Re: [NetBehaviour] NetBehaviour Digest, Vol 3233, Issue 1

[Anthony Stephenson]

Are.

On Tue, Oct 24, 2017 at 7:00 AM, 
wrote:

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> Today's Topics:
>
>1. Are we all? (Pall Thayer)
>
>
> --
>
> Message: 1
> Date: Tue, 24 Oct 2017 04:50:48 +
> From: Pall Thayer 
> To: NetBehaviour for networked distributed creativity
> 
> Subject: [NetBehaviour] Are we all?
> Message-ID:
> 

Re: [NetBehaviour] Maecenas

[Anthony Stephenson]

nothing

#nuttin {
font-family: "Arial Black", Gadget, sans-serif;
font-size: 150px;
font-weight: bold;
color: #333;
text-decoration: none;
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text-align: center;
vertical-align: middle;
background-color: #000;
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line-height: 100%;
}
body,td,th {
color: #999;
}
body {
background-color: #000;
}




nothing



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- *Anthony Stephenson*

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Re: [NetBehaviour] Maecenas

[Anthony Stephenson]

Everyone knows the real money is in administration ;-)

On Thu, Oct 12, 2017 at 7:00 AM, <netbehaviour-requ...@netbehaviour.org>
wrote:

>
> >>>
> >>> I have a question brewing - that I want to run by everyone - about
> >>> the value of art and artists now and in the future.
> >>>
>

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- *Anthony Stephenson*

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Re: [NetBehaviour] An Abstraction?

[Anthony Stephenson]

Hi Pall,
Sorry if I came across as being critical (it's for that reason that I've
abandoned a number of other correspondences here), but I do appreciate the
effort and wit that you put into these pieces.
I'll only add that after submitting I realized that I said "non-figurative"
when I meant "non-objective" – which might open a whole other cans of worms
in light of OOO (cf, "theCanvas"). Where issues of design and intention
might have once been encapsulated in the formalism of abstraction, the
abstraction of social relevance here might be hidden to those without slow
computers or non-coders.

On Wed, Oct 11, 2017 at 7:00 AM, <netbehaviour-requ...@netbehaviour.org>
wrote:

>
> Subject: Re: [NetBehaviour] An Abstraction?
>
-- 

- *Anthony Stephenson*

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Re: [NetBehaviour] An Abstraction?

[Anthony Stephenson]

To answer your question: No, that would be non-figurative work. (Although I 
suppose colloquial usage is acceptable.) 
You'll have to pardon me I was just re-reading a couple chapters on abstraction 
in a book called Speculative Aesthetics and felt compelled to say at least 
something. Perhaps I'm not seeing it, but abstraction is typically 
model-dependent.

- Anthony Stephenson
  

> On Oct 9, 2017, at 7:00 AM, netbehaviour-requ...@netbehaviour.org wrote:
> 
> An Abstraction?
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[NetBehaviour] Valentine’s Day 2017 aPS

[Anthony Stephenson]

http://anthonystephenson.org/art/xo.html


​
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Re: [NetBehaviour] toegristle #354

[Anthony Stephenson]

It's good to see that you're still working on this.
Should we be looking forward to a piece of animation some day?


> http://toegristle.com/perpetual-canvas/354
>
>
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Re: [NetBehaviour] The Blockchain ...

[Anthony Stephenson]

> I personally have a bad feeling about this technology.

When you see capital being poured into this system in order to "jimmie" its
results, you should be leery.

But as a way to make UBI possible without local economies preventing
implementation, I do see potential. (But I also see masses living in
micro-hotels, wearing paper clothes and eating Soylent.)

-aPS
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Re: [NetBehaviour] Accelerationism

[Anthony Stephenson]

While the original Nietzschean wish for capital to play itself out, I’m
thinking that the (Left) Accelerationism of the past twenty years might
have more to do with a flash on the possibility to "Seize the Means of
Production". With the popularization of computing and cybernetics, some
might have felt that DIY will finally bring utopia.

As a graphic designer, I have worked alongside those who had started their
careers with a centuries old technique of using hand-set type (hot type) as
we moved from cold type (photographic) output to computerized systems. This
type of publishing was very expensive. We continued to evolve from
all-in-one, turn-key systems to what I later found to be referred to (by
government contractors) as off-the-shelf (OTS) components made possible by
the personal computer. Then came the internet. And now the smart phone.
Distribution and material are not as pricey for someone in online
publishing. Theoretically, almost anyone can be a publisher today.

But what I think we are really seeing is that as OTS becomes today’s
appliances, news, entertainment, and who knows what with 3D printing,
stratification becomes more apparent as economics plays itself out.
Doctors, lawyers and anyone who knows that what the market will bear
sometimes knows no limit, will only contribute this disparity until, let’s
say, a personal version of something like Chile’s Cybersyn is made into an
app freely available to help each citizen of the world.

