Many thanks to all who wrote about my chanter being flat. i did what
you advised and it has solved the problem. many thanks my chanter is
now back in tune.
best wishes
kevin
__
From: Dave Shaw
Hi all,
I agree with most of what has been said on this thread. I only
restricted my advice to reed opening because I only wanted to mention
clipping the reed when all else had been tried. It is after all
irreversible, unless someone has found a way of gluing the bits back on?
There was one
Hi Kevin
I would agree with the detail of Philips advice.
When the octaves are in tune with each other and the fifth is flat then the
reed is too long.
You need to shorten the reed by half millimetre cuts(or less) until the
intervals are correct.
I use a cut throat type razor for this, on an
Kevin,
Your problem is most likely to be caused by the reed, though what John says
about the length of the chanter is also true up to a point. A reed which is
too weak, having been over-thinned especially at the bridle end, often
produces false/flat notes in the middle of the chanter.
Hi to All,
Can anyone advice me on the tuning of my chanter to the drones. The top
G and the bottom G are in tune with the drones but the middle notes
especially the D is a fraction out of tune, a little flat. is this
rectified by moving the reed, if so which way? or opening the
Hi Kevin
Do you know what pitch you are tuning at. Is it the same as before?
Do you know what pressure you're playing at. Is it the same as before?
You could have a reed which naturally gives a flatter d .
My guess would be to open the reed a fraction and increase your playing
pressure
Does anyone have the dots for Our Kate by Kathryn Tickell transcribed, by any
chance?
I thought I had it, but it must be on a piece of paper buried somewhere in my
filing system.
The composer herself doesn't have ready access to a copy - I'm sure someone
must
have written it out for
'Our Kate' can be found on be [1]JC's ABC Tune Finder and
[2]www.thesession.org.
[customLogo.gif?revision=3] Geoff Jones
BAGPIPE PLAYER TUTOR
GREAT HIGHLAND BAGPIPES - SCOTTISH NORTHUMBRIAN SMALL PIPES - BORDER
PIPES
PHONE: 0419 567 038 - E-MAIL: [3]em...@geoffjones.info
On 11 Nov 2011, Geoff Jones wrote:
'Our Kate' can be found on be JC's ABC Tune
Finder
Thanks, Geoff. Stupidly, I assumed that because it is still in copyright
(obviously) it would not be on such sites.
I'll hijack it from there and get it checked.
Julia
To get on or off this list see
I now have several copies in two different keys and am getting them checked by
the
composer.
Thanks, one and all.
Julia
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http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
Nice playing, John. I have tried fading out with my pipes for years but never
succeeded!
Michael
- Original Message -
From: John Dally dir...@gmail.com
To: NSP group nsp@cs.dartmouth.edu
Sent: Thursday, November 3, 2011 7:53:19 PM
Subject: [NSP] triple hornpipes
This is a follow up to
This is a follow up to the October TOTM. Here are three triple
hornpipes played on a SSP, chanter by Mike Sharp, drones by Addison.
http://www.youtube.com/watch?v=nxDelZc71YA
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Hellos apiece,
Some might be interested to know I've put the dots for all of the
tracks on 'The Primitives' album as pdf files in a handy zipped folder.
Several people have asked for this and I made an attempt to put down
the dots as close to the versions on the album as I could
There was one suggestion for Felton Lonen and one suggestion for
tunes in the 9/8 time signature, so I decided to compromise with tunes
in the 6/8 time signature. That's a very open catagory, including
variation sets, slow airs, marches, and jigs. You can perform Felton
Lonen if you want.
Yesterday at the Pacific Northwest Northumbrian smallpipers' monthly
session Peter Dyson of Bellingham, Washington, and Michael Korchonnoff
of Graham very kindly allowed me to record them on my Flip camera. Two
performances here, one a duet and the other a solo.
For the benefit of dancers, callers and dance band members, I forgot to
say the tune is great for the 'Ideal Schottische' and Pete's dots come
complete with his seconds which really do make a tasty job of the whole
piece.
Cheers
Anthony
--
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I've posted these to the NPS bulletin board, in some haste.
Julia
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http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
Hello Folks
John Dally's beautifully paced hornpipes (and
their snaps) connect really well for me with this new tune by Pete
Cryer which is about two weeks old. This version is a reasonable
attempt at it (recorded shortly after I learnt it on Tuesday evening)
once again recorded
Dear All
I have received the following from Andy Letcher of the Bagpipe Society
with a request to forward it to bagpipe-related newsgroups to which I
subscribe and piping organisations with which I have contact. Please
circulate further as appropriate, and please do not address any
Here is a set of three hornpipes for October: The Glen Aln, The
Marquis of Lorne, The Redesdale:
http://soundcloud.com/john-dally/hornpipes-glen-aln-marquis-of
I hope you find these enjoyable.
