For what it's worth, continuing down the six-string guitar path, William Foden
devoted a large section of the second volume of his guitar method (1921) to
diverse tremolo techniques, including the wagging-finger, dedillo-like tremolo
demonstrated by Dimitris in the linked video. In addition to
No indeed; in my humble opinion, one doesn't encounter such musical but
idiosyncratic lute music until Kapsperger.
Tom
Date: Thu, 28 May 2015 00:03:42 +0200
To: lute@cs.dartmouth.edu
From: r.ba...@gmx.de
Subject: [LUTE] Milan Fantasia 12 with dedillo
That. Is. Amazing.
Mathias
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On
Behalf Of
Bruno Figueiredo
Sent: Thursday, May 28, 2015 7:53 PM
To: List LUTELIST
Subject: [LUTE] Re: Milan Fantasia 12 with dedillo
A student of mine just sent
A student of mine just sent me this
video:A [1]https://www.youtube.com/watch?v=lv7fr-uOgxM
Pretty cool use of dedillo and very effective if you have nails, of
course.
2015-05-28 5:54 GMT-03:00 Martin Shepherd [2]mar...@luteshop.co.uk:
Thanks for another interesting
45 years ago my brand new lute had pages that tuned easily, but the
wound strings would hang up on the nut. To cure that, I built a roller
nut. After a few years in Michigan with humidity varying huge amounts
between winter and summer, the holes got out of round, and tuning went
Good grief: Peg Heads have a 4/1 ratio and guitar gears have a 16/1
ratio. Changing strings is less complicated than going to the bathroom.
What is the fuss?
A. John Mardinly, Ph.D., P.E.
Principal Materials Nanoanalysis Engineer
EMail: [1]john.mardi...@asu.edu
Cell:
What is the fuss? None, from my experience. I have found pegheds to be
wonderful, in every way. They do not appear different from friction pegs, but
they work exceptionally well, are stable, very accurate, tune very quickly, no
sticking or slipping.
Sent from my iPhone
On May 28, 2015, at
So I suppose the next step is to graduate to metal frets and synthetic
strings, since they also have no fuss...
S
__
From: Edward Martin edvihuel...@gmail.com
To: John Mardinly john.mardi...@asu.edu
Cc: Dan
Thanks for another interesting performance, Robert.
I agree Milan is unique - it's almost like having a record of how he
improvised.
M
On 28/05/2015 00:03, Robert Barto wrote:
[1]https://youtu.be/hilComFz8mM
By the way, I think I presented the first dedillo vs. figueta
comparison