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- *Anthony Stephenson*

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[NetBehaviour] Xrds - Paintings by Anthony Stephenson

[Anthony Stephenson]

http://anthonystephenson.org/art/Xrds/index.html

Once again we are at zero. The cycles continue as we churn out our
equations. If it’s not something, then it is … what. That. Just one? Like
what? Our representations become us – and yours become mine, or not.
Sometimes it merely becomes a way of framing the situation. We put it into
perspective – two-point, three-point. A high level vision reduces this to a
zero-point perspective. If we view a distant horizon, reference points
collapse, it just becomes the horizon. If we go further, a satellite image
loses even the horizon. If any perspective is then perceived, it’s
reference point is in direct alignment with the eye.

This flatness from on high lends to the abstract qualities of the diagram.
But unlike the “logical picture” described by Robert Smithson of what
others have described as the abstract machine known as the diagrammatic,
the intentionality of this art is more reflective than the functionality of
deliberative design. More evocative than instructive, these images are my
interpretations of satellite images of famous traffic intersections.

I think it was the aforementioned others, Gilles Deleuze and Felix
Guattari, that wrote of a history that I found especially compelling,
coming after having read of the geologic rivers of ore as they related to
alchemy – a area of knowledge often conveyed imagistically. They wrote of
the pre-literate era when miners would find their quarry in the environment
and re-create the trail that they travelled in the sand so that others
could follow – these lines being the precursors to writing.

Unlike Jorge Luis Borges’ confluence of map and territory in “On Exactitude
in Science”, representative abstraction allows for both essence and
evocation. One could say that vectorial abstraction becomes a tool that
becomes vital to both war and commerce – perhaps becoming the key element
in developing objective logic. Vectors of commerce become roads and then
highways. As discussion of when the age of Man – the Anthropocene –
actually began, one could argue that the tracks of carts on Roman roads
could be one of our earliest artifacts.

Visiting Glastonbury in England a number of years ago, I took notice of
what they call a market cross. While this structure might be interesting
for some future project, I am drawn to the symbolic meaning of a cross. It
varies from culture to culture, but in both magic and some Christian
theosophy it represents a coming together of the worldly (the horizontal)
with the spiritual/ideal (the vertical). Was it the disregard of archetypal
structure that caused the World Trade Center to become a target? Perhaps
this is reading too much into it, but it is true that it is when our paths
cross, the world goes ‘round.

X (Anthony Stephenson), 2016

-- 

- *Anthony Stephenson*

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[NetBehaviour] 2 Roads & 2 Roads

[Anthony Stephenson]

https://youtu.be/mbN3IwCJw7o

Here we have videos of four vectors (night time recordings of roads), the
longest of which serves as the base track. A bass track is improvised to
accompany this layer. The bass track is paired with another bass track as
are two electr(on)ic guitars and two slide guitars.

Using the camera of what has become the ubiquitous smart phone found in
most of our possession, footage was captured from a taxi – an industry
currently being challenged by the hacker class. By manipulating the
information of this industry, the vectoral capabilities of capital (see
Wark) are being challenged. We live in an age when worlds like these are
bumping up against each other in ways that have probably always occurred.

According to string theory, we live in a multiverse. It was recently
announced by astrophysicists that evidence of cosmic bubbles have been
witnessed bumping up against another. Simply put, they say that an observed
light anomaly that has been recently witnessed is probably proof of two of
these cosmic bubble membranes (‘branes) colliding.

This linear non-narrative uses both text and non-talent voiceovers
(text-to-speech audio) that align the scientific with the philosophical.
The voices were made by using excerpts from sources on Wikipedia. The
bubbles were created using freely available “brushes” for Photoshop that
were found online.

*Anthony Stephenson 2016*
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Re: [NetBehaviour] Links (NetBehaviour Digest, Vol 2507, Issue 1)

[Anthony Stephenson]

>
>
> Message: 12
> Date: Wed, 07 Oct 2015 20:54:00 -0700
> From: Rob Myers <r...@robmyers.org>
>
> Landian accelerationism is certainly ultra-capitalist (Nick Land regards
> capitalism/AI/globalization/modernism/critique as identical).
>
> But as the D quote notes our current political/economic system is
> actually a drag on productive forces.
>
> Left accelerationism can be seen as a return to the historical project
> of setting those forces free -
>
>
> http://criticallegalthinking.com/2013/05/14/accelerate-manifesto-for-an-accelerationist-politics/
>
> http://www.versobooks.com/books/1989-inventing-the-future
>
> The introduction to the accelerationist reader (available online) goes
> through this history in some detail -
>
>
> http://www.urbanomic.com/Publications/Accelerate/Accelerate-Introduction.pdf
>
> I still really don't understand Lyotard's part in all this though. :-(
>
> For a nice concise take on political and philosophical
> (left-)accelerationism I recommend -
>
> http://urbanomic.com/pub_speculativeaesthetics.php
>
> - Rob.
>

You’re right, they are writing in the midst of the recent economic crisis,
it’s still, however, somewhat pie-in-the-sky.