To get on or off this list see list information at
It's a great set - Glen Aln is a grand tune that deserves more outings, and
itgoes well into the Marquis of Lorne; the Redesdale rounds the set off nicely.
I liked the snaps here and there in the Marquis and the Redesdale.
John
From:
Hello all
Some may remember I used Jimmy Little's (Baty of Wark) set for The
Bewshaugh and Rememebr Me Hornpipes. This set has now been checked and
valued by Graham Wells and Jimmy has offered to sell it to me.
Consequently I need to sell (reluctantly) a lovely blackwood and solid
Pipers All, hello and greetings.
We have been asked to move one date already, the Dec. meeting is now
the 10th not 3rd.
So - the next four dates for our monthly meetings are:
5th November and 10th December 2011.
7th January and 4th February 2012.
Manchester Group of
Original Message
From: allerwa...@hotmail.com
Date:
02/10/2011 12:23
To: marianne.h...@tinyworld.co.uk, Guy Hallguy.
h...@tinyworld.co.uk
Subj: FW: Piping videos
Date: Sun, 25
Sep 2011 13:13:34 +0100
From: timr...@btinternet.com
Subject: Piping
videos
To: allerwa...@hotmail.com
Pipers All, hello and greetings
The next four dates for our monthly meetings are:
5th November and 3rd December 2011.
7th January and 4th February 2012.
Manchester Group of Northumbrian Pipers meet at the Grove Lane Baptist
Church, Pingate Lane South (off Grove Lane), Cheadle
Hellos apiece
Here we go - flawed as usual - two great tunes that are becoming
popular but could be more so.
I've been doing up Jimmy Little's pipes which have spent the last 18
years languishing in their box.
I've given them a new chanter reed and have re-tongued three of the
Very nice Anthony! The pipes sound great and there's some fine phrasing
in the playing.
For a relatively different aesthetic, and a different reading of the
word 'hornpipe', see All The Night I Lay With Jackey In My Arms, the
middle tune of this duet set
For the October Tune of the Month is to play a hornpipe, or two, of
your choosing. This broad catagory should have something for
everyone.
Please post links to your uploads in the NSP news group and on the forum:
http://www.northumbrianpipers.org.uk/pipersforum/viewtopic.php?f=20t=288
Of
Here is a fine example of hornpiping.
http://www.youtube.com/watch?v=Bl3iIKGFISE
The question has come up, is a hornpipe a style or a type? My answer
is, yes. This isn't a competition, so please feel free to explore
definitions rather strain to fit inside them.
cheers,
John
To get on or
Hi All,
Forgive the plug, but this is a reminder that the NPS Annual Concert
takes place in St Mary's Heritage Centre in Gateshead on Saturday 8th
October at 7:30pm. For those within reach of Gateshead, this will be a
super evening of fine piping and traditional music.
The artists appearing
Thanks for keeping this going.
We could try anything by Billy Pigg?
I could be beastly and suggest 'Billsmoor',
but 'Raylees' is perhaps more user-friendly, and deserves more airtime.
Another argument for this is that we haven't done any hornpipes yet, either.
John
On 24 Sep 2011, Gibbons, John wrote:
I could be beastly and suggest 'Billsmoor',
giggle
but 'Raylees' is perhaps more user-friendly, and deserves more airtime.
And there's a piper there once more, albeit in a barn conversion not the
farmhouse
itself.
But John D's folio idea is also
But John D's folio idea is also good..
I seem to have missed that email -
but there are lots of grand tunes in the new folio.
John G
From: lute-...@cs.dartmouth.edu [lute-...@cs.dartmouth.edu] on behalf of Julia
Say [julia@nspipes.co.uk]
Sent:
Good result, Anthony!
This lovely item can be heard for the next 6 days at:
http://www.bbc.co.uk/programmes/b014fj7j
Emily and Alice's slot is at 1.09
Francis
On 13 Sep 2011, at 22:58, Anthony Robb wrote:
Some might be interested to know I sent a couple of tracks
recorded recently
Why did I get Rachmaninov?
