Lute music at the Royal courts of Europe. Most amazing collection of
pieces still.
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From: lute-...@new-old-mail.cs.dartmouth.edu
on behalf of Leonard Williams
Sent: Friday,
While the unascribed pieces could by someone else, they surely play and
sound like Bartolotti.
Is there any other theorbo player from that time that we know of, who
could match the style and technique of these pieces?
r
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F for "facil" easy and D for "dificil" difficult...
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From: lute-...@new-old-mail.cs.dartmouth.edu
on behalf of Tristan von
Neumann
Sent: Wednesday, January 15, 2020 10:56:03 AM
I have played Weiss at a candle lit Advent labyrinth for a church. Like
a slow meditative walk.
This year I am playing deVisee on theorbo.
Preludes work well. Gavottes and gigues not so much.
The biggest problem is lighting to see the music.
r
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I play lots of finger pick blues and the technique is very similar to
baroque lute technique. I use fingerpicks to avoid getting calluses on
the right hand. And keep the pinky on the top. Works!
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Or you could get a meantone tuner and use your ears and not a measuring
tape
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From: lute-...@cs.dartmouth.edu on behalf
of Martyn Hodgson
Sent: Friday, July 26, 2019 4:52:38 AM
I say "e."
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From: lute-...@cs.dartmouth.edu on behalf
of Mark Probert
Sent: Sunday, July 21, 2019 2:41:44 AM
To: lute@cs.dartmouth.edu
Subject: [LUTE] Bach and the lute
Hi
When asked why he practiced three hours a day at age 85 Pablo Casals
said "because I think I am getting better"
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From: lute-...@cs.dartmouth.edu on behalf
of Leonard Williams
Now that's what i'm talking about! Great sounding nails. How
politically incorrect these days!
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From: Roland Hayes
Sent: Wednesday, May 8, 2019 12:59:35 PM
To: Christopher Wilke
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From: lute-...@cs.dartmouth.edu on behalf
of M Del
Sent: Tuesday, May 7, 2019 5:57:33 PM
To: magnus andersson
Cc: Yuval Dvoran; John Mardinly; Roland Hayes; jslute; Lute
Subject: [LUTE] Re: De Visee
My first guitar teacher Rolando Valdes-Blain taught
Do we think he played with nails? Lutenists did not as I understand,
but
I have always thought his lute pieces were merely arrangements of
guitar/theorbo pieces. For those instruments we can establish the use
of nails.
And if deVisee played guitar with nails, then he most
Sent: Sunday, March 24, 2019 9:39:10 AM
To: Roland Hayes
Cc: Lute List; lute-...@cs.dartmouth.edu
Subject: [LUTE] Re: Angelo Michel Bartolomi
There are two more pieces for theorbo in GB-NH Fh 3431.c, as far as I
know.
Am 24.03.2019 14:19 schrieb Roland Hayes:
> Aside from Go
Aside from Goess theorbo ms and Vienna 17706, does anyone know of more
theorbo pieces by this virtuoso, including any modern editions? Thanks
in advance. r
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This message is intended only for the use of the individual or entity
to which it is addressed,
Scribd has Doug Towne's baroque duets.
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From: lute-...@cs.dartmouth.edu on behalf
of Roman Turovsky
Sent: Saturday, March 23, 2019 10:59:09 AM
To: b...@symbol4.de;
Van: Roland Hayes [[1]mailto:[2]rha...@legalaidbuffalo.org]
Verzonden: woensdag 6 maart 2019 21:02
Aan: lex.eisenhardt <[2][3]lex.eisenha...@gmail.com>
Onderwerp: Re: [LUTE] Re: right hand technique -- bending the
pinky
I would add "almost"
You could try tying a leader to the peg box end and hope that as you
bring it to pitch the leader ends up wrapped around the peg and the
string makes it over the nut and reaches your pitch.
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To: lute@cs.dartmouth.edu; Roland Hayes
Subject: [LUTE] Re: Johann Kropfgans
In one of the lexika of the end of the 18th or beginning of the 19th
century there is a remark, that Johann Kropfgans wrote 32 lute trios,
but I cannot say at the moment, in which one it is written.
