Dear baroque lutenists and guitarists,
I played a tiny Prelude by Mouton from his printed book Pieces de Luth,
page 1. Here Mouton uses his unique(?) technique of playing first only
the low octave of a bass course and only after some higher strings the
upper octave of the same bass
Here Mouton uses his unique(?) technique of playing first only
the low octave of a bass course and only after some higher strings
the
upper octave of the same bass course. So it is actually the
campanella technique better known in baroque guitar music.
...
Does
Hi-I use this technique all the time in J.S. Bach transcriptions. Its
very handy. I have my own way of notating it that is more clear than
using a big and little letter or number.
--Sterling
From: Mathias Roesel mathias.roe...@t-online.de
To: Baroque Lute Net
I think that is a lovely group!--the lute is behind the front of the
wave, so the mics will pick up less of the lute. The organ is placed at
the front of the wave.
__
From: hera caius caiush2...@yahoo.com
To: lute
Irony is a difficult effect to pull off on a computer.
Gary
- Original Message -
From: Sauvage Valéry sauvag...@orange.fr
To: 'Lute List' lute@cs.dartmouth.edu
Sent: Tuesday, April 10, 2012 12:32 PM
Subject: [LUTE] Re: Paul O'Dette interview
-Message d'origine-
De la part
David,
Clearly the overall size of an instrument and things like string
spacing are relevant to the ease of playing. But if a player struggles
with a particular size and/or specification of lute, before jumping to
erroneous conclusions it's important to see if the player's posture
whilst on the subject of lute set up, I have a question of the action of
the bass courses of a 14c Liuto attiorbato. I have found several
suggestions concerning the ideal height of the bass strings above the
finger board.
1. The strings should be about 5mm at the lower nut.
2. The strings should
Thank you Rainer,
nice find. With all those scans popping up again and again I started
wondering: Did anyone ever start an online repository for facsimilies? I
keep downloading that little treasures and saving them to my hard drives
as soon as they appear, but wouldn't it be nice if someone new
Dear Anthony,
As far as I am aware, there is historical information about this matter
and, clearly, extant instruments will have deformed over time so that
modern drawings (even if wholly accurate) may tell us little about what
the original maker was aiming for. But since you
CORRECTION
For As far as I am aware, there is historical information about this
matter read
As far as I am aware, there is no historical information about this
matter
mhls
Martyn
--- On Wed, 11/4/12, Martyn Hodgson hodgsonmar...@yahoo.co.uk wrote:
From:
In case you didn't know...
Messaggio originale
Oggetto: Intavolatura manoscritta per liuto del Duomo di Castelfranco
Veneto - new
Data: Wed, 11 Apr 2012 16:41:21 +0200
Mittente: Arnaldo Forni Editore [1]i...@fornieditore.com
A: [2]l...@manassero.net
Dear
On Apr 11, 2012, at 6:00 PM, Anthony Hind wrote:
Ed
Do I understand that you record in mono? I have often found that mono
recordings are more relaxing than stereo, and analog more relaxing than
digital; so mono analog is sometimes the easiest to listen to. It is as
though the brain
I looked at
Florilegium omnis fere generis
and it looks like every page is a different link. Do you have to download page
by page rather than the whole book?
On Apr 7, 2012, at 8:55 PM, Matteo Turri wrote:
The Royal Holloway University of London Early Music Online site
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