Re: [NetBehaviour] Fwd: [ORG-discuss] London Hack Space

2009-01-27 Thread benjamin
It seems there is still a deal of room for development in London,  
considering the activity in much of the rest of Europe. Though  
perhaps it might be an uphill struggle, new media is a major theme  
adjacent to my practice and I've a couple of connections we could  
explore to support any practice.

(been chatting to the bones recently)


Warm regards,

Benjamin.




On 26 Jan 2009, at 22:27, APO33 wrote:

 Hi
 we are trying to set up a medialab since one year in Area10 where we
 could welcome such meeting and open the space for projects like that.
 We faced a lot of difficulties due to the space condition. The space
 that would have been dedicated to it have been flooded 2 weeks ago...

 http://www.a10lab.info is the backup website of few months ago (our
 server was under water!!!)

 We are actually looking for a new space for the medialab, or in Area10
 or near.

 Also we are actually opening a new space in Cossall Estate, peckham,
 dedicated to new media, hacking, open hardware, free software,
 workshop, digital art...etc

 I will join the list and propose it there but if some guys are already
 interested we could talk about it for some meeting or proposition.

 the space should be operational early march!


 cheers


 Julien Ottavi



 -- Forwarded message --
 From: Jonty Wareing jo...@jonty.co.uk
 Date: Sun, Jan 25, 2009 at 11:11 PM
 Subject: [ORG-discuss] London Hack Space
 To: org-disc...@lists.openrightsgroup.org


 For some time now London has been in need of a proper hacker space.
 The number of hacking
 groups has exploded over the last year or so with new events popping
 up every weekend.
 Despite this we're still missing a meeting place, a place where we  
 can
 store projects
 and share ideas. Where we can meet like minded people who share our
 passions. Where we can
 learn new skills without making a significant investment.

 We'd like to change that, but we need people to help.

 If you're interested, we've set up a preliminary mailing list on
 google groups where we can
 gather. It's just temporary until we come up with a name and have  
 more
 solid foundations.

 Find us here: http://groups.google.com/group/london-hack-space

 --jonty
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 -- 
 APO33
 space of research and experimentation
 http://www.apo33.org
 i...@apo33.org



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[NetBehaviour] Nowhere / Now / Here, contemplating the work of a machine.

2009-01-27 Thread marc garrett
Nowhere / Now / Here, contemplating the work of a machine.

Review by Vito Campanelli.

Nowhere / Now / Here is an exhibition organized by LABoral, Centro de 
Arte y Creación Industrial of Gijón: 78 works by 67 artists from 20 
countries, exhibited till the end of April. The exhibition, curated by 
the Spanish designers Roberto Feo and Rosario Hurtado, walks the line 
between art and design, only to discover that that line doesn't exist 
anymore: it vanished, creating opportunities to find new ways to recount 
the ever-changing contemporary reality and shape the future. The three 
thematic areas (Material Intervention, Psychological Exploration and 
Cultural Resistance) highlight three areas of research and provide a 
useful map for trying to understand the main threads of contemporary 
design.

The curators have chosen to shun fixed categories, arguing that they are 
simply a marketing device, so the exhibition area contains artworks made 
with the most disparate media and approaches: from the azulejos of the 
Portuguese designers Pedrita to the virtual reality of British designer 
Marc Owens. Feo and Hurtado, by exhibiting works they feel an affinity 
to, have been able to encourage a union between these works. This has 
been augmented through showing works in small groups with attached 
identity tags (for example: solitude, memento, symbiosis, expansion, 
absence, fiction, etc.) that although seeming somewhat arbitrary, 
represent a natural way to inspire discussion of different approaches to 
design. The feeling that the artworks are dialectically citing one 
another is also promoted through their method of arrangement.

To read more visit Neural.it
http://www.neural.it/art/2009/01/nowhere_now_here_contemplating.phtml
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[NetBehaviour] NODE.London 2009 Web Development process.

2009-01-27 Thread marc garrett
NODE.London 2009 Web Development process.

NODE.London has received a small grant from the Arts Council to rebuild, 
upgrade and develop the website.

It will be a vital resource for all involved, artists, organisations, 
insititutions and anyone who wishes to use it. We intend to have it all 
up and ready well before the next Season of Media Arts in March 2010.

We have a small dedicated crew dealing with the technical side of the 
web-facility, all we need now are volunteers to collaborate in shaping 
key functions and features, give feedback during the process of its 
development.

