Simple physics: the strings are not uniform along their lengths,
something that is actually difficult to achieve but something we have
become accustomed to with newer more sophisticated methods of making
strings.
A. John Mardinly, Ph.D., P.E.
Retired Principal Materials
originale-
From: Bruno Cognyl-Fournier
Sent: Wednesday, March 1, 2017 3:33 PM
To: lute@cs.dartmouth.edu
Subject: [LUTE] Re: basses in octaves
Guys,
This discussion is not about whether one should use pythagorean or
equal temperament, it is about two strings in octavbles on the same
Guys,
This discussion is not about whether one should use pythagorean or
equal temperament, it is about two strings in octavbles on the same
course not being in tune together, by the time I've reached 5th fret,
and the dissonance increases as I go beyond 5th fret. the only change
To: Lute net
Subject: [LUTE] Re: basses in octaves
Mimmo,
Just to see if I have understood you correctly, please confirm or correct
the following statement, which tries to put your explanation in another way:
If you want to have the octave at the same tension as the fundamental, you
must choose
-Messaggio originale- From: Matthew Daillie
> Sent: Wednesday, March 1, 2017 8:49 AM
> To: Dan Winheld
> Cc: Miles Dempster ; lute@cs.dartmouth.edu
> Subject: [LUTE] Re: basses in octaves
>
> This is still very much a moot point. Some of the (numerous) interpretation
Sorry, I meant 'pure', not 'perfect'.
Best
Matthew
> On Mar 1, 2017, at 9:43, Matthew Daillie wrote:
>
> None of the intervals are perfect in equal temperament (they all 'beat'). I
> agree with the the major third on the open strings of a modern guitar being
>
None of the intervals are perfect in equal temperament (they all 'beat'). I
agree with the the major third on the open strings of a modern guitar being
classed as an imperfect consonance, but Ron describes it as being 'dissonant'.
Best
Matthew
> On Mar 1, 2017, at 9:18, Lex van Sante
In the "dark times", actually medieval times, they used the Pythagorean
tuning, in which the major third is even larger than in the equal
temperament. That third really is very dissonant!
Arto
On 01/03/17 10:18, Lex van Sante wrote:
The major third is a dissonance in equal temperament
@cs.dartmouth.edu
Subject: [LUTE] Re: basses in octaves
This is still very much a moot point. Some of the (numerous) interpretations
of the recent discoveryof a possible period stringing list lead to the
conclusion that octaves were strung at the same tension as fundamentals but
it certainly hasn't
Dear All,
A few points which might help clarify the discussion:
Maybe the problem with the CD string is is has stretched more in the
section on the fingerboard than the section nearer the bridge - as Mimmo
says, a good test is to turn the string round.
No problem with having equal tension
The major third is a dissonance in equal temperament because it is way too big.
Even the perfect major third was considered to be an imperfect consonance in
the dark ages.
Lex
> Op 1 mrt. 2017, om 09:03 heeft Matthew Daillie het
> volgende geschreven:
>
> Could you
Could you explain what you mean Ron, I don't understand this at all. Why do you
say the interval of a third is a dissonant interval?
Best
Matthew
> On Mar 1, 2017, at 5:13, Ron Andrico wrote:
>
> 3) It's not the g string on guitar that is the cause of the tuning
>
02-28 9:48 PM (GMT-05:00)
> To: [3]lute@cs.dartmouth.edu
> Subject: [LUTE] Re: basses in octaves
>
> Actually there is another solution to this. You'll probably all
think
> that I am crazy, but I'll suggest it anyway since it is used by some
> guitar
Why would you have a perfect fifth, are you using a temperament with perfect
fifths on your lute??
Best
Matthew
> On Mar 1, 2017, at 0:28, Bruno Cognyl-Fournier wrote:
>
> So I tested the strings individually ,making sure first that the frets
> were adjusted for one
This is still very much a moot point. Some of the (numerous) interpretations of
the recent discoveryof a possible period stringing list lead to the
conclusion that octaves were strung at the same tension as fundamentals but it
certainly hasn't been proven as far as I know.
I find that
> On Feb 28, 2017, at 8:13 PM, Ron Andrico wrote:
>
> Sorry, but I simply can't accept the idea that the old ones couldn't
> tell whether or not they were in tune.
