y
>> slipped into Traumland, and it is there where our story begins. }
>> > R2.\fermata%29
>> > \textLengthOff
>> > }
>> > }
>> > }
>> >
>> > Thank you so much.
>> >
>> > Hwaen Ch'uqi
>> >
>>
>&
lly
> slipped into Traumland, and it is there where our story begins. }
> > R2.\fermata%29
> > \textLengthOff
> > }
> > }
> > }
> >
> > Thank you so much.
> >
> > Hwaen Ch'uqi
> >
>
> Hi,
>
> what happens here is, the
icular night of fitful sleep that our beloved Katzlein finally slipped
> into Traumland, and it is there where our story begins. }
> R2.\fermata%29
> \textLengthOff
> }
> }
> }
>
> Thank you so much.
>
> Hwaen Ch'uqi
>
Hi,
what happens here is, the TextScript attac
Greetings,
I am trying to typeset a stack of spoken lines above a multimeasure rest.
This works fine when preceded by notes in the same system. However, when it
follows a forced break, the output is not so desirable. Can anyone explain
what I am missing? MWE below.
\version "2.24.3"
\score {
Many thanks, Aaron. So here is a cleaner MWE, with your fix:
\version "2.25.13"
#(ly:set-option 'debug-skylines #t)
\layout {
\context { \Score
\override NonMusicalPaperColumn.show-horizontal-skylines = ##t
}
}
\layout {
\context { \Dynamics
\consists Pure_from_neighbor_engraver
On 2024-03-22 4:08 pm, Michael Bret wrote:
Dear Werner, Aaron and Knute,
(it is y first time attempting to contribute to such lilypond
discussion so I don’t dare cc-ing the whole mailing list)
(Adding the mailing list for visibility...)
Regardless of your experience or comfort level, it is
Hello Marcus,
essentially what you have here is
<< chordNames voiceI \\ voiceII >>
If you only had << chordNames voiceI >> this would work out, because Lilypond
would first see the chord names, which creates a new ChordNames context, and
then the music, for which L
Hi all,
I'm using lilypond to practice my voice leading. I want to keep the harmony
as a separate voice for the sake of tidiness. However, when I add a second
voice, the chords appear underneath the staff as opposed to above it. How
do I fix this?
Example:
\version "2.25.11"
\language
ation-log duration) note
{ <\apparent e,4 b, f e'>2 }
Of course it doesn't work to change the dotcount when the chord as such
has no dots scheduled. I am also not convinced that this interface is
the best approach.
--
David Kastrup
<\tweak duration-log 3 e, b, g e’>2
> 18 jan. 2024 kl. 16:33 skrev Alexander Weidner :
>
>
>
> Hello,
>
> how do I notate a Double stop (German: Doppelgriff), where one note has an
> other duration (see image).
>
> Thanks! Alexander
Hello,
how do I notate a Double stop (German: Doppelgriff), where one note has an
other duration (see image).
Thanks! Alexander
Hello Robin
Thank you so much Have a good day
JP
Le 14/01/2024 à 22:43, Robin Bannister a écrit :
achar wrote:
I would like to be able to change only the size of the bass in a bass
chord, for example G in the F/G chord.
And possibly be able to move it down and to the right
achar wrote:
I would like to be able to change only the size of the bass in a bass
chord, for example G in the F/G chord.
And possibly be able to move it down and to the right of the agreement name.
Add the attached layout section and adjust the numbers.
Cheers,
Robin
\layout{
\context
Good morning.
I would like to be able to change only the size of the bass in a bass
chord, for example G in the F/G chord.
And possibly be able to move it down and to the right of the agreement name.
Can anyone help me ?
Thank you so much .
