Didn't add the link:
http://www.lilypond.org/doc/v2.19/Documentation/notation/modifying-shapes
Knute Snortum
(via Gmail)
On Thu, Jul 30, 2015 at 8:30 AM, Knute Snortum wrote:
> You could use \shape[1] to modify the shape of the slur.
>
>
> Knute Snortum
> (via Gmail)
>
You could use \shape[1] to modify the shape of the slur.
Knute Snortum
(via Gmail)
On Wed, Jul 29, 2015 at 1:34 PM, Ralph Palmer
wrote:
> Greetings -
>
> I'm running Ly 2.18.2 under Win7.
>
> I'm trying get crescendos and decrescendos inside slurs. The behavior
> s
I don't know of a LilyPond way to do this, but it would probably be a
fairly simple Python or Perl program.
Knute Snortum
(via Gmail)
On Sat, Aug 22, 2015 at 2:20 PM, Javier Ruiz-Alma
wrote:
> I have code split into multiple files.
> Is there a way to ask lilypond to expands nested
vi nice if you don't want to use your mouse. It's very fast once you learn
it.
If you're on Windows using Notepad, try Notepad++ (
https://notepad-plus-plus.org/)
But Frescobaldi is the best! (http://frescobaldi.org/)
Knute Snortum
(via Gmail)
On Sat, Oct 3, 2015 at 9:33 PM, E
No error on a Windows 10 system with 2.18.2.
Knute Snortum
(via Gmail)
On Sat, Oct 10, 2015 at 1:05 AM, Michael Gerdau wrote:
> > > Starting lilypond-windows.exe 2.18.2 [Nocturne Ab.ly]...Aborting
> > > lilypond-windows.exe 2.18.2 [Nocturne Ab.ly]...
> > >
> >
http://www.lilypond.org/doc/v2.19/Documentation/usage/invoking-musicxml2ly
Knute Snortum
(via Gmail)
On Thu, Oct 29, 2015 at 3:03 AM, Menu Jacques wrote:
> Hello folks,
>
> I’ve started looking at the internals of musicxml2ly, to try and
> understand what it does.
> Is ther
On Windows I like Notepad++ (https://notepad-plus-plus.org/). It doesn't
have a LilyPond syntax highlighter for it yet, but if there's interest, I
could write one.
Knute Snortum
(via Gmail)
On Sat, Nov 7, 2015 at 9:21 AM, John Aten
wrote:
> Hmmm... I found the files lilypond-wo
I can testify that about half of the time I'm creating a tiny example for
this list, I figure out the problem.
Knute Snortum
(via Gmail)
On Sat, Dec 5, 2015 at 6:14 PM, Simon Albrecht
wrote:
> On 06.12.2015 02:12, Luca Danieli wrote:
>
>> Thank you Brian for your help.
>
u art. }
\line { \null }
\line { 4. High King of heaven, thy victory one, }
\line { \hspace #2 May I reach heaven's joys, O bright heaven's Sun! }
\line { \hspace #2 Heart of my own heart, whatever befall, }
\line { \hspace #2 Still be my vision O Ruler of all. }
}
}
Knu
c/v2.19+OR+site:lsr.di.unimi.it/LSR+OR+site:lilypond.1069038.n5.nabble.com
Knute Snortum
(via Gmail)
On Fri, Mar 18, 2016 at 12:02 PM, Jaime Oliver
wrote:
> well, some examples of the LSR <http://lsr.di.unimi.it/LSR/Browse> have
> "2.18 or higher” so you’d technically miss those if
e 5/4
<<
{
4
8[ ]
} \\
{
\override Stem.length = #8.0
\stemDown ees'2. ees'4 ~ ees'8 r8
}
>>
}
Knute Snortum
(via Gmail)
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That's it, Simon! Thanks. And thanks for the suggestion, Conor. That did
look better.
Knute Snortum
(via Gmail)
On Mon, Apr 21, 2014 at 3:43 PM, Simon Albrecht wrote:
> Alternatively, use the override inserted below.
>
> Best, Simon
>
> Am 22.04.2014 00:40, schrieb C
c' {
| c c c c
\repeat volta 2 {
| c4 c c c
|
}
}
lower = \relative c {
| c c c c
\repeat volta 2 {
| \acciaccatura d8 c4 c c c
|
}
}
\score {
\new PianoStaff <<
\new Staff {
\clef treble
\upper
}
\new Staff {
\clef bass
\lower
}
>&
Wow, i ran into a good one my first try! Thanks for the replies. Yes, can
see a little bit of the slur from the silent grace note, but it's a work
around.
