Re: In Praise of Cash

2017-03-02 Thread Rob Myers
On Wed, 1 Mar 2017, at 09:22 PM, Morlock Elloi wrote:

> Just to mention the latest, and perhaps the most insidious entry in the 
> war on cash: Bitcoin, all-transactions-always-public PoW hash system 
> operated mostly by Chinese mints, touted to post-New Agers as the Next 
> Big Thing.

Bitcoin was war on the war on cash.

> The unique aspect of Bitcoin is that it represents a merger of two 
> ideologies - one well described in the subject essay, and the other 

That it managed to do this while being an evil AnCap conspiracy is very
impressive.

> being California model of centralized-everything through middlemen apps, 
> where middlemen middle between myriad aspects of the human existence on 

Middlemen are "trusted third parties".

> one side, and a single-digit number of fascistic monopolies on the other 
> side.

This is an Adam Curtis cheese dream of what Bitcoin's recuperation by
its enemies represents.

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Re: On Accelerationism (Fred Turner)

2016-09-04 Thread Rob Myers

On 02/09/16 01:48 PM, nettime's slow reader wrote:
> 
> http://www.publicbooks.org/nonfiction/on-accelerationism
> 
> [...]
> 
> [1] To their credit, Srnicek and Williams do not ask us to dissolve into
> digital ones and zeros, as John Perry Barlow once did. Their call for a
> universal basic income makes a kind of grounded sense that has eluded
> earlier accelerationists. So too does their critique of Folk Politics.
> [2] Yet, the problem of politics writ large remains. How can we build a more
> just, more egalitarian society when our devices already surround us with
> so many of the personalized delights we might want such a society to
> offer? Meetings are boring. Talking to people unlike ourselves is hard.
> How can we turn away from the mediasphere long enough to rediscover the
> pleasures of that difficult work? And how can we sustain it when we do?
> 
> To these kinds of questions [*2], the accelerationists have no answers [*1].

Numbers added by me to illustrate the error that this essay shares with
a couple of other responses to "Inventing The Future": Universal Basic
Income is intended to support, among other things, precisely the kinds
or organization and meaningful social action that the author is calling
for here.

The answer to [2] is [1].

Peter Wolfendale has commented on eight other problems with this essay:

http://conversations.e-flux.com/t/peter-wolfendales-brief-8-point-response-to-fred-turners-critique-of-accelerationism/4425


Peter Wolfendale, philosopher and an instructor of the Critical
Philosophy Program at The New Centre for Research & Practice7
responded on Facebook to Fred Turner. Here are his points published
here with permission.

(1) The equation of embracing/accelerating technological process and 'the
spread of capitalism' is a severe misreading of Nick and Alex that
opens the rhetorical door to most of the other criticisms.

(2) "Imitating neoliberal tactics is one thing; arguing that commerce and
technology will bring about utopia is another. Srnicek and Williams
want both." - This is a blatant straw man. They argue for commerce
and technology as sites of struggle, and even if they have things to
say about the generally emancipatory character of technology they
certainly don't say similar things about commerce.

(3) We have authentic selves, they argue, and to work for wages, we must
leave our authentic desires at home." - This is also categorically
false. The critique of 'authenticity' is part and parcel of the
critique of immediacy. What they call 'synthetic freedom' has fuck
all to do with Romanticism and any latent manner in which this is
exploited by employers in cultivating the subjectivity of workers.
He could have easily connected this to Mark Fisher's 'Capitalist
Realism', which is an obvious precursor to Nick and Alex on these
issues of workplace subjectivation.

(4) Turner seems to have little to no understanding of what Cybersyn13
was, and thus bases his comments entirely on the 'star trek bridge'
look of the control centre, which is a highly misleading visual
analogy. There's an importance to the fact that the chairs are laid
out in a circle, with no central 'captain's chair' for a start. More
importantly though, the decentralised feedback processes that the
system is designed around are completely obscured by it. 


(5) If this sounds more than a little like a marketing campaign for
Uber, it should. This is the same logic that drives the rhetoric of
the sharing economy. And that should make us nervous." - I find this
particular cheap shot (i.e., 'this sounds like Uber and you don't
understand the evils of Uber') pretty galling, given that Nick is
literally a world expert on Uber, the sharing economy, and 'Platform
Capitalism' (the title of his forthcoming book).

(6) Srnicek and Williams are blinded by their faith in all things
digital." - Utter bilge. Every one of the questions he raises about
the perils of automation are actually asked in the book. Even if you
don't think they were addressed satisfactorily, you can't just pretend
they've been ignored.

(7) Say we succeed in building a new Cybersyn. Who will sit in the
armchairs of command?" - Such a cheap shot. See point (4).

(8) Everything about Noys and the CCRU is essentially irrelevant in my
view, and again, provides an obvious set of cheap shots to reach for
in lieu of actually engaging with newer work. It's worth remembering
that Noys barely discusses the manifesto or anything beyond the
CCRU in MV, and it really shows. It's not so much a bad critique
as one that completely fails to connect with the 'contemporary
accelerationism' that it's supposed to be aimed at.


