- Original Message -
From: "Simon James" <[EMAIL PROTECTED]>
> Especially if you're listening on your Northumbrian mp3 player...
>
> The aye pod...
>
Surely the ayepod is for Scottish music. the whyayepod is for
Northumbrian!
Ian
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Sent: 25 May 2006 19:57
To: Sam Edwards
Cc: nsp@cs.dartmouth.edu
Subject: [NSP] Re: to choyte or not to choyte
Actually page 33, I believe, describes those squiggly lines as vibrato
markings
(whereas a small TR denotes trills), and the music for Rusty Gulley has the
vibrato squ
.
> What do the veterans have to say on this?
>
> Thanks,
> Sam
>
> -Original Message-
> From: John Liestman [mailto:[EMAIL PROTECTED]
> Sent: Wednesday, May 24, 2006 6:37 PM
> To: nsp@cs.dartmouth.edu
> Subject: [NSP] Re: to choyte or not to choyte
>
>
>
At 11:48 AM 5/25/06 +0100, you wrote:
>Since then I've come to appreciate just how much of Clough style
>there is in Billy's playing, despite his irregular timing, dodgy
>gracenotes and speed. (Also, of course he was ill by the time most of
>the recordings were made - what he was like at his peak
sults.
What do the veterans have to say on this?
Thanks,
Sam
-Original Message-
From: John Liestman [mailto:[EMAIL PROTECTED]
Sent: Wednesday, May 24, 2006 6:37 PM
To: nsp@cs.dartmouth.edu
Subject: [NSP] Re: to choyte or not to choyte
I thought "choyting" was restricted the g
OK OK, shell your peas, but divvent lose the pulse
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t on open
fingered NSP, even when that is what the player attempted. No doubt I
will get a very long list of alleged counterexamples, and we can start
another war.
John
-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Sent: 25 May 2006 11:48
To: nsp@cs.dartmouth
On 25 May 2006, [EMAIL PROTECTED] wrote:
> that many NSPers use it to some extent, and, used sparingly, it can help
> reinforce rhythm
> problem occurs either when these open gracings become habit and end up
> shoved in any old place
Thanks, Chris.
The original quote in the book (p. 37) was "T
My understanding is that it's the first of your definitions. You're right
that many NSPers use it to some extent, and, used sparingly, it can help
reinforce rhythm as we don't have the luxury of dynamics. To my mind the
problem occurs either when these open gracings become habit and end up
shoved
I thought "choyting" was restricted the gracing of lower notes with a cut
(quick grace note of a higher note preceeding the playing of a lower note).
Does it just mean this (which is common in some NSPers playing) or is it the
full Highland gracing arsenal?
And whatever the definition of "choyting
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