Dear Mathias and all
On Fri, 22 Jul 2011 23:00:13 +0200, mathias.roe...@t-online.de
The reason why many players of 10c lutes and baroque lutes do not use
this
technique is, or so I guess, that it resembles classical guitar technique
much too closely (except for the position of the RH very
Dear lutenists,
I happened to find a concordance in Mace' book. The piece he uses as an
example how to translate a piece from the New Tuning (the d-minor) to
his preferred Flat Tuning, in page 188, is a Saraband by Jean
Mercure! The piece can be found in several mss., for ex. in Milleran f.
Mathias,
why wouldn't you play the Flat Tuning version of this piece by Mace to
the y-tube by your new 12-courser? It is in the page 189. It would be
highly interesting to hear the translation - as he calls it - by Mace!
Best,
Arto
On Thu, 21 Jul 2011 10:51:50 +0300, wi...@cs.helsinki.fi
Gaultier.
The link:
http://www.cs.helsinki.fi/u/wikla/mus/11_courseLute/JollaksenLuuttukirja.pdf
Welcome to the d-minor tuning!
All the best,
Arto
On Tue, 19 Jul 2011 19:13:11 -0700 (PDT), Steve Ramey
stevera...@sbcglobal.net wrote:
All,
OK, so with all this talk of baroque lute being somewhat
to a lonely
island. :-)
Here is the link
http://www.cs.helsinki.fi/u/wikla/mus/11_courseLute/JollaksenLuuttukirja.pdf
(size is about 6 M)
Jollas is the beautiful place in Helsinki, where I was living until
June. And there I have recorded all those pieces. That is why The Lute
Book
Give us link to a photo of 10 hryvnya banknote, please.
Arto
On Wed, 06 Jul 2011 11:15:57 -0400, Roman Turovsky
r.turov...@verizon.net wrote:
BTW,
The 10 hryvnya banknote is the only one in the world to have a swan-neck
lute on it.
RT
- Original Message -
From: Roman
Beautiful! That was fast. :) Thanks.
Btw, seems to be a left-handed version.
Arto
On Wed, 6 Jul 2011 18:32:57 +0300, Eugene Kurenko
eugene.kure...@gmail.com
wrote:
Here it is:
http://planetolog.ru/banknotes/Ukraine-2006-10UAH-rev.jpg
2011/7/6 wikla wi...@cs.helsinki.fi
Give us link
Dear lute friends,
this has been very entertaining and also very useful discussion. This is
one example, why the list is so important to us! Thanks Wayne, thanks again
and again, for giving us this list.
One thought I would like add, just to empower this enjoyable confusion: In
case blaming
Dear Ron and others,
as I wrote little while ago, the only music we are able to hear is modern
music, music created just now. I sincerely agree with the efforts of trying
to be as much as possible historically informed, but also that
information is changing all the time, and has been changing
Just put carbons to my strange archlute 67/100 cm. Nylon on top g' and
30 year old Pyramids on the 3 lowest basses - worn out enough not to be too
loud and ringing. And _singles_ on the fingerboard. I really do not know,
do I love or hate that setting! The single strings fool me making the
theorbo
Dear lute friends,
every year backwards from our 2011 lessens the knowledge and adds the
speculation and assumptions of how it was done, what really was played
and how, by what kind of instruments an aesthetics (and _all_ other aspects
of art and life). So, playing medieval music will always
On Mon, 27 Jun 2011 15:30:57 -0700 (PDT), David Tayler
The part I always find confusing is that the breaking point is not
related to diameter, just the length and the pitch.
Me too! But material is material, stuff is stuff. I guess... :)
A
To get on or off this list see list
Dear (continuo-)lutenists,
there are (at least) two examples of duets for two continuo instruments -
only the numbered bass line written - but meant to be played as otherwise
all improvised duet. The one I remembered and also found in the Net, is by
G. Strozzi, see
/~wbc/tab-serv/tab-serv.cgi?Baroque_lute
with a hopelessly corrupted midi for the diapasons
G.
- Original Message - From: Roman Turovsky r.turovsky@verizon
net
To: Stuart Walsh s.wa...@ntlworld.com; Markus Lutz markus@gmlutz
de
Cc: Bernd Haegemann b...@symbol4.de; wikla wi
I wholeheartedly second this so true fact! And also starting with
Greensleeves and repeating it every now and then. And do not forget the
great Folias! You can repeat it ad infinitum... And later in a different
key and tempo - as many times you wish! ;-)
Arto
On Mon, 06 Jun 2011 08:12:02 -0400,
Good luck Benjamin!