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Re: Ethereum: DAO - "The Attacker"

2016-07-25 Thread Rob Myers
On 23/07/16 02:41 AM, Jaromil wrote:

> - The REAL community of people behind Ethereum is now rejecting the
>   bail-out, probably marking in history the first time in which there
>   can be a bail-out rejection by grass-roots movements??
>   Ethereum Classic is announced https://ethereumclassic.github.io

"Classic" is a scam.

The hashing power has followed the fork, and even if you secure your
transactions on the "Classic" chain against replay attacks -

https://github.com/ethereumclassic/README/issues/3

it's an obvious pump & dump.

What's interesting sociologically and politically about the fork isn't
that the losing side is a scam, it's that the event of the fork
represents both a loss of innocence and an affirmation.

The loss of innocence is around the idea, despite Bitcoin's early
rollback of transactions resulting from bugs in its protocol, that
cryptocurrency code cannot be changed to produce a different consensus
on the state of the world as seen from the blockchain. Of course it can,
you just change the code that everyone uses to create that consensus.
For varying lengths of strings of zeros required to find "just".

The affirmation is that cryptocurrency is about consensus, and that code
is law. Consensus at the human level, to be sure. And the code may be
changed. But this meta consensus always determined the consensus that
results from blockchain mining. This is now a problem for cryptocurrency
rather than a mystery...

- Rob.

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Re: Live Your Models

2016-05-03 Thread Rob Myers
On Tue, 3 May 2016, at 01:31 PM, Florian Cramer wrote:

>[...]
>Bitcoin repeats the history of so-called "neoliberalism" precisely
>because it _is_ neoliberalism (in the sense we understand the word
>today), in its most extreme form of libertarian anarcho-capitalism. In
>fact, it is based on the very same economic theories and theorists.
>All of it can be read up in Hayek's books.

This is true but the dynamics of Bitcoin *adoption* and of Bitcoin as a
technological and imaginative *resource* for non-Hayekians cannot be
reduced to it.

There's a lot of technological determinism in left critiques of
Bitcoin...

> [...]
>I was referring to Srnicek/Williams, Graeber (and implicitly: Bob
>Black, the Situationists and other leftist thinkers) who still believe
>that automation will abolish work and hence capitalism. From my
>perspective, this expectation is based on naive cyber utopias; the
>same naive cyber utopias that are nowadays propagated by the
>'Singularity'/transhumanist movement and popular figures like Jeremy
>Rifkin

Srnicek & Williams are calling for full automation and (welfare state)
UBI precisely because they know that automation as currently pursued
*won't* abolish work and therefore capitalism. It's an attempt to seize
the initiative (as part of a wider project).

Nick Land regards this kind of thing as an off-ramp on the way to the
Singularity, so these ideas cannot be lumped together too neatly.

The realization of a right-Transhumanism is pretty much inevitable
thanks to the US Military's emphasis on NBIC. And we're all cyborgs now
anyway. We just live in a naive cyber dystopia.

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Re: de Jong, Lovink, and Riemens: 10 Bitcoin Myths

2015-11-30 Thread Rob Myers
On 2015-11-30 11:06, nettime's_forgotten_password wrote:

>1. "Bitcoin is a peer-to-peer system."

It is. Anyone can (and should) run a full node. Doubly so if they're 
concerned about centralisation.

>2. "Bitcoin does away with intermediaries and fees."

There are no necessary intermediaries in transactions.

You can submit transactions with no fees.

>3. "Bitcoin is an alternative currency."

Speculation and use as a wire currency do not alter the status of a 
currency, otherwise there would be no such thing as the US dollar.

>4. "Bitcoin is not a fiat currency."

As it is not created by state or any other fiat.

>5. "Bitcoin is anonymous."

No legal or social identities are involved in transactions.

But if it helps, we can say that it's pseudonymous.

>6. "Bitcoin is secure and cannot be hacked."

As far as we know at this time.

Forgetting keys is a separate issue that is addressed by multisig, 
hardware wallets, or writing down your passphrase and putting it with 
your birth certificate and insurance details.

>7. "Bitcoin operates without trust."

Between people at the level of transactions.

>8. "Bitcoin is politically neutral."

It cannot be used at the protocol level to enforce state or social 
political objectives.

>9. "Bitcoin is a sustainable system."

Block size increases, sidechains and other developments address energy 
usage...

>10. "Bitcoin can scale to world size."

... and scalability.


1, 2, 5, 6, and 10 are *technical* critiques that have been made and 
addressed internally by the Bitcoin community.

7 is philosophically interesting, 8 is politically interesting. Nick 
Land on both is fun.

- Rob.


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Re: nettime Claire Bishop’s Game: Sub

2015-06-25 Thread Rob Myers
On 23/06/15 12:42 AM, Armin Medosch wrote:
 
 it is indeed perplexing that Bishop manages to write a pretty good
 book about participation whilst leaving out any mentioning of media
 art or digital art or whatever you call it.

