fundamental problem: The brace uses one note as a syllable would.
Maybe someon else has a helping idea ...
2008/11/18, james bailey [EMAIL PROTECTED]:
Is it just me, or does the brace not show up?
2008/11/18 Marek Klein [EMAIL PROTECTED]
Maybe this snippet is what you are looking for:
http
does this work for you:
\markup {
\fill-line {
\left-column {
\line {roses are red}
\line {violets are blue}
\line {honey is sweet}
\line {and so is sugar}
}
}
Am 26.11.2008 um 15:43 schrieb Kieren MacMillan:
[Lilypond 2.11.64]
Hi all,
I
Am 26.11.2008 um 16:42 schrieb Kieren MacMillan:
Hi James,
does this work for you
Not as an example of great poetry… ;-)
I don't know. That poem is one of my favorites. It's full of surprise
and whimsy. It's cute and clever, it gets its point across. I've read
a lot of much worse
If you insist on using 2.10, then you need to use \right-align in
addition to \column
http://lilypond.org/doc/v2.10/Documentation/user/lilypond/Overview-of-
text-markup-commands#Overview-of-text-markup-commands
Am 27.11.2008 um 19:49 schrieb Marius Andersen:
I am using LilyPond 2.10.33 to
Am 28.11.2008 um 20:28 schrieb Tim MacEachern:
I like the thrust of your notation software. As a pianist, I'd
like to make a
comment on what I would like to see. Although the traditional
method of marking
accidentals works, it can be time-consuming to figure out whether a
note is to
be
I don't know if it's true in other versions, but in Application
Usage, 1.2.2 Requirements, the link to fontconfig points to http://
www.freetype.org, but it should probably point to http://
fontconfig.org/ Unless there is a fontconfig at freetype.org that I
just didn't see.
Am 02.12.2008 um 01:35 schrieb Jay Hamilton:
Hello-
I'm using 2.10 on windoze
And I figured out a solution but not sure that it's the only or
best one.
Problem, I'm setting/arranging a sonata for a duet. The first
movement begins on the beat the 2nd movement begins with a \partial 8
The
I remember it being discussed, but I didn't do it at the time. What
do I need to change so convert-ly knows where to find python 2.6? I
haven't been keeping up with all the updates, but with 2.12 being
released soon, I figured I'd start.
___
Am 03.12.2008 um 11:34 schrieb Graham Percival:
On Wed, Dec 03, 2008 at 11:24:42AM +0100, james wrote:
I remember it being discussed, but I didn't do it at the time.
What do I
need to change so convert-ly knows where to find python 2.6? I
haven't
been keeping up with all the updates
Am 03.12.2008 um 11:34 schrieb Graham Percival:
On Wed, Dec 03, 2008 at 11:24:42AM +0100, james wrote:
I remember it being discussed, but I didn't do it at the time.
What do I
need to change so convert-ly knows where to find python 2.6? I
haven't
been keeping up with all the updates
I have a question about vertical spacing between systems of a single
score inside a book. how do I access page0limit-inter-system-space
inside a \layout block? I want those settings only for a single score.
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Am 03.12.2008 um 22:41 schrieb Neil Puttock:
Hi James,
2008/12/3 james [EMAIL PROTECTED]:
I have a question about vertical spacing between systems of a
single score
inside a book. how do I access page0limit-inter-system-space inside a
\layout block? I want those settings only for a single
I'm not understanding how font switching in a \markup block works. I
thought that I could just do \markup \override #'(fontname .
#'Courier) {test} and it would work, but it doesn't. Is there some
other command that I've missed?
___
Am 04.12.2008 um 06:41 schrieb Jan van Dijk:
Op Thursday 04 December 2008 00:47:52 schreef james:
I'm not understanding how font switching in a \markup block works. I
thought that I could just do \markup \override #'(fontname .
#'Courier) {test} and it would work, but it doesn't
Am 04.12.2008 um 06:41 schrieb Jan van Dijk:
Op Thursday 04 December 2008 00:47:52 schreef james:
I'm not understanding how font switching in a \markup block works. I
thought that I could just do \markup \override #'(fontname .
#'Courier) {test} and it would work, but it doesn't
Am 04.12.2008 um 01:02 schrieb Neil Puttock:
Hi James,
2008/12/3 james [EMAIL PROTECTED]:
I'm not understanding how font switching in a \markup block works.