We on
He wrote 32 lute trios? What are the sources? I just heard one in c
minor w/ Lutz Kerchoff. Outstanding!! r
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From: lute-...@cs.dartmouth.edu on behalf
of Wayne
Does anyone have a Gallot works cnrs edition for sale? r
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From: lute-...@cs.dartmouth.edu on behalf
of Roman Turovsky
Sent: Saturday, March 24, 2018 2:52:44 PM
Aside from Scheidler's song from Don Giovanni, does anyone know of
intabulations contemporary or modern of Mozart's music? r
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Mentioned by a few people in early 1600s; Praetorius for one. r
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of
Bruno Figueiredo
Sent: Thursday, March 17, 2016 12:37 PM
To: Edward Chrysogonus Yong
Cc: Lute List
Subject: [LUTE] Re:
Tune it to F# and it's an archlute at Roman pitch, sort of. r
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of
Geoff Gaherty
Sent: Friday, January 15, 2016 11:50 AM
To: lute@cs.dartmouth.edu
Subject: [LUTE] Re: theorbo tuning experiment
Ask Albert Reyerman. r
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of
Edward Chrysogonus Yong
Sent: Wednesday, July 29, 2015 1:42 PM
To: Lute List
Subject: [LUTE] Satie Gymnopedie 1
hi Lutenetters!
years ago i bought a copy of Erik
, for instance), but they are attempting to deceive their
audience if they claim some kind of historical justification for practices
which go so clearly against the historical evidence.
M
On 16/06/2015 22:54, Roland Hayes wrote:
..and Castaldi's illustration is phoney? r
-Original Message-
From
..and Castaldi's illustration is phoney? r
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of
Ron Andrico
Sent: Tuesday, June 16, 2015 3:29 PM
To: mar...@luteshop.co.uk; lute@cs.dartmouth.edu
Subject: [LUTE] Re: Tiorba
Thank you for
His libro primo also I believe. r
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of
Martin Shepherd
Sent: Tuesday, March 17, 2015 10:54 AM
To: lute@cs.dartmouth.edu
Subject: [LUTE] 19c theorbo?
Dear Collective Wisdom,
Is there any music
I suggest its origins were for the solo singer to accompany himself (Peri,
Caccini, others in Italy ca. 1600). Salamone Rossi calls for it in
instrumental dances very early, and it makes sense with one on a part strings -
the chords and the basses plucked really stand out. From there to the
No. 57, Aria, has a lute part and I am curious if anyone has performed
it, it looks like it might fit on the instrument (d minor lute) fairly
well. Thanks in advance. r
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I use my tuner at 415 and 6th comma meantone. First I tune the open strings.
Then I select pitches I know I need on the strings at certain frets and move
the fret to get the pitch right. So a piece with D Major I would want a good
F# on fourth course 1st fret, so I'll try to move the fret to
If you play enough Hagen, S.L W. starts to sound outdated. r
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of
Dan Winheld
Sent: Wednesday, December 18, 2013 4:47 PM
To: erne...@aquila.mus.br; Jarosław Lipski
Cc: lute@cs.dartmouth.edu
The tablature illustrations in Noad's books gave me the idea of playing from
tablature sources. Since then my career started slowly, then tapered off. r
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of
Ed Durbrow
Sent: Tuesday, December
For me it was JB's Lute music from the Royal Courts of Europe which I got in
1975. Still a great record. r
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of
A.J. Padilla MD
Sent: Monday, August 12, 2013 9:13 AM
To: 'Geoff Gaherty';
I believe the Reusner in Das Erbe is Esaias Reusner the younger, who used d
minor tuning; Musikalischer Lustgarten is by his father whose hymn settings are
in viel ton.