I really would like to be there: most interesting repertoire!
Arto
On Fri, 27 May 2011 23:05:21 +0200, Benjamin Narvey luthi...@gmail.com
wrote:
--bcaec51967adb1cfcb04a4484b89
Content-Type: text/plain; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable
(Joensson,
Jonsson), see
http://www.cs.helsinki.fi/u/wikla/mus/11_courseLute/EkatKuvat.html
And my possible(?) progress with that instrument in one and half year can
be checked in my page
http://www.cs.helsinki.fi/u/wikla/mus/11_courseLute/
But my eagerness to that strange and most wonderful
On 23/05/11 09:59, Hilbert Joerg wrote:
Dear collected wisdom,
I am looking for some solo lute music connected - however - to Henry Purcell.
Any suggestions?
Dear Joerg,
thanks to Peter Steur's wonderful pages:
[1]http://mss.slweiss.de/index.php?lang=engid=2type=mssmss=nam=Purc
Well, only one is named to Daniel... At least one or two of those others -
those 2 trebles especially - sound like Henry to me... Something familiar
here and there... And Daniel's output is totally unknown to me... Purcell
specialists, check these pieces! I think we'll have some concordances to
Well, we should have had it here already 6 hours and 8 minutes ago... ;)
Arto
On Sat, 21 May 2011 16:58:15 -0400, be...@interlog.com wrote:
What does it matter? The world's going to end in an hour or two
anyhow. I'm putting down the lute and picking up a martini.
Quoting Monica Hall
So, no critcs of the critics? To me the following kind of attitudes are
pure facism:
As to purely [modernist] sound – it is utterly inappropriate for all
lutes in general, and the baroque lute in particular, as the acoustical
properties of the instrument tolerate absolutely no gratuitous
Yes Gilbert!
And they were really very inventive already in 17th cetury; just take a
look to La Comete by Gallot:
http://www.cs.helsinki.fi/u/wikla/mus/11_courseLute/GallotsCometeM.pdf
Arto
On Thu, 5 May 2011 15:21:04 +0200, Gilbert Isbin
gilbert.is...@telenet.be wrote:
Why should
Hi Martin (and all),
thanks for your interesting posting! Mainly I agree, but still a couple
modest comments (in my limited English):
On Thu, 05 May 2011 17:26:13 +0100, Martin Shepherd mar...@luteshop.co.uk
wrote:
In historical lute music, there are already several different
harmonic
those old vanishing spots of
ink!!
Arto
On Thu, 5 May 2011 22:02:58 +0200, David van Ooijen
davidvanooi...@gmail.com wrote:
On 5 May 2011 21:46, wikla wi...@cs.helsinki.fi wrote:
The only music there is, is the music of this moment. In this sense all
music is modern music.
Taking that one
Dear all,
while I agree with everyone that the C-part is good to be repeated, I would
be very careful in saying anything about what Dowlnand's intentions
really were... ;-)
Arto
On Sat, 30 Apr 2011 13:21:31 -0700 (PDT), Christopher Wilke
chriswi...@yahoo.com wrote:
Denys,
--- On Sat,
Beautiful and effective!
Thanks David and Cassandra!
Arto
On 28/04/11 00:53, David van Ooijen wrote:
For those of you who might be wondering if I do anything serious these
days, this is how I earn my living (actually, it was a fund raising
concert ...):
first try of this great but difficult piece. More versions
perhaps to come, when I learn more? You can find the original tabulature
and also modern notation of the piece in page
http://www.cs.helsinki.fi/u/wikla/mus/11_courseLute/, go to item 24.
Perhaps the piece tells about the C/1680 V1, also
Dear lutenists,
perhaps also normal(?) lutenists are intersted in a strangely modern
baroque lute piece:
Original Message
Subject: [BAROQUE-LUTE] La Comete by Gallot, modern music from 17th
century...