The experience will be relaxed and all suggestions will be valued 
respectfully, all through the process. The first of 3 Development 
sessions start on Monday February 9th, then Monday March 9th and Monday 
April 13th, 7-9 pm. There will be food and drink supplied, and a mix of 
experts and novices collaborating together at these meets.

If you are interested either join this wiki (http://wiki.nodel.org) and 
add your name under each of the dates or email kwat...@romanesque.co.uk

For other information visit - www.nodel.org
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Re: [NetBehaviour] XorCurses-0.0.2

2009-01-27 Thread marc garrett




Hi James,

Thanks for this...


"When I came back to this game, I had forgotten the levels
to some extent, and was never very good at them back in the early
1990's. The map was invaluable - and this prompted me to write the code
to display the map now and not later so the first three levels are
playable."

I will have a go at this. I was also wondering what other
console games you can recommend to newbies and g-adicts on this list?

wishing you well.

marc



  Hi,

For those interested (in retro console/terminal ASCII games on Linux) I
have just made a new release of XorCurses. It's starting to look like a
proper game now :-) New to this release are: falling fish (ouch) running
chickens (arrgh!) a map (woohoo!) and even, imagine this, a menu to
allow you select which level you want to play (some levels restricted
until further coding) - just like the original Xor game!

more:
http://jwm-art.net/light.php?p=j20090127-0415

there's bound to be bugs, but the last time i checked (on the important
stuff) no memory leaks.

enjoy.

james

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Re: [NetBehaviour] XorCurses-0.0.2

2009-01-27 Thread clemos
Hi Marc

I do have a suggestion (top 3):
http://www.nethack.org/
http://webpages.mr.net/bobz/ttyquake/
http://linux.die.net/man/6/hunt

There are some very good suggestions on this thread also :
http://ubuntuforums.org/showthread.php?t=603292

+
Clément

On Tue, Jan 27, 2009 at 1:15 PM, marc garrett
marc.garr...@furtherfield.org wrote:
 Hi James,

 Thanks for this...

 When I came back to this game, I had forgotten the levels to some extent,
 and was never very good at them back in the early 1990's. The map was
 invaluable - and this prompted me to write the code to display the map now
 and not later so the first three levels are playable.

 I will have a go at this. I was also wondering what other console games you
 can recommend to newbies and g-adicts on this list?

 wishing you well.

 marc

 Hi,

 For those interested (in retro console/terminal ASCII games on Linux) I
 have just made a new release of XorCurses. It's starting to look like a
 proper game now :-) New to this release are: falling fish (ouch) running
 chickens (arrgh!) a map (woohoo!) and even, imagine this, a menu to
 allow you select which level you want to play (some levels restricted
 until further coding) - just like the original Xor game!

 more:
 http://jwm-art.net/light.php?p=j20090127-0415

 there's bound to be bugs, but the last time i checked (on the important
 stuff) no memory leaks.

 enjoy.

 james

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[NetBehaviour] Code Dreams are Made of This...

2009-01-27 Thread info
Code Dreams are Made of This...

By M. Beatrice Fazi

This year’s Piksel festival celebrating ‘Code Dreams’ saw the boundaries 
between artists, audience, hardware and software blur in the collective 
pursuit of a machinic unconscious, as well as a highly conscious 
celebration of FLOSS culture. Review by M. Beatrice Fazi

What does code dream? Asking this question presupposes not only machinic 
consciousness but, above all, agency. What are our dreams of code? 
Answering this involves collective propositions for cultural techniques 
and models of production. Piksel08 festival investigates both – in 
between logics of source code, quests for artistic freedom and the 
beautiful scenario of a cold Norwegian winter.

Piksel (http://www.piksel.no ) is an annual event for practitioners and 
theoreticians working with free/libre and open source software [FLOSS] 
and hardware. Artists, developers and programmers meet annually in 
Bergen, Norway, to exchange opinions, bits of code, and to present their 
latest projects. Born in 2003 as a meeting space around the 
collaborative work of Gisle Froysland and Carlo Prelz on the real-time 
video-processing application MoB, across its six editions Piksel 
festival has evolved from a small workshop environment into a diverse 
international gathering, which includes live events, exhibitions, 
seminars, performances and discussions on the aesthetic and ethical 
implications of FLOSS culture and production.

http://www.metamute.org/en/content/code_dreams_are_made_of_this


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[NetBehaviour] Inaugurationanimation

