Hi,
I'm currently working on a library (about 85% done at the moment) that does
some of the things you want. I too am a SuperCollider user and once I wanted to
make a clean library implementation (fork) of scsynth to use with mobile
development. When I brought up the case in sc-dev mailing
LuaJIT is being ported by its impressive author, Mike Pall, to PowerPC
architecture, for pay.
Regards,
Mike
On Thu, Feb 17, 2011 at 9:47 AM, Gwenhwyfaer gwenhwyf...@gmail.com wrote:
On 17/02/2011, Michael Gogins michael.gog...@gmail.com wrote:
All reports are not yet in, but there is a
On 17/02/2011, Michael Gogins michael.gog...@gmail.com wrote:
LuaJIT is being ported by its impressive author, Mike Pall, to PowerPC
architecture, for pay.
So with an iPad and a whip-round...? ;)
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What is a whip-round?
Regards,
Mike
On Thu, Feb 17, 2011 at 12:31 PM, Gwenhwyfaer gwenhwyf...@gmail.com wrote:
On 17/02/2011, Michael Gogins michael.gog...@gmail.com wrote:
LuaJIT is being ported by its impressive author, Mike Pall, to PowerPC
architecture, for pay.
So with an iPad and a
On 17/02/2011, Michael Gogins michael.gog...@gmail.com wrote:
What is a whip-round?
An impromptu collection of money, generally for a benevolent cause.
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links
Well this one's been going since 1st Jan 2000, using SuperCollider 2 I
believe (though I don't know if the actual machines have been running
continuously or if there is replacement):
http://longplayer.org/
Dan
On 16/02/2011 18:21, Victor Lazzarini wrote:
I wonder what is the record of
Both impressive runs. Dan, I think raw uptime is
the currency here :) The 1000 year piece is a cool idea.
How about a musical tower of Hanoi?
Perhaps the success of installations like these
has to do with the systems on which they run,
since we're often building in an embedded or minimal
Not sure if anyone mentioned jamoma - at least part of it has a
permissive licence, not sure if it's the bit you would need
http://redmine.jamoma.org/projects/audiograph
On 8 Feb 2011, at 03:28, Morgan Packard mor...@morganpackard.com wrote:
Thanks Oliver.
Just took a look. Looks like a very
Morgan -
I don't know RTCmix but the situation you describe is similar to that
with SuperCollider: if you run SC's audio engine as a background process
and call into the engine usually using OSC, your calling application
is separate and doesn't need to be GPL'd.
I don't know how convenient
Morgan Packard wrote:
It seems there are a number of ways to interpret whether an
application which links to a GPL library must be open-sourced as well
(based on wikipedia's expert legal advice).
Wikipedia is not a legal expert nor am I.
The Free Software Foundation which publishes the GPL
Yes, SuperCollider code *should* be GPL, thank God. That doesn't mean
you can't charge for it. Build your application, charge for it, but
put the stuff somewhere as GPL code too.
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Yes, in fact I've been doing it for years (the rtcmix~ object for max/msp).
brad
On Feb 8, 2011, at 12:08 AM, Morgan Packard wrote:
Brad,
It seems there are a number of ways to interpret whether an
application which links to a GPL library must be open-sourced as well
(based on
This is how I did the sc3~ object for max/msp. RTcmix is set up to compile as
a static or dynamic library, so it's a bit more tightly-coupled.
brad
http://music.columbia.edu/~brad
On Feb 8, 2011, at 3:43 AM, Dan Stowell wrote:
Morgan -
I don't know RTCmix but the situation you describe
and the csound~ and csoundapi~ objects for MaxMSP and PD are modules
that are dynamically-linked to Csound, but their particulart licence
can be anything
(it's LGPL as it happens, csoundapi~).
Victor
On 8 Feb 2011, at 15:18, Brad Garton wrote:
This is how I did the sc3~ object for
On 08.02.11 10:08, Erik de Castro Lopo wrote:
Ross Bencina wrote:
Morgan wrote:
SuperCollider -- GPL licence, would require that I open-source my app
Are you sure this is the case? even if you run scserver in a separate
process (assuming you can do that on iOS) and call it from your own
On 8 February 2011 15:50, Stefan Kersten s...@k-hornz.de wrote:
the known precedents make it a risky undertaking trying to distribute _any_
GPL'd application through the app store, because apple might decide to take it
out in any moment; not a sound foundation to build any business model on ...
Very well pointed out. That is why we need to look towards other
platforms... and forget this one.
On 8 Feb 2011, at 15:50, Stefan Kersten wrote:
that covers the i don't want to open-source my app part but it
doesn't help
with the apple doesn't want GPL apps in their store part, because
On Mon, Feb 7, 2011 at 8:09 PM, Morgan Packard mor...@morganpackard.com wrote:
Am I missing something? Is there anything -- free, or not, which I
should look at for iOS development besides Pure Data? Are there not
hundreds of other people with the same needs that I have? Are my
options really
+1 for Zen Garden, because I was alongside Martin while
he developed and know the code is quite lean and clean, designed
for mobile in mind (Android and iPhone) and he is quite liberal
about licensing.
Also on Brad's RTCmix, I have never found anything more reliable
for basic functions, in a
Wow, that's longer than the tests I've done!
brad
On Feb 8, 2011, at 3:55 PM, Andy Farnell wrote:
Also on Brad's RTCmix, I have never found anything more reliable
for basic functions, in a test I had a sound server installation
mixing wavs to make random ambient textures, it ran for 4
Thanks Douglas.
Took a look at RTCmix last night. It's GPL licensed. Besides that,
looks like it might be a good fit for me.
-Morgan
On Mon, Feb 7, 2011 at 6:25 PM, douglas repetto
doug...@music.columbia.edu wrote:
Brad Garton has RTcmix running on the iPhone:
Maybe the icst dsp library (bsd)?
On 8 Feb 2011, at 01:34, Morgan Packard mor...@morganpackard.com wrote:
Thanks Douglas.
Took a look at RTCmix last night. It's GPL licensed. Besides that,
looks like it might be a good fit for me.
-Morgan
On Mon, Feb 7, 2011 at 6:25 PM, douglas repetto
Thanks Oliver.
Just took a look. Looks like a very nice collection of functions, but
as far as I can tell, it's quite similar to STK in that it will
require me to manage connections between processors i.e. signal flow
myself.
-Morgan
On Mon, Feb 7, 2011 at 7:54 PM, Oliver Larkin
Morgan wrote:
simply plugging unit generators in
to one another, not having to stop and think about how to, for
example, go from a mono oscillator signal to a stereo reverb signal.
I'd like to be able to work more like I work in SuperCollider, writing
higher-level code to create a signal path,
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