Jean Pierre
R1
> R1
> R1
> }
> >>
> }
>
> For parentheses around Chords, I use this code
> %% Parentheses for Chords %%
>
> #(define (left-parenthesis-ignatzek-chord-names in-pitches bass
>
Names \Harmonies
\new Staff {
R1
R1
R1
}
>>
}
For parentheses around Chords, I use this code
%% Parentheses for Chords %%
#(define (left-parenthesis-ignatzek-chord-names in-pitches bass
inversion context)
(markup
Hi,
In jazz lead sheets one often comes across alternate chord names in
parentheses written above the standard chord to signify an alternative
harmony that can be played. I have tried doing that using this as a simple
example of an alternative IIm7-V7 back to Imaj:
\version "2.25.4"
nippet:
> http://lilypond.org/doc/v2.24/Documentation/snippets/chords#chords-chord-names-alternative
>
> Best wishes,
>
> Jakob
>
> On 31.10.2023 23.37, Mats-Olof Liljegren wrote:
>> Hi!
>> I would like to write e.g. am7-5 or Eadd9 or any other jazz and pop style
Hi Mats-Olof,
You should be able to do what you wish with the help of this snippet:
http://lilypond.org/doc/v2.24/Documentation/snippets/chords#chords-chord-names-alternative
Best wishes,
Jakob
On 31.10.2023 23.37, Mats-Olof Liljegren wrote:
Hi!
I would like to write e.g. am7-5 or Eadd9
Hi!
I would like to write e.g. am7-5 or Eadd9 or any other jazz and pop styled
chords.
Is there a simple solution?
Best regards
/ MO
Hello,
instead of doing
\repeat unfold 8 {s1}
do
s1*8
or
\scaleDurations 8 s1
Cheers,
Valentin
Am Freitag, 13. Oktober 2023, 21:43:53 CEST schrieb clyde:
> I would like to include chord names in only part of a song. The example
> I attached does that. The problem is that the use of
I would like to include chord names in only part of a song. The example
I attached does that. The problem is that the use of spaces in the
ChordNames section interferes with the \CompressMMRests directive in the
"notes" section. Is there another way to include chordnames in
8[ g' g, g']}
>>
}
On Mon, 25 Sept 2023 at 10:02, cc0_knight--- via LilyPond user discussion <
lilypond-user@gnu.org> wrote:
> Hi everyone!
> as the code mentioned below, when i try to engraving, the root note of the
> chord are not same as upper note. how to solve th
Hi everyone!
as the code mentioned below, when i try to engraving, the root note of the
chord are not same as upper note. how to solve this problem?
the aim:
problem:
code:
\relative c'' {
\mergeDifferentlyHeadedOn
\time 4/8
<<
{2}
\\
{8 [g'8]}
>>
}
best regards!
as the code mentioned, when I engraving, slur arpeggio are collision with
measure line, how to avoid this by redefine slur?
```
\new PianoStaff <<
\set PianoStaff.connectArpeggios = ##t
\override PianoStaff.Arpeggio.stencil =
#ly:arpeggio::brew-chord-slur
\new Staff {
\rela
w year, even though I do not fully
> understand it.
>
> I am trying to make a Chord Chart that goes over two pages, in what I call
> a "ukulele layout". A "ukulele layout" being where the chords are in
> line with the lyrics.
> I also, in the long run, I am look
On 2023-08-26 05:17, JacquelineUkulele-Guitar Grant wrote:
Hi All
I am new to this Lilipond user help group, I aplopgize if I am
breaking any rules are guideline.
I have been use Lilypond for a few year, even though I do not fully
understand it.
I am trying to make a Chord Chart
Hi All
I am new to this Lilipond user help group, I aplopgize if I am breaking any
rules are guideline.
I have been use Lilypond for a few year, even though I do not fully understand
it.
I am trying to make a Chord Chart that goes over two pages, in what I call a
"ukulele l
Hi,
This question seems to have found an answer here:
https://music.stackexchange.com/questions/130684/lilypond-midi-volume-mix-between-chord-progression-and-melody
(On any forum, it's usually considered polite to link cross-posts so that people
can notice your question has already been
Hi!
