Well ... here you are: http://www.youtube.com/user/aluardy (pls have mercy)
Mathias
why wouldn't you play the Flat Tuning version of this piece by Mace to
the y-tube by your new 12-courser? It is in the page 189. It would be
highly interesting to hear the translation - as he calls it - by
Dear List,
as the in Venetiis manuscript has been named, do you know whether
is available on our beloved internet? The only edition I know is quite
old and (at lest apparently) not really easy to buy.
Thanks,
Luca
Markus Lutz on 27/07/11 01.20 wrote:
Probably Thomas
Shouldn't make videos in the morning without having warmed up a bit ... I
replaced the Allmaine and Galliard videos.
And I added the suite in G major (Allmaine, Ayre, Coranto, Seraband, Tattle
de moy). I like it for its cheerfulness.
Please find them at the aforementioned place:
Thank you, Arto! The Mace tuning is not Mace's own, BTW. There are five part
books with lute ensemble music in the Bodleian library (E 410-414), of which
the lute part (E 411) requires this very tuning. According to Goy / Schlegel,
the part books date from ca. 1660.
Mace gives no mensur of his
Go to
www.groundsanddivisions.info
scroll down to
Elizabethan Ballad Tunes
Regards
Albert
TREE EDITION
Albert Reyerman
Finkenberg 89
23558 Luebeck
Germany
albertreyer...@kabelmail.de
www.Tree-Edition.com
++49(0)451 899 78 48
More music books available at
http://tree-edition.magix.net/public/
On Thu, Jul 28, 2011 at 12:20 AM, Christopher Stetson
[1]christophertstet...@gmail.com wrote:
Hi, David and all.
First, bravo on your efforts, David! More citterns = more fun.
Thanks.
Historically, cittern frets were made with brass (or other hard
material) bars
Thanks for the suggestions, folks - happily struggling through some
simple elder Gaultier and Weiss. Cheers, Ben S
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
Well, ok, yes, a large historical drift from carved to built :-)
An even bigger aside regarding spike lutes: do you know about William
Tilton's 1854 improvements to the guitar:
[1]http://19thcenturyguitar.com/index.php?option=com_contentview=artic
Drifting farther afield (and I know you know this, Chris), I believe one of
the weirdest features of nicer guitars that were original builds to carry
the Tilton improvements was that they had the soundboard built with the
grain running diagonally to the line of symmetry. Weird.
Eugene
There is a version of this on my web site
[1]www.GroundsandDivisions.info
Look under the Elizabethan Ballads section.
It starts with the music from the Weld manuscript and on the 5th line
of the music the setting I made from the Fitzwilliam Virginal Book
starts. You can play one
Dear Friends,
I have recently acquired an Alexander Batov vihuela (Belchior DAaz
model) and am practicing the sonetos of Enriques de ValderrA!bano. If
anyone happens to have the 1981 Minkoff reprint of his Silva de
Sirenis, please e-mail me off-list. I have some questions I would
Dear all,
A quick question. Any experience with the New Nylgut NNG and NGE as basses on a
85cm theorbo? I'm just thinking of stinging the short neck all with Nylgut.
Currently I have Nylgut in the a-e-b-g and d (from the top), and I just wonder
if the NGE will work for the A and G as well.
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