Richard
(Puzzled in Quebec)
- Original Message -
From: Francis Wood oatenp...@googlemail.com
To: Anthony Robb anth...@robbpipes.com
Cc: Dartmouth NPS nsp@cs.dartmouth.edu
Sent: Friday, September 16, 2011 5:06 AM
Subject: [NSP] Re: Alice Burn Emily Hoile
On 16 Sep 2011, at 13:18, Richard Shuttleworth wrote:
Why did I get Rachmaninov?
Richard
(Puzzled in Quebec)
Because that is the first item on in the programme.
For Alice and Emily go to 1.09 (hours and minutes).
Good luck
Francis
To get on or off this list see list information at
On 16 Sep 2011, at 13:18, Richard Shuttleworth wrote:
Why did I get Rachmaninov?
Richard
(Puzzled in Quebec)
Because that is the first item on in the programme.
For Alice and Emily go to 1.09 (hours and minutes).
Good luck
Francis
Ah, I was thinking minutes and seconds not hours
I agree, and the playing great, I hope it continues to reach new heights
and directions for NSP. As was said, it is a chamber instrument ---
Dave S
On 9/16/2011 2:47 PM, Richard Shuttleworth wrote:
On 16 Sep 2011, at 13:18, Richard Shuttleworth wrote:
Why did I get Rachmaninov?
I seem to be unable to pick up any of the several slots, those with Alice and
those of Emily alone. Is anyone else having the same probl;em? Can anyone
suggest a way of seeing and hearing them?
Sheila
-Original Message-
From: Francis Wood oatenp...@googlemail.com
To: Anthony
Well, here are my offerings for September. Lots of fumbling, but this
is just for fun, right?
Northumbrian smallpipes, Cuddy Claw'd Her Peacock's setting
[1]http://www.youtube.com/watch?v=JJvjrOChQXo
Scottish smallpipes, Cuddy Claw'd Her Dixon's setting
I had thought the ban was due to crop failures after Laki erupted
catastrophically -
but Napoleon is a likelier culprit with this date, 10 years after it quieted
down again.
John
From: lute-...@cs.dartmouth.edu [lute-...@cs.dartmouth.edu] on behalf of
The autumn newsletter, the fourth folio and notification of an EGM on the
subject
of Charitable Status for the Society have been posted out today, Weds 14th Sept.
Julia
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http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
Yes Rob, it certainly wasn't about joining AA!
What always strikes me on hearing or playing a Gow tune is what a lovely man
he seems to have been have been. This is borne out when you read Burns
account of their meeting.
In his Journal describes Gow as
''a short, stout-built Highland
Thanks, all, for the many interesting and informative responses!
Francis
On 13 Sep 2011, at 17:54, Francis Wood wrote:
The note accompanying the fine tune 'Farewell to Whisky' appearing in the Gow
5th collection states:
This tune alludes to prohibiting the making of Whisky in 1799.
It is
The note accompanying the fine tune 'Farewell to Whisky' appearing in the Gow
5th collection states:
This tune alludes to prohibiting the making of Whisky in 1799.
It is expressive of a Highlander's sorrow on
being deprived of his favourite beverage.
Also in the 5th collection is the remedy to
Hello Francis
Can't help on that front but I'm told Jack Armstrong would launch into
that tune when his glass was empty.
Anthony
--- On Tue, 13/9/11, Francis Wood oatenp...@googlemail.com wrote:
From: Francis Wood oatenp...@googlemail.com
Subject: [NSP] Farewell to
On Tue, Sep 13, 2011 at 5:54 PM, Francis Wood
[1]oatenp...@googlemail.com wrote:
Can anyone provide anything more specific about the relevant
circumstances in 1799 - 1801?
Sorry, Francis, no. I do know about Matt Seattle's Farewell to Whisky,
but it is not relevant here as
As an aside, my wife found long ago that they go well together as a
sequenced pair with a story to tell, on small harp!
Richard.
On 13/09/2011 17:54, Francis Wood wrote:
The note accompanying the fine tune 'Farewell to Whisky' appearing in the Gow
5th collection states:
This tune alludes
Hi Francis - I looked in to this one a while back for some track notes -
here's a summary
My understanding is that comment is attributed to Nathaniel and is in
the published collection of 1819 (The Beauties of Gow).