I understood the earlier post to mean that they could tell, but lived with it,
rather as we accept that
: Wednesday, March 1, 2017 12:28 AM
To: Dan Winheld
Cc: Arto Wikla ; lute@cs.dartmouth.edu
Subject: [LUTE] Re: basses in octaves
Hello all
So I tested the strings individually ,making sure first that the frets
were adjusted for one string properly... and conclusion is that the
loaded CD
device over Canada's largest network.
>
> Original message
> From: Miles Dempster <miles.demps...@gmail.com>
> Date: 2017-02-28 9:48 PM (GMT-05:00)
> To: lute@cs.dartmouth.edu
> Subject: [LUTE] Re: basses in octaves
>
> Actually there is another solutio
: 2017-02-28 9:48 PM (GMT-05:00)
To: lute@cs.dartmouth.edu
Subject: [LUTE] Re: basses in octaves
Actually there is another solution to this. You'll probably all think
that I am crazy, but I'll suggest it anyway since it is used by some
guitar makers when crafting the nut, and
gt; Original message
> From: Dan Winheld <dwinh...@lmi.net>
> Date: 2017-02-28 8:07 PM (GMT-05:00)
> To: Miles Dempster <miles.demps...@gmail.com>, lute@cs.dartmouth.edu
> Subject: [LUTE] Re: basses in octaves
>
> On 2/28/2017 4:06 P
from my Bell Samsung device over Canada's largest network.
>
> Original message
> From: Dan Winheld <dwinh...@lmi.net>
> Date: 2017-02-28 8:07 PM (GMT-05:00)
> To: Miles Dempster <miles.demps...@gmail.com>, lute@cs.dartmouth.edu
> Subject:
.
Original message
From: Dan Winheld <dwinh...@lmi.net>
Date: 2017-02-28 8:07 PM (GMT-05:00)
To: Miles Dempster <miles.demps...@gmail.com>, lute@cs.dartmouth.edu
Subject: [LUTE] Re: basses in octaves
On 2/28/2017 4:06 PM, Miles Dempster wrote:
"Ma
On 2/28/2017 4:06 PM, Miles Dempster wrote:
"Maybe it could help if the octave is closer in tension to the fundamental."
Bingo!- Miles wins. It became a custom to string lutes with absurdly slack octaves
early in the lute re-Renaissance, as they were functionally useless; the overspun
basses
Dear collective wisdom,
I once attempted to compute the amount by which the placement of a fret has to
be adjusted to compensate for the increase in tension that arises when you
depress it onto the fret.
If I remember my conclusions, correctly, when you press the string down, the
Hello all
So I tested the strings individually ,making sure first that the frets
were adjusted for one string properly... and conclusion is that the
loaded CD nylgut goes flat as you go up the scale on the neck...by the
time I get to the 7th fret I no longer have a perfect fifth.
yes it is the first time I use non wound strings on my basses. I have
used gut octaves for 30 years and have never had the problem, at least
not to that extent. I understand the action can be part of the
problem, although. I will test the pitch on the strings taken
Bruno- Is this the first time you have ever used non-overspun basses?
That may explain your problem rather than the loaded CD string
specifically. It's a totally different feel, whether the thick basses
are actual gut of one sort or another or a synthetic that mimics a gut
bass string. (I
Unfortunately this is a common issue with a lot of strings. One thing
you could try is to put the CD string on the other way around. Very
often that solves the problem or at least makes it less prominent. I
even had a similar issue with a long PVF string that I cut in two to put
on the 5th
Hi Bruno
No problems on my archlute's 6th and 7th. CDs and NNG octaves.
Arto
On 28/02/17 19:56, Bruno Cognyl-Fournier wrote:
Dear Collective wisdom,
I have been tuning my 5 and 6th course in octaves for years, with wound
strings and gut or nylgut.
recently I bought the CD loaded
Hi Bruno,
We have received the same feedback from a couple of customers these
days at Cuerdas Pulsadas, so I am going to try them in the renaissance
lute to check if this is something specific of not.
Regards.
2017-02-28 9:56 GMT-08:00 Bruno Cognyl-Fournier
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