Bruno wrote:
Thanks for the info! Is the book from Ian Spink still availlable? I only
find used ones...
I wouldn't know. I found mine 18 years ago, new, in 'De Slegte', the Dutch
bookshop that stocks what we call shop daughters: remains from normal shops
and publishers that are sold cheaply
The Spink book is depressing because he doesn't like the music. Open the
book at random:
The conclusion seems inescapable then, that Blow, as a song writer, fails
at all levels ... he just has not got what it takes (p. 251)
There is, however, little to say in favour of Francis Forcer, whose
Hello !!
it looks like a colascione
xx H.V
--- On Sun, 7/27/08, Roman Turovsky [EMAIL PROTECTED] wrote:
From: Roman Turovsky [EMAIL PROTECTED]
Subject: [LUTE] what the heck is this instrument?
To: Lutelist lute@cs.dartmouth.edu
Date: Sunday, July 27, 2008, 12:36 PM
Too many courses.
RT
Hello !!
it looks like a colascione
xx H.V
--- On Sun, 7/27/08, Roman Turovsky [EMAIL PROTECTED] wrote:
From: Roman Turovsky [EMAIL PROTECTED]
Subject: [LUTE] what the heck is this instrument?
To: Lutelist lute@cs.dartmouth.edu
Date: Sunday, July 27, 2008, 12:36
I'm surprised no one has mentioned Liz Kenny's interesting article on the
English lute song and continuo air. Particularly relevant to this thread is
that she suggests, quite rightly in my view, that printed lute song tablatures
ought not be regarded like modern urtext editions and that many
I omitted to give the name of the journal:
Early Music May 2008, Vol 36, pages 265-284
Elizabeth Kenny 'The uses of lute song: texts, contexts and pretexts for
historically informed performance'
MH
--- On Sun, 27/7/08, Martyn Hodgson [EMAIL PROTECTED] wrote:
From: Martyn Hodgson [EMAIL
Roman Turovsky [EMAIL PROTECTED] schrieb:
Too many courses.
RT
Yes, indeed. In fact, it is a calichone, tuned a e c G D/C. See
http://www.marincola.com/lutebot5/table.htm
Mathias
Hello !!
it looks like a colascione
xx H.V
--- On Sun, 7/27/08, Roman Turovsky [EMAIL
too many for an early one, but not for a later one.
On Jul 27, 2008, at 3:16 PM, Roman Turovsky wrote:
Too many courses.
RT
Hello !! it looks like a colascione xx H.V
--- On Sun, 7/27/08, Roman Turovsky [EMAIL PROTECTED] wrote:
From: Roman Turovsky [EMAIL PROTECTED]
Subject: [LUTE]
It is obviously a gallichon (as opposed to colascione), but I've never seen
one with such a small shell before.
RT
From: Doc Rossi [EMAIL PROTECTED]
too many for an early one, but not for a later one.
Too many courses.
RT
Hello !! it looks like a colascione xx H.V
--- On Sun, 7/27/08,
Paul McCartney's first bass.
http://carlotta.gotlib.goteborg.se/zoom/534/GM_3885_bild1.jpg
RT
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Thanks, Martyn, I didn't know that one. I'll look it up.
David
- Original Message -
From: Martyn Hodgson [EMAIL PROTECTED]
To: Lute Net lute@cs.dartmouth.edu
Sent: Sunday, July 27, 2008 4:27 PM
Subject: [LUTE] Re: More on lute songs
I omitted to give the name of the journal:
Peter
The English song composers in the transitional period between Dowland and
Purcell invariably suffer because they are compared with the two great ones:
it's not Dowland any more, but not quite Purcell yet. Ian Spink, too, tends
to use these two composers as a reference in his judgement.
That's # GM:3885 in Goteborg that you link to.
http://carlotta.gotlib.goteborg.se/zoom/534/GM_3885_bild1.jpg
Here's some closeups:
http://tinyurl.com/5pn4uj
Here's another similar instrument, # GM:3889
http://tinyurl.com/5dn6bg
They seem to have an abundant supply in Sweden. # GM:3889 is the
2008/7/27 LGS-Europe [EMAIL PROTECTED]
Thanks, Martyn, I didn't know that one. I'll look it up.
David
Current issue of Early Music, I believe...
Rob
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http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
Thanks for replying! At least I'm not the only person at sea over these
things. I can't see the point of the second group of syllables at all!
Monica
- Original Message -
From: Rob MacKillop
To: Monica Hall
Sent: Saturday, July 26, 2008 10:00 AM
Subject: Re: [VIHUELA]
Just in case my reply got lost: Look at LuteBot #5 at
http://www.marincola.com/ containing an abbreviated version of Pietro
Prosser's thesis on the calichon / mandora. It's all sufficiently
explained there.
Mathias
Arthur Ness [EMAIL PROTECTED] schrieb:
That's # GM:3885 in Goteborg that you
I enjoyed your recording very much. Why no transcription for
baroque lute? Doesn't it fall well on the fingerboard?
Damian
My arrangement of the Bach prelude from the cello suite in D
minor is
available as a free download
http://www.voicesofmusic.org/DT%20Prelude%20MMB.mp3
Tab will be
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