Knute Snortum
(via Gmail)
On Tue, Apr 22, 2014 at 11:57 AM, Urs Liska wrote:
> Am 22.04.2014 20:38, schrieb Paul Morris:
>
&
I can see your point. I'm trying to get the LilyPond score to look like
the original, but maybe in this case a slavish concern for exactness isn't
appropriate.
Knute Snortum
(via Gmail)
On Mon, Apr 21, 2014 at 11:10 PM, Janek Warchoł wrote:
> 2014-04-22 0:43 GMT+02:00 S
}
>>
}
>>
r8
}
If you render this, the inner slur and the lower tie are right next to each
other on the bottom. I want the slur moved up so that it touches the heads
of the inner voice's notes. Any ideas?
Knute Snortum
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Pierre, is there a way to combine voice two and three on one stem?
Thomas, thanks, that works. Did you come up with those numbers by trial
and error?
Knute Snortum
(via Gmail)
On Thu, Apr 24, 2014 at 2:10 AM, Thomas Morley wrote:
> 2014-04-24 0:53 GMT+02:00 Knute Snortum :
> > I&
t "./ly_files/gnomus/gnomus.ly"
}
...
}
Possible? On a wish list? Some other way to do it?
If there's no good way to do it, I will probably write a Perl preprocessor
to do it.
Knute Snortum
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find the file. Then it gave me a search path for the includes. None of
them were the current directory (.). If I have to put the files in some
standard include directory, it's not going to work.
Thanks for your input.
Knute Snortum
(via Gmail)
On Sat, Apr 26, 2014 at 12:57 PM, Jay Ander
obal
\voiceTwo
\override NoteColumn.force-hshift = #1.4
2.
}
}
>>
}
Knute Snortum
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It looks like this needs to be done by a project manager. For an issue to
be critical it needs to be a regression error, that is, it works before but
doesn't now. Did it work in 2.16? if so, post that here:
https://code.google.com/p/lilypond/issues/detail?id=3778#c4
Knute Snortum
(via
They're also looking for confirmation that this is a regression bug, so you
can do that on the tracker too.
Knute Snortum
(via Gmail)
On Tue, Apr 29, 2014 at 7:40 AM, Federico Bruni wrote:
> See last comment from Phil in the tracker: it may be related with skylines.
> Disabling t
I know that notepad++ does this, but it's not a Lilypond editor.
Also helpful is the Outline window. You can jump right to a section in the
file.
Knute Snortum
(via Gmail)
On Tue, Apr 29, 2014 at 7:57 AM, Federico Bruni wrote:
> I've recently updated the translation of Fres
This is a
very primitive form of namespacing from the BASIS days. Is there anything
better?
(I don't know Scheme very well, so if the answer is, "Write it in Scheme,"
I'll make an effort to learn more.)
Knute Snortum
(via Gmail)
___
output is
fine, can we stop the warnings? (I know this violates the spirit of the
"no warning" policy, but since we know it works...)
Knute Snortum
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Wow, that's a lot of code just to get one upside-down fermata! But thanks.
That's going to do it. And I bet it will be useful in the future.
Knute Snortum
(via Gmail)
On Sat, May 3, 2014 at 1:38 PM, David Nalesnik wrote:
> Hi Knute,
>
>
> On Sat, May 3, 2014 at
Could you use git? Or are you looking to have this integrated? For me, I
just open a command shell and do the diff/merge there. Frescobaldi knows
when a file has changed underneath it and asks you if you want to reload it.
Knute Snortum
(via Gmail)
On Tue, May 6, 2014 at 1:23 AM, Jacques
Execution would be to roll the chord, but (in this case) add an 'e', that
is { d e fis a }. You hold d, fis and a but not e.
Knute Snortum
(via Gmail)
On Tue, May 6, 2014 at 6:34 AM, Richard Shann wrote:
> I am typesetting some music that needs a slash between the notes of a
&
My guess would be that Python is hosed. Do you have other programs that
use Python? Do they work? If you go to a shell and type $ python -V, do
you get an error? If not, what version do you have?