Possibly the reception of their earlier views on digital art didn't
encourage them to revisit the subject. :-)

http://furtherfield.org/blog/patrick-lichty/disjointed-conversation-%E2%80%93-claire-bishop-digital-divide-and-state-new-media-conte




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Re: nettime Hackers can't solve Surveillance

2015-01-04 Thread Rob Myers
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On 02/01/15 07:55 PM, morlockel...@yahoo.com wrote:
 no amount of 20th century politics will solve this.

Well, 19th Century...

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Re: nettime GCHQ Director: The web is a terrorist's command-and-control

2014-11-05 Thread Rob Myers
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On 03/11/14 08:17 PM, nettime's_zentral_kommittee wrote:
 the internet grew out of the values of western democracy, not vice
 versa.

Unlike the mushrooms at GCHQ.

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Re: nettime Evgeny Morozov and the Perils of Highbrow Journalism

2014-10-16 Thread Rob Myers
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On 14/10/14 03:17 AM, Geert Lovink wrote:
 Will this scandal be the beginning of his downfall?

Morozov has dealt in second-hand goods since his conversion. I've
never met anyone he's fooled. So I'm not sure what his downfall would
entail.

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Re: nettime Evgeny Morozov: How much for your data? (LMD)

2014-08-25 Thread Rob Myers

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On 23/08/14 06:37 AM, Patrice Riemens wrote:
 
 by Evgeny Morozov
 
 [...]
 
 The realisation that data produced by everyday appliances, smart 
 toothbrushes or smart toilets, can be monetised has produced an 
 interesting resistance against the data-hoarding attitudes of
 Silicon Valley giants, who mint billions while we only get free
 services. A populist critique has emerged: let’s challenge these
 data monopolies and replace them with small-scale entrepreneurs.
 Each of us can become a freelance data stockbroker with our own
 portfolio — selling access to our genome if a pharmaceutical
 company needs it, or disclosing our location for a discount at a
 local restaurant.

The flaw with this, both in its capitalist hey come let us get rich
from your data version and socialist critiques of it which assume
merely that the wrong person is going to get rich from our data, is
that data is only as valuable as the person it represents.

The density map of the value of data under would-be telemetric
capitalism looks suspiciously like the density map of existing wealth.
We're all in static vehicles, but an awful lot of us are driving Trabants.

Locking your data up in a datastore written in Boston or Berlin rather
than Mountain View or the Bay Area doesn't change that.

 If data is treated as property, strong property rights and modern 
 enforcement technologies should ensure that no third party gets a 
 free ride.

But simply protesting that these property rights will be monetized by
the wrong person isn't going to go anywhere, although it will feel
good to have that argument.

 we might ask why the commodity status of information is accepted
 so uncritically.

Because it appeals to the vanity of both right and left.

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Re: nettime paying users for their data

2014-07-27 Thread Rob Myers
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On 24/07/14 02:29 AM, Felix Stalder wrote:
 
 Now this is obviously the roughest of ballpark estimates you can
 make -- and I would be happy to see a better one -- but on the face
 of it, it seems to indicate that viewing one personal data as an
 economic asset is really a lousy idea,

In as much as they constitute fixed capital, algorithms such as
Google's Page Rank and Facebook's Edgerank appear 'as a presupposition
against which the value-creating power of the individual labour
capacity is an infinitesimal, vanishing magnitude'.( Marx 1973: 694)
and that is why calls for individual retributions to users for their
'free labor' are misplaced. It is clear that for Marx what needs to be
compensated is not the individual work of the user, but the much
larger powers of social cooperation thus unleashed and that this
compensation implies a profound transformation of the grip that the
social relation that we call the capitalist economy has on society.

http://quaderni.sanprecario.info/2014/02/red-stack-attack-algorithms-capital-and-the-automation-of-the-common-di-tiziana-terranova/

 no matter how you slice it.

If a person's personal data is economically valuable to the degree
required for it to be anything more than a negligible source of
passive income, the rest of their life(style) will be less workerish
and more megastarish.

If people want minimum wage for Tweeting then I want minimum wage plus
benefits for reading their arguments.

Facebook-workerism is creepy.

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Re: nettime Evgeny Morozov: The rise of data and the death of politics

2014-07-22 Thread Rob Myers
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On 21/07/14 11:38 AM, Patrice Riemens wrote:
 
 Algorithmic regulation, whatever its immediate benefits, will give 
 us a political regime where technology corporations and government 
 bureaucrats call all the shots.

It depends how the algorithms are created and regulated. Much like
existing legal and logistical practice. If corporations and
governments have the power to determine the content of algorithmic
regulation (sic), then Morozov's laundering existing power structures
with his techno-dystopianism.

There are non-state/corporate visions of algorithmic regulation:

https://www.ethereum.org/

but the current crop of cybercritics have imaginations that stretch
all the way from Google to the US government and back again, with any
apparent alternatives lumped in with the former to avoid making things
messy.

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Re: nettime Nick Montfort: The Facepalm at the End of the Mind

2014-07-14 Thread Rob Myers
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On 15/07/14 12:19 AM, nettime_2.0 wrote:
 
 * You know how Facebook is, well, a company, a for-profit 
 corporation?

