Re: Where can I find lilyJazz (fonts.openlilylib.org is gone)

Hello Ernie, I copied the .zip archive recenlty to my machine, send it to you right now. JM > Le 7 févr. 2016 à 23:54, tisimst a écrit : > > Ernie, > > I've been in the process of moving everything to a new website. I apologize > to everyone who has tried to access it lately and haven't been

Re: Storing a bookpart in a variable

Hello Vaughan, Not sure to understand your need: would tags help in that case? JM > Le 25 févr. 2016 à 00:48, Vaughan McAlley a écrit : > > Greetings, > > I’d like to be able to specify at the top of my main score which > movements are printed. I can store a \bookpart in a variable, but I > c

Re: hoot run convert-ly on OSX 11011

Hello Floris, If I’m not mistaken, LP supports only Python 2.x as of today. JM > Le 25 févr. 2016 à 14:45, John Gourlay a écrit : > > Floris, > > I’ve never run the convert-ly script, so I can’t help you easily. I’ve > forwarded this to the lilypond-user email group from whom you’ll surely g

Re: hoot run convert-ly on OSX 11011

Hello Floris, Looks like you have an installation problem. Where did you install LP from? JM -— On my OS X 10.11.3 (much more recent than 10.0.11 of course): menu@macbookprojm:~ > uname -a Darwin macbookprojm 15.3.0 Darwin Kernel Version 15.3.0: Thu Dec 10 18:40:58 PST 2015; root:xnu-3248.3

Re: Frescobaldi on a mac (from a blind user)

Hello Daniel, Frescobaldi is a great application for sure. It provides completion for commands and variables, and clicking on a note in the PDF view or on error messages in the log pane leads you to the corresponding point in the source file. And many tools apart from that. What is your setup,

Re: Frescobaldi on a mac (from a blind user)

Hello, Maybe one can have qsynth launched at login thru System Preferences, Users and Groups and selecting your account? JM > Le 26 févr. 2016 à 16:19, Teerilahti Esko a écrit : > > > Well, I don’t have to ?, but I can’t remember all what I have done with the > settings. > > I usually do n

Re: OT help with midi2ly on command line mac os blind user

Hello Daniel, The contents of variable PATH (i.e. $PATH) is a sequence of directories names separated by colons : bash-3.2$ echo $PATH /Library/Frameworks/Python.framework/Versions/3.2/bin:/opt/local/bin:/opt/local/sbin:/opt/local/bin:/opt/local/sbin:/usr/texbin:/usr/local/llvm-3.0/clang+llvm-3.

Re: OT help with midi2ly on command line mac os blind user

ue 15 Mar 2016 at 09:09:38 (+0100), Jacques Menu Muzhic wrote: >> bash-3.2$ echo $PATH >> >> /Library/Frameworks/Python.framework/Versions/3.2/bin:/opt/local/bin:/opt/local/sbin:/opt/local/bin:/opt/local/sbin:/usr/texbin:/usr/local/llvm-3.0/clang+llvm-3.0-x86_64-apple-darwi

Re: HELP: Trill line without 'tr' written before it

Hello, Not sure if I missed it, but will: \relative { c' -\tweak style #'trill \startTextSpan d e f \stopTextSpan \textSpannerDown c' -\tweak style #'trill \startTextSpan d e f \stopTextSpan } still work in the future? JM > Le 17 mars 2016 à 00:35, David Kastrup a écrit

Re: DrumStaff vs Staff for instrument name

Hello Caagr98, Thanks for the explaination, and a nice day! JM > Le 13 déc. 2017 à 10:13, Caagr98 a écrit : > > In `engraver-init.ly` (line 111 on my version), there is a line saying > `\alias "Staff"`. That line makes the DrumStaff context listen to `\set > Staff.*` as well as `\set DrumSta

Re: DrumVoice vs non-existent RhythmicVoice

Fine, thanks a lot! JM > Le 13 déc. 2017 à 10:34, Caagr98 a écrit : > > A DrumVoice has different musical content than a Voice (uses the `drum-type` > NoteEvent property rather than `pitch`, generating different midi output, > etc). However, a RhythmicStaff only changes how the staff looks, n

Re: DrumStaff vs Staff for instrument name

Thanks David, I’ll use \with {} for that. JM > Le 13 déc. 2017 à 13:10, David Kastrup a écrit : > > David Kastrup mailto:d...@gnu.org>> writes: > >> Caagr98 writes: >> >>> In `engraver-init.ly` (line 111 on my version), there is a line saying >>> `\alias "Staff"`. That line makes the DrumSta

