anywhere
about what *#f and #t *are or do. Can anyone
We are happy to announce the release of LilyPond 2.25.12. This is
termed a development release, but these are usually reliable for
testing new features and recent bug fixes. However, if you require
stability, we recommend using version 2.24.3, the current stable
release.
Please refer
the notes which is something I often do in
LaTeX, but I can't find any way of doing that in lilypond - it only
seems possible to change spacing globally?
\version "2.18.2"
\header {tagline = ""}
{
\numericTimeSignature
\time 4/4
a'4\mordent^"Mordent&q
On Thu, 2024-01-04 at 22:33 +0100, David Kastrup wrote:
> CX writes:
>
> > Is it possible to build a specific stable lillypond version with sources
> > retrieved by git clone instead of a source tarball download?
> > If it is possible how can you do this (because I can not find the
> >
On 2023-12-29 7:01 am, Cordelia wrote:
Hello,
is it possible to remove the outside staff lines notes in a "\override
StaffSymbol.line-count = #1"?
Thank you,
Cordelia
Are you referring to ledger lines?
\layout {
\context {
\Staff
\override StaffSymbol.line-count = #1
're
aligned). Situations like that are hard to approximate with LilyPond,
as Lily has a strict binary notion of two notes being simultaneous or
not. One can try cheating a bit by engraving the measure according to
its visual apperance (3-vs-2 in the first beat, exact 4-vs-1 in t
with LilyPond, as
Lily has a strict binary notion of two notes being simultaneous or not.
One can try cheating a bit by engraving the measure according to its
visual apperance (3-vs-2 in the first beat, exact 4-vs-1 in the last
quaver of the measure), but then it will be necessary to compress
Dear Mark,
I did this in a slightly different way...if you do
\displayMusic c4\rest
you can see how to represent a rest using the make-music procedure in
scheme code. Modifying that a bit, I got
%
\version "2.25.6"
%\displayMusic c4\rest =
%(make-music
%'RestEvent
On 2023-12-17 9:33 pm, Mark Probert wrote:
Hi.
I'm struggling some with writing a music function for rests. Basically
I
want to be able to write something like
\rel-rest( b', 1)
Minor nit: Functions in LilyPond do not use parentheses and commas for
arguments in this way. You need only
On 2023-12-16 5:27 am, Aaron Hill wrote:
On 2023-12-16 5:20 am, Sebastian Käppler wrote:
Hello Aaron,
thanks for your response. I tried use-modules and got "
no code for module (scm display-lily)".
If that is of interest, I use Frescobaldi on Windows with lilypond
2.24.1.
Oh, wh
On 2023-12-16 4:48 am, Sebastian Käppler wrote:
Hello,
I'm trying to use some of the functions in translation-functions.scm to
create my own note name markup. However, if I use
note-name->lily-string or
octave->lily-string, I get an "unbound variable" error for that
function. I
even tried to
We are happy to announce the release of LilyPond 2.25.11. This is
termed a development release, but these are usually reliable for
testing new features and recent bug fixes. However, if you require
stability, we recommend using version 2.24.3, the current stable
release.
Please refer
e I try to compile.
>
> /usr/share/lilypond/2.25.4/ly/init.ly:64:2: error: Guile signaled an error
> for the expression beginning here
>
> #
>
> (let ((book-handler (if (defined? 'default-toplevel-book-handler)
>
> Throw to key `ly-file-failed' with args `()'.
>
&g
On Tue, 2023-11-28 at 01:33 -0500, Eric wrote:
> Installed 2.24.3 -docs using Macports, used convert-ly on a couple of
> files I'd last worked on in June, and received the following (see
> attached text file) after trying lilypond on one of those files and
> adding the -V flag. I know
ing (using version 2.25.7) this extra
barline doesn't appear. Can you try updating to the most recent version
of lilypond (.24 or .25), and see if that helps?
Thanks,
-William
On 11/19/23 19:00, Robert Hickman wrote:
Hi people. I'm trying to reproduce the formatting from a tune that
started
We are proud to announce the release of GNU LilyPond 2.24.3. LilyPond
is a music engraving program devoted to producing the highest-quality
sheet music possible. It brings the aesthetics of traditionally
engraved music to computer printouts.
This version contains a number of fixes since
On Thu, 2023-11-16 at 11:11 -0600, Karlin High wrote:
> On Sun, Nov 12, 2023 at 6:26 AM Jonas Hahnfeld via LilyPond user
> discussion wrote:
> > If you have some time, please test them in your setups and report back in
> > case of problems!