“The command of The Plan must be married to the improvised order of The
Network.” (#AM 03.14)

Having just re-read the #ACCELERATE MANIFESTO, I am reminded of the
potentially fascist nature of this New World Order (as coined elsewhere)
that they themselves recognize (#AM 03.21) this could turn into. By
including Lyotard’s Libidinal Economy as an expansion on D and especially
his Energumen Capitalism, I think that a recognition of the messiness of
this needed process is made.
BTW Speculative Aesthetics is now on my list.

- *Anthony Stephenson*

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Re: [NetBehaviour] Links (NetBehaviour Digest, Vol 2506, Issue 1)

[Anthony Stephenson]

> "Deleuze & Guattari: The Eternal Return of Accelerating Capital" -
>
>
> http://darkecologies.com/2015/10/04/deleuze-guattari-the-eternal-return-of-accelerating-capital/
>
>
>
Accelerationism, while originating in a utopian vision of Nietzsche, may
actually be another word for neoliberalism. “The State, its police, and its
army form a gigantic enterprise of antiproduction, but at the heart of
production itself, and conditioning this production” – D


> "Grungy ?Accelerationism?" -
>
>
> https://deterritorialinvestigations.wordpress.com/2015/10/03/grungy-accelerationism/
>
>
A nice recap of my some of my own cultural-intellectual influences.
Accelerationism seems to be what one might call a singularity of culture –
where a vector of (capital) intensities comes through a community, wiping
it out, and like a black hole, spitting out new worlds.

-- 

- *Anthony Stephenson*

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[NetBehaviour] An image Search for Two Blurred Crossroads – Google-ized.

[Anthony Stephenson]

Using the images.google.com web address a random collage/mood board was
created for two modified satellite images:

http://goo.gl/l0fkAt

http://goo.gl/iExs4W
-- 

- *Anthony Stephenson*

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Re: [NetBehaviour] NetBehaviour Digest, Vol 2471, Issue 1

[Anthony Stephenson]

>
> Re: [NetBehaviour] Why did you go to art school?
>

... became an engineer, etc.

-- 

- *Anthony Stephenson*

732-768-7393


http://anthonystephenson.org/


LinkedIn - http://www.linkedin.com/pub/anthony-stephenson/3/b3a/279

Twitter - https://twitter.com/#!/aps0lootly

Facebook - http://www.facebook.com/anthony.p.stephenson

Flickr - https://www.flickr.com/photos/56253240@N07/

Tumblr - http://www.tumblr.com/blog/aps0loot

SoundCloud - http://soundcloud.com/anthony-patrick-stephenson

YouTube - http://www.youtube.com/user/AnthonyPStephenson/videos?view=0

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Instagram - http://instagram.com/aps0loot
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Re: [NetBehaviour] NetBehaviour Digest, Vol 2463, Issue 1

[Anthony Stephenson]

 --

 Message: 7
 Date: Mon, 24 Aug 2015 04:02:46 -0500
 From: BishopZ xchic...@gmail.com
 To: NetBehaviour for networked distributed creativity
 netbehaviour@netbehaviour.org
 Subject: Re: [NetBehaviour] dismal news
 Message-ID:
 
 cah7a_6gnme4jdcvprxkx-umevjkqzckfhndkcvzurjwod6q...@mail.gmail.com
 Content-Type: text/plain; charset=UTF-8


 b) Was the little mermaid glitched? It may be similar in visual
 appearance, but that is different than the conceptual art form.


 The Actual and Artifice
– Glitch Art (Readymade v. Fabrication)
– Low Poly Art (3D models v. 2D mods)
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Re: [NetBehaviour] Hidden History: The Wall Street Coup Attempt of 1933

[Anthony Stephenson]

 https://youtu.be/o1KwaLa8zTQ

 why this is never mentioned in history classes?

-- 

On the internet, I had heard of the Bush patriarch's involvement, but more
widely, Naomi Klein's Shock Doctrine - The Rise of Disaster Capitalism
gives an accounting of how this purist ideology repeats the same process
over and again – create mass  desperation and then bring in a strongman to
implement questionable policies and sell-offs.

- *Anthony Stephenson*

http://anthonystephenson.org/
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Re: [NetBehaviour] HAVOC

[Anthony Stephenson]

Cute, my three thumbs-up came across at six question marks.