I'm writing python code to automatically annotate jazz solo transcriptions
(with their corresponding chord progressions) and to produce midi output using
Lilypond. I'd like to instruct Lilypond to lower the volume of the chord
progression with respect to the melody, but haven't been able
Apologies for the SPAM, but it would seem that the server has removed the code
snippet from my first post, so sending again.
Hi!
I'm writing python code to automatically annotate jazz solo transcriptions
(with their corresponding chord progressions) and to produce midi output using
Lilypond
Indeed chordNameSeparator is responsible for the space between suffixes.
Solved as follows:
\version "2.25.5"
\chords{
des:maj7.5+ fis:7.5+.9+.11+
}
\layout {
\context {
\ChordNames
chordNameSeparator = #(make-hspace-markup 0.2)
}
}
On Sat, 27 May 2023 at 17:59, Lib Lists wrote:
>
Hello,
in the following example (see attached edited pdf) I'd like to reduce
the distance between the suffixes. It looks like the distance between
the root and the first suffix is smaller than the distances between
the following suffixes.
\version "2.25.5"
\chords{
des:maj7.5+ fis:7.5+.9+.11+
}
on "2.16.0"
% \include "cin.ily" inlined
% out of chord-Ignatzek-names.scm, chord-name.scm and other stuff as needed
% - toplevel ;; comment removed
% - prefixed toplevel (defines with #
% - renamed all define-safe-public to define-public
% modified renamed i-c-n for nestling: ba
t me in the right direction it would be great! Bear
> > in mind, my knowledge of Scheme is primitive to say the least.
> >
> > Best regards,
> > Lib
> >
> > On Fri, 26 May 2023 at 10:31, Lib Lists wrote:
> > >
> > > I'd like to change the size
t;
> On Fri, 26 May 2023 at 10:31, Lib Lists wrote:
> >
> > I'd like to change the size of the accidentals and their alignment in
> > chord symbols.
> >
> > Here a MWE:
> >
> > \version "2.25.5"
> > \chords {
> > aes2 cis
> > }
> >
'd like to change the size of the accidentals and their alignment in
> chord symbols.
>
> Here a MWE:
>
> \version "2.25.5"
> \chords {
> aes2 cis
> }
>
> Specifically, I'd like to have all the flats smaller, and the sharps
> smaller and horizont
I'd like to change the size of the accidentals and their alignment in
chord symbols.
Here a MWE:
\version "2.25.5"
\chords {
aes2 cis
}
Specifically, I'd like to have all the flats smaller, and the sharps
smaller and horizontally center-aligned with the root note name.
I checked
Hi David, all,
>1. How many Lilyponders think that "N.C." is elegant?
It's the standard, and that's good enough for me.
>2. How many guitar teachers instruct their students to keep strumming when
>they see a rest?
It depends what's on the staff. If the vocal/melody line is notated, it
I usually use an m-dash "—" as the noChordSymbol as it is more language
agnostic. But N.C. is reasonable default IMHO.
Le vendredi 19 mai 2023 à 22:35 -0400, David Olson a écrit :
> <https://lilypond.org/doc/v2.23/Documentation/notation/displaying-chords>
>
>
> the default setting for LilyPond chord engraving is: whenever there is a
> rest, to display "N.C."
> Iteration aft
Le 20/05/2023 à 04:35, David Olson a écrit :
1. How many Lilyponders think that "N.C." is elegant?
I am one of them! As a French jazz musician I encounter (and use as a
lilyponder) this convention every time the rhythm section is asked not
to play.
--
Vincent Gay
Envoyé depuis mon
On Fri, May 19, 2023 at 8:56 PM David Wright
wrote:
> On Fri 19 May 2023 at 22:35:04 (-0400), David Olson wrote:
> > <https://lilypond.org/doc/v2.23/Documentation/notation/displaying-chords>
>
> >
> >
> > the default setting for LilyPond chord engraving is: wh
Or s1 rather than r1.