Given the apparent moral carte blanch it afford, the temptation to
incorporate has never been stronger.

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Re: nettime a free letter to cultural institutions

2014-06-27 Thread Rob Myers

-BEGIN PGP SIGNED MESSAGE-
Hash: SHA512

Florian Cramer:
 
 I'd be very interested to hear why a punk band wouldn't want to
 release music under a free license.
 
 
 For example, because it doesn't want - for political reasons - its
 music to end up on Spotify, Google or similar corporate services,
 against which free licenses provide no means of intervention.

Other than not allowing the sublicensing that these services require.

 Or because it wants to retain a means of preventing that work is
 being politically misappropriated. For example, if the punk band
 were the Dead Kennedys, and it would have released California Uber
 Alles under a truly free license, it would have no means to
 intervene if a Neonazi band performed the same song with no irony
 intended.

They have no means of intervening under the standard cover license
terms anyway. They may under moral rights. Which Creative Commons
licenses explicitly reserve for the author.

A punk band that gives either of these as reasons for not adopting a
Free Culture license is ignorant of the operation of those licenses,
of the distribution models that have evolved under pressure from the
recording industry, and of the history of punk's antagonistic (rather
than merely puritan, as you note below) relationship with the record
industry.

The great rock  roll swindle is alive and well on Spotify:

http://www.absolutepunk.net/showthread.php?t=3698956

 The punk band example is relatively harmless. For software
 developers, any kind of free license (free according to the
 criteria of FSF and Debian, respectively Open Source according to
 the OSI criteria) gives no whatsoever means to prevent that the
 software/the code is used for military purposes, by secret services
 like the NSA (whose infrastructure is running on free software to a
 large degree), or for the clouds of Facebook, Google c., for 
 racial profiling and, in the most extreme case, genocide
 logistics.

Does the military use Free Software? Of course. It is free to do so.

Do people who seek to resist the military use Free Software? Of
course. They are free to do so.

Who is one of the largest sponsors of Free Software? The military.

The effect of this is that the military are paying to write the
software that is used to oppose them. This is a feature, not a bug, of
Free Software. TOR is a direct example of a military Free Software
project, Red Hat's development of GNU/Linux paid for in no small part
by military support contracts is a more indirect one.

The activist dream of sulking the military into submission by refusing
to let them use Free Software is therefore economically illiterate.

Furthermore the activist dream of sulking the military into submission
through licenses that refuse to allow the military to use resources
that the rest of society are free to use ignores the role of the
military in disaster response. If the military are free to use (e.g.)
OpenStreetMap and must return improvements to the resource as a
condition of using it, where state and commercial maps are lacking
this leads to a virtuous circle of improvement of a Free resource.
This is something that has already happened.

And yes, Free Software can be used in genocide logistics. So can
proprietary software, and if a state or group are considering
butchering their citizens or neighbours then they're really not going
to care about an anti-genocide software license either.

In those circumstances, resources for defeating the ability to commit
genocide either through military intervention or through the
dissemination of information to at-risk individuals are vital. Free
Software is a resource for frustrating the logistics of genocide that
can only be diminished by reducing military contributions to it.

 The problem is that all these applications fall within the
 freedom of free software,

That's correct.

 the right to use software for any purpose, which ultimately means
 freedom as in free market.

If there is no other freedom it's not clear how activists are free to
challenge the free market. The capitalist will after all sell you the
rope you need to hang them.

 There are many people in the hacker community, such as Felix von
 Leitner from Chaos Computer Club (also developer of dietlibc), who
 are now thinking critically about this aspect.

I look forward to seeing the discriminatory licenses that they come up
with.

 -, it would, under your model, be banned from all punk venues
 to perform.
 
 Good.
 
 
 That would fit hardcore punk and straight edge culture with their
 close cultural and historical affinities to puritanism.
 
 This is a classic example of the kind of scarce, auratic
 merchandise
 that freely licensed non-scarce digital media and live
 performances can drive sales of (or see their costs offset by).
 
 The license on it can't make it any less desirable to anyone who
 isn't at the gig than it already is.
 
 It can however give it more of the iconoclastic attitude that
 will make it 

Re: nettime a free letter to cultural digest [2x]

2014-06-17 Thread Rob Myers
- Forwarded message from Rob Myers r...@robmyers.org -

From: Rob Myers r...@robmyers.org
Subject: Re: nettime a free letter to cultural institutions
Date: Mon, 16 Jun 2014 19:03:13 +
To: nettime-l@mail.kein.org

-BEGIN PGP SIGNED MESSAGE-
Hash: SHA512

morlockel...@yahoo.com:
 
 licensing makes no difference anyway - nazis will use the stuff 
 regardless of licensing.

I do despair at people who don't get this and/or wish to exert more
control over third party use of their work through an alternative
copyright license than they would otherwise be able to.

 The whole licensing paradigm in this market looks more like a
 cargo cult: if I attach some 'free/community/fair' license to my
 stuff maybe the real money will land.

Promotion is a thing.

As is confusing the economics of the recording and visual artist.