- Anthony Stephenson
  cont...@anthonystephenson.org
 
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Re: [NetBehaviour] HAVOC

[Anthony Stephenson]



Message: 2
Date: Fri, 7 Aug 2015 13:34:41 -0400 (EDT)
From: Alan Sondheim sondh...@panix.com
To: netbehaviour@netbehaviour.org
Subject: [NetBehaviour] HAVOC
Message-ID: alpine.neb.2.11.1508071334330.15...@panix3.panix.com
Content-Type: TEXT/PLAIN; charset=US-ASCII; format=flowed



HAVOC

http://www.alansondheim.org/warned1.png
http://www.alansondheim.org/havock.mp4
http://www.alansondheim.org/warned2.png
http://www.alansondheim.org/warned3.png

- Anthony Stephenson
  anthonystephenson.org
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Re: [NetBehaviour] Post TV thinking in progress

[Anthony Stephenson]

 post is contaminated


Neo?

-- 

- *Anthony Stephenson*
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Re: [NetBehaviour] Crossover and Queue

[Anthony Stephenson]

 Date: Mon, 15 Jun 2015 21:42:00 +0200
 From: Bj?rn Magnhild?en noem...@gmail.com
 To: netbehaviour netbehaviour@netbehaviour.org,  Theory and Writing
 wrytin...@listserv.wvu.edu
 Subject: [NetBehaviour] Crossover and Queue, videos @Incubarte7
 Message-ID:
 CAPP+9aDDyaJRL0=QhxxJhOuragpAA=
 a86evvwcutb36ztxl...@mail.gmail.com
 Content-Type: text/plain; charset=utf-8

 Two videos exhibited as part of Incubarte7 Festival, Valencia, Spain.
 19. - 30. June 2015, Sala Ibercaja, Av. de Bar? de C?rcer, 17

 http://noemata.net/incubarte7/crossover-high3.jpg

 Crossover
 Crossing over - thresholds, of human and animal, the city animal, animal
 lost. Quadruped or biped - public regulation of locomotion, man is the
 upright animal. Though easily humiliated - in the constructs of his own
 creation. A critical mass of one - the digital any or none - atom,
 clinamen, deviation - swerve, how the world became modern.

 https://vimeo.com/123180628
 https://www.youtube.com/watch?v=FggHnROC_jI
 http://noemata.net/incubarte7/crossover.mov

 More info - http://noemata.net/316 - http://noemata.net/crossover/


 http://noemata.net/incubarte7/queue-high3.jpg

 Queue
 A documentation of creative queue behaviour.
 A queue is a long line of people, while a video is a long sequence of
 frames. They both move in one direction, slowly, pausing, whimsically.
 Because it's hard to be constrained in one dimension, the line and the
 sequence. Human jittering needs an outlet, whether mental or physical.
 The hardest thing is to not do anything.
 As a self-referencial thing the queue was recorded outside the art
 center Fondation Cartier pour l'Art Contemporain, Paris.

 https://vimeo.com/123180629
 http://noemata.net/incubarte7/queue.mov

 --


I like these. Crossover is somewhat reminiscent of early Chris Burden
while Queue has an iconic quality with even more potential.
-- 

- *Anthony Stephenson*

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Re: [NetBehaviour] NetBehaviour Digest, Vol 2359, Issue 1

[Anthony Stephenson]

 Date: Sun, 10 May 2015 18:48:13 -0400 (EDT)
 From: Alan Sondheim sondh...@panix.com
 To: netbehaviour@netbehaviour.org
 Subject: [NetBehaviour] Chris Burden's dead
 Message-ID: alpine.neb.2.11.1505101847350.28...@panix5.panix.com
 Content-Type: TEXT/PLAIN; format=flowed; charset=US-ASCII



 I knew him well at one point.
 We taught at UCLA together.
 Miserable world.


He was a great artist (and cool teacher.)

-- 

- *Anthony Stephenson*

http://anthonystephenson.org/
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Re: [NetBehaviour] NetBehaviour Digest, Vol 2294, Issue 1

[Anthony Stephenson]

On Thu, Mar 5, 2015 at 7:00 AM, netbehaviour-requ...@netbehaviour.org
wrote:


 Message: 14
 Date: Wed, 4 Mar 2015 10:10:35 -0600
 From: Patrick Lichty p...@voyd.com
 To: 'NetBehaviour for networked distributed creativity'
 netbehaviour@netbehaviour.org
 Subject: Re: [NetBehaviour] The NetArtizens Project
 Message-ID: 010a01d05695$c0a9e560$41fdb020$@voyd.com
 Content-Type: text/plain; charset=us-ascii

 The Net is an oral culture.