> On May 19, 2023, at 10:56 PM, David Wright wrote:
>
> On Fri 19 May 2023 at 22:35:04 (-0400), David Olson wrote:
>> <https://lilypond.org/doc/v2.23/Documentation/notation/displaying-chords>
>>
>>
>> the default setting fo
On Fri 19 May 2023 at 22:35:04 (-0400), David Olson wrote:
> <https://lilypond.org/doc/v2.23/Documentation/notation/displaying-chords>
>
>
> the default setting for LilyPond chord engraving is: whenever there is a
> rest, to display "N.C."
> Iteration after i
<https://lilypond.org/doc/v2.23/Documentation/notation/displaying-chords>
the default setting for LilyPond chord engraving is: whenever there is a rest,
to display "N.C."
Iteration after iteration, this default setting has persisted in all the
versions of Lilypond I have eve
Adding \semiGermanChords as a fix for the upper-case letters overrides
the layout code, as I'm sure you are aware.
Can the code be adapted to use accidentals in both upper-case chord
names, like E♭, and also use accidentals in lower-case bass notes, like
E♭/f♯ etc.?
Best wishes,
Jakob
On 07.05.2023
Le samedi 06 mai 2023 à 23:46 +0200, Jakob Pedersen a écrit :
> Greetings!
>
> Is it possible to define a chord-naming scheme with upper-case chord names
> in semi-german, but bass notes similar to the default style but lower-case.
>
> This would result
Greetings!
Is it possible to define a chord-naming scheme with upper-case chord
names in semi-german, but bass notes similar to the default style but
lower-case.
This would result in something like:
B♭ E♭/b♭ F/b♭ C/e D/f♯
This is the standard scheme used in Danish notation, btw.
I looked
, but not in
2.23.3.
For my purposes using 2.22.2 is fine...
Paul
From: Jean Abou Samra
To: Paul Hodges , Lilypond User
Sent: 05/05/2023 17:29
Subject: Re: Arrangement of adjacent notes in chord
Le vendredi 05 mai 2023 à 17:19 +0100, Paul Hodges a écrit :
Is there a way
Le vendredi 05 mai 2023 à 17:19 +0100, Paul Hodges a écrit :
> Is there a way to control the way that notes are placed to the left or right
> of a stem? I am trying to replicate an old score, and the placement of the
> noteheads is different from the LilyPond
> default (which follows Gould, of
Is there a way to control the way that notes are placed to the left or right of
a stem? I am trying to replicate an old score, and the placement of the
noteheads is different from the LilyPond default (which follows Gould, of
course).
The attached image shows what I want to reproduce - note
> all the other lines I removed did not affect either this MWE or my actual
> real world score.
For me, your MWE gives chord symbols below the volta brackets on 2.22 (as
provided by hacklily.org).
It does have `\consists Axis_group_engraver`, so that sounds expected.
It just has too
>
>
>
>
> -- Forwarded message --
> From: Flaming Hakama by Elaine
> To: Lilypond-User Mailing List
> Cc:
> Bcc:
> Date: Wed, 26 Apr 2023 14:19:36 -0700
> Subject: rests in chord symbols with volta endings
> Hi,
>
> I was trying to use
Le mercredi 26 avril 2023 à 23:43 +0200, Jean Abou Samra a écrit :
> structure = {
> \repeat volta 2 {
> s1
> }
> \alternative {
> { s1 }
> { s1 }
> }
> }
By the way: regarding the above, I invite you to read the thread
Le mercredi 26 avril 2023 à 14:19 -0700, Flaming Hakama by Elaine a écrit :
> Hi,
>
> I was trying to use
> [https://lsr.di.unimi.it/LSR/Snippet?id=529](https://lsr.di.unimi.it/LSR/Snippet?id=529)
> to add some rests to chord symbols
>
> After using convert-ly it worke
Hi,
I was trying to use https://lsr.di.unimi.it/LSR/Snippet?id=529
to add some rests to chord symbols
After using convert-ly it worked as is.
However, when using this in the context of repeat voltas,
chords in the endings appear above the ending lines,
rather than below as normal.