Re: Slur on the last note of a staff

Thanks Urs, This fails to compile with 2.19.80, though: Starting lilypond 2.19.80 [Untitled]... Processing `/var/folders/jc/xrpy67_x6_vcjfzpzds_9_6mgn/T/frescobaldi-5ev0ysh2/tmp2gdtg16j/document.ly' Parsing... /var/folders/jc/xrpy67_x6_vcjfzpzds_9_6mgn/T/frescobaldi-5ev0ysh2/tmp2gdtg16j/

Re: accedentals

Hello Vivyan, > Le 17 déc. 2017 à 15:57, Vivyan a écrit : > > I'm not sure why my accidentals arn't working? We’re neither, since we haven’t got the least idea of what you’re attempting to do. JM ___ lilypond-user mailing list lilypond-user@gnu.or

Re: Hammer-on and pull-off

Hello Joram, Thanks for this example. Going along you lines, the H and P can be centered between the two notes, see below. JM — \version "2.19.80" music = \relative { a2 c (^" P" b )( ^" H" c ) \glissando d1 } << \new Staff \with { \omit TextScript } \music \new TabStaff \with { \ta

Re: Hammer-on and pull-off

:54, Noeck a écrit : > > > > Am 23.12.2017 um 08:52 schrieb Jacques Menu Muzhic: >> Going along you lines, the H and P can be centered between the two notes, >> see below. > > Shifting by adding " " is not so nice, you are right. Your solution is >

Re: Vintage Jazz Chords post in 2011 - Howto get it to display on Fresco?

Hello Daryls, Your code sample doesn’t contain music, in fact, only chords display specifications. You can take ideas from the example below. lilyjazz can be found at https://github.com/OpenLilyPondFonts/lilyjazz . It should be accessible to LP.

Re: Changing the car or cdr of a pair

Hello David and Malte, Thanks for the alternatives, I now have what I needed! JM > Le 25 déc. 2017 à 20:21, Malte Meyn a écrit : > > > > Am 25.12.2017 um 19:01 schrieb David Kastrup: >> David Kastrup writes: >>> \once \override Staff.LigatureBracket.edge-height = >>> #(grob-transformer 'edg

Re: Changing the ossia staff distance to another staff

Hello Ben, Thanks for the link, I had missed that post! There seems to be an interference with the PianoStaff though, since whichever values I choose for basic-distance and minimum-distance in default-staff-staff-spacing, and contrary to the earlier post you indicated, the score comes out the

Re: Changing the ossia staff distance to another staff

Hello Kieren, Brilliant! This not only helps, it’s a lesson on the fine usage of LilyPond’s possibilities. Thanks so much! JM > Le 12 janv. 2018 à 18:08, Kieren MacMillan a > écrit : > > Hi Jacques, > >> whichever values I choose for basic-distance and minimum-distance in >> default-staf

Re: Transposing in the Input file

Hello Kale, According to my experience, your best bet is to be able to edit the result of the scan in Audiveris before producing the MusicXML. I don’t know Audiveris: is that at all possible, as it is in PhotoScore Ultimate? JM > Le 14 janv. 2018 à 14:59, Kale Good a écrit : > > Hello, > >

Re: Lead sheet with variables

Hello JH, music = \relative c'’ { … } > Le 23 janv. 2018 à 16:23, JH Austin a écrit : > > I tried to modify the Lead Sheet example by using a variable: > --- > \version "2.19.40" > > \music = \relative c'' { >a4 e c8 e r4 >b2 c4( d) > } > \score { > << > \chords { c2 g:

Re: Grace notes & Co, style question

Hello Joram, Thanks for the clarification! JM > Le 23 janv. 2018 à 21:42, Noeck a écrit : > > Hi Jacques, > > in your 8 bars, you have only 4 different outcomes of your 8 different > inputs, combinations of (slashed/unslashed) and (slurred/unslurred). I > would just recommend to use the relev

Re: bug in \repeat percent?

Hello bb, According to the LPNR, \repeat percent is meant for patterns shorter than a measure or occupying one or two measures. Maybe this explains that? JM > Le 24 janv. 2018 à 16:31, bb a écrit : > > \version "2.19.80" > > \layout { \context { > \Score > defaultBarType = "" >

Re: Grace notes & Co, style question

BTW, this could be added to the LPNR it seems. JM > Le 24 janv. 2018 à 07:21, Jacques Menu Muzhic a écrit > : > > Hello Joram, > > Thanks for the clarification! > > JM > >> Le 23 janv. 2018 à 21:42, Noeck a écrit : >> >> Hi Jacques, >

Re: duration longer than meter?