Date: Mon, 25 Apr 2011 22:13:00 +0300
From: wikla wi...@cs.helsinki.fi
Dear Bernd,
looks that you had lots of fun and lots of lutes! :-)
Arto
On 15/04/11 13:57, Bernd Haegemann wrote:
Dear all,
I just added some photos of 2 events to our site:
Nightly renaissance dances in the remains of the old castle of
Brussels (where St. Luc was storing his wine
Wikla, theorbo
And the program will be:
Girolamo Frescobaldi (1583-1643): Begli Occhi
Giulio Romano (1613-?): Se non hai ferro nel core
Claudio Monteverdi (1567-1643):
Ohimé, dov ´e il mio ben
Dunque ha potuto sol desio d´honore
Dunque ha
/04/2011 18:26, wikla wrote:
Very beautiful!
But I would also very much like to _see_ the player and playing -
important
part of performance... at least to me.
All the best,
Arto
On Fri, 8 Apr 2011 13:05:55 +0200, G. Cronakalei...@gmail.com
wrote:
Indeed you most successfully have
Very beautiful!
But I would also very much like to _see_ the player and playing - important
part of performance... at least to me.
All the best,
Arto
On Fri, 8 Apr 2011 13:05:55 +0200, G. Crona kalei...@gmail.com wrote:
Indeed you most successfully have Martin. I should also have added an
-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] Im
Auftrag von wikla
Gesendet: Donnerstag, 7. April 2011 21:50
An: baroque-lute@cs.dartmouth.edu
Betreff: [BAROQUE-LUTE] Ms. Leipzig II.6.14 by Tree Edition - great!
Dear baroque lutenists,
I just got the Tree/Albert R. edition of the Ms. Leipzig II.6.14
Dear b-lutenists,
Gallot writes well even without using the 2 top strings:
La Grenouillere de Gallot (Barbe p. 38):-)
http://www.youtube.com/watch?v=_wQyeK4jkVI
Arto
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
Had it for months already. Great. Recommended!
And it was cheaper to those who pre-ordered... :-)
(I think I got the info just in this list.)
Arto
On Mon, 04 Apr 2011 14:05:44 -0500, Edward Martin e...@gamutstrings.com
wrote:
Dear ones,
I just received in the mail a new book, the
Dear all,
just an innocent question: where can you find music by Saint-Luc in the
early style, I mean the more or less French style before the more or less
galant oriented style? I suppose - by reading this interesting discussion
- that there are two styles of Saint-Luc(s). Are there?
Best,
Well, not only in keyboard continuo there shouldn't be no limits; also
plucked continuo is free - the only limit is that when it is good
(subjective!) it serves the the soloist/ensemble/orchestra/... And also
serving is subjective. Of course usually mastering the style and
conventions of the
Works fine now. Thanks.
Arto
On 24/03/11 23:43, wikla wrote:
Thanks Luca,
but downloading doesn't seem to work: 5 times tried, but ends to some error
always... Well, I have the Minkoff (copy) and another, but some problem
with this scribd version that perhaps have something extra contents
Thanks Luca,
but downloading doesn't seem to work: 5 times tried, but ends to some error
always... Well, I have the Minkoff (copy) and another, but some problem
with this scribd version that perhaps have something extra contents...
I'll try tomorrow in my office with faster net connection...
-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu]
Im Auftrag von Martin Shepherd
Gesendet: Samstag, 19. März 2011 12:41
An: Lute List
Betreff: [LUTE] Re: Jacques Gallot and Francesco da Milano
Yes, I agree!
Martin
On 18/03/2011 22:46, wikla wrote
Only just one day after mine, poor JSB! ;-)
My congrats to JSB, too.
Arto
On Mon, 21 Mar 2011 17:34:56 -0400, A. J. Ness arthurjn...@verizon.net
wrote:
Happy Birthday, JSB.
--
To get on or off this list see list information at
Dear baroque lutenists,
after having check-played through quite a few pieces by Jacques Gallot,
I've come to the conclusion (that means this is my subjective opininion, of
course!) that Jacques really is one of the great lute composers - in the
level of F. da Milano, Dowland, E. Gaultier and
Original Message
Subject: [BAROQUE-LUTE] Jacques Gallot and Francesco da Milano
Date: Fri, 18 Mar 2011 23:29:00 +0200
From: wikla wi...@cs.helsinki.fi
To: baroque-l...@cs.dartmouth.edu
Dear baroque lutenists,
after having check-played through quite a few pieces by Jacques
Very, very nice! Thanks David! :-)
Arto
On Sat, 12 Mar 2011 17:55:59 +0100, David van Ooijen
davidvanooi...@gmail.com wrote:
I finally managed to upload five new Lute Lessons:
www.youtube.com/lutelessons
Last week, made some videos playing Hurel and De Vi'see on theorbo:
On 11/03/11 12:36, Anthony Hind wrote:
[1]http://tinyurl.com/67qfg6x
So beautiful instrument!! Made by?