( Interestingly the fiddler's companion has words from 1804:
My powers of Google are strong this evening:
Agricultural Returns and the Government during the Napoleonic Wars
http://www.bahs.org.uk/01n1a5.pdf
describes wet seasons, harvest failures, and the government reimposing
restrictions on the use of grain. There's also in depth analysis of the
large
On 13 Sep 2011, Rob Say wrote:
This book on the haggis:
http://www.avrf23.dsl.pipex.com/The%20Haggis%20TYPESET%2016%20feb-2.pdf
Both references grain prices and crop failures for the period:
1790s Harvest Failure, 1799 Price of corn was more than double the
level of the 1790s, Harvest
Some might be interested to know I sent a couple of tracks
recorded recently by Emily Alice down to Radio 3.
The response has been very positive and as a result they will be
playing on this week's 'In Tune' (Thurs 15 Sept. 16:30 - 18:30 local
time).
Anthony
--
To get on
There are still some places available:
The day is 10am until 9pm and the tutors are Pauline Cato, Andy May,
Inky Adrian and Julia Say with fettling from Julia and Barry.
Cost for the day: -L-38 - includes all workshops and sessions, lunch,
evening meal, hot and cold drinks during
Ian Lawther wrote:
I was playing through Tom Clough's Bobby Shaftoe this evening and
realized that the 6th part is identical in pattern to the 4th part
of the highland pipe march The Barren Rocks of Aden (P/M A MacKeller
c. 1843).
A very interesting observation, Ian!
Is there an obvious repertoire of tunes for this useful variant?
Francis
On 8 Sep 2011, at 10:40, Richard York wrote:
I wonder when someone will develop the double action bellows - one to inflate
the pipes, another to fit a vacuum cleaner attachment, which if you think
about it could look
On 9 Sep 2011, Francis Wood wrote:
Is there an obvious repertoire of tunes for this useful variant?
On 8 Sep 2011, at 10:40, Richard York wrote:
t a vacuum cleaner attachment, which if you think about it
could look remarkably like a large bagpipe set with an extra long open ended
If the Neil that sent me the CD of Scottish Lute Tunes from 1620 is on
this list, would you please contact me off-list at j...@liestman.com?
Thanks and sorry to the rest for this interruption of a perfectly fine
discussion of vacuum cleaners!
--
Cheers,
John Liestman
To get on or off this
Ever had one of those moments when you realize you've been working in
the wrong direction all along? I've been working hard so that my
piping would NOT suck.
On Fri, Sep 9, 2011 at 4:31 AM, Julia Say [1]julia@nspipes.co.uk
wrote:
On 9 Sep 2011, Francis Wood wrote:
I was playing through Tom Clough's Bobby Shaftoe this evening and
realized that the 6th part is identical in pattern to the 4th part of
the highland pipe march The Barren Rocks of Aden (P/M A MacKeller c.
1843). The Barren Rocks is in D and written with a dot/cut rhythm in
bars 1,2 5 and 6
the
streaming eyes and waterfall nose generated by the Northumbrian
grassland on that day entirely surpassed all my previous experience.
Horrible isn't it? and it's not just (Northumbrian) grassland. I used to suffer
from dustmites all year round until a suitable treatment was found.
Enough
On 08/09/2011 10:07, christopher.bi...@ec.europa.eu wrote:
I used to suffer from dustmites all year round until a suitable treatment was
found.
I wonder when someone will develop the double action bellows - one to
inflate the pipes, another to fit a vacuum cleaner attachment, which if
you
Would we get round to organising them, though, Julia?
Happy diverting-from-whatever-you're-supposed-to-be-doing :)
Richard.
On 08/09/2011 11:17, Julia Say wrote:
On 8 Sep 2011, Richard York wrote:
Sorry, how can you tell I have far too much to do today and am seeking
diversionary
Just in case you're not watching the forum at
[1]www.northumbrianpipers.org.uk, Chris put a video up on youtube for
the September TOTM.
[2]http://www.youtube.com/user/chrisormston#p/a/u/0/1d0Y3_JEe4c
Needless to say, it's fantastic. He makes it look so easy!
--
References
There are still a few places left on our
4th NORTHUMBRIA PIPING WEEK
Sunday 9th Friday 14th October 2011
A Northumbrian Smallpipes residential course suitable for all playing levels
(including absolute beginners) based in the licensed Northumbria School of
English in Whitley Bay.
Tutors for
In response to an unmet need for harvest tunes, and incidentally tunes
commemorating Northumbrian wildlife, I was inspired to write this after
an afternoon's piping with Edmund in Northumberland,
when Edmund, Gisela and I all went for a walk afterwards...
X:1
T:The Harvest
gibbonssoi...@aol.com wrote:
The inspiration develops from the next day onwards but is relieved with
antihistamines
My first major hay-fever attack came on a school trip to Chesters fort.