IMHO, only in the vernacular.

-- 

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Re: [NetBehaviour] NetBehaviour Digest, Vol 2294, Issue 1

[Anthony Stephenson]

On Thu, Mar 5, 2015 at 7:00 AM, netbehaviour-requ...@netbehaviour.org
wrote:


  I'd like to put forward the word 'NetArtisans' as an alternative to
 'NetArtizens', because I don't feel like a citizen of the net, but I do
 feel
 like someone who takes material off the net and tries to hand-make new
 artefacts out of it (if you can call mucking around with bits of software
 hand-making).

  - Edward


Yep.

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Re: [NetBehaviour] Subject: 3671

[Anthony Stephenson]

- From: Edward Picot edw...@edwardpicot.com

- I've no idea what 'dromoscopic' means, but ...


The last time I was in London I picked up a book (Negative Horizon, 2006)
by Paul Virilio - someone I had read before - that had a title that I
thought might show me an angle on an earlier painting of mine (Singularity,
1996). Opposite to the *stroboscopy* which allows us to observe objects
animated by rapid movement, as if they were in slow motion, this
*dromoscopy* displays inanimate objects as if they were animated by a
violent movement.



- *Anthony Stephenson*

http://anthonystephenson.org/
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Re: [NetBehaviour] NetBehaviour Digest, Vol 2200, Issue 1

[Anthony Stephenson]

On Mon, Dec 1, 2014 at 7:00 AM, netbehaviour-requ...@netbehaviour.org
wrote:


 Message: 3
 Date: Sun, 30 Nov 2014 13:47:34 -0500
 From: c...@lab404.com
 To: NetBehaviour for networked distributed creativity
 netbehaviour@netbehaviour.org
 Subject: [NetBehaviour] reMIXmyRELIGION (playdamage #107)
 Message-ID: a4f42b16-fd13-4fb0-bf21-be988fd1b...@lab404.com
 Content-Type: text/plain; charset=us-ascii

 http://playdamage.org/107.html

 audio by Giorgio Moroder + Donna Summer
 room photos by Jandek
 words by Jerry Lee Lewis + Sam Phillips (via Dan Graham)
 commissioned for the TERMINAL Award at Austin Peay State University

 best,
 curt


I've been diggin' these playdamage re-mixes for years, but I wonder whether
the introduction of a commissioned status infringes upon your operational
considerations?
-- 

- *Anthony Stephenson*

http://anthonystephenson.org/
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Re: [NetBehaviour] NetBehaviour Digest, Vol 2145, Issue 1

[Anthony Stephenson]

On Mon, 2014-09-29 at 22:11 +0100, James Morris wrote:

 Anyone have any recommendations for gary's mod mods?

 cheers


 i've discovered steam. finished portal in a few nights, and have played

 eight hours of portal 2...

When you finish Portal 2 you will find hundreds of thousands mods available
to this excellent game.

-- 

- *Anthony Stephenson*


http://anthonystephenson.org/


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YouTube - http://www.youtube.com/user/AnthonyPStephenson/videos?view=0

Vimeo - https://vimeo.com/user9130432

Instagram - http://instagram.com/aps0loot
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Re: [NetBehaviour] NetBehaviour Digest, Vol 2103, Issue 1

[Anthony Stephenson]

 You may want to take a look at Alan Liu's. The Laws of Cool.

 http://www.amazon.com/The-Laws-Cool-Knowledge-Information/dp/0226486990/ref=sr_1_1?ie=UTF8qid=1408371006sr=8-1keywords=Alan+Liu

 -Joel

 Being the second time that I've noticed this book has being referenced on
this list, I have to say that trying to make the concept of cool fit into
corporatism just didn't work for me.

-aPS
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[NetBehaviour] Out of the Loop, In ...

[Anthony Stephenson]

http://youtu.be/TPZefCj_E5o
“Out of the Loop, In the Dark is another series that continues along the
lines of investigation found in The Ambit Suite (2007) found at
http://anthonystephenson.org/art/ambit.html. Also see “the loop, in the
dark” (2014) athttp://anthonystephenson.org/art/theloop.html.
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[NetBehaviour] ... the loop, in the dark

[Anthony Stephenson]

*... the loop, in the dark*
 ~ Anthony Stephenson 2014

http://anthonystephenson.org/art/theloop.html
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[NetBehaviour] New Year Refractions 1982-2014

[Anthony Stephenson]

New Year Refractions 1982-2014 Anthony Stephenson(2014)
by Anthony Stephenson
 

As another new year arrives, we are often prone to reflection. But if we take 
what we see as to what has happened and make an effort to change the vector of 
its course, is that not more of a refraction?
FULL DESCRIPTION


Breaking (literally, de-constructing) a combined sketch (of the effects of 
leaves on the surface of a pool) and poetry done around 1982 into a series of 
modified images and captions, the all-at-once of the image now falls more in 
line with the sequential nature of language - suitable for a medium constructed 
on language. Audio found on the web was added.
WORK METADATA


* Year Created:2014
* Submitted to Wednesday Jan 1st, 2014
* Original 
Url:http://anthonystephenson.org/art/NewYearRefractions/index.html
* Work Credits:
* anthonystephenson, primary creator
* License:All Rights Reserved
ARTIST STATEMENT


Happy New Year!

