Re: repeat ottava

Gianmaria Lari writes: > I have a fragment that needs to be repeated twice with alternate ending and > the second time one octave higher. The following is an example that would > be ok... > > \version "2.19.52" > > \score { > { > \mark "2nd time 8va" > \repeat

repeat ottava

I have a fragment that needs to be repeated twice with alternate ending and the second time one octave higher. The following is an example that would be ok... \version "2.19.52" \score { { \mark "2nd time 8va" \repeat volta 2 {c' d' e' f'} \alternative {{a a a a}{b b b b}} }

Re: Suppressing warnings

Am 28.02.2017 um 03:13 schrieb Andrew Bernard: I have a warning '... crescendo too small...' which I want to ignore in the log output. Using this (at the top level): #(ly:expect-warning "crescendo too small") does nothing. How exactly do you suppress warnings? From trial and error, I

Re:Vocal scores with extra staves

> > > Also, there appear to be unmatched << . Is closing >> implied, or is > > this just a short-cut example? > > The `>>` are there, but your email reader may interpreting them as a > quotation level (though there is no text in the quotation). Try copying > the whole email into a plain text

Re: Bar counts and repeats in repetitive music

Jeffery, I'm trying to get my head around the code you sent me - it seems that real programmers (you and David both) don't write comments :) Displaying multiple bar numbers needs a bit more thought. Firstly, it has to be switchable off. One of my examples has a single bar repeated 16 times - I

Diminuendo goes over subdìseqyent rests

I mean that the diminu2 \! e4 \< endo goes from the its note through the first rest and its "point" ends on the second rest. I don't think it's correct and the result looks ugly to me. The code (an xml file written with Musescore) at that point is es1 \> \breathe | % 21 R1*2 | % 23 d2 \! e4 \<

Re: Vocal scores with extra staves

On Tue 28 Feb 2017 at 18:32:22 (+1100), Andrew Bromage wrote: > On 28/2/17 3:23 pm, David Wright wrote: > >Sorry. I was labouring under the misapprehension that you _wanted_ > >staves starting mid-page (as in your OP, but placed correctly between > >the upper voices and the piano), and that Klaus

Re: \ottava without bracket

Hi Andrew, On Mon, Feb 27, 2017 at 6:52 PM, Andrew Bernard wrote: > Hi David, > > This is excellent and useful. Also works, of course, when using something > like \set Staff.ottavation = "8". > > Why not make this a snippet in LSR? > Sure, I will look it at some more,

Re: repeat ottava

>> I have a fragment that needs to be repeated twice with alternate ending and >> the second time one octave higher. The following is an example that would >> be ok... [] > Let's just cheat. > > \version "2.19.52" > > \score { > { > \mark "2nd time 8va" > \repeat volta 2 {c' d' e'

Re: Bar counts and repeats in repetitive music

On Tue, Feb 28, 2017 at 6:56 AM, Peter Toye wrote: > Jeffery, > > I'm trying to get my head around the code you sent me - it seems that real > programmers (you and David both) don't write comments :) > > Displaying multiple bar numbers needs a bit more thought. Firstly, it has

Re: repeat ottava

Gianmaria Lari writes: >>> I have a fragment that needs to be repeated twice with alternate ending > and >>> the second time one octave higher. The following is an example that would >>> be ok... > [] >> Let's just cheat. >> >> \version "2.19.52" >> >> \score { >>

Re: \ottava without bracket

On Tue, Feb 28, 2017 at 10:09 AM, David Nalesnik wrote: > Hi Andrew, > > On Mon, Feb 27, 2017 at 6:52 PM, Andrew Bernard > wrote: >> Hi David, >> >> This is excellent and useful. Also works, of course, when using something >> like \set

Re: Diminuendo goes over subdìseqyent rests

Am 28.02.2017 um 13:36 schrieb Son_V: I mean that the diminu2 \! e4 \< endo goes from the its note through the first rest and its "point" ends on the second rest. I don't think it's correct and the result looks ugly to me. The code (an xml file written with Musescore) at that point is es1 \>

Re: Bar counts and repeats in repetitive music

Am 28.02.2017 um 12:56 schrieb Peter Toye: I'm trying to get my head around the code you sent me - it seems that real programmers (you and David both) don't write comments :) I figure that’s more a question of whether they have time and motivation to do so. Best practice would probably be

Re: Bar counts and repeats in repetitive music

Peter Toye writes: > David and other, > > All of which makes me think that it's not really worth while pursuing > this development any further. As an ex-programmer (yes, I sometimes > did write comments, but in assembler you rather have to) How else would you keep track of

Re: repeat ottava

On 28 February 2017 at 18:31, David Kastrup wrote: > > Gianmaria Lari writes: > > >>> I have a fragment that needs to be repeated twice with alternate ending > > and > >>> the second time one octave higher. The following is an example that would > >>> be

Re: \ottava without bracket

Hi Harm, On Tue, Feb 28, 2017 at 1:02 PM, Thomas Morley wrote: > 2017-02-28 16:09 GMT+00:00 David Nalesnik : >> Hi Andrew, >> >> On Mon, Feb 27, 2017 at 6:52 PM, Andrew Bernard >> wrote: >>> Hi David, >>> >>> This is

Re: Is there any way to use dynamics as prefixes?

