[LUTE] Re: preface Piccinini in English?

2014-12-16 Thread Jarosław Lipski
Hi David, I have a French version in pdf. Do let me know if you'd like a copy. All the best Jaroslaw Wiadomość napisana przez David van Ooijen w dniu 16 gru 2014, o godz. 08:52: Dear collected wisdom Can someone point me to an English (or German, French or, why not?, Dutch)

[LUTE] Re: preface Piccinini in English?

2014-12-16 Thread Jarosław Lipski
Dear Dennis, No problem at all. I'll send you a copy in a minute. Have a nice day Jaroslaw Wiadomość napisana przez dc w dniu 16 gru 2014, o godz. 10:00: Dear Jaroslaw, I'd appreciate very much also the French version. With thanks in advance, and all best wishes from France. Dennis

[LUTE] Re: preface Piccinini in English?

2014-12-16 Thread jean-michel Catherinot
[1]http://www.sf-luth.org/index.php?download=piccinini-instructions.pdf Le Mardi 16 dA(c)cembre 2014 10h10, JarosAAaw Lipski jaroslawlip...@wp.pl a A(c)crit : Dear Dennis, No problem at all. I'll send you a copy in a minute. Have a nice day Jaroslaw WiadomoAAAe napisana

[LUTE] Re: preface Piccinini in English?

2014-12-16 Thread jean-michel Catherinot
[1]http://www.sf-luth.org/index.php?download=piccinini-instructions.pdf Le Mardi 16 dA(c)cembre 2014 8h55, David van Ooijen davidvanooi...@gmail.com a A(c)crit : Dear collected wisdom Can someone point me to an English (or German, French or, why not?, Dutch) translation of

[LUTE] Re: those sarabands

2014-12-16 Thread Daniel F. Heiman
Thomas: Both of Donington's books have essentially the same relatively limited information: The only specifically French reference is Charles Masson, Nouveau traité de regles de composition de la musique, Paris 1699, the sarabande is taken gravely (gravement) Mace, 1676, says Serabands are of the

[LUTE] Re: those sarabands

2014-12-16 Thread jmpoirier2
PHNwYW4gc3R5bGU9ImZvbnQtc2l6ZToxMHB0OyI+PHAgc3R5bGU9ImZvbnQtc2l6ZToxMnB 0O21h cmdpbi10b3A6MDttYXJnaW4tYm90dG9tOjA7Ij48c3BhbiBzdHlsZT0iZm9udC1zaXplOjE wcHQ7 Ij5JbnRlcmVzdGluZyByZWdhcmRpbmcgbGF0ZSAxN3RoIGNlbnR1cnkgc2FyYWJhbmRzIGJ 1dCBm

[LUTE] Re: those sarabands

2014-12-16 Thread Bernd Haegemann
97Pqi! F6zsdf+dsfu9u8w4r! :-) On 16.12.2014 16:22, jmpoirier2 wrote: PHNwYW4gc3R5bGU9ImZvbnQtc2l6ZToxMHB0OyI+PHAgc3R5bGU9ImZvbnQtc2l6ZToxMnB 0O21h cmdpbi10b3A6MDttYXJnaW4tYm90dG9tOjA7Ij48c3BhbiBzdHlsZT0iZm9udC1zaXplOjE wcHQ7 To get on or off this list see list

[LUTE] Re: those sarabands

2014-12-16 Thread wayne cripps
Jean-Marie was trying to say - Interesting regarding late 17th century sarabands but for the earlier type only Mersenne (1636) says something pointing to a quick or lively tempo as I replied to Thomas before. I don't know of another source mentioning the saraband in the 1630 when the Ballard

[LUTE] Re: those sarabands

2014-12-16 Thread Ron Andrico
Hello Thomas: A good modernish source of information can be found in D. J. Buch, The Influence of the Ballet de cour in the Genesis of the French Baroque Suite, Acta Musicologica, Vol. 57, Fasc. 1 (Jan. - Jun., 1985), pp. 94-109. The saraband is discussed on page 102. Since so

[LUTE] Identity Theft in Georgian London?

2014-12-16 Thread WALSH STUART
I had a go at writing a sort of blog post using WordPress. Although the topic is an obscure publication for the 18th century wire-strung guittar it's an intriguing little enigma and still not resolved. http://www.tuningsinthirds.com/blog/ Stuart --- This email has been checked for

[LUTE] Re: Identity Theft in Georgian London?

2014-12-16 Thread Rob MacKillop
Stuart, I've just read your interesting essay, and, if I may, I'd like to say a word or two... The two parts you highlight in red in the Con Spirito of Serenata II are very easy to play in C Major tuning - Oswald has many such passages - they fit easily under the fingers. What is