I thought
that I could just do \markup \override #'(fontname . #'Courier)
{test} and
it would work, but it doesn't. Is there some
/v2.11/Documentation/user/lilypond/
Fonts#Fonts-explained
In particular, it explains how to obtain a list over all fonts on
your system that are available
to LilyPond.
/Mats
james wrote:
Am 04.12.2008 um 06:41 schrieb Jan van Dijk:
Op Thursday 04 December 2008 00:47:52 schreef james:
I'm
04.12.2008 um 12:01 schrieb Mats Bengtsson:
Did you read
http://lilypond.org/doc/v2.11/Documentation/user/lilypond/
Fonts#Fonts-explained
In particular, it explains how to obtain a list over all fonts on
your system that are available
to LilyPond.
/Mats
james wrote:
Am 04.12.2008 um 06:41
how to obtain a list over all fonts on
your system that are available
to LilyPond.
/Mats
james wrote:
Am 04.12.2008 um 06:41 schrieb Jan van Dijk:
Op Thursday 04 December 2008 00:47:52 schreef james:
I'm not understanding how font switching in a \markup block
works. I
thought that I
After much searching, I found it. Fontbook installs user-installed
fonts to a directory that isn't indexed by fontconfig ~/Library/
Fonts. After I realised that, I knew to tell fontbook to install my
fonts system-wide, apparently, osx doesn't use ~/.fonts/ which
fontconfig does index.
I wanted to have a title page before the music begins. I assumed I'd
set up my title page, have breakbefore=##t in my \header, and have my
title page on the first page, the header information on the second
page. I see that is not the case. Whent does breakbefore work? The
documentation
Am 04.12.2008 um 18:24 schrieb -Eluze:
james bailey-2 wrote:
I wanted to have a title page before the music begins. I assumed I'd
does this about what you're looking for?
Sadly, no. My title page consisted of just markups organised on the
page. I just decided to scrap the pre
Am 03.12.2008 um 22:59 schrieb Neil Puttock:
2008/12/3 james [EMAIL PROTECTED]:
I'm sorry, \bookpart is new to me, and I don't find it when I
search for it
in the one big page option. Where can I learn more about this?
It's hot off the press. :)
Here are some links from the 2.11.65 docs
The only difference between these two is the unfold/tremolo, so why
do they render differently?
\version 2.11.65
\relative c' {
\scaleDurations #'(2 . 3) {
\repeat tremolo 9 c e g8 \repeat tremolo 3 c e fis8
\repeat unfold 4 { \repeat tremolo 3 c d fis8 }
}
}
\relative c' {
How does this apply?
Am 05.12.2008 um 23:52 schrieb Toine Schreurs:
See section 1.4.2 Short Repeats:
The \repeat tremolo syntax expects exactly two notes within the
braces, and the number of repetitions must correspond to a note
value that can be expressed with plain or dotted notes. Thus,
Sorry, cut off. How does this apply \times 2/3 { c8 c c} \times 2/3
{c c c} \times 2/3 {c c c} is 9 repetitions of the note c, expressed
as a tremolo, this should be \repeat tremolo 9 \times 2/3 {c8}
Am 05.12.2008 um 23:52 schrieb Toine Schreurs:
See section 1.4.2 Short Repeats:
The
Is it possible to not print the second page number? I don't see an
option for that.
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Hello, I'd like to have two simultaneous marks, fine under the
staff and a rehearsal letter above the staff. I've found http://
lists.gnu.org/archive/html/lilypond-user/2008-04/msg00492.html
which suggests I split all of the music after the fine into a coda
section with a \stopStaff
I'm wondering how I can force lilypond to have blank pages. I see the
blank-page-force, but I don't understand how to get it. For example:
\paper {
blank-page-force = ##t
}
\markup { page one }
\pageBreak
\pageBreak
\markup { page four }
___
Ha, I found a solution, empty markups:
\markup { page one }
\pageBreak
\markup {}
\pageBreak
\markup {}
\pageBreak
\markup { page four }
Am 18.12.2008 um 13:35 schrieb james:
I'm wondering how I can force lilypond to have blank pages. I see
the blank-page-force, but I don't understand how
I'm having some difficulty understanding the 'avoid-slur property.