>
> Seems OK so far. Window
yes, it is a known bug due to a ghostscript security patch. Try using
the pre-built binary for lilypond instead of homebrew.
-William
On 11/15/23 01:13, Ernie Braganza wrote:
I just updated my Mac using Homebrew and I now get this error when I run
lilypond. It compiles fine if I create
I see, thanks for the update.
I found a solution to this problem here:
https://www.reddit.com/r/lilypond/comments/vozo9z/comment/ieibg4j/ does
this do what you were hoping for?
-William
Pasted below in-case this link goes away...
\version "2.25.7"
\score {
\new
Dear Johannes,
If you change "ufermata" to "dfermata" and insert "\tweak direction
#DOWN" before "\mark" that should get you what you want.
Thanks,
-William
\version "2.24.0"
\relative c' {
e1 \break \once \override Score.RehearsalMark.break-visibility =
#end-of-line-visible \tweak
On Sat, 2023-11-11 at 19:37 +0100, Jonas Hahnfeld wrote:
> We are happy to announce the release of LilyPond 2.25.10.
And here are the binaries with Guile 3.0, built using
https://gitlab.com/lilypond/lilypond/-/merge_requests/2163 and
https://gitlab.com/lilypond/lilypond/-/merge_requests/2
We are happy to announce the release of LilyPond 2.25.10. This is
termed a development release, but these are usually reliable for
testing new features and recent bug fixes. However, if you require
stability, we recommend using version 2.24.2, the current stable
release.
Please refer
This is what happens for me too. I think it has something to do with all the
other functions I am using.
Oct 30, 2023, 21:25 by l...@gmx.de:
>
> Hi Michael,
>
> Am 30.10.23 um 10:42 schrieb Michael Winter:
>
>> But I am confused about what you said. For me, it is posting the
>>
Thanks!
This seems to work quite well : )
But I am confused about what you said. For me, it is posting the accidental on
tied notes after line breaks.
Best,
Michael
Oct 28, 2023, 22:40 by l...@gmx.de:
> Hi Michael,
>
>> Thanks Lukas!
>>
>> This works but also forces the accidental on tied
t 'force-accidental #t))
>
> \layout {
> \context {
> \Voice
> \consists #Force_accidentals_engraver
> }
> }
>
> \transpose a c' \relative
> {
> a8 gis g fis g gis a4
> }
>
>
>
> Lukas
>
> Am 21.10.23 um 11:37 schrieb Michael
Thanks Jean,
I am not sure I completely follow.
Lets say I have a music sequence:
a b c d e f g a bes c d e f g ...
How do I apply what you have written as a function to only show the flats and
naturals for b and bes. Again. I do not want to apply this to individual notes.
Sorry if I am
I have a piece that is in the following scale:
c d e fis g aes bes b
Is it possible to force the accidentals just for the bes and the b?
But here is the catch...
I am both transposing the part and respelling pitch-classes as show below. The
scale above is actually the resulting printed set of
Hello to all,
for quite some time now I've been trying to solve a problem concerning the
output of LilyPond code - unfortunately in vain. Maybe someone can help me
here?
About the "back story": I have written two algorithms in Python. First one,
with which I generate time
I don't know, but what I meant to say is that this use of \tuplet
outside of \voices or a split into multiple voices seems to me to be
"undefined behavior" ("unspecified"?).
-William
On 10/16/23 19:09, David Kastrup wrote:
William Rehwinkel writes:
Dear David,
This seems like an
Dear David,
This seems like an improper/unintended use of \tuplet. I would have used
\scaleDurations instead.
However, if you slightly modify the mwe as shown below, the tuplet
bracket is shown.
Thanks,
-William
\version "2.25.7"
\new Staff {
\key c \minor
< es' g' > < bes' d''~ >2.
We are happy to announce the release of LilyPond 2.25.9. This is termed
a development release, but these are usually reliable for testing new
features and recent bug fixes. However, if you require stability, we
recommend using version 2.24.2, the current stable release.
Please refer
Hi everyone!
as the code mentioned below, when i try to engraving, the root note of the
chord are not same as upper note. how to solve this problem?
the aim:
problem:
code:
\relative c'' {
\mergeDifferentlyHeadedOn
\time 4/8
<<
{2}
\\
{8 [g'8]}
>>
}
best regards!
as the code mentioned, when I engraving, slur arpeggio are collision with
measure line, how to avoid this by redefine slur?
