You know - to every of you remarks my answer would be: depends on the
situation.
That's why it's actually not a good idea to write B.C. down.
If I would be alone "against" two sopranos I would concentrate on the
bass line, adding chords mainly on "important" figures but try to work
out the bass l
"Thomas Schall" <[EMAIL PROTECTED]> schrieb:
> could give a hint to those of us who don't have much experience with continuo
> playing.
When playing continuo, I for one prefer to keep LH close to the nut,
i.e. 1st or 2nd position, instead of going up as far as 4th or 5th
position. Otherwise, I'm
Dear Arto,
a good idea.
You may know - I never played the continuo the way I wrote it down -
it's just like memory told me I could have played it - but I thought it
could give a hint to those of us who don't have much experience with
continuo playing.
Anyhow - your idea is good and see if someon
Dear Thomas,
you wrote:
> I've posted a new file on my download site. A piece for 2 sopranos and
> Continuo:
> "Erhöre mich, wenn ich rufe" (SWV 289).
> I also added a possible realisation of the continuo on the archlute (as
> a suggestion). Off course I also added the original figured bass pa
Hi,
I've posted a new file on my download site. A piece for 2 sopranos and
Continuo:
"Erhöre mich, wenn ich rufe" (SWV 289).
I also added a possible realisation of the continuo on the archlute (as
a suggestion). Off course I also added the original figured bass part.
You'll find it on
http://ww
Hi,
I've posted a new file on my download site. A piece for 2 sopranos and
Continuo:
"Erhöre mich, wenn ich rufe" (SWV 289).
I also added a possible realisation of the continuo on the archlute (as
a suggestion). Off course I also added the original figured bass part.
You'll find it on
http://ww