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of
Dear Collective Wisdom: Does anyone know which Gallot piece was used
for the dove by Respighi as part of The Birds? Thanks in advance.
r
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Fertile ground? r
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of
William Samson
Sent: Thursday, November 01, 2012 3:47 PM
To: David Tayler; lute
Subject: [LUTE] Re: Chitarrone
I'm afraid you are correct, David. Of course Bob
There is an ms described as having 20 or so 4-part dances with a
continuo part unfigured but marked lute in Jenkins's hand, in the
British museum if I remember. Does anyone know of any other surviving
music for lute, continuo or otherwise, by Jenkins, who was praised for
his lute
And then there's Hagen! Almost every ascending arpeggio turns around and
descends. Lots of a-m-i a-m-i going down. r
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On
Behalf Of Daniel Winheld
Sent: Thursday, May 17, 2012 12:30 PM
To: Bernd
I would suggest Fwenyana not fwaynyana. r
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On
Behalf Of Stephen Fryer
Sent: Tuesday, March 27, 2012 11:36 AM
To: Herbert Ward
Cc: lute@cs.dartmouth.edu
Subject: [LUTE] Re: Pronunciation of Fuenllana's
I have one for my archlute from Paolo Busato and the case is fine. r
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On
Behalf Of mcluckie stuart
Sent: Thursday, February 16, 2012 7:58 AM
To: Lutelist
Subject: [LUTE] RCH cases
Can anyone advise
Aside from one suite in A major, and an LSA microfilm, is any of
Marella's music available in facsimile or otherwise? Looking for Books
I, 1757 and II, 1762 for english guitar. r
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I was terrified of Bach's Trauer-ode in b minor/Dmaj. But it works
really well on 13c. Lute.
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On
Behalf Of Christopher Wilke
Sent: Thursday, December 15, 2011 2:15 PM
To: baroque-lute@cs.dartmouth.edu;
Wow, thank you. r
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of
Rob MacKillop
Sent: Thursday, December 01, 2011 5:38 PM
To: Lex van Sante
Cc: lute mailing list list
Subject: [LUTE] Re: accords nouveaux
Temporary link for Panmure 4
I think it goes back to socrates. r
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On
Behalf Of howard posner
Sent: Friday, November 04, 2011 6:03 PM
To: Lutelist
Subject: [LUTE] Re: diatessaron/diapente
On Nov 4, 2011, at 2:29 PM, William Samson
Violab tuner will give you al the different a pitches you want and in
10+ different tunings. r
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On
Behalf Of Garry Warber
Sent: Friday, August 05, 2011 6:16 AM
To: lute@cs.dartmouth.edu
Subject: [LUTE]
Kremsmunster L 82 has a complete ms. copy of the book in with lots of other
11c. pieces. r
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of
Bernd Haegemann
Sent: Wednesday, April 13, 2011 11:17 AM
To: baroque-lute@cs.dartmouth.edu;
MH you should feel free to suggest and speculate but until you have a
cold hard fact you should continue to label your speculations as
such. For the researchers AJN is referring to, their research has
reached an end for now on there being only one St luc. enough!!
Do you have a leather strap where the inside is rough and will grab your
shirt? If not, try one. And no silk shirts. r
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On
Behalf Of Herbert Ward
Sent: Wednesday, March 09, 2011 10:20 PM
To:
Not a moisturizer, but I often keep a dryer sheet in my right pants
pocket for a little immediate non-squeak insurance. Really helps my
tone. r
__
From: lute-...@cs.dartmouth.edu on behalf of Herbert Ward
Sent:
Years ago I had a lute peg that would not turn, period. Dan Larson - Lute
Doctor at the LSA Seminar that year- tapped it loose from the exposed end with
a small hammer and a pencil (new unsharpened with the eraser cut off cleanly)
to deliver the tap, while the lute was on its side and the
Do you have a list of sources besides Filippo dalla Casa? r
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On
Behalf Of franco pavan
Sent: Monday, January 03, 2011 3:17 PM
To: giulio.chiande...@libero.it
Cc: lute@cs.dartmouth.edu
Subject: [LUTE] Re:
You could apply a cover to the top, perhaps wax or egg wash that would
protect the top from the tape. r
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On
Behalf Of howard posner
Sent: Tuesday, July 20, 2010 10:58 AM
To: lute-cs.dartmouth.edu List
When I already knew I had a loose brace, I tapped the top in different
places after I plucked a string and was able to stop the buzz if I
pressed in one spot- where the brace was loose. This information was
helpful to the builder who fixed it. r
-Original Message-
From:
Not very flattering to us players, but what if these depictions are of someone
not playing loud as possible but merely providing the muzak to the moment, the
kind of unsurprising unremarkable music that makes a cocktail party a little
nicer? I have played at such things myself, was relatively
How can one get this music? Has anyone tried to transcribe it for
archlute? r
__
From: lute-...@cs.dartmouth.edu on behalf of Stuart Walsh
Sent: Sun 6/6/2010 10:41 AM
To: Lute List
Subject: [LUTE] Re: baroque
When do you expect to ship the edition? r
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of
Markus Lutz
Sent: Monday, May 31, 2010 2:34 PM
To: Lutelist
Subject: [LUTE] Correction - Edition of the Rohrau manuscripts (Weiss et al.)
