. I moved the 14th
over so there is a bigger space between 13 and 14.
Also-just call it what it is-a baroque lute. The
difference in sound is barely noticable.
Sterling Price
--- Michael Stitt [EMAIL PROTECTED] wrote:
Dear all,
Am I right to assume that Bach's music is the only
music
Weren't many re-entrant theorbos strung with a double
first? And especially bass lutes? I have been wanting
to try a theorbo with all double courses. I have heard
that they were more common historicaly than now.
Sterling Price
__
Do you Yahoo!?
Find out what made
Dear lutenetters,
Here is a reply from a series of questions which I
(privately) put to
Arto about converting a lute into a theorbo.
Since so many lutes were converted to so many
different configurations historicaly, this sort of
thing seems like a good way to learn more about lute
I am not clear on the problem here-you want to get rid
of a good lute because it has a small crack in the
sound board? If this is so the lute is not the
instrument for you.
Sterling Price
__
Do you Yahoo!?
Vote for the stars of Yahoo!'s
Also, I don't know if this is an option for you,
but a ceiling fan should
be fairly quiet.
Just be careful if you play an archlute or theorbo in
the same room as a ceiling fan.
Sterling Price
__
Do you Yahoo!?
New and Improved Yahoo! Mail
of 7 string experiment. The
hole is there to hang the stinker on the wall.
Sterling Price
__
Do you Yahoo!?
New and Improved Yahoo! Mail - 100MB free storage!
http://promotions.yahoo.com/new_mail
of it like carrying a heavy load:
with a baroque lute I have a wheel barrow, with the
ren lute I am carrying the load on my shoulders.
Sterling Price
--- Roman Turovsky [EMAIL PROTECTED] wrote:
I have an opinion on that as well, but that would
hurt a lot of feelings out
there. So I'll abstain.
RT
The Stubbs performance of the Weiss C major suite on
this disc is not to be missed. Wait til you hear the
courante and the allegro. This allegro is probably as
difficult and dramatic as the baroque lute gets and
Stubbs more than does it justice. Oh you are in for a
treat!
Sterling Price
Hello
lute I would
immedeatly convert it to 13.
Sterling Price
--- Edward Martin [EMAIL PROTECTED] wrote:
baroque lute. In consulting Dan Larson, he thought
it was a great idea,
and as there is precedence for doing this, he did
it. He had to:
1. Make a new neck peg box
2. Make a new bridge
3
for lutes, but DON'T TRY THIS AT HOME.
Earlier lutes just don't
have enough wood to hold 13 courses.
RT
__
Roman M. Turovsky
http://polyhymnion.org/swv
From: sterling price [EMAIL PROTECTED]
I have been interested in this for a while. It
seems
to me to be a valuable
THIS AT HOME.
Earlier lutes just don't
have enough wood to hold 13 courses.
RT
__
Roman M. Turovsky
http://polyhymnion.org/swv
From: sterling price [EMAIL PROTECTED]
I have been interested in this for a while. It
seems
to me to be a valuable insight
lutes.
This is not as bad as
cello-pins for lutes, but DON'T TRY THIS AT
HOME.
Earlier lutes just don't
have enough wood to hold 13 courses.
RT
__
Roman M. Turovsky
http://polyhymnion.org/swv
From: sterling price [EMAIL PROTECTED]
I have been interested
I assume the person played it on baroque lute because
the piece uses a a guitar tuning that is similar to
the d minor tuning. Must have been fun.
Sterling Price
--- Howard Posner [EMAIL PROTECTED] wrote:
On Saturday, Jul 29, 2006, at 05:52
America/Los_Angeles, Roman Turovsky
wrote:
I
Yes there is a menuet by Weiss in the London book that
is in B minor. It is the only Weiss I have seen in
this key. Its on page 155 in the Peters edition. There
is also a sarabande in E minor by Weiss from a G major
suite, and that is the only E minor Weiss. This is
strange because these 2 keys
Hi all,
I just have a question about hide glue. What is the
best gram strength to use for lutes? I have been using
#192 on my first lute, but a friend uses #315. Do
people use different strengths on different parts of
the lute?
