> mentioned in Greek sources, so it had to be be surmised from the Greek what
> he called himself in Hebrew, or so I surmise.
You meant Aramaic.
RT
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Mathias Rösel wrote:
> the very name Jesus
> does occur in Hebrew sources which predate the New Testament, indeed.
> Have a look into the books of Ezrah/Nehemya (26 times, especially Ezrah
> 2-3, Nehemya 7-9), if you will.
I will, but my point was that the person Christians know as Jesus of
Nazar
Hi Timothy:
It's not too hard to get used to seven and eight courses. It boils down to
a thing called muscle memory. Occasionally I have opportunity to play some
six course music on the Guitar and I find that difficult because I have
become used to the feel of the other course, meaning seven and
> There is, by the way, a very early version of the Bible in Aramaic in
> existence, containing the New Testament as well (and, so, the testimony
> to Yêshû meshîha) and probably predating the oldest surviving Hebrew
> manuscripts, which is called the Peshitta.
Interesting. General adoption of Hebr
Dear Admiral Posner,
I'm sorry, I needs must say, to inform you that, no, the very name Jesus
does occur in Hebrew sources which predate the New Testament, indeed.
Have a look into the books of Ezrah/Nehemya (26 times, especially Ezrah
2-3, Nehemya 7-9), if you will.
There is, by the way, a very
Hi Timothy:
True there is not a lot of "eight course" music out there, Molinaro comes to
mind. The reason it has become kind of a default instrument is by changing
the tuning of the eighth course will allow you to play a good deal of music
written for nine and ten course instruments. The eight co
> Rear Admiral Howard Posner, M.P.,
Last time we met (17 years...) you were admirably callipygian.
RT
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> PS: It may be appropriate for Mr. Turovsky to say "precocious-looking
> 'likenesses' of Jesus," but it would be the Jesice themselves, not the
> "likenesses" that are precocious.
That's why I used the "looking" modifier.
RT
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> PPS: Mr. R? is informative as always, but I believe all references to
> Jesus in Hebrew sources postdate the (Greek) Christian bible, which would
> mean that "Yeshu" in the Hebrew sources is a transliteration of the Greek
> "IHCOYC (nom.) IHCOY (gen.) IHCOY (dat.) IHCOYN (acc.) IHCOY (voc.)" and
dear list!
Once upon a time one was able to reach the old website
of Clive Titmuss, and download an example of his
intabulation of a Bach-suite for theorbe. I did that,
but I have lost it.
If someone on the list downloaded this suite (I don't
remember which of the suites it was, would you please
se
Dear Sirs:
I wish to complain in the strongest possible terms about the recent spate of
postings concerning English, German, Hebrew and Greek grammar. I would
never dream of bringing up such things myself, and I'm as pedantic as they
come.
Rear Admiral Howard Posner, M.P., OBE, KBE, JD UCLA
PS:
> However, I'm wondering, Herbert, if you want to know all of this or if
> you'd rather just like to express your opinions about all of those
> strange old things.
He has to be careful, there are a few herbivores on the list...
RT
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"Spring, aus dem, Rainer" <[EMAIL PROTECTED]> schrieb:
> I think it's u-declination. Therefore the plural is Jesus with a long
> "u".
It isn't. In Hebrew / Aramaic, it is Yeshu, with both long and closed e
and u (like in French nee and in English zoo). It is not certain which
syllable was stresse
>Ed,
When I built my present lute I took the plans for a 7-course and
spaced 6 courses out over the same bridge and nut width. I find it
more comfortable than the normal spacing. As a beginner, with the
normal spacing I found it very difficult to feel the courses as
courses and not as 11 evenly-s
Dear Howard and Rainer,
The plural doesn't exist. Jesus was unique. It's like trying to find
the masculine form of the French adjective, "enceinte", which means
pregnant. "Examples" is plural, but "Jesus" is singular.
The correct phraseology should be, "These are actually pretty mild
examples of
>>> These do not look like baby faces to me. Especially around
>> the eyes.
>>> I guess it (the adult face) was a symbol of authority which
>> the folks
>>> back then needed to feel secure, like they needed kings and an
>>> infallible omnipotent Church.
>>
>> These are actually pretty mild exa
> -Original Message-
> From: Howard Posner [mailto:[EMAIL PROTECTED]
> Sent: Monday, October 04, 2004 5:02 PM
> Cc: [EMAIL PROTECTED]
> Subject: Re: Old religious paintings.
>
> Herbert Ward wrote
>
> > These do not look like baby faces to me. Especially around
> the eyes.
> > I gues
>> If you have seven courses spread over an 8-course lute, the strings
>> would be slightly further apart than they would be with eight
>> courses. Does this help explain why you have difficulty with that E
>> flat chord? In other words, does the difficulty arise from wide
>> string spacing rather
Stewart McCoy wrote:
>Dear Ed,
>
>If you have seven courses spread over an 8-course lute, the strings
>would be slightly further apart than they would be with eight
>courses. Does this help explain why you have difficulty with that E
>flat chord? In other words, does the difficulty arise from wide
Herbert Ward wrote
> These do not look like baby faces to me. Especially around the eyes. I
> guess it (the adult face) was a symbol of authority which the folks back
> then needed to feel secure, like they needed kings and an infallible
> omnipotent Church.
These are actually pretty mild examp
On Tue, 21 Sep 2004, Caroline Usher wrote:
> At 11:47 PM 9/18/2004 -0500, you wrote:
>
> >Many old paintings (of skill and sensitivity) depict a young woman holding
> >a nude Christ, with the baby wearing an adult-like face and making a
> >religious hand symbol.
>
> Could you cite an example
Dear Ed,
If you have seven courses spread over an 8-course lute, the strings
would be slightly further apart than they would be with eight
courses. Does this help explain why you have difficulty with that E
flat chord? In other words, does the difficulty arise from wide
string spacing rather than
On Monday 04 October 2004 02:38, you wrote:
I 'tabbed' it many years ago. It's on server of Wayne in tab format, eps and
pdf.
Taco Walstra
>Greetings,
>
>Has anyone typeset the following the print in Fronimo?
>Joachim van den Hove: Delitiae Musicae sive cantiones (Utrecht, 1612)
>
> became less difficult to play by a factor of 7 to 8.
dear ed -
yes, i understand ... of course (heh-heh).
in my mind's eye, so to speak, i naturally see three
courses at a time, depending on which key i'm playing
in. anything outside those three courses ( different
register, higher or l
"Bernd Haegemann" <[EMAIL PROTECTED]> schrieb:
> the "Gigue" (No.81) [taken from Schwerin 641]
> is called an Allemande in all of the 6 concordances.
> Hm. What could have been the reason for the editors to
> accept the "minority vote"?
don't know about the editors' mindset, but one thing is certa
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