t;From: [2]lute-...@cs.dartmouth.edu <[3]lute-...@cs.dartmouth.edu>
> on behalf
> of G. C. <[4]kalei...@gmail.com>
>Sent: Tuesday, August 8, 2017 8:48 PM
>To: Lute List
>Subject: [LUTE] Re: Zarlino, Giuseppe - Quatre livres o
rom: lute-...@cs.dartmouth.edu on behalf
> of G. C.
> Sent: Tuesday, August 8, 2017 8:48 PM
> To: Lute List
> Subject: [LUTE] Re: Zarlino, Giuseppe - Quatre livres ou parties des
> Institutions harmoniques
>
> What baffles me is what a baroque tablature is doing,
Well, airs de cour were still accompanied by lutes in renaissance tuning at the
time...
Jean-Marie
> Le 8 août 2017 à 22:48, G. C. a écrit :
>
> What baffles me is what a baroque tablature is doing, applied on a
> renaissance tuning and a french translation of Zarlino in anno 1654 a
> 100
> On Aug 8, 2017, at 2:37 PM, Ron Andrico wrote:
>
> As far
> as I can tell, all of these popular misconceptions were created by
> 20th-century academics in an attempt to cram random information into
> easily teachable categories.
Fake musicology!? Sad.
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From: [2]lute-...@cs.dartmouth.edu <[3]lute-...@cs.dartmouth.edu>
on behalf
of G. C. <[4]kalei...@gmail.com>
Sent: Tuesday, August 8, 2017 8:48 PM
To: Lute List
Subject: [LUTE] Re: Zarlino, Giuseppe - Quatre livres ou parties
des
What baffles me is what a baroque tablature is doing, applied on a
renaissance tuning and a french translation of Zarlino in anno 1654 a
100 years after pub. I thought everyone had gone over to the other side
by then! :)
G.
On Tue, Aug 8, 2017 at 10:10 PM, Jean-Marie Poirier
<[
Yes but it certainly shows how lutenists could transpose music to their
instrument and this French translation is 17th century, one century after
Zarlino published his treatise. Interesting stuff !
Best,
Jean-Marie
> Le 8 août 2017 à 21:24, G. C. a écrit :
>
> This was first published in 15
This was first published in 1558. The original has no tabl. so these
are examples...
The person who copied (and maybe also translated) the italian print did
a monumental work!
G.
On Tue, Aug 8, 2017 at 9:18 PM, Jean-Marie Poirier
<[1]jmpoiri...@wanadoo.fr> wrote:
The tab
The tablature is just the transcription of the notated parts, note for note,
maybe an interesting insight into compositional processes of the time (mid-17th
century)...
Jean-Marie
--
> Hi
> has anyone looked at the lute tablature in this work (in french), or
> even read the