This doesn't work:
\version 2.11.65
\relative c'' {
\override TextScript #'avoid-slur = #'inside
c2*1/2( s4^\markup {\natural} d4.) c8
}
In fact, it increases the space between the slur and the notes, but
doesn't move
I'm trying to figure out ways to incorporate lyrics associated with
different voices. I can only seem to get it to work using
associatedVoice. Is this possible using \lyricsto?
\version 2.11.65
instrument = \relative c' {
\context Voice = NumberOne { c4 d e f }
\context Voice =
#'(baseline-skip . 1)
{ \center-column {\musicglyph #accidentals.natural \musicglyph
#scripts.turn } }d4.) c8
}
Am 26.12.2008 um 21:46 schrieb James E. Bailey:
Neil, thanks for the help, now I guess I move on to the next part
of this problem:
\version 2.11.65
\relative c'' {
\override
What exactly is the difference between \lyricsto and \set
associatedVoice? The documentation isn't very explicit on this point,
and I've come to situation where I think I need to use \set
associatedVoice because the output is different from the \lyricsto
output.
The important issue here
I just noticed that the midi and midi all commands don't correctly
escape paths on OSX. I think this is similar to the previous emacs
mode not escaping paths.
http://lists.gnu.org/archive/html/lilypond-user/2008-09/msg00301.html
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with the
earlier statement.
http://code.google.com/p/lilypond/issues/detail?id=2367
Thanks
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the development list to see if anyone has any comment or suggestions.
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in the Archives you might find the others too.
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that does confuse people.
Regards
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, by default but if
you don't want that you can just add indent = 0\mm to your \paper (I
think, I haven't tried that specifically but I think it will work).
Anyway, I hope you get the idea.
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to be regenerated and put in the wiki. Reg tests anyone?
Also while wikis are often seen as 'democratic' part of what makes our
manuals good (even if I do say so myself as a doc editor) is that we
have a pretty good and strict doc review process.
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this helps.
James
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?
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not that there is
any bias, it's that if no one offers to translate these pages then
those of us who do doc and don't speak these languages cannot make any
changes to the files. I am not sure therefore what you expect to
happen.
Any suggestions welcome.
Regards
--
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(nl) and Chinese (zh)
download pages. Not all musicians speak
English/French/German/Spanish/Italian. (Landing on the Dutch page by default
made me crawl the other languages).
All I can do for now is
http://code.google.com/p/lilypond/issues/detail?id=2385
--
--
James
Hans,
On 10 March 2012 13:59, Hans Aikema hans.aik...@aikebah.net wrote:
On 10-3-2012 11:12, Colin Hall wrote:
On Fri, Mar 09, 2012 at 08:50:35PM -0600, James Worlton wrote:
I have downloaded and extracted Lilypond 2.15.33 on my PPC Mac 10.4.11.
Everything seems to work fine. No problems
and the version you are using might help us.
Thanks
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) I cannot believe that typing letters on a
keyboard is anything but *significantly* faster than dragging and
dropping graphics on a page, especially if they are peppered with
slurs, dynamics and articulations.
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touching the edge of the 'note column' of the
previous note so if I were to write
a32 a a a a a a a a a a a a
(assume no bar lines) all the notes would be touching?
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https
Hello,
On 13 March 2012 17:39, Francisco Vila paconet@gmail.com wrote:
2012/3/13 James pkx1...@gmail.com:
Hello,
What would one use if (for instance) one wanted all notes to touch or
rather be exactly touching the edge of the 'note column' of the
previous note so if I were to write
Hello
On 13 March 2012 15:40, Benjamin Bloomfield bhb...@gmail.com wrote:
I tried sending this earlier, but didn't receive it myself, so I am
trying again.
For some reason this email ended up marked as 'spam' for me. So maybe
that was the reason?
--
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intend to keep developing and adding new
features. I think the current technical infrastructure and code setup is
very nice.
I miss:
https://github.com/wbsoft/frescobaldi/issues
This is where you need to put this stuff, so Wilbert can keep track of it.
--
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cannot help you with the others :/
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be around in an hour or so.
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know if my last response is
helpful and if not which version of Windows you are using and I can
give you more detailed instructions in 'one go'
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find out how to access these in a \markup block.
Do you have any suggestion for this?
http://lsr.dsi.unimi.it/LSR/Search?q=rehearsal+mark
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the latest stable (2.14.2) and the latest unstable or development
version. the results are similar.