Hello Vivyan, You’ll be better off with: \version "2.19.58" lower = \relative c { \clef bass \time 3/4 e2 4 } { \lower } JM > Le 3 févr. 2018 à 19:08, Vivyan a écrit : > > I need these notes to fit within the same meter? How can I stop lilypond from > pushing the notes out? > > lower

Re: Change the shape of treble clef

> Le 8 févr. 2018 à 07:39, klose a écrit : > > Hi Andrew, > > Thank you for your reply but it looks like the ink is dead? Intended pun, given the post subject? JM ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/

Re: Simple midi player

Hello Nathan, Frescobaldi/SimpleSynth provides this, what’s the advantage of using vim/a pdf reader? JM > Le 5 mars 2018 à 03:10, Nathan Sprangers a > écrit : > > Hello all, > > Can anyone suggest a simple midi player that can begin or cue playback from a > specified measure/beat? I would

Re: Centered full-measure rest in 3/4?

Hello Torsten, Thanks for this quite interesting example of Lily’s capabilities! JM > Le 7 mars 2018 à 21:14, Torsten Hämmerle a écrit : > > Hi Karen, > > We all know that your client's preferred solution is against the rules, but, > if she wants it that way, this is a good exercise. :) > >

Re: an open question

Hello, Joe, what do mean exactly by pure data? Jan-Peter, I’m interested in the MusicXML export from LP, can you tell us more? A nice day! JM > Le 24 mars 2018 à 06:48, Jan-Peter Voigt a écrit : > > Hello Joe, > > this is touching a subject I have been working on last year. I created some

Re: an open question

e for a while, but it is still on my agenda and hopefully it develops > further soon. > > So if anyone is interested in joining this challenge you may contact via the > list or private mail. > > Jan-Peter > > > Am 24.03.2018 um 17:47 schrieb Jacques Menu Muzhic: >

Re: Key Signature name in Markup

Hello Harm, Great, as usual! Thanks! JM > Le 2 avr. 2018 à 16:48, Thomas Morley a écrit : > > Hi, > > 2018-04-02 6:32 GMT+02:00 brob2684 : >> Hi Harm, >> >> I hadn't really thought about no key signature as being an issue, but I can >> certainly see how it can cause confusion. >> >> I thi

Re: Articulation sign in Haydn

Hello Lukas-Fabian, I use LilyDev 4 (Debian 8), on which LilyPond builds seamlessly off the shelf. It’s easy to copy your user configuration files to this version of Linux. HTH! JM > Le 5 avr. 2018 à 22:24, Karlin High a écrit : > > On 4/5/2018 1:48 PM, Lukas-Fabian Moser wrote: >> I would b

Re: Cross-staff chords question

Hello Rutger, Malte and Andrew, I overlooked \crossStaff and didn’t get the Span_stem_engraver should be used, sorry for that and for not removing the extraneous music in my last post. Thanks for your help, and a nice day! JM > Le 7 avr. 2018 à 11:11, Andrew Bernard a écrit : > > Hi JM, > >

Re: Cross-staff chords question

Hello Andrew, When a hand doesn’t play, is it best for the keyboard player to read rests or should skips be used instead? JM > Le 7 avr. 2018 à 11:11, Andrew Bernard a écrit : > > Hi JM, > > Speaking as a keyboard player myself, it's not just a matter of presenting > the notes. Usually in c

Re: Cross-staff chords question

Thanks, Simon! JM > Le 7 avr. 2018 à 15:03, Simon Albrecht a écrit : > > On 07.04.2018 11:39, Jacques Menu Muzhic wrote: >> When a hand doesn’t play, is it best for the keyboard player to read rests >> or should skips be used instead? > > Definitely rests. Using

Re: Scordatura question

Hello all, Thanks for the pointers and explanations. I thought there might be a specific way to indicate a scordatura, and it turns out there are many possible ways, including providing a second scores with the actual pitches or a staff fragment showing the various string pitches vertically:

Re: Tremolo repeats and groups of notes

Hello Marco, None of your examples compile with 2.19.80, which complains about spurious expression in \score messages. How did you copy/paste the code into your post? You can also attach the files to the message. JM > Le 12 avr. 2018 à 07:13, Marco Bagolin a écrit : > > Hi all, > please som

Re: Harmony presentation question

Hello Joram, > Le 13 avr. 2018 à 19:31, Noeck a écrit : > > Hi, > > what is in the musicxml? One or two chord tracks? Two tracks. > What is your goal? I wondered if moving all chords to a single staff was was the trouble. > > If there are two intentionally in xml, musicxml2ly should keep t

Re: special tempo marks: note value = note value = bpm?