 
~
Anthony Stephenson

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[NetBehaviour] The Paste Inside the Grove Behind the Fences

[Anthony Stephenson]

The Paste Inside the Grove Behind the Fences

Om purifies bliss and pride (realm of the gods); Ma purifies jealousy and need 
for entertainment (realm of the jealous gods); Ni purifies passion and desire 
(human realm); Pad purifies ignorance and prejudice (animal realm); Me purifies 
poverty and possessiveness (realm of the hungry ghosts); Hum purifies 
aggression and hatred (hell realm).




 
  
 
portfolio - http://anthonystephenson.org/
linkedin - http://www.linkedin.com/pub/anthony-stephenson/3/b3a/279
twitter - https://twitter.com/#!/aps0lootly
facebook - http://www.facebook.com/anthony.p.stephenson
youtube - http://www.youtube.com/user/AnthonyPStephenson
vimeo - https://vimeo.com/user9130432
soundcloud - http://soundcloud.com/anthony-patrick-stephenson
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Re: [NetBehaviour] NetBehaviour Digest, Vol 1580, Issue 1

[Anthony Stephenson]

See http://en.wikipedia.org/wiki/Responsive_web_design

The latest version of Dreamweaver has a number of these templates built into it.
 
--

Message: 6
Date: Tue, 5 Mar 2013 10:46:22 +
From: Pollie Barden pab...@gmail.com
Subject: [NetBehaviour] Anyone used Phonegap for android tablet or
iPad development? Screen sizing issues?
To: ITP Alumni itp-alu...@lists.nyu.edu, itp-l...@lists.twsu.co,
NetBehaviour for networked distributed creativity
netbehaviour@netbehaviour.org
Message-ID:
cadtmblxda_u+16opysos9vwoc5d_udeggtvgpqgas+cgh0o...@mail.gmail.com
Content-Type: text/plain; charset=iso-8859-1

Hi,

I am looking at phonegap to prototype an app for my research. In reading up
on it I see on issue for andriod tablets is the scaling of interface on the
tablet. From what I read it seems people have a problem getting it to go
full screen on the tablet. Most of what I have seen is a year old but I
can't find recent references to whether still and issue or not. I was
wondering it anyone had run into this with their development. I am looking
to have the app run on both phone and tablet platform. The full screen is
important because the tablet is for older people to use.

If you have used phone gap, have you found it easier to got ipad/iphone
route?
I have budget of 1000 for research supplie. I was looking android since I
could 4 android tablets vs 2 ipads. For a slightly larger pilot study, and
hopefully get more funding when can demo benefit. I would like to get alpha
up for testing quickly so if looking for advice if anyone has found if ipad
or android easier to play with. Specially to to screen sizing across
phone/tablet platforms.

I would be developing in html,css,javascript, etc...and using phone gap to
bundle it.
Or if you have recommendations for another phonegap like system?

Context if it helps.

I am working with Organization called GoodGym. http://www.goodgym.org/ The
core component. Is runners once a week run to visit an older person. The
idea is the runner is motivated to run once a week and older person gets a
visit.

None of our older people use computers or smartphones. I am looking a
introducing a tablet, as the GoodGym tool that is similar to digital
picture frame. The goal to help remind that runner is coming to visit and
show progress to arrival.  Just a simple interface of the runner's picture,
date of next visit, and when the runner starts running. They can hit start
on their phone and then the tablet for the older person counts down the
minutes to their arrive.  runner hits end when they arrive.

Any advice or guidance on any part is welcome and will be helpful and
greatly appreciated.

Cheers,
Pollie
-- 
**
*To do is to be. -Descartes *
*To be is to do. - Voltaire *
*Do be do be do. - Frank Sinatra*
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Re: [NetBehaviour] A disjointed conversation ? Claire Bishop, The Digital Divide, and the State of New Media Contemporary Art. (dave miller)

[Anthony Stephenson]

That's exactly it - once it's out there in the low, digital sphere of the 
internet, it loses the marketability of the rarefied production found in the 
high market of the art world.
~
Anthony Stephenson
anthonystephenson.org
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Re: [NetBehaviour] On the sCent

[Anthony Stephenson]

Okay.

