Bill,
I don't think your question about the photos vs. the actual incidents
carries much weight. The world was not really stirred against the
Holocaust until photos and newsreels were taken by Allied forces
liberating the camps. It was known for years before that the Nazis
were moving trainloads
Bill wrote:
> my server couldn't connect to the sweeping generalization site you
> mention.
>
> go there often, do you?
Not necessary. These days I get free home delivery.
dear howard -
my server couldn't connect to the sweeping generalization site you
mention.
go there often, do you?
pip-pip - bill
On Martedì, giu 1, 2004, at 21:08 Europe/Rome, Howard Posner wrote:
> You wrote:
>
>> i'd like to know if those who criticize the coalition for their human
>> righ
You wrote:
> i'd like to know if those who criticize the coalition for their human
> rights abuses base their criticisms on some very disturbing photos or
> on the deeds that were committed in them.
That's an easy question to answer. All people who take up the lute because
it's rare and arcane,
very good ariel, i take your point.
complimenti - bill
On Martedì, giu 1, 2004, at 19:04 Europe/Rome, Ariel Abramovich wrote:
> From my humble point of view, you know what's the problem of bringing
> subjects like all this to the forum?
> We (the members of this list) don't have the minimum neces
>From my humble point of view, you know what's the problem of bringing
subjects like all this to the forum?
We (the members of this list) don't have the minimum necessary elements for
a serious and productive debate about politics, nor a simple fair and
productive exchange.
In other words:
Our perc
on the human rights watch organization site, buried under 7 pages of
criticism of us involvement in iraq and the human rights abuses
committed by the coalition forces since their invasion of the country,
is an article entitled "Iraq: The Death Penalty, Executions, and
'Prison Cleansing'" from m
Dear All:
In the highly entertaining "Picasso on Art" (Da Capo Press, 1972), in
which the artist's views and comments on art are meticulously translated
into English, politics makes an occasional entry. Mostly it's Picasso's
rants against Nazis and fascists. But he also said "Guernica" was his
The "politics" bar is around the corner, but it's not this one.
Make no mistake about it.
RT
__
Roman M. Turovsky
http://polyhymnion.org/swv
> Not at all. I may be in the wrong bar. Let's see: chicken
> wire protecting the stage. No, this is the place.
> Gary
>> Gary, are you try
Roman;
Not at all. I may be in the wrong bar. Let's see: chicken
wire protecting the stage. No, this is the place.
Gary
- Original Message -
From: Roman Turovsky
Date: Tue, 01 Jun 2004 08:11:03 -0400
To: Gary Digman ,
Gary, are you trying to say that my company is beneath your dignity
RT
> Dear Roman;
> Am I in refined company? Oops.
> Gary
>>> Is there some manual or document where the parameters and nature
>>> of this discussion group are set forth? I didn't receive mine. I
>>> thought this was just a
Dear Craig;
Or it could be a bunch of people who play lute who happen to be
talking about their politics, their love life and their grandchildren.
Gary
- Original Message -
From: Craig Robert Pierpont
Date: Mon,
Dear Roman;
Am I in refined company? Oops.
Gary
- Original Message -
From: Roman Turovsky
Date: Mon, 31 May 2004 09:17:49 -0400
To: Gary Digman
Subject: Re: Mute (off topic)
> > Is there some manual or document wh
Dear Tom;
Nice talking to you.
All the Best,
Gary
- Original Message -
From: [EMAIL PROTECTED]
Date: Tue, 1 Jun 2004 05:45:20 EDT
To: [EMAIL PROTECTED]
Subject: Mute (off topic)
> Dear Gary,
Dear Gary,
Of course I take your point. My position I have already stated: this is a
lute list, etc., etc. Looks like we'll have to agree to disagree.
Cheers :-)
Tom
--
Dear Tom;
I don't open any emails on topics in which I am not interested.
If someone makes a statement and I disagree with it, I say so and
attempt to argue for my view. I don't tell them to be quiet and accuse
them of being rude. Arto has obviously been deeply di
Dear Tony,
Many thanks for checking my translation of Moulinié's "Cessez amants
de servir Angelique".
What I find interesting is the rubric (for want of a word) which
shows the pitch relationship between the voice and the lute. There
are many lute songs where the singer's part is written in an
ea
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