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- End forwarded message -
- Forwarded message from Rob Myers r...@robmyers.org -

From: Rob Myers r...@robmyers.org
Subject: Re: nettime a free letter to cultural institutions
Date: Mon, 16 Jun 2014 20:13:42 +
To: nettime-l@mail.kein.org

-BEGIN PGP SIGNED MESSAGE-
Hash: SHA512

Aymeric Mansoux:
 Rob Myers said :
 
 Florian Cramer:
 If, for example, a punk band would decide that it is not
 releasing its recordings under a free license - for which it
 might have sound political arguments
 
 I'd be very interested to hear why a punk band wouldn't want to 
 release music under a free license.
 
 I think that what Florian is hinting is that there is something
 terribly wrong in imposing a certain distribution model and
 copyright practice upon artists.

Florian's a copyright abolitionist? ;-D

 This would put free culture in the same camp as the one they are
 opposing. After all, a lot of free culture supporters have been 
 charmed by the opportunity it gives to get some control back over 
 intellectual property mechanisms that have been already decided for
 them and are hardly mutable (at least not as fast as it takes to
 listen to a good punk song ;)

If we work for reform we're also working to impose a certain model on
people...

 And then, there is of course some practices that just cannot work
 with free culture licenses. Say for instance someone or group
 supporting illegalism or anti-copyright practices releasing
 something under a copyright supporting mechanism like free culture
 licenses, would be rather odd. It does not remove the fact that,
 yes, as sadly proven with all the anti-copyright works made in the
 past that are now copyrighted, the anti-copyright position is a
 difficult one to hold these days, but that does not mean one should
 not be able to turn that into a valid artistic statement either.

Anti-copyright is just copyright. As is post-licensing. Each time a
GitHub user posts about licenses being permission culture, God kills a
parrot.

I admit I hadn't considered illegal art (despite having made some
myself...). There's also the issue of out-of copyright or
copyright-waived works, although these are open to recapture by
copyright and other measures and I don't find them to be the panacea
that some people I greatly respect do.

But yes the statement would benefit from being updated to reflect
these issues. There's much more to Free Culture than licenses,
although that's no excuse for any project to get them wrong. ;-)

 To clarify: At WORM, we have fostered, (co-)hosted and 
 co-instigated a whole range of free culture projects, such as
 the Hotglue and now SuperGlue web site creation system, the
 Libre Graphics Research Unit, the Free?! conference last fall,
 
 I attended Free?!, it was excellent.
 
 Thanks! :D
 
 There is a draft video edit of the whole evening conference.
 Hopefully, we can put online the final version before the end of
 the year.

Oh cool, I look forward to that.

I do share your wistfulness regarding the state of Free Culture. But
I'm unwilling to turn the lights off just yet.

- - Rob.

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- End forwarded message -

#  distributed via nettime: no commercial use without permission
#  nettime  is a moderated

Re: nettime a free letter to cultural digest [2x]

2014-06-17 Thread Rob Myers
- Forwarded message from Rob Myers r...@robmyers.org -

From: Rob Myers r...@robmyers.org
Subject: Re: nettime a free letter to cultural institutions
Date: Mon, 16 Jun 2014 19:03:13 +
To: nettime-l@mail.kein.org

-BEGIN PGP SIGNED MESSAGE-
Hash: SHA512

morlockel...@yahoo.com:
 
 licensing makes no difference anyway - nazis will use the stuff 
 regardless of licensing.

I do despair at people who don't get this and/or wish to exert more
control over third party use of their work through an alternative
copyright license than they would otherwise be able to.

 The whole licensing paradigm in this market looks more like a
 cargo cult: if I attach some 'free/community/fair' license to my
 stuff maybe the real money will land.

Promotion is a thing.

As is confusing the economics of the recording and visual artist.

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- End forwarded message -
- Forwarded message from Rob Myers r...@robmyers.org -

From: Rob Myers r...@robmyers.org
Subject: Re: nettime a free letter to cultural institutions
Date: Mon, 16 Jun 2014 20:13:42 +
To: nettime-l@mail.kein.org

-BEGIN PGP SIGNED MESSAGE-
Hash: SHA512

Aymeric Mansoux:
 Rob Myers said :
 
 Florian Cramer:
 If, for example, a punk band would decide that it is not
 releasing its recordings under a free license - for which it
 might have sound political arguments
 
 I'd be very interested to hear why a punk band wouldn't want to 
 release music under a free license.
 
 I think that what Florian is hinting is that there is something
 terribly wrong in imposing a certain distribution model and
 copyright practice upon artists.

Florian's a copyright abolitionist? ;-D

 This would put free culture in the same camp as the one they are
 opposing. After all, a lot of free culture supporters have been 
 charmed by the opportunity it gives to get some control back over 
 intellectual property mechanisms that have been already decided for
 them and are hardly mutable (at least not as fast as it takes to
 listen to a good punk song ;)

If we work for reform we're also working to impose a certain model on
people...