Sterling Price
My lutes have a spacing of 15.7, but I do have large
hands (one of the lutes has a 75.6 cm string length,
and the other is 74). The bridge spacing certainly
does affect the right hand technique. The real problem
is when you have 2 lutes with different bridge
spacings and you try to play them on
Well first of all he plays over the rose. And he stops
the basses so fast that one can't hear them.
Sterling
--- Arto Wikla [EMAIL PROTECTED] wrote:
On Tuesday 18 September 2007 15:21, henk wrote:
.[..] I went to a concert [...] given by Hopkinson
Smith [...]. Although I was sitting in the
- Original Message
From: Jon Murphy [EMAIL PROTECTED]
I think a lot of the old
boys would have appreciated a band saw, or other modern conveniences.
Best, Jon
I have never really understood this kind of thinking with regard to historical
things. If 'the old boys' were alive today
I think it depends on how many courses the lute has and how big the hands are,
but for the 13c baroque lute I think a good size for bridge spacing is around
15.4 cm. The lutes I play are 15.7cm which is quite large. I have a real hard
time on lutes with smaller spacing.
The exact space between
Hi-regarding lowering the action of a lute-I just had it done by the maker to
one of my lutes a month ago. First he took off most of the soundboard (not all
the way off). Then he planned down the ribs about 1 mm, thus lowering the
soundboard and the action. It worked beautifully and the lute
I say go for it. I think there is much to be learned from this type of
thing-converting old lutes into something new and -perhaps- better.
Sterling
- Original Message
From: Stephen Arndt [EMAIL PROTECTED]
To: lute@cs.dartmouth.edu
Sent: Friday, June 20, 2008 11:12:46 AM
Subject: [LUTE]
Hi-If you are interested in the baroque lute, you should get one. You just
might find the left hand fingerings easier on the fingers than the ren-lute. As
to the question of how many courses-that should be determined by the music you
want to play. Get a 13 course if you like Weiss and Bach, or
The missing part to the courante was recontructed by Stephen Stubbs and you can
hear it on his recording. It is very convincing. The 1939 version was I think
composed by Hans Neeman and does not really fit the rest of the courante at all.
Sterling
- Original Message
From: Nigel
I was wondering about the 15 and 16 course theorbos in this respect. I think
the last 2 courses are tuned to the high F# and G#. And then there is the 19
course theorbo with even more chromatic notes.
Sterling
- Original Message
From: David van Ooijen [EMAIL PROTECTED]
To: Lute
Hi-I always use the biggest frets I can get away with. When I first get a lute
I usually find that the frets are too small for me and the lute sounds choked.
There is a very marked improvement with bigger frets.
Sterling
- Original Message
From: Roman Turovsky lu...@polyhymnion.org
Hi-Can anyone comment on the type of lutes Gerwig used? I seem to remember
hearing that he used some kind of 10 course in ren tuning even for the baroque
music.
Sterling
- Original Message
From: damian dlugolecki dam...@teleport.com
To: Peter Jones pjones...@toucansurf.com;
And an entertaining poll: What is the colour of your F-major and E-major?
Those two are clearest to me: to me there are no other alternatives to
these two. D-major perhaps could be yellow? A-minor grey possible? C-major
white? Well, that's enough...
Best,
Arto
Hi-This is commonly known as
And an entertaining poll: What is the colour of your F-major and E-major?
Those two are clearest to me: to me there are no other alternatives to
these two. D-major perhaps could be yellow? A-minor grey possible? C-major
white? Well, that's enough...
Best,
Arto
Hi-This is commonly known as
Hi-regarding Yepes early recordings of Bach, what about the much earlier
recordings of Podolski(sp?). Anyone have info on these recordings? I have one
old LP and it is truly horrid.
