On 2020-10-15 2:53 am, Andrew Bernard wrote:
Hi Matthew,
A good question. But I would have thought that margins are exactly
that - margins. I don't think LilyPond was ever conceived to support
marginal annotations and complex print formatting. Wouldn't you have
to narrow your content in
Hi Matthew,
A good question. But I would have thought that margins are exactly that
- margins. I don't think LilyPond was ever conceived to support marginal
annotations and complex print formatting. Wouldn't you have to narrow
your content in whatever way so as to create left or right
Then your use of tags seems the best solution.
Il giorno gio 15 ott 2020 alle 14:40, Leszek Wroński
ha scritto:
Thank you very much! I'm already doing that :-) Still, it's a 70+
pages single-movement work where I'd like to control page-breaking in
a precise way in a few locations...
Best
Thank you all for your suggestions! This is very helpful. Leo and
Christian, I will try the 'skip' idea: in this particular case I have 616
measures of straightforward 2/4, so it should not be too unwieldy. Kieren,
I will investigate the edition-engraver... I've already attempted to learn
it a few
Hi Leszek!
I usually put the layout-Stuff in a separate voice, but I can imagine, this
would be a total mess when dealing with many time signature changes. This
sounds a lot like the "Invisible part" you're speaking of.
music = { c1 c c c c c }
breakVoice = { s1 s \pageBreak }
\score {
\new
Dear Experts,
I would like to compile a full score and parts based on one file containing
musical definitions. I would like to put pagebreaks in specific places in
the full score, so that they would not operate when parts are compiled. The
way I'm doing it now is that I put a \pagebreak in one of
Hi Leszek,
> I would like to compile a full score and parts based on one file containing
> musical definitions. I would like to put pagebreaks in specific places in the
> full score, so that they would not operate when parts are compiled. The way
> I'm doing it now is that I put a \pagebreak
Thank you very much! I'm already doing that :-) Still, it's a 70+ pages
single-movement work where I'd like to control page-breaking in a precise
way in a few locations...
Best regards,
Leszek.
On Thu, 15 Oct 2020 at 14:29, Federico Bruni wrote:
> Il giorno gio 15 ott 2020 alle 14:19, Leszek
Hi all,
> I've been looking for a long time to do something like Kieren's example. If
> this also works for multi-line markup between systems it will be very helpful
> for many of my scores. I can't wait to see the source code.
>
> Thanks,
> Aberforth D
>
> On Wed, 14 Oct 2020 at 16:11, Marc
Il giorno gio 15 ott 2020 alle 14:19, Leszek Wroński
ha scritto:
I don't really like this solution; it's just not tidy... and I have
to remember which part I put the page breaks in. Are there any
established Lilypond practices for doing this? Is it e.g. possible to
introduce some sort of
I tried the print-all-headers = ##t and it didn't work.
I also tried \bookpart around the \include and it gave me fatal errors.
I have looked at the documents you reference, but I will have to look at
the TitleMarkup I think.
Thank you for directing me.
On Thu, Oct 15, 2020 at 12:17 PM Xavier
> \paper {
> min-systems-per-page = #2
> }
> is another possibility
Thank you! This is exactly the rule I was looking for :-).
www.martinrinconbotero.com
On 15. Oct 2020, 18:56 +0200, Xavier Scheuer , wrote:
>
> \paper {
> min-systems-per-page = #2
> }
> is another possibility
\time 2/2
That will, by default, produce the C with vertical slash.
David
- Ritchie Fraser wrote:
> Hello all,
>
> I am trying the engrave a Cut Common time signature (Capital C with a
> vertical line through it) and the beginning of the stave and can't find
> out how to achieve
Hi Leszek,
Am 15.10.2020 um 15:13 schrieb lilypond-user-requ...@gnu.org:
I would like to put pagebreaks in specific places in
the full score, so that they would not operate when parts are compiled.
I can confirm all the replies that recommend include files and invisible
voices. (I truly
Hi all,
Is there any documentation floating around on how fonts for LilyPond are
actually built? I know Abraham Lee has successfully made some new ones, but
is he the only guy now that knows the process? I tried fiddling with
working on one, but that was just by opening an extant font and
Hello. I am confused by the hierarchy of headings. I have read about it in
the manuals and still find it confusing.
I am trying to use \include to compile my sonata. The score block and
headings are in each file.
I basically just have this:
\include "Circle_mvt1.ly"
\pageBreak
\include
On Thu, 15 Oct 2020 at 18:37, Martín Rincón Botero <
martinrinconbot...@gmail.com> wrote:
>
> Hello,
>
> not that it's something too difficult to fix with manual \pageBreaks, but
is there any way I can tell Lilypond to never put a single system on the
last page if there's more than one page,
Hello all,
I am trying the engrave a Cut Common time signature (Capital C with a
vertical line through it) and the beginning of the stave and can't find
out how to achieve this.
