My question is, who is overrating the lute?? Are we still not at about
0.1% of the population who knows or cares what it is?
Perhaps the small grain of truth that he is getting at: when a modern continuo
player on theorbo has to make themselves heard, there is by necessity a greater
ACADEMIA NAROLENSIS 2006
7th International Galiciaan Art Workshop Narol 2006
It is for 7th time that Narol Academy workshops take place in Narol,
little town situated on the frontier of Europe, among Roztocze's
forrests and hills, 10 kilometeres form Polish-Ukrainian border, in the
crossing
Roman Turovsky wrote:
I agree with him on guitar use in Bach cantatas,
You've obviously never heard Jesu mein Freunde with a well-played
Stratocaster.
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Daniel Shoskes wrote:
My question is, who is overrating the lute??
I suppose he means directors who hire lute players and, as Goebel sees
it, audiences with theorbo envy.
Perhaps the small grain of truth that he is getting at: when a modern
continuo player on theorbo has to make themselves
Dear List:
Does anyone know if Goebel ever directed a performance of Komm, süßes
Kreuz from the St. Matthew Passion, and if so does he opt for viola da
gamba over the original lute obligato? (Or the arioso for St. John's for
that matter.) If there is a general disdain for plucked chordophones
re: reinhard goebel - sounds like the sort of comment
one would make simply to annoy someone - someone in
particular. if ever there was an instrument that
provides a genuine early voice, it's the lute. for
better or worse, there's no conflicting, overlapping
references for it (with the possible
I also would say, this interview is
at least regarding Goebel's opinion on lutes and other plucked instruments
ridiculous and not all established or substantiated.
And he claims to be a musicologist ???
Best
Markus
On 02 Jun 2006 14:49 GMT, Mathias Rösel [EMAIL PROTECTED] wrote:
I agree with
There are probably some on the list who don't know that Reinhard Goebel
was, before his left hand went dead, one of the pre-eminent baroque
violinists, and is the founder-director of Musica Antiqua Koln, a
string-oriented early music with a reputation for performances that
were technically
--- Mathias Rösel [EMAIL PROTECTED]
wrote:
...IMHO, Goebel must have been entirely Liszt and
Brahms when he gave that
interview
Don't you mean Brahms and Liszt...? ;-)
DR
[EMAIL PROTECTED]
www.rastallmusic.com
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Dear all,
I guess Mr. MAK's former(?) director's talk is ok: The dogs are
barking but the caravan goes on... (I guess you have nearly a simliar
saying in English, too?)
All the best and enjoyfull theorboeing - especially if you happen to
theorboe in Hamburg - if we can believe to the report
The new Lindberg Weiss CD is out and I received my copy today from
Amazon (BIS records). He plays on a restored 11 course original 1590
Sixtus Rauwolf lute. Play list: prelude and chaconne in Eb major,
Sonata in C minor (too bad, the same one Barto just released), Sonata
in Bb major,
Jacob Heringman has a new CD out on Magnatune.com called Blame Not
My Lute (insert joke here). A 47 minute collection of 58 Renaissance
Lute pieces. Very solid and clear playing. Highly recommended for
beginner and intermediate players who will likely come across these
pieces in various
Hmmm, 48 seconds per tune average.
That brings up something I've wondered about - a lot of ren lute music
seems to be very short. Did they just play lots of short pieces or was the
practice to repeat a piece several times? Do the written scores represent
themes which the player developed as he
On Ronn MacFarlane's Scottish album, there are several pieces that are only a
handful of bars long in the original manuscript (Rowallen or Straloch). It's
hard to imagine that they were meant to be played literally since some would
barely top 10 seconds as written. He's generally used those as
In einer eMail vom 02.06.2006 23:23:49 Westeurop=E4ische Normalzeit schreibt
[EMAIL PROTECTED]:
Hmmm, 48 seconds per tune average.
That brings up something I've wondered about - a lot of ren lute music
seems to be very short. Did they just play lots of short pieces or was the
practice to
I would rather be grotesquely over-rated that just a little over-rated.
Just a little erect member envy.
Reinhard's is so tiny.
Dale
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From: sterling price [EMAIL PROTECTED]
To: BAROQUE-LUTE baroque-lute@cs.dartmouth.edu
Sent: Friday, June 02, 2006 11:42
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