Knute Snortum
(via Gmail)
On Wed, May 7, 2014 at 5:28 AM, Jacques Menu wrote:
> Hello Den
4
| f2 \startTrillSpan \ppp
| d2 \startTrillSpan
| c4 \startTrillSpan d \startTrillSpan
| c4 \startTrillSpan b \startTrillSpan
| c2 \startTrillSpan
| b2 \startTrillSpan
| a2 \startTrillSpan
| f2 \startTrillSpan
}
Knute Snortum
(via Gmail)
___
esn't render. At least with a LilyPond
file you can (usually) update it and get a decent PDF out of it.
I'd like to see more cooperation between Mutopia and IMSLP. Is there
anything you could suggest? Perhaps cross links?
Knute Snortum
(via Gmail)
On Thu, May 8, 2014 at 7:49 AM, Pier
I am trying to typeset a slur that spans staves (see photo).
https://drive.google.com/file/d/0B_aEseOV9KTXQ3pDVjJaZ05ZX2c/edit?usp=sharing
I can use \shape, but this can't span the upper staff. Any ideas?
Knute Snortum
(via Gmail)
___
lilypond
Thanks, that did it.
I knew there had to be some variable or setting I could change. I looked
in TrillSpanner but I couldn't figure out which variable to change.
Knute Snortum
(via Gmail)
On Fri, May 9, 2014 at 1:43 AM, Simon Albrecht wrote:
> Am 09.05.2014 00:06, schrieb Pet
7;2 ) ~ \f \fermata
| df8 r \acciaccatura { c8 } c,8 \sf r \break
} \\ {
\oneVoice
| s2 | R2 \fermataMarkup | R2
}
>>
End snippet
Knute Snortum
(via Gmail)
On Fri, May 9, 2014 at 8:32 AM, Phil Holmes wrote:
> - Original Message - From: "Urs Liska"
>
x27;...
Converting to `./midi_error_test.pdf'...
Success: compilation successfully completed
Completed successfully in 2.7".
Knute Snortum
(via Gmail)
\version "2.18.2"
\language "english"
staffUp = \change Staff = "up"
staffDown = \change Staff = &
Thanks, that's the info I need. I'm typesetting for Mutopia and they use
2.18.2 and they don't want errors, but if there's no way to exclude the
errors without moving to 2.19.2, I think they'll understand.
Knute Snortum
(via Gmail)
On Fri, May 9, 2014 at 10:00 AM,
Thanks David.
Is there something about \skip that messes up the barline checks? I can't
avoid barline warnings without removing the "|". I can post a LilyPond
file if that will help.
Knute Snortum
(via Gmail)
On Fri, May 9, 2014 at 12:54 PM, David Kastrup wrote:
> Knu
lsr.di.unimi.it/LSR/
Also, if the LSR search isn't working the way you want:
in Google: "site:lsr.di.unimi.it/LSR/"
Knute Snortum
(via Gmail)
On Sat, May 10, 2014 at 7:31 AM, Tim McNamara wrote:
>
>
> On May 10, 2014, at 9:11 AM, rif wrote:
>
> Apparently I
Well, the latter. But if you search for "jazz chords" you find a pretty
good function. I haven't tried it, but I may soon as I have wanted to use
LilyPond for transcribing jazz music and lead sheets.
Knute Snortum
(via Gmail)
On Sat, May 10, 2014 at 9:47 AM, rif wrote:
>
And if you specifically want the "-" to signify minor instead of "m", try:
Knute Snortum
(via Gmail)
On Sat, May 10, 2014 at 2:12 PM, Simon Albrecht wrote:
> But, of course, you’ll find it documented in the Notation Reference:
> http://lilypond.org/doc/v2.18/Do
lypond.org/doc/v2.18/Documentation/ [search key]
Where [search key] in this case would be "chords". That way you don't
have to guess where in the documentation the item is.
Knute Snortum
(via Gmail)
On Sat, May 10, 2014 at 8:53 PM, Knute Snortum wrote:
> And if you specifically want
a b2. s4
}
\score {
\new Staff {
<< \new Voice { \voiceOne \Aa }
\new Voice { \voiceTwo \Ab }
>> }
\layout { }
}
Knute Snortum
(via Gmail)
On Sun, May 11, 2014 at 2:49 PM, Patrick or Cynthia Karl wrote:
> In setting a piece where two instruments are sharing a staff, I
> en
\clef bass
\relative c {
c c c c
}
}
}
>>
}
Knute Snortum
(via Gmail)
On Sun, May 11, 2014 at 8:29 PM, Steven Arntson wrote:
> I'm trying to learn how to set up a coda for a piano piece, which seems
> complex to me right now, so I'm breaking the process into part
My guess is that there is something wrong with your Python 2.7
installation. Python is trying to import the os module and it can't unzip
it. There also might be something wrong with your decompression
installation. I'm no Python expert, but I would try reinstalling Python
2.7.