Although I had been a sniffely and sneezy youth up to that point, the
streaming eyes and
The mite of the roman empire!
Malcolm
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf
Of gibbonssoi...@aol.com
Sent: 06 September 2011 23:22
To: nsp@cs.dartmouth.edu
Cc: edmundspri...@btopenworld.com
Subject: [NSP] (no subject)
In
You mean we could get away with Pachelbel's, Harvest Ground Canon,
from his famous suite, A Bass for All Seasons?
:)
Richard.
On 03/09/2011 21:19, Barry Say wrote:
It has been reported that when Jack Armstrong appeared on the radio,
the producers encouraged (required?) him to provide
Exactly!
And when they ask where the tune came from you say Whey man, it's in
aall the books. in a confident Wideopen accent that will tolerate no
dissent.
Barry
Richard York wrote:
You mean we could get away with Pachelbel's, Harvest Ground Canon,
from his famous suite, A Bass for All
Please may I thank all those of you who, both on and off-list, have sent
such a wealth of ideas.
I knew this group was a helpful bunch of people, but have been really
delighted by the quantity of great ideas, and the time you've taken to
put them together.
The service our friend is conducting
It has been reported that when Jack Armstrong appeared on the radio, the
producers encouraged (required?) him to provide Northumbrian titles for
the tunes he used. Whether or not this is true, why not take existing
tunes which you like to play and give them 'Harvest' titles.
I heard an
Ok, here's an audio-only version. Just the first 2 parts of the Peacock setting
- setting selected due to limited competence, I certainly intend to investigate
the other settings. Tempo mostly constrained by being able to hit the
semiquavers with at least roughly right.
Very sad indeed. I only met Ray once, way back in the mid-60s when she took me
aside at the Sidmouth festival and made some very kind remarks about my singing.
I got the impression that she was as charming as she was talented.
My condolences to Colin and all who knew her.
C
-Original
Very sad news.
I knew Ray best back in 1984, when I was visiting Colin regularly to learn
pipe-making. Ray was often around, always kind and welcoming, and sometimes
gave me a meal with them if I stayed on to go with Colin to the pipe-making
evening class he taught at that time. As it says in
Yes, Cut Dry is the obvious one. I did a survey of versions for an
article in the NPS mag many (harvest) moons ago, and have since come up
with more information and my own version, but one good version is
enough (e.g. Peacock or Dixon).
Others with appropriate titles are Jack's
Two or three from Vickers - The Kirn Staff (Kirn = Corn, as in Kirn
Supper) and the Threshers,
also perhaps The Hare in the Corn,
though the hare being in the corn is more of a problem before you have
cut it.
You'd expect musicians at a Kirn supper.
There are probably a
Also, from Ireland, the Stack of Wheat and the Little Stack of Barley;
the latter is the portion of barley that 'The Ewe with the crooked Horn', the
still, is fed with.
There should be food and drink as well as music at a decent Harvest supper.
John
Goswick Kirn - ideal for a kirn (or harvest) supper
Margaret
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Our band is playing for a Harvest Festival in a church in MK later this
month, partly to accompany their hymns, and partly to play a few
seasonally relevant tunes at some point.
Other than the obvious Harvest Home h'pipe and one or two others, I'm
not finding many good tune titles
Cuddy Claw'd Her - OK, if a 'consensus' is reached by three people!!
But there is little rationale for recommending Peacock's setting to
players of Border pipes, as it is one of his tunes which are so
obviously 'adapted' to smallpipes by the replacement of all the low F
naturals -
Happy to add a 4th vote to this overwhelming consensus of 3.
Cuddy is a wonderful tune - and most versions are somehow excellent, even if
not all the same.
For a real outlier, look at the Scottish pipe-style fiddle version in 'The
Master Piper' -
Matt will remember the source.
John
Thanks for the excellent commentary, Matt.
Because it was the tune itself and not the particular setting that
aroused the interest of the few pipers who responded, then I suggest we
pick Cuddy Claw'd Her as the TOTM, any setting acceptable. That is,
unless anyone objects.
Hi Richard,
I think Cut and Dry Dolly is named for the celebration of the last
cut of corn/grain/hay, whatever it was.
Here's an abc of the tune as given in Bruce and Stokoe's
Northumbrian Minstrelsy:
X:1
T:Cut and Dry Dolly
M:2/4
L:1/8
R:Reel
S:Bruce Stokoe - Northumbrian Minstrelsy
Those of you who knew Colin Ross' wife, Ray, and haven't so far heard from
other
singing or social forums, will be saddened to learn of her death yesterday. She
had
been ill for some time and finally succumbed to several conditions.