2017-02-28 20:37 GMT+01:00 : > On 02/28/17 20:14, David Kastrup wrote: >> But if you prefer the latter, just start your music file with >> >> "("=<>( > > > What is this, Perl? Nope. See declarations-init.ly for the original: "(" = #(make-span-event 'SlurEvent START)

merging different voices

Hello list, This is my first post here and I’m fairly new to Lilypond, but I need some help. I am using Lilypond to compose, and I need to merge 4 scores into one. All four scores have the same 6 instruments and time signature (4/4), and all rhythms fall into the same grid of 16th notes.

Re: Is there any way to use dynamics as prefixes?

caag...@gmail.com writes: > On 02/28/17 20:14, David Kastrup wrote: >> Well, but slurs can start at the same note where another slur ends, and >> `c'4( d')( e')' is a lot clearer to me than `(c'4 (d') d')' > > I can honestly say I've never seen that, and I can't really imagine > how that'd even

Re: merging different voices

Hi Fede, welcome to LilyPond! Am 28.02.2017 um 23:06 schrieb Federico Camara Halac: > Hello list, > > This is my first post here and I’m fairly new to Lilypond, but I need some > help. I am using Lilypond to compose, and I need to merge 4 scores into one. > All four scores have the same 6

Re: Is there any way to use dynamics as prefixes?

> > > This also applies to slurs - `(c'4 d' e' f')` is a lot clearer to me > > than `c'4( d' e' f)`. Well, but slurs can start at the same note where another slur ends, and > `c'4( d')( e')' is a lot clearer to me than `(c'4 (d') d')' > Just a curiosity David, have you ever considered this other

Re: Is there any way to use dynamics as prefixes?

Gianmaria Lari writes: >> >> > This also applies to slurs - `(c'4 d' e' f')` is a lot clearer to me >> > than `c'4( d' e' f)`. > > Well, but slurs can start at the same note where another slur ends, and >> `c'4( d')( e')' is a lot clearer to me than `(c'4 (d') d')' >> >

Re: Bar counts and repeats in repetitive music

On Tue, Feb 28, 2017 at 12:02 PM, Simon Albrecht wrote: > Am 28.02.2017 um 12:56 schrieb Peter Toye: > > I'm trying to get my head around the code you sent me - it seems that real > programmers (you and David both) don't write comments :) > > > I figure that’s more a

Is there any way to use dynamics as prefixes?

I think it's rather weird that you write `c'4\ff d'` instead of `\ff c'4 d'`. Other constructs such as `\tempo` and `\mark` are before the notes they affect - why aren't dynamics? For a more practical example, playing the same thing multiple times with different dynamics with prefix dynamics

Re: \ottava without bracket

2017-02-28 16:09 GMT+00:00 David Nalesnik : > Hi Andrew, > > On Mon, Feb 27, 2017 at 6:52 PM, Andrew Bernard > wrote: >> Hi David, >> >> This is excellent and useful. Also works, of course, when using something >> like \set Staff.ottavation =

Re: Is there any way to use dynamics as prefixes?

Hi, 2017-02-28 19:53 GMT+01:00 : > I think it's rather weird that you write `c'4\ff d'` instead of `\ff c'4 > d'`. Other constructs such as `\tempo` and `\mark` are before the notes they > affect - why aren't dynamics? Here's a little misunderstanding. \mark and \tempo are

Re: Is there any way to use dynamics as prefixes?

On 02/28/17 20:14, David Kastrup wrote: Well, but slurs can start at the same note where another slur ends, and `c'4( d')( e')' is a lot clearer to me than `(c'4 (d') d')' I can honestly say I've never seen that, and I can't really imagine how that'd even be played. I agree that that looks

Re: Is there any way to use dynamics as prefixes?

On 02/28/17 20:26, Thomas Morley wrote: Hi, 2017-02-28 19:53 GMT+01:00 : I think it's rather weird that you write `c'4\ff d'` instead of `\ff c'4 d'`. Other constructs such as `\tempo` and `\mark` are before the notes they affect - why aren't dynamics? Here's a little

Re: Is there any way to use dynamics as prefixes?

caag...@gmail.com writes: > I think it's rather weird that you write `c'4\ff d'` instead of `\ff > c'4 d'`. Other constructs such as `\tempo` and `\mark` are before the > notes they affect - why aren't dynamics? > > For a more practical example, playing the same thing multiple times > with

Re: Bar counts and repeats in repetitive music

David and other, All of which makes me think that it's not really worth while pursuing this development any further. As an ex-programmer (yes, I sometimes did write comments, but in assembler you rather have to) it's just a bit frustrating not to be able to work it out by myself. What you and

Re: merging different voices

On Tue, Feb 28, 2017 at 5:06 PM, Federico Camara Halac wrote: > Hello list, > > This is my first post here and I’m fairly new to Lilypond, but I need some > help. I am using Lilypond to compose, and I need to merge 4 scores into one. > All four scores have the same 6