Organ played on its quieter stops, as an accompaniment instrument.
On Mon, Nov 2, 2015 at 10:02 AM, [1]r.turov...@gmail.com
<[2]r.turov...@gmail.com> wrote:
Lute and organ combo would create unsolvable balance problems,
wouldn't it?
RT
On 11/2/2015 11:56 AM, Peter
Well, there are Pittoni's Sonatas da chiesa and da camera for theorbo
with a continuo part for organ and cembalo respectively. Also
Kapsberger's third and fourth chitarrone books with a continuo part
that could be done on keyboard. No written out parts that I know. Also,
those works
Geoff,
Many thanks for your note. I can see that the real solution for my
children is simply to forge ahead with the figured bass, otherwise it
won't be possible!
Meanwhile, Arto Wikla sent me a PDF of the Robert Dowland score, for
which I am very grateful.
Peter
On Mon,
On 2015-11-02 1:28 PM, Peter Kwasniewski wrote:
Many thanks for your note. I can see that the real solution for my
children is simply to forge ahead with the figured bass, otherwise it
won't be possible!
It's not too hard to work out a figured bass on lute because there are
fairly limited
Hi Peter,
There are the divisions on vocal repertory from the latter half of the 16th
century. Either lute or organ could play the original chanson and the other
could take the fancy bits. The London Pro Musica editions work nicely - for
example #13, Divisions on Vestiva i colli (Palestrina),
Hi all
Perhaps my very old (1994!) "lute continuo school" is for some help to
continuo beginners? See
http://www.cs.helsinki.fi/u/wikla/mus/continuo.pdf
Arto
On 02/11/15 20:28, Peter Kwasniewski wrote:
Geoff,
Many thanks for your note. I can see that the real solution for my
Hi Peter,
Dowland's son Robert published Amarilli with written out tabulature in
1610 in his "Musicall Banquet". It is to 7 course lute, but easily
adopted to 6 courser.
Arto
PS If you wish, I can take a photo of those 2 pages and send them to you.
On 02/11/15 18:56, Peter Kwasniewski
Lute and organ combo would create unsolvable balance problems, wouldn't it?
RT
On 11/2/2015 11:56 AM, Peter Kwasniewski wrote:
Dear everyone,
I'm new to this list. For introduction, I'll simply say that I'm a
great lover of medieval, Renaissance, and Baroque music, a composer of
Dear everyone,
I'm new to this list. For introduction, I'll simply say that I'm a
great lover of medieval, Renaissance, and Baroque music, a composer of
sacred music and choir director. My son plays the harp and the lute
(Renaissance, 6 course); my daughter plays the piano and
Is this the one you are referring to --
[1]http://www.earlymusicshop.com/product.aspx/en-GB/1095936-girolamo-da
lla-casa-and-giovanni-bassano-divisions
Peter
On Mon, Nov 2, 2015 at 12:48 PM, Sean Smith <[2]lutesm...@mac.com>
wrote:
Hi Peter,
There are the divisions on
Hello Peter,
I would try some Diego Ortiz first, but it could require transposition.
Ortiz really rocks :-)
Also the Vivaldi trios with lute will work well, you wouldn't need the
unisono-violin. And there's an anonymous concerto for lute and continuo from
the Spencer collection. There was a
Yes.
On Nov 2, 2015, at 2:06 PM, Peter Kwasniewski wrote:
Is this the one you are referring to --
[1]http://www.earlymusicshop.com/product.aspx/en-GB/1095936-girolamo-da
lla-casa-and-giovanni-bassano-divisions
Peter
On Mon, Nov 2, 2015 at 12:48 PM, Sean Smith <[2]lutesm...@mac.com>
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