Hello Reilly, Can you post a drawing of what you’re after? JM > Le 16 avr. 2018 à 00:18, Reilly Farrell a écrit : > > Hi All, > > I'm working on compiling excerpts that undergo changes in time signature > while keeping the beat constant. My hope is to find a way to incorporate a > general

Re: temporarily disable Dot_column_engraver?

Hello Fox, << { *2.^"Not OK" 1. } \\ prevents your code from compiling on 2.19.80. JM > Le 18 avr. 2018 à 13:22, foxfanfare a écrit : > > This post is old, but I can't find the solution for this specific problem. > In a general way, I wonder how it is possible to remove an engraver > tempo

Re: Consistent vertical alignment of annotations, disable time signiture

In compiler technology, ‘object code’ refers to the code generated by a compiler, containing the same semantical information as the ’source code’ that has been compiled, but in a form better suited for the task at hand. Quite often, the goal is execution by a physical or virtual processor. This

Re: Consistent vertical alignment of annotations, disable time signiture

Ooops, that was in Oslo, Norway, not Sweden... > Le 18 avr. 2018 à 21:47, Jacques Menu Muzhic a écrit : > > In compiler technology, ‘object code’ refers to the code generated by a > compiler, containing the same semantical information as the ’source code’ > that has been com

Re: special tempo marks: note value = note value = bpm?

Hello Reilly, > Le 23 avr. 2018 à 19:34, Reilly Farrell a écrit : > > Issue resolved - thank you both! You’re welcome, even though I still don’t know what you wer after… ;) JM > > On Sun, Apr 15, 2018 at 11:42 PM, Jacques Menu Muzhic <mailto:imj-muz...@bluewin.ch>&g

Re: Spacer Rests Global Confusion

Hello R., A variable is nothing more than a name for a value, a piece of text in the case of Lily. Using it with a backslash ahead of its name leads to this value being inserted at this point in the Lily code. It’s the same as in all programming languages, there no implied magic at at all be

Re: Large set of parts

Excellent, Werner! JM > Le 27 avr. 2018 à 20:17, Werner LEMBERG a écrit : > > >>> Guiness Book claim for worst tongue-twister: >>> >>> "The sixth sick sheikh's sixth sick sheep's sixth sheep's sick" >>> >>> Say it several times fast for full effect. >> >> The worst German one I know is "Bra

Re: Intervals enharmony question

Hello Lukas, Thanks for your answer. In fact, it not the interval name, but the note such as B double flat that concerns me currently. Do I get it right that this is key-independent too for the diminished fifth of E flat? JM > Le 29 avr. 2018 à 18:41, Lukas-Fabian Moser a écrit : > > Jacq

Re: Intervals enharmony question

Salut Torsten, OK, now everything is clear, it’s precisely on jazz chords I’m working. Thanks! JM > Le 29 avr. 2018 à 19:50, Torsten Hämmerle a écrit : > > Jacques Menu Muzhic wrote >> Do I get it right that this is key-independent too for the diminished >> fifth

Re: measures between the staffs

Hello Ben, Download the PDF’s and search in there, much more pleasant btw. JM > Le 30 avr. 2018 à 15:26, Ben a écrit : > > On 4/30/2018 5:58 AM, Bernhard Kleine wrote: >> Hi, >> >> I have the following piece and I want the measure bar inbetween the >> sstaffs, removing them from the staff was

Re: Intervals enharmony question

uses triple flats though, must have missed something… JM > Le 30 avr. 2018 à 15:50, Hans Åberg a écrit : > > >> On 29 Apr 2018, at 22:17, Jacques Menu Muzhic wrote: >> >> OK, now everything is clear, it’s precisely on jazz chords I’m working. > > FYI, I

Re: Intervals enharmony question

a écrit : > > Jacques Menu Muzhic wrote >> Going a bit further, I bumped into this case. >> >> Since the note at some interval from another one keeps its pitch name in >> its different « variants », how about Db’s seconds? >> >> diminished second Ebbb ?