Arto
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
by 14?
Arto
On 04/03/11 00:00, wikla wrote:
Well, thanks Charles,
this is just what I meant! I do _have_ this Tree Edition facsimile!!
Just the number of names and codes are confusing!
Now I know where to find the versions to compare with the ms. Barbe,
which is also called by name Rés. Vmb
Perhaps we have already something:
http://opac.rism.info/index.php
and in English, too
http://opac.rism.info/index.php?id=2L=1
The main page
http://www.rism.info/
Or what is this?
Arto
On 04/03/11 14:24, Jean-Marie Poirier wrote:
I agree 200 percent Bernd ;-)
Jean-Marie
Any hope or/and info of the series B and Botticher being web-published?
Arto
On Fri, 4 Mar 2011 14:53:44 +0100, Bernd Haegemann b...@symbol4.de wrote:
Nice, but,
The main page
http://www.rism.info/
Or what is this?
I cite:
The information in Series B and C is still only
Dear b-lutenists,
in the CNRS Gallot book there is reference to ms. Lei. II 6 14. Is there
any other name or link to that ms.? Or perhaps even a Peter Steur code and
link?
thanks in advance...
Arto
PS I have an idea that Gallot is an interesting composer... ;)
PS2 These multiple names and
Message Received: Mar 03 2011, 09:43 PM
From: wikla
To: baroque-lute@cs.dartmouth.edu
Cc:
Subject: [BAROQUE-LUTE] Ms. Lei. II 6 14 ?
Dear b-lutenists,
in the CNRS Gallot book there is reference to ms. Lei. II 6 14. Is
there
any other name or link to that ms.? Or perhaps
21:49:57 +0200, wikla wi...@cs.helsinki.fi wrote:
Dear lutenists,
yesterday evening I set the two top strings of my 11-courser to Mimmo's
new
nylgut. The first feel is very good, really good. Much better than the
old nylgut (which is not bad, either). But at least the thin (42 and
50)
NNG's
Dear lutenists,
yesterday evening I set the two top strings of my 11-courser to Mimmo's new
nylgut. The first feel is very good, really good. Much better than the
old nylgut (which is not bad, either). But at least the thin (42 and 50)
NNG's come quite near to the touch and sound of (Mimmo's) gut
Just in case there are b-list members not in the main list:
Original Message
Subject: [LUTE] My 1st impressions of the NNG'
Dear lutenists,
yesterday evening I set the two top strings of my 11-courser to Mimmo's new
nylgut. The first feel is very good, really good. Much better
Dear baroque musicians,
who could be the composer, or/and what could be the song model of a certain
nameless Aria in Kremsmünster ms. L78, fol. 30v–31r. The very
beginning of the piece sounds like Marche pour la Ceremonie des Turcs by
Lully, but after that it goes differently. But it still sounds
_Very_ enjoyable music! Thanks for the links Val!
Arto
On 17/02/11 09:56, Sauvage Valery wrote:
French lutenist Louis Pernot uploaded four new videos of Weiss pieces :
[1]http://www.youtube.com/watch?v=8x2OD9A9WZM
[2]http://www.youtube.com/watch?v=RwvZkIohAq4
Dear Martin and all,
years ago I tried something like that - piece of paper under the basses
of 10-courser:
http://www.cs.helsinki.fi/u/wikla/mus/own/Odysseia1992/16_Ballard_Branles_de_village_I_II.mp
It is on the Branle II, second half of the clip.
All the best,
Arto
On 10/02/11 11:46
Sorry, 3 was missing at the end of address! Should be
http://www.cs.helsinki.fi/u/wikla/mus/own/Odysseia1992/16_Ballard_Branles_de_village_I_II.mp3
so .mp3
Arto
On 10/02/11 12:00, wi...@cs.helsinki.fi wrote:
Dear Martin and all,
years ago I tried something like that - piece of paper
David,
that was a clever answer! Enjoyable! ;-)
Arto
On Tue, 8 Feb 2011 16:47:49 +0100, David van Ooijen
davidvanooi...@gmail.com wrote:
Pure is what the ears would percieve as most in tune, if not tainted
by one temperament or the other.
