Hi David,
I have a French version in pdf. Do let me know if you'd like a copy.
All the best
Jaroslaw
Wiadomość napisana przez David van Ooijen w dniu 16 gru 2014, o godz. 08:52:
Dear collected wisdom
Can someone point me to an English (or German, French or, why not?,
Dutch)
Dear Dennis,
No problem at all. I'll send you a copy in a minute.
Have a nice day
Jaroslaw
Wiadomość napisana przez dc w dniu 16 gru 2014, o godz. 10:00:
Dear Jaroslaw,
I'd appreciate very much also the French version.
With thanks in advance, and all best wishes from France.
Dennis
[1]http://www.sf-luth.org/index.php?download=piccinini-instructions.pdf
Le Mardi 16 dA(c)cembre 2014 10h10, JarosAAaw Lipski
jaroslawlip...@wp.pl a A(c)crit :
Dear Dennis,
No problem at all. I'll send you a copy in a minute.
Have a nice day
Jaroslaw
WiadomoAAAe napisana
[1]http://www.sf-luth.org/index.php?download=piccinini-instructions.pdf
Le Mardi 16 dA(c)cembre 2014 8h55, David van Ooijen
davidvanooi...@gmail.com a A(c)crit :
Dear collected wisdom
Can someone point me to an English (or German, French or, why not?,
Dutch) translation of
Thomas:
Both of Donington's books have essentially the same relatively limited
information:
The only specifically French reference is Charles Masson, Nouveau traité de
regles de composition de la musique, Paris 1699, the sarabande is taken
gravely (gravement)
Mace, 1676, says Serabands are of the
PHNwYW4gc3R5bGU9ImZvbnQtc2l6ZToxMHB0OyI+PHAgc3R5bGU9ImZvbnQtc2l6ZToxMnB
0O21h
cmdpbi10b3A6MDttYXJnaW4tYm90dG9tOjA7Ij48c3BhbiBzdHlsZT0iZm9udC1zaXplOjE
wcHQ7
Ij5JbnRlcmVzdGluZyByZWdhcmRpbmcgbGF0ZSAxN3RoIGNlbnR1cnkgc2FyYWJhbmRzIGJ
1dCBm
97Pqi! F6zsdf+dsfu9u8w4r! :-)
On 16.12.2014 16:22, jmpoirier2 wrote:
PHNwYW4gc3R5bGU9ImZvbnQtc2l6ZToxMHB0OyI+PHAgc3R5bGU9ImZvbnQtc2l6ZToxMnB
0O21h
cmdpbi10b3A6MDttYXJnaW4tYm90dG9tOjA7Ij48c3BhbiBzdHlsZT0iZm9udC1zaXplOjE
wcHQ7
To get on or off this list see list
Jean-Marie was trying to say -
Interesting regarding late 17th century sarabands but for the earlier type only
Mersenne (1636) says something pointing to a quick or lively tempo as I replied
to Thomas before. I don't know of another source mentioning the saraband in the
1630 when the Ballard
Hello Thomas:
A good modernish source of information can be found in D. J. Buch, The
Influence of the Ballet de cour in the Genesis of the French Baroque
Suite, Acta Musicologica, Vol. 57, Fasc. 1 (Jan. - Jun., 1985), pp.
94-109. The saraband is discussed on page 102.
Since so
I had a go at writing a sort of blog post using WordPress.
Although the topic is an obscure publication for the 18th century
wire-strung guittar it's an intriguing little enigma and still not resolved.
http://www.tuningsinthirds.com/blog/
Stuart
---
This email has been checked for
Stuart, I've just read your interesting essay, and, if I may, I'd like
to say a word or two...
The two parts you highlight in red in the Con Spirito of Serenata II
are very easy to play in C Major tuning - Oswald has many such passages
- they fit easily under the fingers. What is
11 matches
Mail list logo