Knu
Just a guess: do you have a line like '\language "english:' ? If so,
either delete the line or enter g-sharp as "gs" and g-flay as "gf".
If that's not it, why not attach the file or create a small example that
illustrates the problem. (Creating a small ex
...and Ubuntu.
Knute Snortum
(via Gmail)
On Wed, May 14, 2014 at 8:37 AM, SoundsFromSound
wrote:
> temp files wrote
> > Previously, the Score Wizard tool created a window on top of
> Frescobaldi’s
> > window. Now, using the same version of Frescobaldi (2.0.15) the win
ng this is a bug in LilyPond and adding the \mf dynamic mark is a
workaround. If not, please show me the correct way to do this.
Since Mussorgsky didn't write the \mf, I want to hide it, but \hide
Dynamics doesn't seem to work. How would I do this, or is there a better
way around t
My situation is I need to transcribe a crescendo starting without a dynamic
marking. If I put in a \mf then I don't get warning. If I can hide the
dynamic mark, all will be fine. Is there a \hide syntax that will work?
Knute Snortum
(via Gmail)
On Fri, May 16, 2014 at 3:14 PM, Conor
Thanks! The \omit works better than the \hide.
Knute Snortum
(via Gmail)
On Sat, May 17, 2014 at 6:56 PM, Paul Morris wrote:
> Knute Snortum wrote
> > My situation is I need to transcribe a crescendo starting without a
> > dynamic
> > marking. If I put in a \mf the
dynamic change while
temporary voices are active is to set the mark on one voice, set and omit
it on the other(s), and set and omit it on the original voice once the
temporary voices are done. This seems unnecessarily complex for a
situation that I would think happens many times.
Knute Snortum
(via
\verse
\time 2/4
\verseSecondEnd
\time 4/4
\verse
}
Knute Snortum
(via Gmail)
On Tue, May 20, 2014 at 2:38 PM, Carlo Vanoni wrote:
> Hi everyone!
>
> I have a score with some time changes. I'm using variables for the various
> song section. Each section has it's own time
r bringing up the subject.
Knute Snortum
(via Gmail)
On Tue, May 20, 2014 at 10:41 PM, Carlo Vanoni wrote:
> @Urs Liska
> Your code did the trick, thanks.
>
> @Knute Snortum
> Well, I think that the time is a property of the song section that I'm
> defining in the variable
text "ffsf")
\relative c' {
c4\crffsf d4 \! \> e4 f4 |
g4 a4 b4 \p c4 |
}
...which gives me a text "ffsf" inline but not the dynamics. How should I
do this?
[1]
http://lilypond.org/doc/v2.18/Documentation/snippets/expressive-marks#expressive-marks-dynamics-text-s
Thanks, that's it!
Knute Snortum
(via Gmail)
On Wed, May 21, 2014 at 1:55 PM, Thomas Morley wrote:
> 2014-05-21 22:22 GMT+02:00 Knute Snortum :
> > I'm trying to get a decrescendo to piano that starts with the dynamic
> "ffsf"
> > which I create wit
| c c c c | c c c \shapeOne d ( | \break
\shapeTwo c ) c c c | c c c c | c c c c | c c c c |
}
Is there a way to change the shape of the slur to the first c in the fifth
bar?
Knute Snortum
(via Gmail)
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That seems to work just fine. KISS. Thanks!
Knute Snortum
(via Gmail)
On Wed, May 21, 2014 at 10:33 PM, David Kastrup wrote:
> Thomas Morley writes:
>
> > ffsf =
> > %\tweak DynamicText.self-alignment-X #LEFT
> > #(make-dynamic-script #{ \markup \dynamic "ffs
That's it, thanks.
Knute Snortum
(via Gmail)
On Thu, May 22, 2014 at 9:06 AM, James Worlton wrote:
> On Thu, May 22, 2014 at 10:52 AM, Knute Snortum wrote:
>
>> I have been using \shape to change the appearance of slurs and ties as
>> suggested by this mailing list
(if (equal? dynamic "ffsf")
0.95
(default-dynamic-absolute-volume dynamic)))
Knute Snortum
(via Gmail)
On Thu, May 22, 2014 at 8:59 AM, Knute Snortum wrote:
> That seems to work just fine. KISS. Thanks!