By the way, the Yepes Bach Lute LPs can often be found on ebay--thats where I
got mine.
Sterling
-
The VA has my two favorite lutes--the massively ornate J.H. Goldt baroque lute
and the almost as impressive Rauch baroque lute. When ever I am in London I
make it a point to see themsigh.
Sterling
- Original Message
From: Stuart Walsh s.wa...@ntlworld.com
Cc: Lute List
You can also tighten loose frets by doing a similar thing: pull the fret toward
the nut, then loosen the knot and burn it down a few millimeters. Then put the
fret back in place and it will be tighter.
-Sterling
Subject: [LUTE] Re: New frets
Something you can do to improve worn frets if
I for one would like to go on record and and say that these geared tuner
things are an abomination. Well made normal pegs are just fine. These geared
things seem to be an attempt to compensate for poor pegs.
Sterling
- Original Message
From: Eugene C. Braig IV brai...@osu.edu
To:
Hi-Does anyone know where I can find the E Major Concerto by Karl Kohaut? I
know
its located in the Berlin Stadt Bibliothek but I'm not sure how to get it.
Thanks,
Sterling
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
I always gate-check my baroque lute. I haven't had any problems so far.
One time I gate checked it all the way to England with no trouble...
Sterling
- Original Message
From: Ed Durbrow edurb...@sea.plala.or.jp
To: LuteNet list lute@cs.dartmouth.edu
Sent: Sat, July 17, 2010
Most lutes have way too small body frets as they come from the maker. I always
make bigger more suitable frets on my lutes. This often means that they get
-taller- as they go up from fret K, especially if there is 14 frets. Of course
this all depends on the action of the lute.
--Sterling
- Original Message
From: sterling price spiffys84...@yahoo.com
To: Stuart Walsh s.wa...@ntlworld.com; Lute Net lute@cs.dartmouth.edu
Sent: Mon, December 13, 2010 12:06:33 AM
Subject: Re: [LUTE] lute piece by Brian Wright (and fret n)
Most lutes have way too small body frets
I use the 14th fret for works of Bach such as the chacone and BWV 997 which I
play in d minor. The high frets on my lutes sound great.
Sterling
- Original Message
From: Christopher Wilke chriswi...@yahoo.com
To: sterling price spiffys84...@yahoo.com; Stuart Walsh s.wa...@ntlworld.com
Hi-
You could always just do what I did when I first got an archlute: tune it in
dminor tuning. It works.
Sterling
- Original Message
From: Bruno Correia bruno.l...@gmail.com
To: List LUTELIST lute@cs.dartmouth.edu
Sent: Wed, January 19, 2011 7:55:07 PM
Subject: [LUTE] Weiss
Does
Subject: [LUTE] Re: Mace
You couldn't get better encouragement than from Mace. He tells how
'easy' the Baroque lute is compared to those of the past.
Good luck.
Mace is absolutely right about this. Much easier
-Sterling Price
On Jul 17, 2011, at 2:25 AM, brentlynk wrote
brentl...@bellsouth.net
To: sterling price spiffys84...@yahoo.com; lute@cs.dartmouth.edu
Sent: Sun, July 17, 2011 9:26:47 AM
Subject: Re: [LUTE] Re: Mace
Hi, Sterling and Ed,
Part of me wants to believe you when you say baroque lute is easier, and I do
recall having read that...the chords do
I think it was last year at the seminar in Cleveland that Andy Rutherford had
what he called his 'Mace' lute. It was a very charming 12 course lute based on
what Mace describes and also on half of the dyophone(sp?) lute shown in Mace's
book.
--Sterling
- Original Message
From:
In July I sent an ebony baroque lute to Canada from the US without any
problems.
-Sterling
From: Guy Smith guy_m_sm...@comcast.net
To: 'William Samson' willsam...@yahoo.co.uk; lute@cs.dartmouth.edu
Sent: Friday, August 26, 2011 1:34 PM
Subject: [LUTE] Re: An article from
Hi-
Even with gut strings on say a baroque lute it is still good to damp
the strings, otherwise it sounds messy. Also just for articulation. If
you listen to the top players of today damping basses is very
common. There are different techniques for damping and it soon becomes
As any good luthier will tell you today, hide glue is still superior to
modern glue for several reasons.
