Ich kenne ja Axel Greiss. Ein sehr begabter Dudelsackspieler aus
Cottbus!
__
New Windows 7: Simplify what you do everyday. [1]Find the right PC for
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References
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Jimmy was a farrier who fixed machinery not just horse shoes. I played
fiddle with him on one or two occasions in the snug at the Bird in Bush
in Elsdon. He was a neighbour of Ned Pearson, the fiddler, who I
remember coming out to play the Morpeth Rant at his garden gate when
the Monkseaton Mor
Just in case anyone might think I'm the clever so-and-so who came up
with those complex jig patterns quoted in a previous submission, I have
to say I lifted them from Stewart Hardy's book "Secrets of Jigs"
([1]mu...@kirkhousepublishing.com) an excellent publication with highly
detai
Everyone knows mathematicians can't do arithmetic!
But I'll pretend it was a typo...
John
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of
Matt Seattle
Sent: 04 November 2009 11:24
To: gibbonssoi...@aol.com
Cc: nsp@cs.dartmouth.edu
Subje
Oops, deed mer leed nach eng kéier, it should have been "shay grace" not
"grice".
Grease is not the word.
c
>-Original Message-
>From: lute-...@cs.dartmouth.edu
>[mailto:lute-...@cs.dartmouth.edu] On Behalf Of
>christopher.bi...@ec.europa.eu
>Sent: Wednesday, November 04, 2009 12:57 PM
Sorry, this should be "shay grice" and indeed Dave should have used an acute
accent on the "e" in both words - schéi gréiss.
It's Luxembourgish for - literally - "beautiful greetings", corresponding to
the German "schöne Grüsse". Yes, the dots and strokes do matter for the correct
pronunciatio
Dear Those concerned
I hope at some stage, someone will explain to me what all this code breaking
"shy grice" is about
Alan Corkett
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu]on
Behalf Of Matt Seattle
Sent: 04 November 2009 11:24
To: gibbonssoi...
"Notereader makes Hornpipes sound fairly good in 21/16, with dotted
and
undotted quavers alternating."
Do you mean 20/16, John?
Any system of notation relies on a culture which knows how that
particular music is played, just as any written language relies on
people knowin
Maybe we should sort out the more literal dot-readers with more
accurate notation.
Notereader makes Hornpipes sound fairly good in 21/16, with dotted and
undotted quavers alternating.
12/8 is too jiggy, straight quavers have no pulse,
and normal 'dotted 4/4' is lumpier than sch
Akcherly it's "gréiss", as in "Gréiss Darling".
c
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Modern
>(new research) concert instrumentalists, starting as children
>now learn
>their instrument by ear for the first few years, when they have learnt
>the instrument and some of its' possibilities, they are introduced to
>the dots and in so doing create a happy medium and a happy player.
Not at all what I was saying John. They were good not "because they
were illiterate" but because they had no option but to listen and get
the feel for the tunes they were in their heads before their fingers
tried them out. That is my point.
Dave, I dont know a single teacher in any
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