I confess that I feel a little uncomfortable with nagging on Giesbert,
one of the giants on whose shoulders we stand.
Nevertheles, in his preface, Giesbert claims: Was hier gelehrt wird,
ist
das Lautenspiel / so wie es die Alten pflegten / unter genauester
Beobachtung aller von ihnen
On 4/30/05, Mathias Rösel [EMAIL PROTECTED] wrote:
No mention of runs with thumb-index which are so common in Gaultier and
Gallot and Mouton, and still occur in Reusner.
Did you look on page 71 Daumenschlag 3: Wechselschlag zwischen Daumen
und Zeigefinger?
Also a few bars in Gavotte page 74 and
Hi,
Yesterday I found here in Barcelona a very interesting book:
Eduardo Fernández: Ensayos sobre las obras para laúd de J. S. Bach.
Ediciones ART, Montevideo
E. Fernández is a guitar player and teacher in Uruguay. He makes an
interesting analysis of BWV 997 and 998, and goes into other
No mention of runs with thumb-index which are so common in Gaultier and
Gallot and Mouton, and still occur in Reusner.
Did you look on page 71 Daumenschlag 3: Wechselschlag zwischen Daumen
und Zeigefinger?
yes, you are right, indeed. I overlooked it, I guess, because it is in
the middle of
The suite in a minor (Deutsch / um 1730) is from Rostock XVIII.
18.-65.6r (Nr.88-90) and Rostock XVIII. 18.-65.6f (91-94).
He combined the pieces to one suite.
Deutsches Lautenbuch um 1722 is Rostock XVII. 18.-52.2., that will be
published for the Deutsche Lautengesellschaft very soon (it is
How would, just to name an example,
Stewart McCoy feel if I would name him amongst my teachers? Everybody on
the lutelist could do the same because as we all know he very kindly shares
his knowledge with us.
Does that mean we all have to send him money now? :-)
--
Ed Durbrow
Saitama, Japan
There is one picture of sawn neck lutes to be found:
http://www.vanedwards.co.uk/bargallery/pics/gernot/html/2.html
Sorry, could not resist :-)
g
But this reminds me: Does anyone have a picture I could obtain and
use for a CD cover of the INSIDE of a Renaissance lute, looking into
the bowl?
Where can I find a copy of Giesbert in English?
I'm afraid, there is none. Schott are still selling it:
Schule für die Barocklaute ; Instrumentation: Lute ; Language: German ;
120 Pages - Soft-cover binding ; ISMN: M-001-04377-9 ; Order number: ED
3638 ; Price: 39,95
They raised the price,
Ian Woodfield, The History of the Early Viol, ISBN 0-521-35743-8
(paperback).
PP 99-101 discuss the early printed works, including Virdung 1511
_Musica Getutscht_ and Agricola 1528 _Musica instrumentalis deudsch_.
--
Dana Emery
To get on or off this list see list information at
Can you recommend a decent text baroque lute that is
in either English or Italian?
not sure I got you. Well, there is Toyohiko Satoh's method for the
baroque lute, available from TREE edition. If memory serves, he does not
quote sources.
The other one that comes to mind is Stefan Lundgren's
- Original Message -
From: [EMAIL PROTECTED]
To: lute@cs.dartmouth.edu
Sent: Sunday, May 01, 2005 11:40 AM
Subject: early viols, four-strings
Ian Woodfield, The History of the Early Viol, ISBN 0-521-35743-8
(paperback).
PP 99-101 discuss the early printed works, including Virdung
- Original Message -
From: Mary Feinsinger
To: Georgina Finch
Sent: Friday, April 29, 2005 11:36 PM
Subject: Fwd: Mozart effect is a fraud...
Subject: Re: Mozart effect is a fraud...
Another Urban Legend
A new report now says that the Mozart effect is a fraud (via Terry Teachout).
Should we add some lutenisms?
Gaultier Effect?
Child blabbers euphoniously enough, but makes no sense
Kapsberger Effect:
Child cannot complete a sentence
Baron Effect:
Child is fairly eloquent, but never says anything worth paying attention
to
RT
A new report now says that the Mozart effect is
Has anyone in NYC noticed an ad in the Village Voice about a Guitar, Ren.
Lute, Baroque Lute teacher named P. O'Brien? If so, is it the same Patrick
O'Brien who has played with such groups as the King's Noyse and the
Baltimore Consort? If so, does anyone have his e-mail address? Otherwise
does
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