I have scoured the lilypond docs online but can't find any examples or
the syntax to use.
"Cut Common" appears
On Thu, 15 Oct 2020 at 18:00, Molly Preston
wrote:
>
> Hello. I am confused by the hierarchy of headings. I have read about it
in the manuals and still find it confusing.
>
> I am trying to use \include to compile my sonata. The score block and
headings are in each file.
>
> I basically just have
Hi Ritchie,
See also:
http://lilypond.org/doc/v2.20/Documentation/notation/displaying-rhythms.html#index-_005cnumericTimeSignature
Cheers,
Pierre
Le jeu. 15 oct. 2020 à 19:21, bobr...@centrum.is a
écrit :
> \time 2/2
>
> That will, by default, produce the C with vertical slash.
>
> David
>
>
Hi Ritchie,
I get a cut C automatically with
\time 2/2
Is that what you mean?
Kevin
On Thu, 15 Oct 2020 at 18:10, Ritchie Fraser wrote:
>
> Hello all,
>
> I am trying the engrave a Cut Common time signature (Capital C with a
> vertical line through it) and the beginning of the stave and can't
Hello,
not that it's something too difficult to fix with manual \pageBreaks, but
is there any way I can tell Lilypond to never put a single system on the
last page if there's more than one page, unless the last system takes up
the "whole" page (f.ex. in a piece for orchestra)? I have the feeling
Thanks,
Yes that's exactly what I was looking for
:-)
I should have just tried that. Doh!
Ritchie
On Thu, 15 Oct 2020, 18:22 Pierre Perol-Schneider, <
pierre.schneider.pa...@gmail.com> wrote:
> Hi Ritchie,
> See also:
>
Hi all,
Is there any documentation floating around on how fonts for LilyPond
are actually built? I know Abraham Lee has successfully made some new
ones, but is he the only guy now that knows the process? I tried
fiddling with working on one, but that was just by opening an extant
font and
On 10/15/2020 12:13 PM, Shane Brandes wrote:
Is there any documentation floating around on how fonts for LilyPond are
actually built?
Have you seen Simon Tatham's Gonville font? I cannot comment on whether
its construction is the best starting point or not for your project, though.
Hello,
I am trying to HEJI microtonal notation with Lilypond, using the OTF fonts
downloaded from plainsound.org, and the microlily package (originally by
Graham Breed and now being worked on by Konstantin Steuer). The specific
problem I'm having is that Lilypond does not seem to load or use
\bookpart.
> All this is documented in NR 3.2 Titles and headers and NR 3.1.5 File
> structure.
>
> Personally for works with several movements I have customized the
> headers (scoreTitleMarkup,
> see NR 3.2.2) and use a custom "movement" field.
>
> Cheers,
> Xavier
>
On Thu 15 Oct 2020 at 19:23:36 (-0400), Molly Preston wrote:
> Thank you guys. I tried the way Mark suggested before and I get the same
> result of III. being shown on the first page. So still not seeming to
> understand.
Perhaps you could start with an example like the attached, and just
remove
Hello Andrew,
Yes, in fact, I was considering rotating the content. There isn't much
room, but just enough to get a few words sideways.
Hello Aaron,
Many thanks for the solution of translation. I'm toying around with it
right now, and had a question:
I am possible misunderstanding the
Lilypond uses MetaFont, does it not? That is well documented elsewhere.
Andrew
On 16/10/2020 4:13 am, Shane Brandes wrote:
Is there any documentation floating around on how fonts for LilyPond
are actually built?
What's happening with OLL, latest news. I have made a dedicated
website, https://openlilylib.space.
I think OLL is distinct enough to have it's own mailing list, and I
don't want to clog the lilypond user list with technical OLL
development posts, so I am in the business of setting up a list,
On 2020-10-15 6:03 pm, Matthew Fong wrote:
Many thanks for the solution of translation. I'm toying around with it
right now, and had a question:
I am possible misunderstanding the solution, and using the abs-override
incorrectly. I cannot seem to place a comment string next to the stave.
The
Nice, ƒg
On Thu, Oct 15, 2020 at 9:31 PM Andrew Bernard wrote:
>
> What's happening with OLL, latest news. I have made a dedicated
> website, https://openlilylib.space.
>
> I think OLL is distinct enough to have it's own mailing list, and I
> don't want to clog the lilypond user list with
Hello Aaron,
Wowsers -- I am dense. That completely makes sense. And it is simple!
Many thanks,
mattfong
On Thu, Oct 15, 2020 at 6:46 PM Aaron Hill wrote:
> On 2020-10-15 6:03 pm, Matthew Fong wrote:
> > Many thanks for the solution of translation. I'm toying around with it
> > right now,
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