2009-01-27 Thread Edward Picot
Pall -

I've just watched this all the way through, and I think it's fantastic. It 
ought to be put on permanent display somewhere. It's got such a sense of 
history to it - not just the history of America and American politics, but the 
history of American art too - that really painterly quality which you've 
managed to catch. There are times when you can almost feel the pigment being 
pushed around with a pallette-knife, and the colours - those reddish browns, 
blacks and blues - have got a tremendous richness to them. The slowness of the 
action seems to bring out the patrician, studies aspect of the ceremony. From 
this side of the Atlantic, it seems to capture a real sense of the complexity 
of American politics: the intensely aspirational quality, the feeling that 
individuals can make a difference, that the human spirit is inherently noble, 
and that the world can be made a better place if we just make a sufficient 
effort - along with the intense theatricality, the self-regard, the sense that 
these gestures are being made with the whole world for an audience, and that if 
you can just get the gestures right it almost doesn't matter what you actually 
do.

Two passages in particular struck me, and made me wonder how much you'd 
readjusted your original to emphasise certain aspects. The whole Aretha 
Franklin passage is wonderful, but it seems to me that there's a contrast 
between her black face and the whiteness of the Capitol which is really 
symbolic of something or other. And at about the forty-minute mark we get a 
glimpse of George W, and instead of being reddish-brown like all the others his 
face is grey, the colour of lead. Did you do that on purpose or did it just 
come out that way?

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Re: [NetBehaviour] Inaugurationanimation

2009-01-27 Thread Pall Thayer
Hi Edward,
Thanks for the comments. I like your description so much that I'm
going to try not to ruin it by explaining *everything*. That being
said, no, the scenes you describe were not done that way on purpose.
The whole thing was done with automated processes that I've developed
over the past few years. So, although I usually have a pretty good
idea of what everything is going to look like, I don't apply specific
effects to specific scenes or images.

But the idea is to achieve a sort of painterly quality and in this
case it has certain implications. Historically we tend to attach ideas
of monumentality to that which is painted or sculpted more so than
photographs or film. We see this for instance in the tendencies of
countries, towns, corporations etc. to have their leaders or prominent
figures cast in a traditional artistic medium whether it's oil
color, stone, metal or marble. And like the video, these are soundless
monuments where the handling of the medium is meant to say all that
needs to be said.

I'm glad you like it. I like it too. I was very pleasantly surprised
by the outcome.

best r.
Pall

On Tue, Jan 27, 2009 at 7:18 PM, Edward Picot edw...@edwardpicot.com wrote:
 Pall -

 I've just watched this all the way through, and I think it's fantastic. It
 ought to be put on permanent display somewhere. It's got such a sense of
 history to it - not just the history of America and American politics, but
 the history of American art too - that really painterly quality which you've
 managed to catch. There are times when you can almost feel the pigment being
 pushed around with a pallette-knife, and the colours - those reddish browns,
 blacks and blues - have got a tremendous richness to them. The slowness of
 the action seems to bring out the patrician, studies aspect of the ceremony.
 From this side of the Atlantic, it seems to capture a real sense of the
 complexity of American politics: the intensely aspirational quality, the
 feeling that individuals can make a difference, that the human spirit is
 inherently noble, and that the world can be made a better place if we just
 make a sufficient effort - along with the intense theatricality, the
 self-regard, the sense that these gestures are being made with the whole
 world for an audience, and that if you can just get the gestures right it
 almost doesn't matter what you actually do.

 Two passages in particular struck me, and made me wonder how much you'd
 readjusted your original to emphasise certain aspects. The whole Aretha
 Franklin passage is wonderful, but it seems to me that there's a contrast
 between her black face and the whiteness of the Capitol which is really
 symbolic of something or other. And at about the forty-minute mark we get a
 glimpse of George W, and instead of being reddish-brown like all the others
 his face is grey, the colour of lead. Did you do that on purpose or did it
 just come out that way?

 - Edward Picot
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-- 
*
Pall Thayer
artist
http://www.this.is/pallit
*
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[NetBehaviour] Virtual World Spew

2009-01-27 Thread Alan Sondheim


Virtual World Spew

http://www.alansondheim.org/forest1.png
http://www.alansondheim.org/forest2.png
http://www.alansondheim.org/forest3.png
http://www.alansondheim.org/forest4.png
http://www.alansondheim.org/forest5.png

[2:21] arco Rosca: hialan
[2:21] arco Rosca: i have need
[2:22] arco Rosca: the arena platform
[2:22] arco Rosca: free

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