This actually worked in 2.12.3
So I have opened
http://code.google.com/p/lilypond/issues/detail?id=2408
is there a simple tweak to get the correct output?
Use manual beaming?
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believe).
Thanks for taking the time to suggest this.
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but the non-beamed notes (the 16th notes) have
black 'flags'.
Does this help?
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Jean-Charles,
On 18 March 2012 12:49, Jean-Charles Malahieude lily...@orange.fr wrote:
Le 18/03/2012 12:38, James disait :
Hello,
On 18 March 2012 11:33, Jean-Charles Malahieude wrote:
Le 17/03/2012 11:14, Reedmace Star disait :
In the first line, Alice and Eve alternate strictly
of software and is nothing to
do with the LilyPond development in that regard.
http://frescobaldi.org/links
I have cc'd the Frescobaldi developer in case he (assuming no one else
can help) can answer you.
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-priority = #-100
fis-4 dis-2
}
I've updated https://code.google.com/p/lilypond/issues/detail?id=2182
with this new example.
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{lilypond} environment. Use \newcommand with
\betweenLilyPondSystem in the preamble;
\newcommand{\betweenLilyPondSystem}[1]{\vspace{36mm}\linebreak}
--snip--
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-_0028with-line-break_0029
is shifted to the left and only partly visible in the snippet output.
http://code.google.com/p/lilypond/issues/detail?id=2428
james
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starting out, you may
not as I think you are guessing, be 'thinking in LilyPondese'.
James
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the accidental ...
I've added a Doc Enhancement request here
http://code.google.com/p/lilypond/issues/detail?id=2438
James
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that LilyPond can run
http://lilypond.org/windows.html
See 'running on the command line' half way down.
Regards
James
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Michael,
On 27 March 2012 18:08, Michael Ellis michael.f.el...@gmail.com wrote:
Cheers,
Mike
On Tue, Mar 27, 2012 at 1:01 PM, James pkx1...@gmail.com wrote:
I cannot speak about Vista but Windows 7 works great.
Installing LilyPond in a dropbox folder is no different to say
installing
/productions.html
Either of which, if you don't mind (and perhaps if you have a quote,
and a 'title' (composer, lead something or other)) then we could use
this to forward the cause by adding a link or two.
James
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/doc/v2.14/Documentation/notation/special-rhythmic-concerns#index-grace-notes-1
See known issues and warnings.
James
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.
Spacing has changed *significantly* with 2.14.x
http://lilypond.org/doc/v2.14/Documentation/notation/vertical-spacing
Have a read through here see if this helps.
James
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Hello,
On 30 March 2012 17:48, Eluze elu...@gmail.com wrote:
hi Uwe
in the snippet you sent \new DrumStaff = main is never closed!
That is just the email program processing '' as a quote. In gmail
you will see '||'.
This happens all the time.
James
)
I'd suggest trying those versions.
james
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the current solution?
http://lists.gnu.org/archive/html/lilypond-user/2012-03/msg00030.html
This was discussed a few weeks back as well.
James
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of parchment is it ;)
Why muck about like this in the first place?
James
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Hello,
On 5 April 2012 15:42, Nils l...@nilsgey.de wrote:
Am Thu, 5 Apr 2012 15:31:48 +0100
schrieb James pkx1...@gmail.com:
Hello,
On 5 April 2012 15:20, Nils l...@nilsgey.de wrote:
Hello list,
Maybe you have an opinion about this musical situation, described
here: http
marks but just normal \markups
and use padding to move them up and down as you need.
http://lilypond.org/doc/v2.14/Documentation/notation/formatting-text#text-alignment
James
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has a favorite among those options
(or among how-to docs), I'd appreciate hearing.
Also see
http://code.google.com/p/lilypond/issues/detail?id=965
Not quite as slick as some methods, but anyway..
James
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\italic {(Blue Bk 139)}
http://lilypond.org/doc/v2.14/Documentation/learning/outside_002dstaff-objects
James
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/notation/the-feta-font#petrucci-glyphs
James
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if you put in \bar |, until *after* cadenzaOff, so
you have to manually set your Accidentals.
Hope that helps.