>
>
> Knute Snortum
> (via Gmail)
>
>
> On Wed,
relative c' {
c'4 c c b |
c8 b a g f g a f |
b a g f e f g e |
a g f e d e f fis |
g2 g |
c4 c c d |
e8 f e d \alignRight c2 _\dc |
}
basePart = <<
\new ChordNames { \accords }
\new Staff <<
\new Voice = "melody" { \repeat volta 2 { \melody } }
It seems to work for me with version 2.19.7.
Knute Snortum
(via Gmail)
On Thu, May 29, 2014 at 2:02 PM, MING TSANG wrote:
> Hi, lilyponders:
> I enter code one measure at a time (compile at each measure). It works
> fine until I enter bar 60 for choir-bass-clef. Bar 59 is ok. I co
It probably is a bug, but it's one of those unrepeatable kind that can't be
fixed until someone figures out how to make it happen consistently.
Knute Snortum
(via Gmail)
On Fri, May 30, 2014 at 5:11 AM, MING TSANG wrote:
> Knute:
> Thank you for the info. I did as you sugges
better.
Knute Snortum
(via Gmail)
On Sat, May 31, 2014 at 1:21 AM, Javier Ruiz-Alma
wrote:
> "
> Parsing...
> Interpreting music...[8]
> Preprocessing graphical objects...
> Interpreting music...
> programming error: Impossible or ambiguous (de)crescendo in MIDI.
>
I just noticed the last line of your post. Yes, a line number to the
source would be nice.
I don't know if this issue ever got into issue tracking for LilyPond. This
comment should be added if it did.
Knute Snortum
(via Gmail)
On Sat, May 31, 2014 at 6:55 AM, Knute Snortum wrote:
&
In my previous example, just change _\dc to ^\dc and you have it.
Knute Snortum
(via Gmail)
On Sun, Jun 1, 2014 at 5:52 AM, Yann wrote:
> >> Ok, I was too quick to post, now I remember the reason for these
> >> \consists and \remove statements. I have chords in my template,
e 1))
}
}
\score {
\new Staff {
\key g \major
\clef "G_8"
<<
\new Voice { \fretboard }
\new Voice { \voiceOne \upper }
\new Voice { \voiceTwo \lower }
>>
}
}
Knute Snortum
(via Gmail)
On Fri, Jun 6, 2014 at 12:59 AM, Marc Hohl wrot
Minor, but in the interest of clarity:
\score {
\new Staff { \global \guitar } % Don't need << ... >>
\layout { }
}
Knute Snortum
(via Gmail)
On Mon, Jun 9, 2014 at 11:38 AM, wrote:
>
> Thanks for the hints. I've looked at them and have come up with t
> Well, I suppose that makes sense, but it still looks Extremely Ugly to
me. Does anyone else agree?
I think it's fine as a default behavior. What would you want it to do?
Knute Snortum
(via Gmail)
On Tue, Jun 10, 2014 at 5:35 AM, Daniel Rosen wrote:
> > -Original Message
still fine.
My questions are these: 1) is there a better way to do this other than
suppressing a warning, and 2) since it doesn't look like there are clashing
note columns, what is the warning telling me exactly?
Knute Snortum
(via Gmail)
___
lilypon
;(
(-0.5 . 0.0) % Starting point (x, y)
(0.0 . 0.0) % Bend point, left
(0.0 . 0.0) % Bend point, right
(-0.5 . 0.0) % Ending point
) Slur
\grace a' ( \unHideNotes g' ) |
a'
e ef1 *~* | ef1*}* *>>**}*
The problem is that the \adjustTie seems to be applied to the *lower* tie.
This may be part of the "voices get messed up with grace notes" problem
that is a known issue. My question is how can I do this?
Knute Snortum
(via Gmail)
~ } ef1 ~ | ef1
}
{
\ignoreClash
\tieDown
\stroke \grace { ef'8 ~ } \adjustTie ef1 ~ | ef1
}
>>
}
Knute Snortum
(via Gmail)
On Thu, Jun 12, 2014 at 10:51 AM, David Kastrup wrote:
> Knute Snortum writes:
>
> > I am trying to typeset an e fla
I think I'd just adjust the tie shape:
\version "2.18.2"
\language "english"
tieAdjust = \shape #'((0.0 . 0.0) (0.0 . 0.3) (0.0 . 0.5) (0.0 . 0.2)) Slur
\relative c {
\clef bass
\time 6/8
bf8 ( d' ) r8
\tieAdjust bf,16 ( bf' ) d ( bf d bf )
}
Kn
I was going to put it in openlilylib, if that's okay.