~
Anthony Stephenson
anthonystephenson.org

--- On Sat, 10/13/12, netbehaviour-requ...@netbehaviour.org 
netbehaviour-requ...@netbehaviour.org wrote:Re: [NetBehaviour] On the 
sCentFriday, October 12, 2012 3:04 PMFrom:Simon Mclennan 
mitjafash...@hotmail.comTo:NetBehaviour for networked distributed 
creativity netbehaviour@netbehaviour.orgNice rhythms here Anthony.I like it. 
Put it in the Zone?!
Best wishes,Simon
On 11 Oct 2012, at 20:41, Anthony Stephenson wrote:
On the sCent
http://vimeo.com/51230749Step one: the meta line followed to ... Step two: the 
many lines of choice in market consumption. Traversing from Point A to Point B. 
Further definition of Point B superimposed upon the first linear action. A 
cross-hatching of Newmanesque zips shown at a new angle and brought alive 
with electronic media. In essence, a traveller seeking results - i.e, his 
daily bread - of his travails (yes, working it). The hand-powered and the 
hand-composed improvisation based on the results of a mechanized mediation. 
What's the point? In circumspection the point goes to there, the this becomes 
that. What is in essence only a relation of comparative values and changing 
absolutes. As we travel, we gain a new perspective on our needs. We sense that 
beyond another horizon is where we can find what we're looking for. The visible 
becomes immaterial becomes invisible becomes new materiel. What is it you sense 
when that leads you to what you need?
 When the sense becomes scents that become cents for the hunter. Where is the 
target of practice for the seeker? Why for art thou whither? How has it come to 
pass that this is where we're at? Who are you now that things have come to 
pass?
~
Anthony Stephenson
anthonystephenson.org

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Re: [NetBehaviour] Manifesto for a theory of the New Aesthetic (Edward Picot)

[Anthony Stephenson]

Back in 1992, Jonathan Crary and Sanford Kwinter put together a great 
compilation called Incorporations which could serve as footnotes to much of 
this discussion. In it, Manuel DeLanda's Nonorganic Life proposed something 
that I found particularly useful - the consideration of a new phylum: the 
machinic. Along with the impending singularity, perhaps what we are seeing are 
Jungian manifestations of this in the NA. Post-humanist trends in 
object-oriented-ontology and trends like dark ecology all seem to also be 
uncanny reflections of this.

~
Anthony Stephenson
anthonystephenson.org


--- On Fri, 10/12/12, netbehaviour-requ...@netbehaviour.org 
netbehaviour-requ...@netbehaviour.org wrote:

From: netbehaviour-requ...@netbehaviour.org 
netbehaviour-requ...@netbehaviour.org
Subject: NetBehaviour Digest, Vol 1436, Issue 1
To: netbehaviour@netbehaviour.org
Date: Friday, October 12, 2012, 7:00 AM

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[NetBehaviour] On the sCent

[Anthony Stephenson]

On the sCent
http://vimeo.com/51230749Step one: the meta line followed to ... Step two: the 
many lines of choice in market consumption. Traversing from Point A to Point B. 
Further definition of Point B superimposed upon the first linear action. A 
cross-hatching of Newmanesque zips shown at a new angle and brought alive 
with electronic media. In essence, a traveller seeking results - i.e, his 
daily bread - of his travails (yes, working it). The hand-powered and the 
hand-composed improvisation based on the results of a mechanized mediation. 
What's the point? In circumspection the point goes to there, the this becomes 
that. What is in essence only a relation of comparative values and changing 
absolutes. As we travel, we gain a new perspective on our needs. We sense that 
beyond another horizon is where we can find what we're looking for. The visible 
becomes immaterial becomes invisible becomes new materiel. What is it you sense 
when that leads you to what you need?
 When the sense becomes scents that become cents for the hunter. Where is the 
target of practice for the seeker? Why for art thou whither? How has it come to 
pass that this is where we're at? Who are you now that things have come to 
pass?
~
Anthony Stephenson
anthonystephenson.org
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[NetBehaviour] For St. Patrick's Day

[Anthony Stephenson]

https://vimeo.com/34793823
Remember: Don't drink and drive.

~
Anthony Stephenson
anthonystephenson.org


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[NetBehaviour] A Foreshadowing of Change

[Anthony Stephenson]

A Foreshadowing of Changehttp://youtu.be/IV6-pv0qHHM
Anthony Stephenson 2012
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[NetBehaviour] Polar Premonition of Change

[Anthony Stephenson]

Polar Premonition of Change
http://vimeo.com/34091982

Anthony Stephenson 2011

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[NetBehaviour] Change Brief

[Anthony Stephenson]

Change Brief
http://www.youtube.com/watch?v=5iyvRLFRMSU

~Anthony Stephenson 2011

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[NetBehaviour] Premonition of Change

[Anthony Stephenson]

Premonition of Change
http://youtu.be/fZ_N4ctFcI0

~Anthony Stephenson 2011

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Re: [NetBehaviour] NetBehaviour Digest, Vol 812, Issue 1

[Anthony Stephenson]

Yeah, I remember couching my questions for an interview with him with quotes 
from art magazines of the day - he had difficulty accepting any of their 
premises. Then he went out to the Mexican desert to reproduce his thumbprint 
with asphalt.