Pure minor third = 315.6 cents
1/4 comma minor
Dive into the _listening_ of continuo? Any link to the written music?
Beautiful, though. ;-) Thanks!
Arto
On Tue, 08 Feb 2011 10:23:56 -0800, David Tayler vidan...@sbcglobal.net
wrote:
For those wishing to dive into continuo, the slow movement of the
concerto for two cellos in G Minor is an
Dear all,
isn't it funny: you tend to read, what you think is written. It is
happy, if also the writer thought as the reader - as is the case here... ;)
Nice example of this phenomenon is scrambling the letters:
Acncriodg to a reserchaer at Crdgaimbe Ueisnrvity, it dsoen't mtetar in
waht
Very tasty chocolate, indeed! I vote YES.
Thanks Aghios! :-)
Arto
On Fri, 04 Feb 2011 13:15:51 GMT, Aghios Nikolaos ag.nikol...@gawab.com
wrote:
To whomever it may concern
I hereby solemnly declare that I will use this manuscript for reference
purposes only.
YES [ ] NO [ ]
Well, actually I did not even know Cadbury really is a chocolade brand, I
just voted for the 689 chocolade...;-)
Talking of chocolades, I prefer 50-75%. Less tends to be too sweet, more
too bitter.
Arto
PS Do you know, why polar bears do not eat penguins?
On Fri, 4 Feb 2011 16:16:39 +0100,
they live on different poles?
Cheers! Lex
Op 4 feb 2011, om 16:57 heeft wikla het volgende geschreven:
Well, actually I did not even know Cadbury really is a chocolade brand,
I
just voted for the 689 chocolade...;-)
Talking of chocolades, I prefer 50-75%. Less tends to be too sweet, more
Dear Denys copy to the List,
perhaps the digitalized computer readable facsimiles could be published
already before the analysed, commented and prettily printed (expensive? but
also valuable) books? More and more digital material is published by more
and more museums around Europe. I hope
Civilisation) and our new online
facsimile: What's the more useful edition in your opinion?
I'm interested in comments.
Andreas
Am 01.02.2011 um 21:54 schrieb wikla:
Dear Denys copy to the List,
perhaps the digitalized computer readable facsimiles could be published
already before
I must second RT's comment. Composing new music using baroque (or
renaissance) rules and style, and using perhaps 19th and/or 20th century
opinions, reductions and simplifications of the melodies and styles of some
nation or ethnic group, really is not so common. So in a way there is a
mixture of
Hi Chris,
in ms. Barbe La Grenoüillere de Gallot, p. 38, and Rossignol du V.Gautier,
p. 63.
I think I've seen others, too. I'll tell, when I find them again.
Arto
On Fri, 21 Jan 2011 08:05:11 -0800 (PST), Christopher Wilke
chriswi...@yahoo.com wrote:
Hi all,
I've been playing through
Just a not so important comment: there are many genres of music. One of the
not most common must be this ethnocentric-neo-baroque. Actually to me
already Stravinsky composed some neo-baroque music (Pulcinella for ex.),
so the baroquenism of the 21th century perhaps should be called
Thanks Anthony!
Very interesting report on Mimmo's work and inventions!
Best wishes,
Arto
On Thu, 20 Jan 2011 15:13:51 + (GMT), Anthony Hind
agno3ph...@yahoo.com wrote:
Dear Lutenists
You probably all know by now, that Mimmo Peruffo of Aquila has
acquired an
extrudor
Martyn and List
On Wed, 12 Jan 2011 14:20:17 + (GMT), Martyn Hodgson
hodgsonmar...@yahoo.co.uk wrote:
Indeed - but are 'accenti muti' perhaps something a little different -
ie with the second of the pair immediately damped - see my email below
(not copied to the general list!)
Do
Also I buy Giuliano's explanation!
Arto
On Tue, 11 Jan 2011 14:51:52 +0100, Taco Walstra wals...@science.uva.nl
wrote:
On 01/11/2011 02:48 PM, Giuliano Lucini wrote:
Yeah that sounds more logical. la mano sinistra would have been more
clear, unless you are left-handed.
taco
I'd vote
Grzegorz,
thanks for your very interesting information!
When are you going to finish your study about Silesian lute music?
Sounds interesting. Will it be available in the Net?