Re: Intervals enharmony question

Hello, A friend of ours hired a pianist and a violin player, both skilled professionals, for his 50th birthday. The pianist took scores from his bag, placed them on the piano, and they played. A the beginning of a new piece, the violin player had the previous one still in mind, and played the

Re: Intervals enharmony question

Hello Hans, Sorry for not knowing, what does GHB mean in our context? JM > Le 4 mai 2018 à 14:51, Hans Åberg a écrit : > >> >> On 4 May 2018, at 12:00, Wols Lists wrote: >> >> On 30/04/18 22:46, Torsten Hämmerle wrote: >>> Hans Åberg-2 wrote I suspect the least pitch-flexible instrumen

Re: Need someone testing XML file in Finale and Sibelius (and Dorico)

Hello, Not sure whether this helps: removing: continue from the file, MuseScore 2.2.1 produces: Finale 2014 produces: and musicxml2ly produces: musicxml2ly: Reading MusicXML from O5beamWithoutBeamNumberContinue.xml_inter.xml ... musicxml2ly: Converting to LilyP

Re: Need someone testing XML file in Finale and Sibelius (and Dorico)

Hello Urs, I’m doing tests with MusicXML, could you send me an example where MuseScore doesn’t show any beams after exporting from LilyPond? Thanks! JM > Le 5 mai 2018 à 11:50, li...@openlilylib.org a écrit : > > Hi Torsten, > > 5. Mai 2018 11:44, "Torsten Hämmerle" schrieb: > >> Hi Urs, >

Re: Need someone testing XML file in Finale and Sibelius (and Dorico)

11 schrieb Jacques Menu Muzhic: >> Hello Urs, >> >> I’m doing tests with MusicXML, could you send me an example where MuseScore >> doesn’t show any beams after exporting from LilyPond? > > Attached you'll find a simple nobeam.ly and the file nobeam.xml, which is th

Re: Need someone testing XML file in Finale and Sibelius (and Dorico)

The « bug » seems to have been introduced since MuseScore 2.2.x: 2.1.0 behaves as expected. JM > Le 6 mai 2018 à 11:51, Martin Tarenskeen a écrit : > > > > On Sun, 6 May 2018, Urs Liska wrote: > >> Attached you'll find a simple nobeam.ly and the file nobeam.xml, which is >> the result from

Re: Need someone testing XML file in Finale and Sibelius (and Dorico)

'duration (ly:make-duration 3) 'pitch (ly:make-pitch 0 3 Success: compilation successfully completed Completed successfully in 0.8". > Le 6 mai 2018 à 11:58, Urs Liska a écrit : > > > > Am 06.05.2018 um 11:43 schrieb Jacques Menu Muzhic: >> Hello Urs, >&g

Re: Need someone testing XML file in Finale and Sibelius (and Dorico)

Hello Urs, With the LP code: { c'8 [ d' e' f' ] } what is the difficulty for producing markups in the MusicXML output? JM > Le 6 mai 2018 à 12:20, Urs Liska a écrit : > > > > Am 6. Mai 2018 12:08:39 MESZ schrieb Jacques Menu Muzhic > : &g

Re: Need someone testing XML file in Finale and Sibelius (and Dorico)

. > Le 7 mai 2018 à 18:18, Urs Liska a écrit : > > > > Am 07.05.2018 um 18:13 schrieb Jacques Menu Muzhic: >> Hello Urs, >> >> With the LP code: >> >> { >> c'8 [ d' e' f' ] >> } >> >> what is the difficul

Re: Need someone testing XML file in Finale and Sibelius (and Dorico)

Thanks Simon, I’ll have something quite interesting to read in the forthcoming time! JM > Le 7 mai 2018 à 20:08, Simon Albrecht a écrit : > > On 07.05.2018 18:51, Jacques Menu Muzhic wrote: >> Would it be a reasonable approach to have LilyPond first produce data in >>

Re: 5/4 full measure rest

Hello Joram, Orm and Karim, Thanks, it’s clear now! JM > Le 16 mai 2018 à 10:35, Orm Finnendahl > a écrit : > > Am Mittwoch, den 16. Mai 2018 um 10:11:30 Uhr (+0200) schrieb Menu Jacques: >> Hello folks, >> >> What is the best way to write such a length, that cannot be written with >> dots?