 And then, there is of course some practices that just cannot work
 with free culture licenses. Say for instance someone or group
 supporting illegalism or anti-copyright practices releasing
 something under a copyright supporting mechanism like free culture
 licenses, would be rather odd. It does not remove the fact that,
 yes, as sadly proven with all the anti-copyright works made in the
 past that are now copyrighted, the anti-copyright position is a
 difficult one to hold these days, but that does not mean one should
 not be able to turn that into a valid artistic statement either.

Anti-copyright is just copyright. As is post-licensing. Each time a
GitHub user posts about licenses being permission culture, God kills a
parrot.

I admit I hadn't considered illegal art (despite having made some
myself...). There's also the issue of out-of copyright or
copyright-waived works, although these are open to recapture by
copyright and other measures and I don't find them to be the panacea
that some people I greatly respect do.

But yes the statement would benefit from being updated to reflect
these issues. There's much more to Free Culture than licenses,
although that's no excuse for any project to get them wrong. ;-)

 To clarify: At WORM, we have fostered, (co-)hosted and 
 co-instigated a whole range of free culture projects, such as
 the Hotglue and now SuperGlue web site creation system, the
 Libre Graphics Research Unit, the Free?! conference last fall,
 
 I attended Free?!, it was excellent.
 
 Thanks! :D
 
 There is a draft video edit of the whole evening conference.
 Hopefully, we can put online the final version before the end of
 the year.

Oh cool, I look forward to that.

I do share your wistfulness regarding the state of Free Culture. But
I'm unwilling to turn the lights off just yet.

- - Rob.

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- End forwarded message -


#  distributed via nettime: no commercial use without permission
#  nettime  is a moderated

Re: nettime a free letter to cultural institutions

2014-06-13 Thread Rob Myers
-BEGIN PGP SIGNED MESSAGE-
Hash: SHA512

Florian Cramer:
 I disagree with this letter since I am working for a small cultural
 venue (WORM in Rotterdam) myself and see a discrepancy between good
 intentions and not-so-good practical consequences.
 
 First of all: the release of work as free culture (according to
 the standards of freedomdefined.org or the FSF Free Software
 Definition) should be intrinsically motivated and a decision of
 those who created the work. It should not something forced upon by
 an institution/venue which would then use its institutional power
 to force upon modalities of distribution - i.e. you can't
 play/exhibit/work here if your work isn't released under a free 
 license. It is not upon an institution to dictate ways of
 distribution outside that institution. If, for example, a punk band
 would decide that it is not releasing its recordings under a free
 license - for which it might have sound political arguments

I'd be very interested to hear why a punk band wouldn't want to release
music under a free license.

 -, it would, under your model, be banned from all punk venues to
 perform.

Good.

This would re-inject some much needed political attitude.

 This would boil down to the creation and enforcement of purity
 laws, the typical knee-jerk reflex of the radical left and trap
 into which it is running into again and again.
 
 To clarify: At WORM, we have fostered, (co-)hosted and
 co-instigated a whole range of free culture projects, such as the
 Hotglue and now SuperGlue web site creation system, the Libre
 Graphics Research Unit, the Free?! conference last fall,

I attended Free?!, it was excellent.

a number of Crypto Parties; our office computers run
 on GNU/Linux and our streaming server streams Ogg Vorbis.
 
 But we also don't think that it is forbidden if an underground band
 sells its self-made small edition LP after a concert with no
 whatsoever free license because it can't live from the kind of
 artists' fees we pay.

This is a classic example of the kind of scarce, auratic merchandise
that freely licensed non-scarce digital media and live performances
can drive sales of (or see their costs offset by).

The license on it can't make it any less desirable to anyone who isn't
at the gig than it already is.

It can however give it more of the iconoclastic attitude that will make
it desirable to punks.

- - Rob.

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Re: nettime do you know the way to san jose digest [x3: hankwitz

2014-05-17 Thread Rob Myers
On 16/05/14 08:45 AM, morlockel...@yahoo.com wrote:

 This is a slippery slope.

Wheee!

 What is natural about diversity, or letting the poor live?

It depends how you're reifying them.


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nettime [digest x 2] Re: Ippolita Collective: In the Facebook Aquarium

2014-02-12 Thread Rob Myers
   [digested @ nettime -- mid(tb)]

Rob Myers r...@robmyers.org

 Re: nettime Ippolita Collective: In the Facebook Aquarium (Part
 Re: nettime Ippolita Collective: in the Face Book Aquarium, Part

- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -

Date: Thu, 06 Feb 2014 17:20:26 -0800
From: Rob Myers r...@robmyers.org
Subject: Re: nettime Ippolita Collective: In the Facebook Aquarium (Part

On 06/02/14 03:03 AM, Mikael Brockman wrote:

 The very people who construct and maintain Facebook are quite seriously
 involved with open source software.

But not with Free Software...

- Rob.

- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -

Date: Tue, 11 Feb 2014 20:43:37 -0800
From: Rob Myers r...@robmyers.org
Subject: Re: nettime Ippolita Collective: in the Face Book Aquarium, Part

On 11/02/14 11:43 AM, Patrice Riemens wrote:

 Evgeny Morozov is among those rare authors to have warned against the
 (dirty) tricks of the Net, as well as against technology-worship and
 Internet-centrism. 