All the best,
Arto
On 09/01/11 21:09, Grzegorz Joachimiak wrote:
Hi lute-gang,
Arthur gave the most important
Dear baroque lutenists,
do you have any idea of the dating of the A-KR ms. L 83 (Library:
Kremsmünster, Benediktiner-Stift Kremsmünster, Regenterei oder
Musikarchiv). There in this ms. is the famous(?) lute version of the
Passacaille by Biber. His violin version was printed first time already in
Thanks!
Very nice and beautiful playing (really!) and also very nice hays and trees
in the videos, but where is the musician, where is the player? I would
very much prefer also seeing the music performed... Adds a lot to me...
Very much!
And of course many thanks also to our
If you cannot hire the violonists and basso you can play my solo version:
http://www.cs.helsinki.fi/u/wikla/mus/Vivaldi/
;-)
Arto
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
Dear lutenetters,
also to you a copy of my comments and photos of late Jim T., see below...
Happy 2011!
Arto
Original Message
Subject: Jim Tyler, memories and photos of 80's
Date: Sun, 02 Jan 2011 20:28:01 +0200
From: wikla wi...@cs.helsinki.fi
To: nel...@ecu.edu
Hi!
You
.
So I am uploaded the 2 min MOV file to YouTube:
http://www.youtube.com/watch?v=CwCG6zMIrvg
I look forward to anyone's comment and suggestion.
Yours,
Bernhard from Vienna
-Ursprüngliche Nachricht-
Von: wikla [mailto:wi...@cs.helsinki.fi]
Gesendet: Mittwoch, 13. Oktober 2010 13
Dear lutenists,
now I managed publish my simple baroque lute arrangement of this
beautiful carol. You'll find it at the end of page
http://www.cs.helsinki.fi/u/wikla/mus/11_courseLute/
All the best,
Arto
On 15/12/10 21:39, wikla wrote:
Dear baroque lutenists
There were two funny
My a little different version:
http://www.youtube.com/watch?v=2CkhfyvusWU
http://vimeo.com/17850656
I'll put my baroque lute arr in page
http://www.cs.helsinki.fi/u/wikla/mus/11_courseLute/
It is not yet there! I hope it'll be in 24 hours...
My old renaissance lute arrs are in
http
Isn't the k of the 11 course French baroque lute enough? ;-)
Arto
On Tue, 14 Dec 2010 12:25:35 -0800 (PST), sterling price
spiffys84...@yahoo.com wrote:
I use the 14th fret for works of Bach such as the chacone and BWV 997
which
I
play in d minor. The high frets on my lutes sound great.
Used those for years - they last forever... Never noticed any
inconsistencies in diameters, neither any falsinesses in tuning. The very
thick ones doesn't sound good, though, in the for lute acceptable
tensions... No sharp starting tone like gut, lazyness in gaining the
volume, no click there in
You mean this
http://www.cs.helsinki.fi/u/wikla/mus/Mdieffo1608/jan03_3.html
That's my Tieffenbrucker under construction in 2003.
Arto
On Mon, 6 Dec 2010 12:05:39 +0100, Paolo Busato pa.bus...@tiscali.it
wrote:
Thank you Martin! Instead I'm thinking of the 51 ribbed Tieffenbrucker
Well, I guess I started this (interesting, thanks to all commentators!)
gesture talk.
To me K's gestures in this certain video we talk here, certainly are of no
annoyance. Truly. They just spoil and hinder my possible enjoyment of the
music - I just cannot close my eyes, when the music is made
the possible musical message.
I am happy you got it! And I suppose so did the majority?
Arto
Chris
Christopher Wilke
Lutenist, Guitarist and Composer
www.christopherwilke.com
--- On Sun, 12/5/10, wikla wi...@cs.helsinki.fi wrote:
From: wikla wi...@cs.helsinki.fi
Subject: [LUTE] Re
On Thu, 02 Dec 2010 11:23:56 -0500, Roman Turovsky
r.turov...@verizon.net wrote:
http://www.youtube.com/watch?v=nmLoX2TTAig
His strong movements, his gestures while playing, are quite disturbing to
me. Just my problem, I guess and also admit. It would be easier to me to
listen to his very
Interesting and beautiful in its genre!
Is the lute amplified or just mixed front?