--Sterling
Subject: [LUTE] Re: long strings?
Or, As I enjoy assuming, the old ones used the best they had, and if
they'd had epoxy glue and nylon strings that's what they'd
From: sterling price
Sent: Wednesday, August 31, 2011 2:30 AM
To: Garry Warber ; [1]lute@cs.dartmouth.edu
Subject: Re: [LUTE] Re: long strings?
As any good luthier will tell you today, hide glue is still superior to
modern glue for several reasons.
--Sterling
Subject: [LUTE
Hey, I helped build that instrumentgood to hear it!
--Sterling
From: Stuart Walsh s.wa...@ntlworld.com
To: Lute Net lute@cs.dartmouth.edu
Sent: Sunday, October 2, 2011 5:16 PM
Subject: [LUTE] mandora/gallichon music (and something modern)
I have loaned the UK Lute
Hi-
Good performance. I have been working on this suite lately too. I
like to have the 13th course down to G, or I play it in A minor. I used
to have a 14 course baroque lute that I wish I still had.
-Sterling
From: JOSEPH CALABRESE joseph.calabr...@usa.net
To:
I have all these recordings of the lute-harpsichord and one thing has
bothered me--the baroque lute has octave strings for the bass and the
lute harpsichord almost never replicates this so it sounds more like a
theorbo. Still fun though. There is even a guy on ebay selling
Hi-so who made your lute?
I was thinking of You tubing the f minor Hagen sonata. That is my
favorite along with the Eb major(or D#major!) sonata.
--Sterling
From: Christopher Wilke chriswi...@yahoo.com
To: Lutelist lute@cs.dartmouth.edu
Sent: Monday, October 24, 2011 5:41 AM
I had a great time helping build that mandora. David Van Edwards is the
best
--Sterling
From: Stuart Walsh s.wa...@ntlworld.com
To: Lute Net lute@cs.dartmouth.edu
Sent: Friday, October 28, 2011 7:50 AM
Subject: [LUTE] Andante and Gigue for gallichon (Brescianello...?)
From: Daniel Winheld dwinh...@comcast.net
To: howard posner howardpos...@ca.rr.com
Cc: Lutelist LUTELIST lute@cs.dartmouth.edu
Sent: Sunday, November 20, 2011 7:10 PM
Subject: [LUTE] Re: Buzzing [was Gut strings]
Hi-I often practice this technique--playing only the 6th course
- Forwarded Message -
From: sterling price spiffys84...@yahoo.com
To: baroque lute list baroque-l...@cs.dartmouth.edu;
lute@cs.dartmouth.edu lute@cs.dartmouth.edu
Sent: Thursday, March 22, 2012 9:44 PM
Subject: [BAROQUE-LUTE] Archlute by Dan Larson for sale
Hi folks
Hi-sorry if this has been discussed in this thread, but consider
Bach's BWV 1025 for violin and harpsichord which was only recently
(1993) discovered to be based on a lute suite by Weiss. Did Weiss
supply Bach with a score in staff notation, or did Bach read from the
tab?
Hi all-
Many years ago I strung my attiorbato as a tiorbino and it worked quite
well. I only kept it that way for a while though as I wanted to try
other things. Anyway I was thinking of doing it again and I have a few
questions about tiorbinos. Were they always single strung or
I'm so Proud:). He has only been playing a few months.