Knute Snortum
(via Gmail)
On Thu, Jun 12, 2014 at 10:27 PM, Janek Warchoł
wrote:
> 2014-06-13 0:48 GMT+02:00 David Nalesnik :
> > It actually _is_ possible to modify the control points of individual
> ties in
> > a
Works for me with 2.18.2. No error.
Knute Snortum
(via Gmail)
On Fri, Jun 13, 2014 at 8:11 AM, Johan Vromans wrote:
> Hi,
>
> According to the Notation Reference you can use a NullVoice to align
> lyrics or to use lyrics with partcombine (section 2.1.2). However, a
> midi{} b
y works when I uncomment this --% \break
| q
}
\layout {
#(set-default-paper-size "letter")
indent = 0
ragged-right = ##t
}
Knute Snortum
(via Gmail)
On Fri, Jun 13, 2014 at 7:52 AM, David Nalesnik
wrote:
>
>
>
> On Fri, Jun 13, 2014 at 8:41 AM, Knute Snortum wr
Thanks to all who replied to this, especially David Nalesnik. His
shapeTieColumn function has been submitted to the openlilylib. And I can
continue typesetting Pictures at an Exhibition!
Knute Snortum
(via Gmail)
On Fri, Jun 13, 2014 at 12:36 PM, David Nalesnik
wrote:
> Hi Knute,
>
f the clef, and
paste them in. You couldn't do that with absolute notation.
Knute Snortum
(via Gmail)
On Fri, Jun 13, 2014 at 10:35 AM, Pierre Perol-Schneider <
pierre.schneider.pa...@gmail.com> wrote:
> 2014-06-13 19:19 GMT+02:00 Kieren MacMillan >:
>
> Hello al
the caret other
places to no avail.
So what's the correct syntax? And can an example be put in either the
tuplet or the direction section of the manual?
Thanks.
Knute Snortum
(via Gmail)
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\tupletUp
Got it. Thanks to all.
Knute Snortum
(via Gmail)
On Tue, Jun 17, 2014 at 3:56 PM, James wrote:
> On 17/06/14 22:47, Javier Ruiz-Alma wrote:
>
> *>I want to change the direction of a tuplet bracket (up in this case).
> *
>
> Try \tupletUp ahead of where
I have the merge-rests-engraver from the above referenced message ready to
submit to the snippets GitHub. There is also a merge-mmrests-engraver that
merges whole and multi-measure rests.
Is it good practice to post an example to the LSR too?
Knute Snortum
(via Gmail)
On Fri, Jun 20, 2014 at
I've used two score sections in situations like this, but then you get
separate midi files. Up to you.
Knute Snortum
(via Gmail)
On Tue, Jun 24, 2014 at 8:35 AM, Johan Vromans wrote:
> Carlo Vanoni writes:
>
> > This implies that I have defined the harmony for all of the
I am working on Mussorgsky's *Pictures at an Exhibition* and in the last
movement he specifically changes from cut time to 2/2. I am not sure of
the significance of this, but there it is. (The 2/2 section has a lot of
half note triplets.)
Knute Snortum
(via Gmail)
On Fri, Jun 27, 2014
out {
}
\midi {
\tempo 4 = 140
}
}
Knute Snortum
(via Gmail)
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|
ees,2.\mf \> | bes'2. \< |
\once\numericTimeSignature\time 4/4
c2. \! )
\slurNeutral
}
Knute Snortum
(via Gmail)
On Sat, Jun 28, 2014 at 9:41 AM, Jacques Menu wrote:
> Hello folks,
>
> I’d like to have « a tempo » and then the cresc sign, instead of them
>
> I don't know how command line options are set in Frescobaldi...
Edit -> Preferences -> LilyPond Preferences. Select LilyPond version.
Press edit. Add options.
Knute Snortum
(via Gmail)
On Sun, Jul 6, 2014 at 3:45 AM, Phil Holmes wrote:
> - Original Message
emove
the note stem? Or some other solution?
%
\version "2.18.2"
\language "english"
\relative c'' {
<< { b'8 ( [ a ] ) fs8-. d-. } \\ { 8 \arpeggio s s4 } >>
}
Knute Snortum
(via Gmail)
__
Great. Thanks. I knew connectArpeggios could connect across staves but
not across voices.