Messages are flooding on to various lists and boards and
Here's my video for August:
[1]http://www.youtube.com/watch?v=DOl3AcxG_R8
If you've never seen a Peacock in flight, here's your chance.
I hope you enjoy it.
--
References
1. http://www.youtube.com/watch?v=DOl3AcxG_R8
To get on or off this list see list information at
Very, very sad to hear this news.
Ray was the person I contacted first regarding getting a set of pipes
way back in the early 70's (from the address on the rear of the Wild
Hills LP) and she was so kind and patient with me asking so many stupid
questions (and put me in touch with Bill Hedworth
The consensus for September's TOTM is Peacock, specifically Cuddy
Claw'd Her.
This tune can be played on the Northumbrian half-long pipes (which I
think should be called the Northumbrian twice as long pipes), as well
as the Northumbrian smallpipes.
Remember, you can post any
How about some suggestions for September's TOTM? Rather than specific
tunes, perhaps we could choose one of several catagories:
Peacock tunes
NPS Book 1
Billy Pigg
Tom Clough
[1]http://www.northumbrianpipers.org.uk/pipersforum/posting.php?mode=po
stf=20
It's
A customer of mine wants to sell the brand-new D set he received a couple of
weeks ago. I said I would put his contact details up here. He's in
Australia.
It's a complex set with 13 keys inc. high and low G, and F naturals (minor
thirds for D). Drones built to tune into G as well as the usual
I bit of advertising if I may. Regards Neil
Manchester Pipers' Day is a day of tutor-led sessions workshops for
the Northumbrian Smallpipes with Pauline Cato, Andy May, Inky Adrian
and Julia Barry Say on Saturday 1^st October, 2011 from 10am to 9pm
at Grove Lane Baptist Church,
How could I forget? Go to
[1]http://homepage.ntlworld.com/tracy.firby/WyrDGeneS/jukebox.html
and select Mad Moll
And buy the album, this guy deserves some support!
--
References
1. http://homepage.ntlworld.com/tracy.firby/WyrDGeneS/jukebox.html
To get on or off this list
I enjoyed that far more than I expected to!
I'm now listening to other tracks and can see myself working through the
whole jukebox as the day goes on. Over the years I've heard a lot of
people trying to rock up traditional music but this chap is something
else..he's not watering down the
Set of pipes by the late Quentin Rose made c. 1996-7. Ebony and a silver
coloured
metal. 17 key chanter.
In Gloucestershire, UK.
Contact details available on request.
Julia
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http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
WOW! I have ordered the CD.
Marianne.
Date: Fri, 12 Aug 2011 08:30:48 -0700
To: irlawt...@comcast.net
CC: theborderpi...@googlemail.com; nsp@cs.dartmouth.edu
From: dir...@gmail.com
Subject: [NSP] Re: Peacock Follows the Hen videos
OY!
On Fri, Aug 12, 2011
You really have to see this. A great demonstration of playing pressure, from
full glory to Pipers' Droop. Especially the ending:
http://youtu.be/fPedwnc5e_s
Francis
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Hi Francis,
well spotted, and well proportioned what !
Dave
On 8/10/2011 1:23 PM, Francis Wood wrote:
You really have to see this. A great demonstration of playing pressure, from
full glory to Pipers' Droop. Especially the ending:
http://youtu.be/fPedwnc5e_s
Francis
To get on or
Hi,
does anyone have a pastoral set for sale, if so reply PM
thanks
Dave S
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I've been asked if I can find a piper to play a few basic tunes at a wedding in
Lyme Regis (West Dorset) on Sat 27th Aug.
It's a long shot, I know, and not much notice.
Anyone interested?
Julia
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Greetings
I've now posted an announcement of the West Border Piping Weekend
(21-23 Oct 2011)
on dunsire
[1]http://forums.bobdunsire.com/forums/showthread.php?t=139743
and the NPS Forum
[2]http://www.northumbrianpipers.org.uk/pipersforum/viewtopic.php?f=18;
t=224
Apparently a broken URL for Pete Stewart's compelling playing.
It should be
[1]http://www.youtube.com/watch?v=K85_c3qLKwA
Martin
On Sat, 2011-08-06 at 23:38 -0700, John Dally wrote:
...
--
References
1. http://www.youtube.com/watch?v=K85_c3qLKwA
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