While I complained earlier that Molinaro's pieces are sometimes unplayable,
many of the pieces fit the lute very well, and don't seem to be just
transcriptions from the keyboard.
(For example Fantasies No. 3 or 5)
There is a possibility to finger some passages with a sliding barré -
something
Yes. First and foremost, tablature was created to serve as a short
score of polyphonic music and printed or manuscript tablatures of
polyphonic music were meant to serve as a reservoir of information.
While the ideal is to play every note, I firmly believe that lutenists
always made
Yes. First and foremost, tablature was created to serve as a short
score of polyphonic music and printed or manuscript tablatures of
polyphonic music were meant to serve as a reservoir of information.
While the ideal is to play every note, I firmly believe that lutenists
always made
It is very interesting to compare the Vincenzo Galilei intabulations in
Il Fronimo to the music he published elsewhere particularly in his
manuscript collection. The music in Il Fronimo is didactic -- and often
awkward because of too many voices -- and in the MS collection it is
Yes, indeed.
For me, it makes more and more sense to view these intabulations as a
way to show the whole vocal piece and not something to be performed
exactly as written.
About the Barrés with any other finger then the first. Has anyone
seen a historical source discuss this?
Sure.
Here it is: [1]https://we.tl/t-cKblbeN4wz
Em ter., 28 de abr. de 2020 Ã s 22:40, Jurgen Frenz
<[2]eye-and-ear-cont...@protonmail.com> escreveu:
most unfortunately this forum's service provided doesn't allow photo
attachments. Can you upload the example elsewhere and
This is really quite an extreme example! But maybe with a different
technique it would be possible e.g. to play the first chord? Sometimes,
I have the impression that they used also Barrés with the second or
third finger, which would (theoretically) make it possible to play the
first chord.
most unfortunately this forum's service provided doesn't allow photo
attachments. Can you upload the example elsewhere and post the link to it here?
That would be great.
Thanks
Jurgen
‐‐‐ Original Message ‐‐‐
On Tuesday, April 28, 2020 9:25 PM, Guilherme Barroso
wrote:
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Dear Yuval,
Thanks a lot for your answer.
I have a 7c course 60cm lute and it does not get much easier at some
places. Of course with your lute, even worse.
But there are some
Dear Guilherme,
it's interesting what Philippe writes about Il Fronimo, it would be nice
to talk with him about all this stuff. I met him some weeks ago, and
he's the only guy I know who isn't lutenist at all and can read all kind
of tablature fluently - quite crazy!
To respond to your
Dear Lute collective,
For some time i've been thinking about some aspects about the
intabulation of vocal pieces and i would like to know your ideas.
When we look to the gigantic repertoire of vocal intabulations to the
lute we encounter several pieces that are incredibly difficult
Dears,
Recently i have acquired the Thesis. Thanks a lot for all your help.
All the best,
Guilherme Barroso
Em ter., 28 de abr. de 2020 Ã s 07:49, T.Kakinami
<[1]tk...@orchid.plala.or.jp> escreveu:
I tried to contact Hiroyuki Minamino, but I couldn't find where he
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