Sorry
As there are therobo piece(s) attributed to Reussner in Goess theorbo book, I
play these pieces, when I can, with theorbo on the bass, which is figured in
the modern editions. The suites do correspond to actual suites in the 1667
Delitiae Testudinis; suites in a, F and C and g I believe. I
As no low F is written in my version, I tune the F to F# for Amarilli.
Victor Coelho has an article in the Journal of Seventeenth Century Music
(vol 9 2003) about the Camerata, Caccini and the nuove musiche and how
it wasn't so new when finally published. r
-Original Message-
From:
Could anyone point me to a translation of Monteverdi's Chi vol che
m'innamori from the Selva Morale e Spirituale? Thank you. r
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When I play a 13c. I cannot access the low basses with any reliability without
playing with my fingers practically parallel to the higher register strings. I
can play closer to the bridge, or not for tone difference, but rotating my hand
to more of a thumb open is not an option. I do use rest
Sometimes you can see the avoidance of certain strings/frets as an indication
of MT for everything else. Also, even a rancid note/interval/chord in a
passage or sequence may work to create contrast to the sweet return of the
tonic. r
-Original Message-
From: lute-...@cs.dartmouth.edu
I recall bringing some silk strings from Singapore to the LSA Seminar in
1987 and Grant Tomlinson and others were not impressed on a lute and
ren. Guitar. Maybe on a viol they would be better. r
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On
I oil my gut strings to reduce humidity sensitivity. Not sure it works
but the feel is less squeaky. r
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On
Behalf Of Daniel Shoskes
Sent: Wednesday, November 25, 2009 11:40 AM
To: lute
Subject: [LUTE]
What about reversing the order of the strings in the sixth course?
That way the index or middle (melody) hits fundamental, while the
thumb plays a diapason?
__
From: lute-...@cs.dartmouth.edu on behalf of Roman
More important to the debate is whether you alternate thumb and first
finger to play melody. That is true thumb under. Otherwise you are
(merely) adjusting your thumb/hand angle to have better access to
basses. R.
-Original Message-
From: lute-...@cs.dartmouth.edu
Funny. An orchestra in Buffalo must must not be able to play decently?
Come here and check them out for yourself. Or you can swap grammy award
winning cds with Joanne so she can check you out. BTW I loved your
intabulation of the polka and fugue from Schwanda the Bagpiper. R.
-Original
What do we think of the ms. with continuo written above a part for
13c. lute in normal d minor tuning for certain arias? Are these
settings for chamber perfromance but not the operas themselves? the
handwriting seems identical to large portions of the Weiss Dresden
ms. Curious
Check out the tiorba line in the concerto in D by Heinichen, from a
manuscript score! Plus Rossi Lib. III for 2 violins and chitarrone!
Awesome! r.
__
From: lute-...@cs.dartmouth.edu on behalf of Stuart Walsh
What about the Castaldi duets? What tuning for the smaller instrument? R
-Original Message-
From: Martyn Hodgson [mailto:hodgsonmar...@yahoo.co.uk]
Sent: Thursday, February 19, 2009 2:58 AM
To: lutelist Net; howard posner
Subject: [LUTE] Re: Theorbo Nicki don't lose that number
a fabric softener sheet does wonders as well. easy to grab between
numbers. r
__
From: Edward Martin [mailto:e...@gamutstrings.com]
Sent: Mon 2/2/2009 7:12 PM
To: Eugene C. Braig IV; 'lutelist'
Subject: [LUTE]
I say start relearning. And start enjoying D major and minor and A major
and minor as easy chords/tonic home bases. Also, it's good to get used
to playing g minor on the theorbo as there is plenty of it (even Caccini
and Peri on an A instrument). I think also it's more of an adjustment
to use
I think the piece is by enemonde le Vieux who could have known L'Enclos;
Denis was much younger if I recall.