No it isn't.

- Rob.

- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -


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Re: nettime Anonymous movement in decline?

2014-01-07 Thread Rob Myers
On 06/01/14 01:23 PM, Felix Stalder wrote:

 But this rise and decline meme is a typical media cycle.

This.

 But, even if nobody would ever use the name Anonymous anymore, and all
 the Guy Fawkes masks would rot in drawers around the world, what would
 that mean? Decline? Of what exactly? Of an attractor which allowed
 different actors to coalesce? What happens if a different one appears?
 
 I think Anonymous succeeded widely. It politicized a entire generation
 of people who formed their values and expectations on the internet.

Also this.

That said, nothing is stopping anyone onlist from acting as Anonymous.
I'm sure a way could be found for doing so to count as research points.

- Rob.


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Re: nettime History of Computer Art, chap. V

2013-12-11 Thread Rob Myers
On 10/12/13 02:39 PM, Ian Milliss wrote:
 Have to agree completely, it gets very boring seeing histories that are
 only about the US and Europe or so called global histories/exhibitions
 that cover only the US, Europe and a few token Chinese artists.

http://www.wired.com/beyond_the_beyond/2013/12/thomas-drehers-history-of-computer-art/

It amuses me to see people complain that his history is “too German.”
That’s exactly what’s great about it. I’m staggered by the meticulous
attention to detail in Dreher’s compendium. I’m quite the fan of media
history, but really, ten of me couldn’t write a book like this.

+1




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Re: nettime GoldieBlox, fair use, and the cult of disruption

2013-12-03 Thread Rob Myers
On 03/12/13 01:37 AM, nettime's avid reader wrote:

 most importantly, they have a long-standing policy
 that no Beastie Boys songs shall ever be used in commercial
 advertisements. (They don’t mention, although they could, that this last
 was actually an explicit dying wish of Adam Yauch, a/k/a MCA, and an
 integral part of his will.)

For fans of the Beastie Boys, GoldieBlox don't seem to know very much
about them (or how to use apostrophes):

We want you to know that when we posted the video, we were completely
unaware that the late, great Adam Yauch had requested in his will that
the Beastie Boys songs never be used in advertising.

http://gigaom.com/2013/11/27/goldieblox-removes-beastie-boys-lyrics-from-girl-power-video-smart-or-cynical/

GoldieBlox had more of a case than many people think:

http://waxy.org/2013/11/goldieblox_and_the_three_mcs/

But if I had to choose a poster child for Fair Use, this certainly
wouldn't be it.


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Re: nettime a free letter to the creative commons and for the consideration

2013-12-01 Thread Rob Myers
On 30/11/13 11:01 AM, Özgür K. wrote:

 i would also ask you to consider renaming the real free culture
 licenses you provide as *free culture creative commons license* and
 more importantly renaming the rest of the cc licenses as *non-free
 culture creative commons license* or *permission culture creative
 commons license* if you wish,

The possibility of a different brand for non-free CC licenses was
discussed as a possibility during the public development of the 4.0
licenses. CC decided not to pursue the idea at this time.

:-(


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Re: nettime Renault will remotely lock down electric cars

2013-11-19 Thread Rob Myers
On 17/11/13 02:30 PM, mez breeze wrote:

 [From:
 https://blogs.fsfe.org/gerloff/2013/10/31/renault-will-remotely-lock-down-electric-cars/
 ]

 For a long time, cars were a symbol of freedom and independence. No
 longer. In its  Zoe electric car, car maker Renault apparently has the
 ability to remotely prevent the battery from charging. And that's more
 chilling than it sounds.

Alison Chaiken spoke about this sort of thing at Libre Planet 2012.

Slides here:

http://she-devel.com/AlisonChaikenLibrePlanet2012.pdf

- Rob.


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Re: nettime MediaMOO dead?!

2013-11-17 Thread Rob Myers

On 16/11/13 01:09 PM, { brad brace } wrote:
 A professional community for media researchers.

MediaMOO has been down since maybe the end of July.

I visited it just before it went. While clearing out my house to move
I found my ex partners notebooks containing her object numbers there
so I went to see them.

PMC MOO is also down.

I'd gladly host both.





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Re: nettime Phil Agre: Supporting the Intellectual Life of a Democratic Soc...

2013-09-23 Thread Rob Myers
On 20/09/13 10:20 AM, newme...@aol.com wrote:
   
 Television has *satellites* that BEAM the same propaganda to
 everyone. The Internet does not.

 As a result, MEMES don't work any more!  (Sorry, Kalle, you can't  
 advertise your way to a revolution anymore.)

If we accept meme theory then memes predate mass media. Neil
Stephenson had fun with this idea, Susan Blackmore made some more or
less testable predictions based on it.

Indeed mass media is a meme

The advertising imperative in monetizing social media does tend to the
condition of broadcast. Although as William Gibson says reliance on
broadcasting is now the very definition of a technologically backward
society.

I do like (or possibly remember) the idea of a Madison
Avenue advertising company being tasked with fomenting a
revolution. They couldn't come up with anything worse than actual
(counter-)revolutionaries.