Re: Intervals between various B pitches

Hello Malte and Simon, I must apologize for the subject of this post being off-topic for this list, but you guys here are the best experts I can contact for such a specific question. I’m programming a function computing the interval between two pitches, to display for example the inner interva

Re: naming a glyph

Can you supply a picture of what you’d like to obtain? JM > Le 22 mai 2018 à 16:55, James.Correa a écrit : > > Hi Freeman, > > If I understand you correct this might help you: > > http://lilypondblog.org/2014/04/using-special-characters-from-smufl-fonts/ >

Re: DrumStaff question

Thanks a lot Torsten for this exhaustive answer, most instructive! JM > Le 13 juin 2018 à 14:33, Torsten Hämmerle a écrit : > > Menu Jacques wrote >> A side question is (I’m no percussionist): how does one chose between >> DrumStaff and RythmicStaff? > > That's how I handle it resp. what I've

Re: change of volta number

It would be nice if such settings could be specified in the regular \repeat commands, as can be done in MusicXML: 4 1 I dont have the skills to contribute to that, unfortunately. JM > Le 22 juin 2018

Re: change of volta number

Hello Joram, \set Score.repeatCommands is exactly what I was looking for actually. Thanks, and a nice day! JM > Le 22 juin 2018 à 23:33, Noeck a écrit : > > Dear Jacques, > >> It would be nice if such settings could be specified in the regular >> \repeat commands, as can be done in MusicXML:

Re: Percussion and tab clefs question

Hello Joram & Torsten, Fine, so both are right, thanks for the information. The file I used is not musically relevant actually, since it’s only a unit test for clefs handling. A nice w-e! JM > Le 23 juin 2018 à 12:22, Torsten Hämmerle a écrit : > > Hello Jacques, > > Just a few additions t

Re: Repeat question

Thanks Torsten! For completeness, here is the MusicXML data. It’s interesting to observe that MusicXML import is not done the same way by different tools, hence my post. JM -- http://www.musicxml.org/dtds/partwise.dtd";> Nested repeats, each with alternative endings

Re: Repeat question

18, David Wright a écrit : > > [I haven't reattached the images.] > > On Tue 26 Jun 2018 at 18:22:00 (+0200), Jacques Menu Muzhic wrote: >> Hello David & Torsten, >> >> The snippet file in my OP is actually a shortened version of a file >> contained in

Re: Repeat question

in note.mod: A nice day! JM > Le 28 juin 2018 à 10:35, Jacques Menu Muzhic a écrit : > > Hello David, > > I downloaded the LilyPond Unofficial Test Suite at the time when the links to > in lilypond.org <http://lilypond.org/> were dead (I’d say 2.5 years ago), >

Re: Repeat question

Hello David, You’re right, there’s no point in my remark about the skip on the glissando stop! JM > Le 28 juin 2018 à 21:45, David Wright a écrit : > > On Thu 28 Jun 2018 at 14:10:10 (+0200), Jacques Menu Muzhic wrote: >> Just found an excellent example of the ‘look at what th

Re: chord names - C Delta 7 chord?

Hello Reilly, chExceptions is you friend, look for « Customizing chord names » in the LP Notation Reference. JM > Le 30 juin 2018 à 08:37, Reilly Farrell a écrit : > > Hi All, > > I'm looking for a solution for printing a C Delta 7 chord name (so that 7 > prints clearly after the delta symb

Re: \chords and markup text?

Same part of the doc as for your previous post. A nice day! JM > Le 30 juin 2018 à 08:42, Reilly Farrell a écrit : > > Hi All, > > Is there a simple way of modifying chord names in the \chords field with > markup text? More specifically, I'm looking for a way to print C7alt as a > chord na

Re: Two Frescobaldi suggestions

Hello Ben, Yes, I can use the MIDI player slide bar alright, but typing a number would be easier and more accurate if one often does that. JM > Le 9 juil. 2018 à 13:54, Ben a écrit : > > On 7/8/2018 3:52 PM, Urs Liska wrote: >> >> Am 8. Juli 2018 20:15:09 MESZ schrieb Menu Jacques >>

Re: Chord \crossStaff question

Hello Rutger, Fine, your solution is cleaner than the one I had come to. I’ll make good use of that. Thanks, and a nice day! JM > Le 11 juil. 2018 à 09:35, Rutger Hofman a écrit : > > Hi Jacques, > > if you follow the instructions on cross-staff stems, you will arrive at > something like th

