Towards "extremely careful social discourse":
https://www.youtube.com/watch?v=FN7r0Rr1Qyc
# distributed via : no commercial use without permission
#is a moderated mailing list for net criticism,
# collaborative text filtering and cultural politics of the nets
# more info:
Bronac
Admittedly, my argument as you call it was not perfectly worked out before
writing. I admit it was joyful and excited—somewhat emotional and perhaps
too spontaneous for a nettime audience accustomed to extremely careful
social discourse.
Obviously, many, including myself, admire all of
Hi Alice Sparkly Kat,
I totally agree with you and see that my little text squib missed the
important stuff.
thanks for the very detailed and timely correction..
David
On 1 Oct 2019, at 14:50, Alice Sparkly Kat wrote:
> call in culture isn't meant to replace call out culture. call in
David, congratulations. You have done it.
I am too busy working on my own version of evidentiary art to do more than
speed read your text, but when I get a breath I will do it justice and
respond with a little less of a one-note drone than John Young. It is clear
to me that you have tied
In a wokshop I attended the other day on the growing prevalence of the
polerisation or hyperpartzan nature of public
discourse a guy who self identified as gay spoke up and described how since the
Brexit vote he was aware of an increased
hostility. But, certainly in the context of the workshop
I was troubled reading your last few comments Molly in this post below. It
seemed you were either adopting what Suzanne Moore has called out as a
patriarchal critique:
https://www.theguardian.com/commentisfree/2019/oct/01/greta-thunbergs-defiance-upsets-the-patriarchy-and-its-wonderful
or trying
Dear Nettimers,
please consider coming to [Pa-f](http://pa-f.net/) in one month (Oct, 31st to
Nov, 4th) for this event about Philosophy and Hacking
https://thx.pa-f.org/
sincerely,
aesara
A short follow up on from the earlier posting on Evidentiary Realism as today
there is a review of the remarkable work of Lawrence Abu
Hamden’s work in today’s Guardian to coincide with his show as part of this
year’s Turner Prize shortlisted artists.
Abu Hamden is a frequent contributor to