--Sterling
From: Adam Olsen arol...@gmail.com
To: Lute List lute@cs.dartmouth.edu
Sent: Monday, May 21, 2012 9:01 PM
Subject: [LUTE] Allemande in d minor by SLW
Tried my hand at this YouTube stuff. I figured you folks
Hi--Last week I asked the list about tuning my 14 course attiorbato as
a tiorbino...well I decided to keep it as a liuto attiorbato. I had not
played it at all for several years and I am now having a blast playing
some of the archlute rep as well as ren lute music including Dowland
Arthur--any idea what Yale paid for this book? Just wondering
--Sterling
From: A. J. Ness arthurjn...@verizon.net
To: hera caius caiush2...@yahoo.com; Lute List
lute@cs.dartmouth.edu
Sent: Wednesday, May 30, 2012 3:41 PM
Subject: [LUTE] Re: A special request (Kapsberger)
Hi-I'm not sure if this list is still active so here goes---I have a
small archlute with a bridge that is made of ebony and I would like to
replace it with something more appropriate. Also because the string
spacing and action is all wrong. My question is--what is involved in
after it got here. Now the split goes almost the whole top but it has
not hurt playability. Perhaps I should just make a new soundboard
I will keep you all posted on what I do.
--Sterling
From: Richard Lees rel...@sbcglobal.net
To: sterling price spiffys84...@yahoo.com
Hi--I am sure that the bridge is ebony because I have drilled/enlarged
several holes on it and its black dust all the way though. I am worried
about the braces and the soundboard. Here in Utah the humidity often
gets as low as 5-10%(like today).
I am still looking for someone to do
I am quite picky about body frets. I always use a hard material like
ebony or rosewood. On my holly lute the body frets are a
holly/ebony/holly sandwich and on another lute I have ebony/ivory
sandwich. These lutes sound great in high positions.
--Sterling
From: Stephan Olbertz
Hi-they are not parallel to the soundboard. The layers are quite thin
but with three layers it becomes a big fret.
I used a drum sander to make the thin layers.
-Sterling
From: Ed Durbrow edurb...@sea.mail.or.jp
To: sterling price spiffys84...@yahoo.com; LuteNet list
lute
Hi--this is interesting. Sometimes I have left a carbon and silver
strung 13 course lute for months of not playing and then take it out of
the case and -all- the strings are still in tune. I do live in a very
dry stable climate though...
--Sterling
From: Claudia Funder
I have an 8 string guitar with an A first string at 65cm at 440. The
size of the string is 0.41 and it sounds geat. It has been tuned up to
pitch since 2008. I think it is nylon and I got it off my baroque lute.
--Sterling
From: Din Ghani d...@sardin.co.uk
To: 'Paul Daverman'
Hi all-
Just wondering about a good source to get a peg sharpener in the US.
The sharpener that Stewart-Macdonald has doesnt seem right for lute
pegs...
--Sterling
--
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
I made a shaper a while ago per the David Van Edwards but I wanted a
comercial one. I just ordered a Chinese these thing from Ebay so I hope
that works.
--Sterling
From: Andrew Hartig cittern2...@theaterofmusic.com
To: lute-buil...@cs.dartmouth.edu
Sent: Monday, March 4, 2013
Hi all--
I recently changed the frets on my baroque lute (after many years of
service). I went up from 1.10 mm to 1.20 mm on all frets. The problem I
am having is there are a few frets that are not sitting all the way
flat under the first course so it has a 'choked' sound on some
that this feature need not be
utilized in the copy lute though.
--Sterling
__
From: Michael Vollbrecht mollbre...@gmail.com
To: sterling price spiffys84...@yahoo.com
Cc: lute@cs.dartmouth.edu lute@cs.dartmouth.edu
than I'd like to use.
Sean
On Jul 16, 2013, at 6:08 PM, sterling price wrote:
Hi-
There was no problem when this lute had just -slightly- smaller
frets.
I was hoping there would be some remedy I could do without putting
new
frets on as they are quite expensive
Hi--yes that was 2004 in Cleveland. I didn't have plans or a kit but I
would modify existing guitars. I started building them again this year.
They actually work quite well.
Sterling
__
From: Dan Winheld
It's not that hard to change the spacing on an existing lute. There is
no reason anyone should be playing a lute that doesn't fit right.