Re: general-align problem with 2.21.0

Thanks, Malte & Werner! JM > Le 12 juil. 2018 à 07:55, Werner LEMBERG a écrit : > > >>> /tmp/frescobaldi-_MMpyy/tmpsaOidZ/document.ly:9:68: error: wrong type >>> for argument 1. Expecting duration, found "4." >>> "Allegretto vivace"\smaller \general-align #Y #DOWN \note >>>

Re: general-align problem with 2.21.0

And thanks David! > Le 12 juil. 2018 à 08:11, David Kastrup a écrit : > > Werner LEMBERG writes: > /tmp/frescobaldi-_MMpyy/tmpsaOidZ/document.ly:9:68: error: wrong type for argument 1. Expecting duration, found "4." "Allegretto vivace"\smaller \general-align #Y #DOWN \

Re: Interactive PDF Link to Notes in Preview

>>> Sadly, I can not use Frescobaldi. Having upgraded to Mac OS 11.6 >>> (El Capitan) I find that I am unable to bypass the built-in >>> security feature that blocks unsigned applications. (no more >>> freeware!) I am able to continue using Lilypond, because (I >>> presume) it was already on the

Re: Terminology question

Thanks Simon & Torsten, it’s all clear now. A nice day! JM > Le 18 juil. 2018 à 12:47, Torsten Hämmerle a écrit > : > > Menu Jacques wrote >> Is the example realistic, with ligatures both above and below the staff? > > Yes, in polyphonic notation (stems in opposite direction), ligature brac

Re: obtenir partition à partir de tablature ?

Excellent, Pierre, merci! Je ne connaissais pas Pitch_squash_engraver. JM > Le 31 juil. 2018 à 17:04, Pierre Perol-Schneider > a écrit : > > Essaie : > > \version "2.18.2" > > %{ > Antisèche (uniquement pour ceux qui connaissent mal leur manche) : > 01234etc. > 1 e

Re: Proprietary Software term

Hello Johan, Do you know the *real* difference between theory and practice? In theory, they’re one and the same thing, but in practice, they’re quite different... JM > Le 22 août 2018 à 09:25, Johan Vromans a écrit : > > On Tue, 21 Aug 2018 12:21:08 -0700, Aaron Hill > wrote: > >> Patents a

Re: Intervalic Chord Names

Hello Tom, Do I guess it right that you’d like tonality-relative numbers, i.e. V7 for A7 in D major? JM > Le 28 août 2018 à 16:27, Malte Meyn a écrit : > > > > Am 28.08.18 um 15:29 schrieb Tom Swan: >> Sorry for duplication but my previous try didn't seem to go through.) > > It came throug

Re: August 27 news

Hello Malte, I’m studying MusicXML and bumped into this particular duration problem. It looks like Finale handles that in its own way. I hadn’t thought that code like f64*64/85 would be a solution. Thanks for your clarifications, and a nice day! JM > Le 30 août 2018 à 14:03, Malte Meyn a écri

Re: Repositioning a dynamic

Hello Peter, How about this: \version "2.18.2" music = { c16( c c c c_\< c c c\! c\> c c c\! c c c c) } \paper { ragged-right = ##t indent = 0 } \layout { \context { \Staff \remove "Time_signature_engraver" } } \relative c' { \override Slur.height-limit = 4 \override DynamicLineSpanner

Re: Which Linux distro for Lilypond

I use LilyDev 4 (Debian 8 / Jessie, native GUI I guess) on a Mac with VMware Fusion, on which Lilypond dev versions compile seamlessly. JM > Le 24 déc. 2016 à 17:06, J Martin Rushton a > écrit : > > > > On 24/12/16 08:33, Federico Bruni wrote: >> Il giorno sab 24 dic 2016 alle 4:31, And

Re: Experience with several import filters

Hello folks, I’m using musicxml2ly rather often, to convert MusicXML exported by PhotoScore Ultimate. It is quite usable and does a good job, with some limitations that you have to live with: - it does not handle well \repeat’s with more that 2 alternatives; - upbeats (anacruses

Re: Experience with several import filters

once \override AccidentalSuggestion #'font-size = #-3 \once \override AccidentalSuggestion #'script-priority = #-1 \single \hideNotes b8-\turn \noBeam s8 } >> } JM > Le 3 janv. 2017 à 21:42, Jacques Menu Muzhic a écrit : > > Hello f