James
\version 2.15.36
\include italiano.ly
global = {
\cadenzaOn
\key do \major
\autoBeamOff
\pointAndClickOff
\override Staff.NoteHead #'style = #'altdefault
#(set-accidental
http://codereview.appspot.com/5697059/
And see
http://lists.gnu.org/archive/html/lilypond-devel/2011-12/msg00025.html
http://lists.gnu.org/archive/html/lilypond-user/2011-11/msg00280.html
This will give you an idea of the current issues and the effort still required.
James
Hello,
On 9 April 2012 11:03, Thomas Morley thomasmorle...@googlemail.com wrote:
Am 9. April 2012 04:26 schrieb James Harkins jamshar...@gmail.com:
At Sun, 8 Apr 2012 09:39:13 -0500,
David Nalesnik wrote:
Hi James,
Possibly the following thread will be useful to you:
http://www.mail
||
}
}
}
\score {
\staffVoice
\layout {}
}
\paper {}
The double bar in front of part 3 is printed in red but I want to have it in
black as it belongs to part 2.
Can't you just use \once \override and then pick the colour you want?
James
\Neutral I didn't find any hint to
favor voiceOne/Two/Three. But I did not read thorough 763 pages. Which
section are you referring?
http://lilypond.org/doc/v2.15/Documentation/notation/direction-and-placement
It was added middle of March.
James
to system spacing.
http://lilypond.org/doc/v2.14/Documentation/notation/flexible-vertical-spacing-within-systems
Then if this doesn't help, you'd need to give a *brief* example of the
spacing code you are using.
James
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You may need to contact Mike directly.
james
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Hello,
On 11 April 2012 17:53, Helge Kruse helge.kruse-nos...@gmx.net wrote:
Am 11.04.2012 09:36, schrieb James:
2012/4/11 Helge Krusehelge.kruse-nos...@gmx.net:
Honestly, I used the 2.13 documentation. Now I downloaded the 2.14
documentation. Searching for stemDown\Up\Neutral I didn't find
Hello,
On 11 April 2012 17:53, Helge Kruse helge.kruse-nos...@gmx.net wrote:
Am 11.04.2012 09:36, schrieb James:
2012/4/11 Helge Krusehelge.kruse-nos...@gmx.net:
Honestly, I used the 2.13 documentation. Now I downloaded the 2.14
documentation. Searching for stemDown\Up\Neutral I didn't find
Helge,
On 11 April 2012 13:02, Helge Kruse helge.kruse-nos...@gmx.net wrote:
Am 11.04.2012 19:24, schrieb James:
Well it requires that any changes I do in the English document are
picked up and translated by the trasnaltors. The assumption is that
those that do the German Translating see my
James
On 13 April 2012 16:30, James Worlton jworl...@gmail.com wrote:
I've found some odd tie behavior--not sure if it's known currently.
Sorry, currently I can't test whether it also happens in earlier
versions.
The following code creates a flying tie situation around the upper
and lower
. Also I see have already updated the Tracker.
James
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\global settings the problem goes away? For instance if were to remove
the \key d \major line or the \time 4/4 line the problem 'goes away'?
Is it that you cannot produce or cannot be bothered to try?
James
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building a latest version at
the moment of 2.15.x
However reading the tracker again just now, are the comments from this
morning a 'new' issue or an 'enhancement' if so, we need a new
tracker.
Could Federico or Marc clarify please?
James
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#selecting-font-and-font-size
For more examples on how to change the font size in a \markup.
James
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,
\mark \default
?
As Keiren suggested
Stick this in your \score.
\override Score.RehearsalMark #'font-size = #5
(or whatever)
James
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Hello,
On 15 April 2012 07:13, Federico Bruni fedel...@gmail.com wrote:
Il 14/04/2012 21:09, James ha scritto:
Hello,
On 14 April 2012 15:47, Marc Hohlm...@hohlart.de wrote:
Am 14.04.2012 11:57, schrieb Federico Bruni:
Hi,
I started using version 2.13.56 and I realized that this bug
in a 'staff group'.
Does that make sense?
James
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it's labeled as patch-abandoned:
http://code.google.com/p/lilypond/issues/detail?id=155
There are also a variety of snippets if you need a solution
http://lsr.dsi.unimi.it/LSR/Search?q=parentheses
James
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Hello,
On 16 April 2012 09:13, Gagi Petrovic gagig...@gmail.com wrote:
That's a clever idea James, thank you.
Although I have to say for such a simple thing I find it a waste of the
extra time I will have in creating the notes for the one percussion player.
For example: if I want him to make
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