~Anthony Stephenson
eTonys.com


 
 Message: 10
 Date: Sun, 23 Jan 2011 11:20:37 -0500 (EST)
 From: Alan Sondheim sondh...@panix.com
 Subject: Re: [NetBehaviour] Dennis Oppenheim
 To: NetBehaviour for networked distributed creativity
     netbehaviour@netbehaviour.org
 Message-ID: alpine.neb.2.00.1101231118240.1...@panix3.panix.com
 Content-Type: TEXT/PLAIN; charset=US-ASCII; format=flowed
 
 
 
 Most of his work wasn't systems based, but allegorical on a
 large 
 theatrical scale; there was an article decades ago by
 Burnham talking 
 about the way Oppenheim's work couldn't be pigeonholed,
 that it evaded 
 critique - which is one reason it wasn't discussed the way
 Acconci or 
 Graham were - they were far more linear... Dennis was in my
 Individuals 
 book with one of the richest texts / pieces around - Alan
 
 On Sun, 23 Jan 2011, Simon Biggs wrote:
 
  A major influence on my work. A key artist, up there
 with Smithson and
  Sonfist. These were systems based artists who were
 able to transcend the
  reductive logic so many felt compelled to indulge when
 captivated by systems
  thought. They each offer important lessons for artists
 working with digital
  media, even though they never worked with it.
 
  Best
 
  Simon
 
 
  On 23/01/2011 00:24, Alan Sondheim sondh...@panix.com
 wrote:
 
 
 
  Dennis Oppenheim just died; he was one of the most
 amazing artists I've ever
  known... A really sad day -
 
  - Alan
 
 
  ==
  email archive: http://sondheim.rupamsunyata.org/
  webpage http://www.alansondheim.org
  music archive: http://www.espdisk.com/alansondheim/
  current text http://www.alansondheim.org/qw.txt
  ==
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  Simon Biggs
  si...@littlepig.org.uk
  http://www.littlepig.org.uk/
 
  s.bi...@eca.ac.uk
  http://www.elmcip.net/
  http://www.eca.ac.uk/circle/
 
 
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 ==
 email archive: http://sondheim.rupamsunyata.org/
 webpage http://www.alansondheim.org
 music archive: http://www.espdisk.com/alansondheim/
 current text http://www.alansondheim.org/qw.txt
 ==
 
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 End of NetBehaviour Digest, Vol 812, Issue 1
 
 
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Re: [NetBehaviour] toegristle #308

[Anthony Stephenson]

Given that our time machines only go backwards, the answer to your question, in 
this case, is simple: http://toegristle.com/perpetual-canvas/1

Anthony Stephenson
etonys.com

 
 Message: 12
 Date: Thu, 30 Sep 2010 09:46:13 +0200
 From: helen varley jamieson he...@creative-catalyst.com
 Subject: Re: [NetBehaviour] toegristle #308
 To: netbehaviour@netbehaviour.org
 Message-ID: 4ca44045.9000...@creative-catalyst.com
 Content-Type: text/plain; charset=windows-1251;
 format=flowed
 
   where is the beginning?
 
 On 30/09/10 2:31 AM, Pall Thayer wrote:
  And when it comes to that, I find disneys white
 rabbits advice (I don't remember if this was mentioned in
 carrols original) always start at the beginning to be
 fully valid.
 
  Pall Thayer
  Artist
 
  On Sep 29, 2010, at 8:21 PM, Corey Eisemanco...@toegristle.com 
 wrote:
 
  http://toegristle.com/perpetual-canvas/308
 
  What is this?
  This digital collage is the latest entry in a
 perpetual canvas blog by
  Corey Eiseman. The unique thing about this process
 is that each time
  the previous entry is used as a starting point.
 Put another way, it's
  the same image worked on, added to, changed a
 little bit more, and
  archived along the way. Some say the hardest part
 about making art is
  knowing when to stop, but with digital media and
 blogging on our side,
  why should we have to?
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 -- 
 
 
 helen varley jamieson: creative catalyst
 he...@creative-catalyst.com
 http://www.creative-catalyst.com
 http://www.avatarbodycollision.org
 http://www.upstage.org.nz
 
 

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