Does anyone
Le samedi 25 février 2023 à 01:33 -0600, Matthew Probst a écrit :
> Yes, you are correct. I've not been as careful in my typing as I should be,
> in my overexcitement and joy at getting a great answer so quickly. I'll try
> to compose my Emails better in the future, sorry if I offended.
No
Yes, you are correct. I've not been as careful in my typing as I should
be, in my overexcitement and joy at getting a great answer so quickly.
I'll try to compose my Emails better in the future, sorry if I offended.
On Sat, Feb 18, 2023 at 3:40 PM Jean Abou Samra wrote:
> Le vendredi 17
Le vendredi 17 février 2023 à 19:03 -0600, Matthew Probst a écrit :
> This is indeed the first time I'm really understanding adding properties to
> notes with music functions, and it makes much more sense to me now that I'm
> deeper in this than it did in the past.
Good to hear. For what it's
ts)
> (if (not (null? elt)) (iter elt))
>(if (and (music-is-of-type? mus 'event-chord) (not (null? elts)))
>(ly:music-set-property! mus 'elements (list (car elts))
>(iter music)
>music)
>
> restsToSkips =
> #(define-music-function (music) (
t;
firstNoteOfChord =
#(define-music-function (music) (ly:music?)
(define (iter mus)
(let ((elt (ly:music-property mus 'element))
(elts (ly:music-property mus 'elements)))
(map iter elts)
(if (not (null? elt)) (iter elt))
(if (and (music-is-of-typ
(elts (ly:music-property mus 'elements)))
>(map iter elts)
>(if (not (null? elt)) (iter elt))
>(if (and (music-is-of-type? mus 'event-chord) (not (null? elts)))
>(ly:music-set-property! mus 'elements (list (car elts))
>(iter music
s 'elements)))
> (map iter elts)
>(if (not (null? elt)) (iter elt))
>(if (and (music-is-of-type? mus 'event-chord) (not (null? elts)))
>(ly:music-set-property! mus 'elements (list (car elts))
>(iter music)
>music)
>
> <<
>
eOfChord =
> #(define-music-function (music) (ly:music?)
> (define (iter mus)
> (let ((elt (ly:music-property mus 'element))
> (elts (ly:music-property mus 'elements)))
> (map iter elts)
> (if (not (null? elt)) (iter elt))
>
(not (null? elt)) (iter elt))
(if (and (music-is-of-type? mus 'event-chord) (not (null? elts)))
(ly:music-set-property! mus 'elements (list (car elts))
(iter music)
music)
<<
\new ChordNames {
\set noChordSymbol = ""
On 07/02/2023 12:51, Jean Abou Samra wrote:
> On 07/02/2023 05:44, Jeff Kopmanis wrote:
>> I've found that when I put chords in my score, it's printing them /below/
>> the staff rather than above, as usual. Things are normal if I'm not
>> building a score, but I'm wondering why this is
On Mon, Feb 6, 2023 at 11:44 PM Jeff Kopmanis wrote:
> I've found that when I put chords in my score, it's printing them *below* the
> staff rather than above, as usual. Things are normal if I'm not building a
> score, but I'm wondering why this is happening. I've included my (big) .ly
>
Jeff Kopmanis wrote:
I've found that when I put chords in my score, it's printing them *below* the
staff rather than above, as usual. Things are normal if I'm not building a
score, but I'm wondering why this is happening.
Well, I'm not sure.
But, to be clear, I see this happening only on the
On 07/02/2023 05:44, Jeff Kopmanis wrote:
> I've found that when I put chords in my score, it's printing them /below/ the
> staff rather than above, as usual. Things are normal if I'm not building a
> score, but I'm wondering why this is happening. I've included my (big) .ly
> document and
Hi, I'm trying to make a harmony analysis of some jazz standards with
lilypond.
I have a jazz lead sheet with Chord Names and some numeral Romans under
the staff based on the lilypond-roman-numeral-tool.
https://github.com/davidnalesnik/lilypond-roman-numeral-tool
Now I need a way to insert
Le 20/12/2022 à 02:41, Kenneth Wolcott a écrit :
I'm still do not understand the math (I'd like to generate a
formula!) for tremolos.