Arto
On Thu, 02 Dec 2010 11:23:56 -0500, Roman Turovsky
r.turov...@verizon.net wrote:
http://www.youtube.com/watch?v=nmLoX2TTAig
RT
From: Roman Turovsky r.turov...@verizon.net
exercise and
also a beautiful piece, for which he also created a nice story:
He told me that he found it in the attic of the oldest house of the course
center... And the piece just happened to be Preludio detta la Wikla...
You can find his original handwriting - and also a really good piece
Dear b-folks,
I was asked (by the ensemble with whom I have been playing theorbo in
Monteverdi and Marcello and the like) to play lute in the famous alto aria
of the St. John Passion. I suppose I do not have any instrument suitable to
that. So my first question: By what instrument/tuning you have
I personally would allow all the flowers blossom. Variety is the strength
of our music. And so it used to be. And so it is also in the music we hear
every day! I wouldn't like - perhaps even wouldn't tolerate - any
besserwisser to tell us the _one and only_ right way of doing anything
. (Btw:
So then, what is the reason of the difference between the way British
Library acts and how for example the great Munich Library does? There are
even many lute mss. in the Munich free scans already! Perhaps more
capitalism and market economy in the UK? Less funding to culture?
Just wondering,
Dear lutenists,
just in case any of you happen to be near by in Finland next Saturday... (I
guess not many? :-)
The Musicians of the King's Road (Kuninkaantien muusikot) will perform
the Requiem by Benedetto Marcello first time in Finland in the Turku
Cathedral in Saturday 6 November, 2010 at 9
Dear baroque lute folks,
yesterday I got the TREE-editon facsimile of the D-LEm6-24, which means
something like ms. II.6.24, Leipzig, Städtische Bibliotheken,
Musikbibliothek.
The beginning of Peter Steur's analysis in
http://mss.slweiss.de/index.php?id=2type=msms=D-LEm6-24lang=engshowmss=1
Dear Bernd, Mathias and the List...
On Mon, 18 Oct 2010 14:19:45 +0200, Bernd Haegemann b...@symbol4.de
wrote:
I uploaded for scientific and testudinological purposes a document we
were
talking about recently, PL-Wu 4142 (olim 2010).
http://dl.free.fr/rEituM5II
Well, big thanks again for
Sounds interesting also to me...
Does anyone know, which is the code of this in Peter Steur's www-cataloque?
None of the GP-... items did not name Robarts.
Arto
On Sun, 24 Oct 2010 17:06:23 +0200, Luca Manassero l...@manassero.net
wrote:
Dear List,
I am looking for the Robarts Lute
Hi b-gang,
Losy was an intelligent composer - less is more seems to have been his
case? A very simple Menuet in ms. Wittgenstein f.11r is - at least to me -
a clear proof of his wits. 50 years later some wannabe-Beethoven could have
made his 20-30 minutes symphony out of Losy's less than 2
and display our better angels to the world.
- Original Message -
From: wikla wi...@cs.helsinki.fi
To: baroque-l...@cs.dartmouth.edu
Sent: Friday, October 15, 2010 4:30 PM
Subject: [BAROQUE-LUTE] Richness of our repertoire!
Dear baroque lutenists,
isn't is amazing how huge and day
Biggest thanks dear Bernd!
231 pieces, 339 pages, of great and mainly unpublished music!
Brings lots of joy to us all!
Thanks again! :-))
Arto
On Mon, 18 Oct 2010 14:19:45 +0200, Bernd Haegemann b...@symbol4.de
wrote:
I uploaded for scientific and testudinological purposes a document we
I second Thomas' comment: I've seen and heard Bream play lute, I've seen
and with some trouble heard something of Hoppy's playing, and I have
only _seen_ Rooley accompanying his song ensemble, not heard the lute
(it was in 70's...)
Arto
On 18/10/10 11:26, Thomas Schall wrote:
I can follow
Beautiful! Thanks!
Arto
On Fri, 15 Oct 2010 22:50:14 +0100, Stuart Walsh s.wa...@ntlworld.com
wrote:
This is just a (maybe daft) little experimental curiosity - some
serial music played as lute duo. But it's real music from 'Four Two-part
Inventions' by Hanns Jelinek (1949). He says that
mistakes that are not written down... ;-)
On 13 Oct 2010 12:43 GMT, Mathias Rösel mathias.roe...@t-online.de
wrote:
wikla wi...@cs.helsinki.fi schrieb:
very interesting example! Of what decade of the 17th century this piece
and
coreography comes from?
Well, all I'm aware of are his life
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