Hello
Unfortunately I was burgled the other day and lost my computer, along
with all my contact details.
Can anyone send me (off-list) a working e-mail address for Jakob
Lindberg? His [EMAIL PROTECTED] address doesn't seem to be
working...
My housemate also lost his custom-built electric viola
Hello Peter and everyone!
Jakob's email [EMAIL PROTECTED] should be working now. We had a technical
problem with it but now it is working again. Please tell me if you still have
problems getting in touch with Jakob on this email adress.
All the best
Peter Oljelund, webmaster for
Some hymns as well, e.g., Reusner's hundert geistliche melodien for
voice and 11 c. No mensural notation for the voice, you're expected to
know the hymn or use another source.
-Original Message-
From: damian dlugolecki [mailto:[EMAIL PROTECTED]
Sent: Sunday, January 13, 2008 1:30 PM
Dear Roland,
Are you saying that Reusner's arrangements are just accompaniments? That the
melody is not there? I like these pieces but don't know anything about them
Please excuse my ignorance, but what does 'geistliche' mean in English?
Cheers,
Rob
www.rmguitar.info
-Original
Zitat von Rob [EMAIL PROTECTED]:
Please excuse my ignorance, but what does 'geistliche' mean in English?
Rob
It means sacred or spiritual. sacred melodies
A decent online dictionary is http://dict.leo.org, albeit in German.
g
To get on or off this list see list information at
Hi Rob,
this arrangements can be played solo, as the melody is there in all of them.
It is easier if you know it, but I would say any musician will be able
to get it without knowing these tunes ;-).
For sure Reusners pieces can be used for accompaigning, but this is only
a possibility, as
And, yes, Anthony, you can accidently cross-post this to the
'proper' lute list if you want!
Rob
I will do my best not to; so I will reply straight away, before I
forget.
I was very interested in what you said recently about the development
of D minor tuning, and previously, about
Dear collected wisdom,
Would anybody have the music for 'Ti Partir Cor Mio Caro' by Filipo
Azzaiolo?
Thanks in advance,
Timo
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
It has been a while since I looked at these pieces but as I recall the
melody was missing in the ones we performed. R.
-Original Message-
From: Rob [mailto:[EMAIL PROTECTED]
Sent: Monday, January 14, 2008 9:53 AM
To: Roland Hayes; lute@cs.dartmouth.edu
Subject: RE: [LUTE] Re: airs
Hi folks,
I'm looking for a short (2-3 min) solo piece to perform on 11c Baroque
lute as part of our spring Musica Antigua de Toledo concert in April
that fits with the theme of dawn. We are interpreting this rather
broadly - it can be dawn of an age, so early Baroque composers would
work, or
Roland Hayes [EMAIL PROTECTED] schrieb:
It has been a while since I looked at these pieces but as I recall the
melody was missing in the ones we performed. R.
Some performers may have been astray by the idea that broken style means
broken chords. Yet what is broken is the melody. Reusner
Geistlich means sacred
regards
Thomas
Dear Roland,
Are you saying that Reusner's arrangements are just accompaniments? That the
melody is not there? I like these pieces but don't know anything about them
Please excuse my ignorance, but what does 'geistliche' mean in English?
That is weird- maybe. There was a period of transition; it wasn't
like everyone went to bed one night, woke the next morning to find
all the lutes re-strung retuned to d-minor but with all other
musical/social customs, mores, conventions unchanged. Off the top of
my head I can't recall how
Damian:
This is an interesting phenomenon, and the fact that printed airs de cour do
not survive with accompaniments in alternate tunings indicates that they
(alternate tunings) were really meant to take advantage of the instrumental
colors of the instrument and were just less suitable for
I think Michel Lambert, Sebastien le Camus and otherrs take up the torch
for airs de cour but with theorbo and figured bass. A little earlier
Etienne Moulenie may have published some air de cour with figured bass;
his first three books at least have tab for renaissance lute.
-Original
On Jan 14, 2008, at 10:45 AM, damian dlugolecki wrote:
I should have been more clear that I was interested more to know
why publication of lute songs in France
suddenly cease when the d minor tuning emerges.
It's curious don't you think? All those volumes by Ballard and
then nothing,
I think it might be worth remembering that there is no music printed
for solo lute in France between 1638 and ca. 1670. Ballard
publications were done on moveable type, but the publications after
ca. 1670 are all engraved. Ballard was unsuccessful in gaining a
royal privilege for the new
Le 14 janv. 08 à 18:12, Rob a écrit :
Dear Anthony,
I think you'll find the bass register below the 7th course more
problematical than the treble. Not only the sound quality of the
thick-gut
fundamentals, gimped or otherwise, but also the intonation compared
to the
octave neighbours.
Yes
X-Apparently-To: [EMAIL PROTECTED] via 206.190.48.167; Mon, 14 Jan 2008
07:43:01 -0800
X-Originating-IP: [129.170.212.100]
Authentication-Results: mta152.mail.re3.yahoo.com from=kuvalehdet.fi;
domainkeys=neutral (no sig)
Received: from 129.170.212.100 (EHLO mail.cs.dartmouth.edu)
You may recall my acquisition of a new 11c lute and experiments in pitch
with all-gut strings. I really like the sound, for the most part, but the
basses were impossible to tune or keep in tune, and first strings were an
expense. Anyway, still experimenting, I thought I would try Nylgut - here
are
20 matches
Mail list logo