I also remained confused by this for a long time till I understood
that the rules are pretty simple. The thing to keep in mind is that
\repeat tremolo and :
l
>
> On 12/19/22 20:41, Kenneth Wolcott wrote:
> > Hi;
> >
> >I'm still do not understand the math (I'd like to generate a
> > formula!) for tremolos.
> >
> > I have a tremolo that I'd like to engrave in 3/4 time, one
> > dotted-half note ch
I have a tremolo that I'd like to engrave in 3/4 time, one
dotted-half note chord, double-slashed.
I'd like to use the repeat tremolo syntax so that I can obtain midi
output (without using the articulate feature).
Please see attached screenshot.
Thanks,
Ken Wolcott
--
William
Hi;
I'm still do not understand the math (I'd like to generate a
formula!) for tremolos.
I have a tremolo that I'd like to engrave in 3/4 time, one
dotted-half note chord, double-slashed.
I'd like to use the repeat tremolo syntax so that I can obtain midi
output (without using
> -- Forwarded message --
> From: kbvw
> To: Lilypond-User Mailing List
> Cc:
> Bcc:
> Date: Thu, 01 Dec 2022 18:10:03 +
> Subject: Re: Adding text to chord names or note names (replies to
> discussion)
> Hello Jean, Elaine,
>
>
>
Hi Jean,
Thanks, indeed that's useful to know. (Still learning.) Sorry about that: I'll
change it to GPLv3+ and open the issue on Gitlab.
Cheers,
Koen
--- Original Message ---
On Thursday, December 1st, 2022 at 8:31 PM, Jean Abou Samra
wrote:
> Le 01/12/2022 à 19:04, Koen van
Le 01/12/2022 à 19:04, Koen van Walstijn a écrit :
Code can be found here:
https://gitlab.com/kbvw/lilypond-tweaks/-/blob/master/harmonic-background.ly
By the way: if you want to made a piece of code available that you think
someone might want to reuse for LilyPond, you need to put it under
in a chord as the root, takes the first one
with property "bass" as the bass, and it additionally listens to
text-script-events from which it takes the first specified one as the
suffix. I use that in a custom context called "HarmonicBackground" for
lack of something better
Hello,
(Separately reply follows to some of the specific things that were written.)
In case there is interest, what I did now was tweaking the
Current_chord_text_engraver from scheme_engravers.scm. It simply takes the
first pitch specified in a chord as the root, takes the first one
ransposition functionality. I would probably use
lyrics mode for Roman numerals or anything relative.)
Regarding the different use cases of input modes, chord symbols, etc., I guess
one would have to disentangle two underlying concepts commonly addressed by the
word "chord", like Elaine
Le 30/11/2022 à 05:26, Flaming Hakama by Elaine a écrit :
I think here is where we dip into the reality that there are many
different uses of chord changes.
Chord symbols used for analysis are different than when used as an
abbreviation for specific notes/voicings, which is different when
> Hello,
> Le 29/11/2022 à 23:22, Flaming Hakama by Elaine a écrit :
> > Lilypond provides ways both to choose among a few of the common
> > approaches, and a way to define your own.
> >
> > It does not provide a way to use different symbols for the same
Hello,
Le 29/11/2022 à 23:22, Flaming Hakama by Elaine a écrit :
Lilypond provides ways both to choose among a few of the common
approaches, and a way to define your own.
It does not provide a way to use different symbols for the same chord
in the same sequence. There are workarounds
2022 20:27:15 +0100
> Subject: Re: Adding text to chord names or note names
> Le 28/11/2022 à 15:37, Kieren MacMillan a écrit :
> > Hi Koen,
> >
> >> I still think it could be nice to try to write a longer-term solution.