-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Sent: Friday, September 26, 2008 7:59 AM
To: Mathias Rösel
Cc: baroque Lutelist
Subject: [BAROQUE-LUTE] I
Are there concordances anywhere for his pieces from his book I of 1620?
They just don't seem to turn up in the Ballard/Cherbury/Louis de Moy
etc. group. R.
-Original Message-
From: Roman Turovsky [mailto:[EMAIL PROTECTED]
Sent: Friday, August 29, 2008 2:35 PM
To: Lutelist
Subject:
Speaking of lute songs, does anyone know where to find a renaissance version of
What if a day with tab accompaniment? The director for a program I'm
accompanying only has a version from the Reliquary of English song circa 1910
w/piano in e minor (!!). Thanks for any help.
I think the Valderrabano itabulations for two vihuelas work that way.
-Original Message-
From: Joseph Mayes [mailto:[EMAIL PROTECTED]
Sent: Monday, April 28, 2008 9:22 AM
To: Herbert Ward; lute@cs.dartmouth.edu
Subject: [LUTE] Re: Making a duet from a solo.
Hello
When making a
Probably not as long but worth mention as through composed pieces are a
couple of the tientos by Luis Milan.
-Original Message-
From: Orphenica [mailto:[EMAIL PROTECTED]
Sent: Wednesday, April 16, 2008 6:24 AM
To: Anthony Hind
Cc: Rob MacKillop; lute@cs.dartmouth.edu Net
Subject: [LUTE]
What about a lowered 1st on what we would otherwise consider a large
archlute? I seem to remember an archlute piece (Doni ms.) that does not
use a chanterelle. To me this implies that the first course was
problematic at times at least (a la french 11 c. pieces w/o chanterelle)
and may have been
gm not nearly as bad as it seems on an A theorbo. Peri also wrote a lot in g
and G maj. and his pieces work well too. Even F is okay once you figure out
how to stay away from the Bb barr chord on the first fret. Reentrant tuning
helps . R.
From: Ed
Some hymns as well, e.g., Reusner's hundert geistliche melodien for
voice and 11 c. No mensural notation for the voice, you're expected to
know the hymn or use another source.
-Original Message-
From: damian dlugolecki [mailto:[EMAIL PROTECTED]
Sent: Sunday, January 13, 2008 1:30 PM
It has been a while since I looked at these pieces but as I recall the
melody was missing in the ones we performed. R.
-Original Message-
From: Rob [mailto:[EMAIL PROTECTED]
Sent: Monday, January 14, 2008 9:53 AM
To: Roland Hayes; lute@cs.dartmouth.edu
Subject: RE: [LUTE] Re: airs
I think Michel Lambert, Sebastien le Camus and otherrs take up the torch
for airs de cour but with theorbo and figured bass. A little earlier
Etienne Moulenie may have published some air de cour with figured bass;
his first three books at least have tab for renaissance lute.
-Original
Terry Schumacher does!
From: David Rastall [mailto:[EMAIL PROTECTED]
Sent: Tue 11/13/2007 1:26 PM
To: Lute List
Subject: [LUTE] Single-strung 13-course Baroque Lutes?
As long as we're talking about single-strung archlutes, why not
single-strung 13-course
Is it possible to have the first course at g (440) with a string length of
67cm? ( what material?) Roland Hayes
From: Richard Stone [mailto:[EMAIL PROTECTED]
Sent: Fri 9/7/2007 8:17 PM
To: baroque-lute@cs.dartmouth.edu
Subject: [BAROQUE-LUTE] Theorboed 13-c
Curious if anyone knows what kind of lute Francesco Conti wrote for in his
songs with strings, oboe or flute, lute and b.c. in Vienna, ms. available in
two volumes from SPES.
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Does anyone know where to find more of W. Lawes's Harp Consorts than are in
Musica Britannica (vol. 32?). roland hayes
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