Thanks, David. I shall give them a try. I did e-mail Universale.
ed
At 07:50 AM 11/23/2008 +0100, David van Ooijen wrote:
On Sat, Nov 22, 2008 at 10:22 PM, Edward Martin [EMAIL PROTECTED] wrote:
Dear Ones,
I have heard from a few sources that Universale strings are much longer
lasting
[M. Galilei]
He was an Italian, playing French style in Germany! Much style brise,
as they say.
Shouldn't that be Italian style in Poland?
B.
Ed Durbrow
Saitama, Japan
[EMAIL PROTECTED]
http://www9.plala.or.jp/edurbrow/
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Dear Bernd, dear all,
why should that be so? Galilei published his book years after he came to
Munich. His years in the service of a nobleman in Poland where than a
thing of the past and his music is really very french in style. There is
certainly some (if not much) Italian style in the
Shouldn't that be Italian style in Poland?
why should that be so? Galilei published his book years after he came to
Munich. His years in the service of a nobleman in Poland where than a
thing of the past and his music is really very french in style. There is
.I sort of wanted to add
Dear Bernd,
suspect you're right concerning cross-influences in italian and french
repertoire. I did not find the time yet but it may be interesting to
compare what happened to the Air Je treuve sur le herbe assize (or so
- don't have it before my eyes now) when it came into an italian
musician's
Can anyone tell me about Terzi's Cosi le chiome? IS it even a
duet?--and if so, is it published, or would it be something put
together for a particular performance?
Are Terzi's duets completely out of the question for the relative
newcomer to the lute repertoire? -- if some are
Hi Betsy,
Cosi le chiome IS a duet. Pages 24 to 28 in the facsimile. To play Terzi
well, I'd say you need to have played for quite a few years, and have good
finger control, on at least intermediate level. Stretches are sometimes
quite prohibitive if not played on a descant lute. There are a
Hi Stephen et al,
I have used Audacity to copy vinyl MP3 CD but found the end result has
very little bass to it. There is no bass-setting on my USB-turntable. So
the settings on the stereo only enhance the audio output from the turntable.
The USB-cable goes direct into the PC. Bass just isn't
anyone have experience with these strings?
Yes, I do.
1. Do they sound as good as sheep gut? If not, are they at least
better
sounding than nylon or nylgut?
I prefer the sound of Kathedrale, also _very_ long lasting, but some
do disagree about here. Universale is _much_ better than
Greetings.
The most probable reason for the lack of bass on copying from a vinyl
might be the frequency design of vinyl players' heads. The
piezo-electric heads have their whole frequency region over in the
highs, but i assume it is not the case here, so you probably used a magnetic
head.
On Sun, Nov 23, 2008 at 3:01 PM, Betsy Lahaussois [EMAIL PROTECTED] wrote:
Are Terzi's duets completely out of the question for the relative
newcomer to the lute repertoire? -- if some are more accessible than
Shameless self-promotion:
I recorded all the Terzi duets with fellow lute
Hi, dear lutelisters,
I would like to know the sources of these pieces for two equal lutes:
A Galliard after Laveche
Queen's Goodnight.
Both are anon
Thank you very much in advance for your help!
Saludos from Barcelona,
Manolo Laguillo
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From Julia Craig McFeely's thesis ( http://www.cs.dartmouth.edu/~wbc/julia/ )
1/ Galliard for 2 lutes after Lavecchia (= after laveche )
FIRST : Ballet Lute Book, 46
SECOND : Ballet Lute Book,47
Musically unrelated to Johnson's 'Lavecchia' pavan and galliard, even though
this galliard and
thank you very much, Jean-Marie, you are very kind, as always. I have
only a (small) question: What is the reference of that Ballet Lute
Book?
Thank you, again,
Manolo
El 23/11/2008, a las 21:22, Jean-Marie Poirier escribió:
From Julia Craig McFeely's thesis (
O, with Linux the same applies, you need to install LADSPA plugins, depending
on what you are running, in Debian apt-get install cmt tap-plugins .
(installs main ladspa plugins, of course there are more).
However, running Linux, personally i prefer Rezound to Audacity. For some
reason the
Deutsche Grammophon editors must still live in the Stone Age, 'cause they
are still on Samplitude
RT
- Original Message -
From: alexander [EMAIL PROTECTED]
To: lute@cs.dartmouth.edu
Sent: Sunday, November 23, 2008 7:36 PM
Subject: [LUTE] Re: H2 - Dm de Visee
O, with Linux the
From: alexander [EMAIL PROTECTED]
On Sun, 23 Nov 2008 21:06:12 -0500
Roman Turovsky [EMAIL PROTECTED] wrote:
Deutsche Grammophon editors must still live in the Stone Age, 'cause they
are still on Samplitude
RT
I doubt they do.
I have it on a good authority.
However, if i noticed
I find them not only challenging, but they take a while to work into
your fingers. I had to prepare some once on a fairly short schedule,
and the music really requires some getting used to.
There's lots of fine lute duets, so you should work your way up to these.
dt
At 07:10 AM 11/23/2008, you
I love vinyl. Lasts forever, too.
Tips for transfer:
1. Do not transfer vinyl on CD. Repeat, do not put vinyl on CD.
2. Use a real turntable. You can buy them very cheaply on eBay. Do
not use a USB turntable.
3. If you can't deal with the whole tracking force thing, get a P
mount model. Easy to
Hola Manolo,
Here : http://www.cs.dartmouth.edu/~wbc/julia/ap1/TCD4081.htm you will find
the complete list of all the pieces in the Ballet Lute Book (a very interesting
manuscript), concordances and a description of the source itself. Again, thanks
to Julia Craig McFeely's dissertation
Or play your records on a record player :-)
Rob
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