Knute Snortum
(via Gmail)
On Sun, Jul 6, 2014 at 6:52 AM, Thomas Morley
wrote:
> 2014-07-06 15:35 GMT+02:00 Knute Snortum :
> > I have a chord that's arpeggiated but the top note is in
Google: I use the following to get all the notation and tutorials:
site:lilypond.org/doc/v2.18
Knute Snortum
(via Gmail)
On Sat, Jul 12, 2014 at 7:08 AM, James wrote:
> On 12/07/14 14:22, Charles Marshall wrote:
> > How can the length of a ragged last line be adjusted? With
&
to convert the PS file to PDF, because I have it open
and it needs to close it and recreate it.
But it took me a while. For those non-programmer LilyPoders, I would think
a better error message is in order. Maybe LilyPond can check if the PDF
exists and try to close or delete it.
Any other thoug
Is there an OS-agnostic way of checking if the PDF is locked and issuing a
more user-friendly message?
Knute Snortum
(via Gmail)
On Tue, Jul 15, 2014 at 7:26 AM, Alexander Kobel wrote:
> On 07/15/2014 04:19 PM, Alexander Kobel wrote:
>
>> Fortunately, other readers exist which do
\version "2.18.2"
\include "predefined-guitar-fretboards.ly"
myChords = \chordmode { c1 g1 d1 }
<<
\chords { \myChords }
\new FretBoards { \myChords }
\new Voice {
c'1
d'
d'
}
>>
Knute Snortum
(via Gmail)
On T
\version "2.18.2"
\include "predefined-guitar-fretboards.ly"
introChords = \chordmode {
b:min7.5-
}
<<
\new ChordNames { \introChords }
\new FretBoards { \introChords }
>>
Knute Snortum
(via Gmail)
On Fri, Jul 25, 2014 at 5:12 AM, Guptila de Silva wrote
On my system, it's just
Knute Snortum
(via Gmail)
On Fri, Jul 25, 2014 at 9:49 AM, J Dorocak wrote:
> Dear Lilypond Users,
>
>
>
> On Windows will Lilypond/Frescobaldi work without .py files being
> associated with LilyPond's Python?
>
>
>
> Here
(Sorry for the empty post)
On my system it's just
C:\Users\Knute\workspace\Assignment10
>assoc .py
.py=Python.File
C:\Users\Knute\workspace\Assignment10
>ftype Python.File
Python.File="C:\Programs\Python27\python.exe" "%1" %*
There are no other ftypes for Pyth
They do.
Knute Snortum
(via Gmail)
On Fri, Jul 25, 2014 at 12:46 PM, Joe Dorocak wrote:
>
> Knute Snortum gmail.com> writes:
>
> >
> >
> >
> > (Sorry for the empty post)
> > On my system it's just
> >
> > C:\Users\Knute\workspac
" )
0.77
(default-dynamic-absolute-volume dynamic)))
% \f = MIDI loudnes .75, so crescendo to .77
\score {
\relative c' {
c4 \f d \< e f | g1 \piuF
}
\layout {}
\midi {}
}
%%% END
Knute Snortum
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way for me to get good at reading and
writing LilyPond functions?
Knute Snortum
(via Gmail)
On Wed, Jul 30, 2014 at 7:25 AM, David Kastrup wrote:
> Knute Snortum writes:
>
> > I am getting my old friend the "ambiguous (de)crescendo" error. I can
> see
> > why t
it should pick the
"next" dynamic up (e.g. "mp") and use that. Either that or some way to
indicate both the ending dynamic and the start of a (de)crescendo.
Knute Snortum
(via Gmail)
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, such as \mp in this
case.
Knute Snortum
(via Gmail)
On Sat, Aug 2, 2014 at 7:28 AM, David Kastrup wrote:
> Knute Snortum writes:
>
> > I ran into this issue again recently. Something that is seen a lot in
> 19th
> > and 20th century music is a crescendo or decrescen
It looks like SmartScore will scan sheet music and turn it into a MIDI file
for $50 USD. From there you could use midi2ly.
http://www.musitek.com/smartscore-midi.html
Knute Snortum
(via Gmail)
On Fri, Aug 15, 2014 at 6:28 AM, Thorsten Jolitz wrote:
>
> Hi List,
>
> I wond
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