> > There has been a lot of work done on
Le 28/11/2022 à 20:27, Jean Abou Samra a écrit :
The other piece of brainstorming I know about, although I didn’t chase
all
the discussions in the devel mailing list, is the GSoC patch. This has
the
same goal of making it easier to coerce LilyPond into formatting chord
names
the way you want
Le 28/11/2022 à 15:37, Kieren MacMillan a écrit :
Hi Koen,
I still think it could be nice to try to write a longer-term solution.
There has been a lot of work done on chord naming over the last decade, mainly
as part of a Google Summer of Code project a few years ago, but essentially
none
es
> \new ChordNames \transpose c d \myChordNames
> >>
>
> Yeah, judging from some quick tests, that seems to do what I want. Thanks a
> lot! This is very useful.
>
> I still think it could be nice to try to write a longer-term solution. I saw
> it was you who
Hi Kieren,
Thanks for your reply; I hope my message didn't come off as rude or
unsolicited.
(To be sure: I did not mean to suggest removing any functionality that's there.
I can easily see many use cases for calculating the actual pitches of a chord
internally. I meant more of an alternative
Hi Koen,
> I still think it could be nice to try to write a longer-term solution.
There has been a lot of work done on chord naming over the last decade, mainly
as part of a Google Summer of Code project a few years ago, but essentially
none of it has yet navigated through the patch submiss
lt;
> \new ChordNames \myChordNames
> \new ChordNames \transpose c d \myChordNames
>>>
Yeah, judging from some quick tests, that seems to do what I want. Thanks a
lot! This is very useful.
I still think it could be nice to try to write a longer-term solution. I saw it
was y
Le 28/11/2022 à 01:01, Jean Abou Samra a écrit :
Le 28/11/2022 à 00:41, Koen van Walstijn a écrit :
Hi Robin,
Thanks a lot! I read over that bar lines snippet indeed.
Adding the text engraver and tweaking it a bit, I managed to print
the markup above the chord symbol, so that definitely
Le 28/11/2022 à 00:41, Koen van Walstijn a écrit :
Hi Robin,
Thanks a lot! I read over that bar lines snippet indeed.
Adding the text engraver and tweaking it a bit, I managed to print the
markup above the chord symbol, so that definitely helped me along and
it will do for the moment
Hi Robin,Thanks a lot! I read over that bar lines snippet indeed. Adding the text engraver and tweaking it a bit, I
managed to print the markup above the chord symbol, so that definitely helped me along and it will do for the
moment.After reading the documentation and Scheme source a bit more
ignored by the ChordNames context.
ChordNames ignores BarLines too.
But you probably didn't realize the implications of the snippet
'Adding bar lines to ChordNames context' at
https://lilypond.org/doc/v2.22/Documentation/notation/displaying-chords#customizing-chord-names
It uses \consists to add
Hello,I got started with LilyPond a week ago to write some arrangements for a small group, in the context of improvised music. (I'm really enjoying the program, it's very
intuitive and the output looks great!)I have a question about customizing chord names. From manuals/snippets/etc I learned
Le 20/11/2022 à 17:30, Volodymyr Prokopyuk a écrit :
However, less verbose scripting could be a huge plus to LilyPond.
Well, LilyPond has convenient syntax for most "scripting" use cases.
It's just that defining custom chord modifiers is pretty unusual, so
it doesn't benefit fro
seventh c:m7.5- from Cøto Cø7for all half-diminished seventh chords?
> >
>
>
>
>
> You don't need to do anything special. The exceptions
> defined with chordNameExceptions are given for one
> "example" tonality, but they work for any transposition
> of the
seventh c:m7.5- from Cøto Cø7for all half-diminished seventh chords?
You don't need to do anything special. The exceptions
defined with chordNameExceptions are given for one
"example" tonality, but they work for any transposition
of the chord.
* How can I define an alias for
Hello,
I have few questions about the \chordmode
*Questions*
- How can I change the name for the c:aug7 from C7#5 to Co7 for all
augmented seventh chords, not only for specific pitches in the
chordNameExceptions list?
- Similarly, how can I change the name for the half-diminished
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