--Sterling
__
From: Leonard Williams arc...@verizon.net
To: lute
Chris--
I just heard the interview. Well spoken, and of course wow on the cd.
Sterling
__
From: Christopher Wilke chriswi...@yahoo.com
To: Lutelist List lute@cs.dartmouth.edu
Sent: Saturday, August 24, 2013
I have been playing an Edlinger baroque lute for 19 years. I think I am
partial to lutes of the Edlinger school, more so than Hoffman or
Widhalm. I also play a Burkholzer lute which could be considered an
Edlinger, as he did the conversion. The Edlinger baroque lute does have
a very
Regarding hand written music---
If given a choice, I would always prefer hand written tab to computer
tab, especially with baroque music. I am baffled why anyone would
choose computer over original, when the original is so clear and
beautiful. When the original is not legible that
Perhaps one reason nails are used on modern classical guitars is the
very thick soundboard and high tension strings. On my 19th century
Lacote guitar copy, no-nails sounds perfect and full.
The sound of nails on plastic strings is sometimes grating to me. On
the other hand, for me
Regarding nails on gut strings--even people like Segovia used nails on
gut for decades. I like those early recordings of modern guitars strung
with gut. I think nylon strings came about after WWII.
Sterling
On Tuesday, December 10, 2013 7:46 PM, Sean Smith lutesm...@mac.com
Some of this talk of masterclasses has reminded me of my checkered past
with the format.
In 1994, when I was 20, I performed in a masterclass of a certain
well-known female guitarist. I made the mistake of not using her
edition of the Bach I was playing. She was not amused. She was
I was playing through the 1611 Kapsperge book and I came across the
Corrente 7. Toward the end of the piece there is an 11 marked in the
bass for the eleventh course B flat. This I think is the only instance
of an eleventh course in the book. I was under the impression that
Dear Martin and others--
Could you give advice on specifics for stringing an attiorbato with no wound
strings? I have an attiorbato sized 57x85 and it is currently tuned in g at
415hz. All double courses except the top string. At this size should I go to a
higher pitch? I would like to try
Hi all--Can someone direct me to an English translation of the
instructions in the first book of Delphin de Musica of Narvaez?
Yes, I know it is hard to believe but I recently got a nice renaissance
lute and I am exploring the six course music for the first time. I
can't believe how
Thanks to all who responded to my query. I have ordered the Neusidler
12 Dances from Tree Edition.
Sterling
__
From: Harald Hamre privat har...@hamre.de
To: Dan Winheld dwinh...@lmi.net; Lutelist Net
Yes I also usually use the Leipzig version with 13 tuned to G. Also,
when I first started the lute I made a version in a minor but I really
like the suite in g minor.
Sterling
__
From: Christopher Wilke
Hi--I am looking for a version of the Teutch Lautenbuch of Melchior
Neusidler that is in something other than German Tab. Or do I need to
go ahead and try to learn to read German Tab?
Thanks all,
Sterling
--
To get on or off this list see list information at
Sent from my iPad
Begin forwarded message:
From: sterling price [1]spiffys84...@cs.dartmouth.edu
Date: March 20, 2015, 4:01:41 PM MDT
To: BAROQUE-LUTE Lutelist [2]baroque-l...@cs.dartmouth.edu, Lutelist
Net [3]lute@cs.dartmouth.edu, 10string [4]10str...@yahoogroups.com
Hi all--
Some of you may remember my baroque lute made by John Butterfield with
ribs and neck made in very white holly. It is a superb lute and no it
is not for sale. John stopped building lutes shortly after he built
that lute and he would have been one of the great ones had he
Winheld dwinh...@lmi.net; Charles Mokotoff
mokot...@gmail.com; Gary Boye boy...@appstate.edu; Mayes, Joseph
ma...@rowan.edu; Michael Grant mmgrant0...@gmail.com; Sterling
Price spiffys84...@yahoo.com; LuteNet list lute@cs.dartmouth.edu
Sent: Thursday, May 28, 2015 5:14 PM
Subject: Re
If your lute has shitty, ill fitting pegs then PegHeads might be fine, but it
seems that most lute builders know how to make pegs that work just great. When
I see PegHeads on early guitars with six strings I seriously feel the need to
throw up.
