Hello, I'm happy to present my new vihuela, made by Didier Jarny...
Rosewood and maple back and sides, maple neck and head, snakewood fretboard.
Probably not an historical model (but iconographical inspiration), we
choose, with Didier the woods and decoration and he did a fantastic job, and
the
Thank you David,
But the point being made was that it may well not be that '90 percent
that are still set up wrong' as you assert but that the player's
posture is wrong (eg holding cradled in the lap and/or too close to
horizontal) and/or the plucking position is inappropriate. If
And thank you again David,
Indeed, as I pointed out earlier it is the precise plucking point which
is relevant. In particular if the player is plucking, say, up to the
rose then the geometry of the instrument will result in a smaller
course seperation than if they were plucking
On 15/04/2012 00:17, Ed Durbrow wrote:
I think you mean NUMBER 10 on page 19.
I like your interpretation. Nicely done, as usual.
How did you do the video? The left side stays anchored but the video slowly
zooms out. Was that done in software on one picture?
Thanks. Yes, I meant number 10
Very beautiful instrument, music and playing, Val.
-Ned
On Apr 15, 2012, at 2:35 AM, Sauvage Valéry wrote:
Hello, I'm happy to present my new vihuela, made by Didier Jarny...
Rosewood and maple back and sides, maple neck and head, snakewood fretboard.
Probably not an historical model (but
Friends bought this in Boliva, anybody knows how it's tuned?
David
--
***
David van Ooijen
davidvanooi...@gmail.com
www.davidvanooijen.nl
***
To get on or off this list see list information at
VERY nice on all levels!
Tom D
Hello, I'm happy to present my new vihuela, made by Didier Jarny...
Rosewood and maple back and sides, maple neck and head, snakewood
fretboard.
Probably not an historical model (but iconographical inspiration), we
choose, with Didier the woods and
CDs are dead and 48KHz sounds better.
Thanks for these tips on recording!
I have been asking colleagues and random friends this question for years:
How long do YOU think it will be before CDs go the way of the Cassette?
I did a recording with my Celtic band, Way Up North in 1994 - 5. At
CDs are dead and 48KHz sounds better.
This presumably means downloading to hard disk?
Is it not so that SACD (which was excellent), and DVDA
(a little less good) are now more or less dead on disks?
Unfortunately, it seems to be MP3, which is winning this war,
which seems a
lute makers probably should check a palm size before deciding on fingerboard
and other things, like on this movie (have a look at around 12,20 min)
http://www.youtube.com/watch?v=EHV3ODfFcgE
Obviously not very often we live close to our lute maker. Pitty
JL
To get on or off this list see
Beautiful instrument and beautiful playing! Thanks Val!
Arto
On 15/04/12 09:35, Sauvage Valéry wrote:
Hello, I'm happy to present my new vihuela, made by Didier Jarny...
Rosewood and maple back and sides, maple neck and head, snakewood fretboard.
Probably not an historical model (but
Not sure I understand your question, but not all chords are playable by
everyone on all lutes.
However, most chords can be played on most lutes.
If I had small hands, I could go to a smaller theorbo, or avoid certain
chords, but it isn't really an issue for me.
OTOH, if I had
yup!
__
From: JarosAA'aw Lipski jaroslawlip...@wp.pl
To: lute@cs.dartmouth.edu
Sent: Sun, April 15, 2012 9:24:58 AM
Subject: [LUTE] Re: Lute size and set-up was Re: What makes a good
lute?
lute makers
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