Dear Collective wisdom,
I have been tuning my 5 and 6th course in octaves for years, with wound
strings and gut or nylgut.
recently I bought the CD loaded strings from Mimmo and am slowly
getting used to them. I have thus replaced the fundamental with CD
loaded, while keeping my
Hi Bruno,
We have received the same feedback from a couple of customers these
days at Cuerdas Pulsadas, so I am going to try them in the renaissance
lute to check if this is something specific of not.
Regards.
2017-02-28 9:56 GMT-08:00 Bruno Cognyl-Fournier
Unfortunately this is a common issue with a lot of strings. One thing
you could try is to put the CD string on the other way around. Very
often that solves the problem or at least makes it less prominent. I
even had a similar issue with a long PVF string that I cut in two to put
on the 5th
Bruno- Is this the first time you have ever used non-overspun basses?
That may explain your problem rather than the loaded CD string
specifically. It's a totally different feel, whether the thick basses
are actual gut of one sort or another or a synthetic that mimics a gut
bass string. (I
yes it is the first time I use non wound strings on my basses. I have
used gut octaves for 30 years and have never had the problem, at least
not to that extent. I understand the action can be part of the
problem, although. I will test the pitch on the strings taken
Dear collective wisdom,
I once attempted to compute the amount by which the placement of a fret has to
be adjusted to compensate for the increase in tension that arises when you
depress it onto the fret.
If I remember my conclusions, correctly, when you press the string down, the
On 2/28/2017 4:06 PM, Miles Dempster wrote:
"Maybe it could help if the octave is closer in tension to the fundamental."
Bingo!- Miles wins. It became a custom to string lutes with absurdly slack octaves
early in the lute re-Renaissance, as they were functionally useless; the overspun
basses
Getting exact same tension between fundamental and octave is next to
impossible and ludicrous. Of course that wouldn't have been a
possibility In the Renaissance and lutes must certainly have been out
of tune..but our modern ear wants otherwise. My strings are not THAT
much
Hello all
So I tested the strings individually ,making sure first that the frets
were adjusted for one string properly... and conclusion is that the
loaded CD nylgut goes flat as you go up the scale on the neck...by the
time I get to the 7th fret I no longer have a perfect fifth.
Actually there is another solution to this. You’ll probably all think that I am
crazy, but I’ll suggest it anyway since it is used by some guitar makers when
crafting the nut, and might be applicable to lutes.
On my classical guitar (yes, I confess that I do actually play one
occasionally...)
Hi Bruno
No problems on my archlute's 6th and 7th. CDs and NNG octaves.
Arto
On 28/02/17 19:56, Bruno Cognyl-Fournier wrote:
Dear Collective wisdom,
I have been tuning my 5 and 6th course in octaves for years, with wound
strings and gut or nylgut.
recently I bought the CD loaded
> .I would have never thought a string would
> go flat in higher positions it is usually the opposite.
I’ve seen it happen regularly on my top string or 4th octave when an older
style nylgut (the white ones) has been on for a long time*. Usually after 7
months I have to decide whether to
Well that would mean I have to slant the frets to make the fundamental
sharper and in tune inthose positions ..which will render the octave
horribly sharp and the put the tasting below the octave string to lower
it...because it is in fact the loaded nylgut fundamental which goes
It’s also possible that the two strings are absorbing moisture at different
rates. Furthermore they may absorb hand sweat in different areas preventing or
promoting same.
“It’s way more complicated than we ever imagined!”
Sean
On Feb 28, 2017, at 5:53 PM, fournierbru
Dear Bruno,
The problem can have different explanations
the first one: the string. have you tried to install in the opposite? it
became sharper or not?
Why a string can give this problem?
maybe the string has defect, maybe the defect was introduced during the
tuning. I have seen this thing a
> On Feb 28, 2017, at 8:13 PM, Ron Andrico wrote:
>
> Sorry, but I simply can't accept the idea that the old ones couldn't
> tell whether or not they were in tune.
I understood the earlier post to mean that they could tell, but lived with it,
rather as we accept that
This is still very much a moot point. Some of the (numerous) interpretations of
the recent discoveryof a possible period stringing list lead to the
conclusion that octaves were strung at the same tension as fundamentals but it
certainly hasn't been proven as far as I know.
I find that
Why would you have a perfect fifth, are you using a temperament with perfect
fifths on your lute??
Best
Matthew
> On Mar 1, 2017, at 0:28, Bruno Cognyl-Fournier wrote:
>
> So I tested the strings individually ,making sure first that the frets
> were adjusted for one
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