Re: Experience with several import filters

ignores it: \stemUp es,4. _\f \stemUp f16 [ \stemUp g16 ] \stemDown as16 [ MozartAnChloeK524Sample.xml Description: XML document JM > Le 14 janv. 2017 à 08:35, Urs Liska a écrit : > > > > Am 14. Januar 2017 06:35:53 GMT+00:00 schrieb Jacques Menu Muzhic > : >> I’ve

Re: Faking a time signature

Hello Malte, Excellent, thanks! JM > Le 15 janv. 2017 à 23:18, Malte Meyn a écrit : > > Am 15.01.2017 um 22:00 schrieb Menu Jacques: >> Hello, >> >> Going on with my Gabrieli example, there is a time change to 3/2, and I >> can’t get rid of the warning message on the first R1*3/2. >> >> Than

Re: Double time signature when there are grace notes

Hello Thomas, Not a bug, but a feature : you have to add graces in all voices : \version "2.19.44" << { c'1 \break \time 15/16 \grace a'16 b'2... } { R1 \break \time 15/16 \grace s16 c'2... } >> JM > Le 10 févr. 2017 à 23:23, Thomas Weber a écrit : >

Re: lilyjazz?

Hello Rob, This works fine for me. JM \version "2.19.44" \paper { #(define fonts (set-global-fonts #:music "lilyjazz" #:brace "lilyjazz" #:roman "lilyjazz-text" #:sans "lilyjazz-chord" #:factor (/ staff-height pt 20) )) } chordNames = \chordmode {

Re: lilyjazz?

//github.com/lyp-packages/lilyjazz <https://github.com/lyp-packages/lilyjazz> best Sharon > Le 12 févr. 2017 à 23:18, Jacques Menu Muzhic a écrit > : > > Hello Rob, > > This works fine for me. > > JM > > > \version "2.19.44" > &g

Re: 5 quaters per 4/4 measure

Hello, Thanks for the solutions! I think I’ll use the cadenza : its use for the intonation before the main music body is quite convincing. JM > Le 16 févr. 2017 à 16:31, Urs Liska a écrit : > > > > Am 16.02.2017 um 15:25 schrieb Menu Jacques: >> The Binchois.xml example by Recordare has 5

Re: ANN: Frescobaldi 2.20.0, Frescobaldi 3.0.0, python-ly 0.9.5

Hello Wilbert and Davide, Thanks a lot to you and the other contributors to Frescobaldi, I just installed 2.20.0 on OS X 10.12.3 alright. A great tool! JM > Le 19 févr. 2017 à 22:14, Davide Liessi a écrit : > > 2017-02-17 10:58 GMT+01:00 Wilbert Berendsen : >> I just released the source pack

Re: MIssing semi-sharp, semi-flat , sesqui-sharp, and sesqui-flat names in some languages in LPNR 2.19.56

Hello Malte, Thanks, I was afraid it was missing information in the docs. A nice day! JM > Le 20 mars 2017 à 12:04, Malte Meyn a écrit : > > > > Am 20.03.2017 um 11:38 schrieb Menu Jacques: >> I’ve noticed that only the following languages: >> >> nederlands deutsch english espanol or

Re: What can Premusic do that others can't?

Hello Have, I don’t understand what you mean by square characters: can you make that more clear? There are text editors you can use I guess for the parallel aspect of what seems to be a measure-wise notation IIUC, i.e. those that offer block-mode editing such as Win-EDT on Windows. There’s a

Re: Unclear doc?

Hello Malte, Thanks! JM > Le 29 mars 2017 à 10:42, Malte Meyn a écrit : > > > > Am 29.03.2017 um 08:41 schrieb Menu Jacques: >> Hello folks, >> >> In appendix A.17 of the LPNR v2.19.57, what doest the « No setting… » >> sentence mean? >> >> alternativeNumberingStyle (symbol) >> The style o

Re: Conflict with "poet" and "Composer"

Hello Son, Can you supply a minimal example? JM > Le 30 mars 2017 à 20:43, Son_V a écrit : > > Hi, > if the field in "poet = " is too long, the words mix over the words of the > field "composer = ". > > How can I get rid of this? Thanks. > > > > -- > View this message in context: > http:/

Re: Lilypond document reformatting script?

Hello Devon, Can you send me one those XML files privately? I’d like to perform some experiments. Thanks! > Le 30 mars 2017 à 21:48, m.tarensk...@zonnet.nl a écrit : > > > > Verzonden vanaf mijn Huawei mobiele telefoon > > > Oorspronkelijk bericht > Onderwerp: Re: Lilypon

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