Hi all-
So I am down to just one baroque lute now after selling one recently
and am suffering from lute-loss anxiety. I have had some great lutes in
the past and only sold them because I needed the money at the time. I
am writing this to see if anyone has or knows of any baroque
Today's offering, dedicated to my fellow Dundonian, Bill Samson.
[1]http://lutegroup.ning.com/video/adew-dundee-scottish-lute-music (Nin
g)
or
[2]http://www.youtube.com/watch?v=NGKakTaYF1Y (YT)
and three pieces from the Wemyss manuscript - something went wrong with
the
I really like the black and white visual. The playing is superb, as
usual.
On Oct 22, 2011, at 10:43 PM, Rob MacKillop wrote:
Today's offering, dedicated to my fellow Dundonian, Bill Samson.
[1][1]http://lutegroup.ning.com/video/adew-dundee-scottish-lute-music
(Nin
g)
Today's offering, dedicated to my fellow Dundonian, Bill Samson.
[1]http://lutegroup.ning.com/video/adew-dundee-scottish-lute-music (Nin
g)
or
[2]http://www.youtube.com/watch?v=NGKakTaYF1Y (YT)
and three pieces from the Wemyss manuscript - something went wrong with
the
Does anyone know how to use Finale or any similar program to edit a
lute transcription similar to what Ken Gilbert did on Kapsperger? In
fact it is not called a transcription but rather a transliteration. It
can be seen here:
I know you can do it in Lilypond. Not sure about Finale, I never understood how
to work with it for my needs.
On Oct 22, 2011, at 7:24 PM, Bruno Correia wrote:
Does anyone know how to use Finale or any similar program to edit a
lute transcription similar to what Ken Gilbert did on
I'm not quite convinced by this form of transcription, myself. I have
seen editions using a similar technique in decades past, including an
early use of a computer program to convert tab to staff (perhaps it
was German tab and used black noteheads).
But Finale can recreate this style. I
Not easy to do... I'll try and see what happens.
Thanks a lot.
2011/10/22 Rockford Mjos [1]rm...@comcast.net
I'm not quite convinced by this form of transcription, myself. I
have seen editions using a similar technique in decades past,
including an early use of a
If your paper doesn't have 9 Chickweed Lane you can catch the October 21
strip here:
http://www.gocomics.com/9chickweedlane/2011/10/22
It isn't the first time the lute family has appeared in it.
To get on or off this list see list information at
I meant October 22, obviously.
On Oct 22, 2011, at 5:09 PM, howard posner wrote:
If your paper doesn't have 9 Chickweed Lane you can catch the October 21
strip here:
http://www.gocomics.com/9chickweedlane/2011/10/22
It isn't the first time the lute family has appeared in it.
To
Bruno:
In SCORE it is trivially easy to do. I would put the rhythm symbols on an
invisible staff at any arbitrary pitch and the pitch symbols on a visible staff
synchronized to it, converting the appearance of all the notes on that one to
stemless halfnotes after entry with an alter command.
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