```
\new PianoStaff <<
\set PianoStaff.connectArpeggios = ##t
\override PianoStaff.Arpeggio.stencil =
#ly:arpeggio::brew-chord-slur
\new Staff {
\relative c'
:32, Rajesh Baskar wrote:
Hi,
In a normal musical notation when you have a time signature of 3/4 and
have a dotted note, eighth note, eighth note and an eighth note - that
the first eighth note should have "no beam". This is how other software
like MuseScore and Finale works. Why doe
/wiki/Numbered_musical_notation
https://github.com/nybbs2003/lilypond-Jianpu/blob/master/jianpu10a.ly
--
Sent with Tutanota, enjoy secure & ad-free emails.
Sep 18, 2023, 20:21 by m.tarensk...@kpnmail.nl:
> I don't know how.
> But I first would like to know why beamle
Greetings everyone,
I'd like to implement a very straightforward beaming logic, where the width of
each beam covers its corresponding notehead. I can achieve this using \set
stemLeftBeamCount and \set stemRightBeamCount, but is there a smarter and more
automatic way to do this?
I don't care
We are happy to announce the release of LilyPond 2.25.8. This is termed
a development release, but these are usually reliable for testing new
features and recent bug fixes. However, if you require stability, we
recommend using version 2.24.2, the current stable release.
Please refer
Hi Everyone.When I re-digitalize czerny's op.755 no.1,
the 8th rest note on the last 3 measure are disappeared.
code are too large, i've been put it on privatebin. [on code column 301-303]
Is this an lilypond bug or syntax error?
PS: have been tested on ver 2.25.7, same as 2.24.0.
https
Dear Knute,
Searching `lilypond "tagline"` on google I found
https://lilypond.org/doc/v2.23/Documentation/notation/creating-titles-headers-and-footers
where it is stated "The default LilyPond footer text can be changed by
adding a tagline in the top-level \header bl
gt; question:
> https://music.stackexchange.com/questions/127175/lilypond-transpose-a-sequence-to-modes-with-different-intervallic-structure
>
> Essentially it introduces a function to map one scale to another, and it does
> so by basepitch to retain alteration. One could easily adapt t
t the moment, the replacement
> dictionary is global, but this could be changed if needed.
>
> At the moment the mechanism I chose is too crude to do replacements that
> involve changing the pitch-octave (eg from c to b,). Do you need this?
>
> Lukas
>
> Am 31.08.23
I am now realizing that it would be useful to have this both at the level of
the entire score and individually for each part.
Aug 31, 2023, 12:53 by mwin...@unboundedpress.org:
> I would like to do something (hopefully simple), which is basically a custom
> find and replace for a set of notes
I would like to do something (hopefully simple), which is basically a custom
find and replace for a set of notes in an entire score.
For example {c cis d dis fih g aih} -> {c cis dih dis f gis a}
So basically on arbitrary list of pitches / scale to another.
Is this possible without writing a
da"
>
> c'1
>
> \bar ".|"
>
> }
>
>
>
>
> lower = {
>
> \key as \minor
>
> c'1
>
> \stopStaff
>
> s1*4
>
> \startStaff
>
> \section
>
> \sectionLabel "Coda"
>
> c'1
>
> \bar "|
an win a nice prize
donated by MuseScore.
I think it would be cool if someone using Lilypond would create a song
about Software Freedom!
You can find more details here:
https://www.digitalfreedomfoundation.org/index.php/171-software-freedom-day-music-challenge
You can join us to chat on Matrix
Dear Kevin,
I use "\sectionLabel"s for this.
*\version "2.25.6"**
**\language "english"**
**melody = \relative c' {**
** \time 6/8**
** \key d \major**
** \clef treble**
** \sectionLabel \markup{ \box \pad-markup #0.5 "A" }**
** d8[ e8**
**e8] g8[ a8 b8] |**
** \break**
**
What PDF did you find this in?
-William
On 8/16/23 12:50, Jin Choi wrote:
I came across a PDF describing updates to \shape that let you use head centered
coordinates and polar coordinates that would make this easier. But my 2.24.0
version of lilypond doesn’t seem to include \shapeII. What
It should be noted that on 2.25.7 this doesn't happen on my machine, and
the beam renders correctly (after running convert-ly on your snippet, it
didn't change anything).
-William
On 8/15/23 18:11, Jin Choi wrote:
I have a section of piano music where two voices start in the treble clef and
1 - 100 of 449 matches
Mail list logo