Sterling
Sent from my iPad
On May 26, 2015, at
I always use a nice screw to strengthen the pegbox to neck joint as this is the
way I was taught in lute building. What do other lute makers do? I am at the
moment making a triple beg box for a baroque lute and am about to configure the
screw and joint. Lutes always have a screw or nail at the
23, 2015, at 3:02 PM, Sterling Price
[6]spiffys84...@yahoo.com wrote:
Just curious-- has anyone ever had or heard of a pegbox failing
because of a strap? It should be fine if one ties the strap as close as
possible to the joint.
Sterling
Sent from my iPad
I have been using this lute list since 1995.
Sterling
Sent from my iPad
On Jul 21, 2015, at 12:27 PM, Charles Mokotoff mokot...@gmail.com wrote:
Absolutely, thanks Wayne for everything you've done, its been immensely
helpful to me.
On Tue, Jul 21, 2015 at 12:57 PM, Leah Baranov
Just curious-- has anyone ever had or heard of a pegbox failing because of a
strap? It should be fine if one ties the strap as close as possible to the
joint.
Sterling
Sent from my iPad
On Jul 23, 2015, at 10:23 AM, Chris Barker csbarker...@att.net wrote:
I have noticed one recurring
hn Cowley Center for HREM, LE-CSSS
B134B Bateman Physical Sciences Building
Arizona State University
[9]PO Box 871704
[10]Tempe, AZ 85287-1704
On Oct 5, 2015, at 3:02 PM, sterling price
<[11]spiffys84...@cs.dartmouth.edu> wrote:
It was a neat interview. How woul
Hi--and this brings up a desire of mine to hear more players use a true
liuto attiorbato--that is with octave strings on all the basses. I find
the liuto attiorbato much more satisfying than the archlute with single
basses. And what is really annoying--an attiorbato with single
Actually the correct spelling is d'oh!
Sent from my iPad
> On Sep 2, 2015, at 5:01 PM, Mayes, Joseph wrote:
>
> Dough!!!
>
>
>> On 9/2/15 5:51 PM, "Braig, Eugene" wrote:
>>
>> Sorry, Joe. That's Foreigner.
>>
>> Eugene
>>
>>
Barker <csbarker...@att.net>
To: 'Charles Mokotoff' <mokot...@gmail.com>; 'LuteNet list'
<lute@cs.dartmouth.edu>
Sent: Monday, October 5, 2015 2:33 PM
Subject: [LUTE] Re: Fun interview with Sterling Price
Let's see here... I have three Trumps, and one that ris
Unkind perhaps--but so true...
Sterling
__
From: Ed Durbrow <edurb...@sea.plala.or.jp>
To: sterling price <spiffys84...@yahoo.com>; LuteNet list
<lute@cs.dartmouth.edu>
Sent: Monday, Octob
Can someone direct me to the source of this title as played by O'Dette
on the album 'Robin Hood'?
Thanks!
Sterling
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Thanks to those who directed me to it. I now have it.
Sterling
__
From: Kyle Patterson <patterk...@gmail.com>
To: sterling price <spiffys84...@yahoo.com>
Cc: Lute List <lute@cs.dartmouth.edu&g
Dear list--
Yesterday I got a new six course lute. This is the first time I have
really played one.
Question--is there an octave generally on the fourth course? Say for
Milano and such. But I also plan to play vihuela music on this, so then
no octaves?
Sterling
--
To
I'm sure everyone has their own ways to deal with this, but I always
just apply a thin layer of white glue on the bottom of the fret (this
is about the only place where white glue is acceptable on a lute).
Press it down and hold firmly with your hands till dry (2-3 minutes is
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