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Re: nettime dark days

2013-06-12 Thread Rob Myers

On 12/06/13 09:38, Patrice Riemens wrote:


GeziPark, PRISM, ERT shutdown come all as a shock.


Some of the saddest specialist responses to PRISM that I've read argue 
that it isn't a shock and that clever people knew this sort of thing was 
going on anyway.



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Re: nettime Jaron lanier: The Internet destroyed the middle class

2013-05-14 Thread Rob Myers

On 13/05/13 18:11, Keith Hart wrote:


Thanks for posting this. It's a great interview and I downloaded the book
onto my Kindle. Lanier's ideas about the middle class as an artificial
product of modernity are interesting


That sounds similar to Paul Graham's interesting opinions about unions -

http://www.paulgraham.com/unions.html


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Re: nettime Essay-Grading Software

2013-04-26 Thread Rob Myers

On 26/04/13 15:52, newme...@aol.com wrote:


Machines will *never* become conscious or emotional or spiritual
because none of that is programmed into them.


And once it is these won't be hallmarks of humanity, as is always the 
case with AI.



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Re: nettime Means of production: The factory-floor knowledge economy (le monde diplo)

2013-03-24 Thread Rob Myers


On 23/03/13 19:18, Morlock Elloi wrote:


Desktop publishing, now 20+ years old, had the same false premise.
Ability to typeset and print at home did not change publishing world
much. The same big publishers are making the same money today, and
choose what they want to print in pretty much the same way. [...]
Once billions of 'tards can print objects at home, the value will go
down the drain. You may bury yourself in coffee mugs, gun receivers,
dildos, jewelry - it will all be worthless, as photo prints are
today.


How much are you being paid to write this?





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Re: nettime Response to Academe Is Complicit essay

2013-01-23 Thread Rob Myers

On 23/01/13 05:04, Lincoln Cushing wrote:


 By withholding free access to the ultimate goody, the 60 megabyte image
 file, am I a traitor to the Free Culture Movement?


If you want to phrase it in those terms, then yes.

- Rob.


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Re: nettime Privacy, Moglen, @ioerror, #rp12

2012-05-10 Thread Rob Myers

On 05/09/2012 10:31 AM, Eugen Leitl wrote:


On Tue, May 08, 2012 at 10:45:33PM +0100, Rob Myers wrote:


On 05/08/2012 05:52 PM, Morlock Elloi wrote:


The curiously absent question is why there should be social media in the
first place, and 'media' in general.


Lascaux.


Notice that memes and image macros are a regression to pictorial signs.


Image macros are an indexical and ironic discourse of interrelated 
images put into tension with text. I'm not sure that images represent a 
regression, post-dating language as they do.


- Rob.


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Re: nettime What do you think about .art?

2012-03-10 Thread Rob Myers
On 08/03/12 16:13, miltosmane...@gmail.com wrote:
 I absolutely agree. .art is simply ridiculous, who wants to be called .art?

Various of my bots, and several projects I have in mind to critique the
prevalent informal institutional theory.

:-)

- Rob.




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Re: nettime What do you think about .art?

2012-03-10 Thread Rob Myers
Also, I demand a .marx domain.

- Rob.


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Re: nettime Occupy Wall Street and the Left

2012-01-19 Thread Rob Myers
On 19/01/12 15:09, Flick Harrison wrote:

 Just to bring this back to digital technology... Kodak filed for bankruptcy
 today.

We're halfway to Cory Doctorow's Makers. :-)

- Rob.


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Re: nettime My Lawyer is an Artist

2011-11-15 Thread Rob Myers
On 15/11/11 10:15, Heiko Recktenwald wrote:

 IMHO nothing can stop a pruducer from
 changing his mind for the future.

They cannot however prevent the people who have received copies of their
work under a licence offering that work to other people under the same
licence.

So yes the artist can stop offering the work under that licence, but
they'll have a hard time suppressing it.

- Rob.


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Re: nettime No JSTOR downloads or bicycle-helmet-masks for you

2011-07-24 Thread Rob Myers

On 23/07/11 21:11, David Golumbia wrote:

watch out everyone... if you're not very careful, this story may make your
ideology start to show.


Threatening someone with 35 years imprisonment for a case that had 
already been settled by the parties involved in order to send a message 
seems pretty ideological to me.



by the way, do we academics in the activist SWARTZ'S humble judgment have
the right to any compensation at all for our years of labor?


If you haven't been compensated for your years of labour I suggest 
having a word with either your union or your HR department.



and he DEFINITELY didn't intend steal. how dare you attack him for stealing.


I've just checked and all the articles still seem to be on JSTOR. 
Nothing has been stolen.


- Rob.


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Re: nettime Aaron Swartz charged for downloading too many Journal articles from the Library: Please sign suport petition.

2011-07-20 Thread Rob Myers

On 20/07/11 14:33, Nick wrote:
 
 wire fraud (for obtaining property) [count 1],

That's one of the things they went after Steve Kurtz for in the end...

- Rob.





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