Dear David,
in the Padore Archive we have a sample of the 1st Dutch edition of Satte
van Breda “Het grote vouwboek” (Hulshorst: Uitgeverij van Breda. 1955) and
a copy of the translation into German from the 2nd Dutch 1963 edition,
published as “Kempers Grosses Papierfaltbuch. Falten und
Thanks Kate! Tessellations are a great example of something that's usually communicated by crease pattern, but without the skills to read the pattern it's very hard to decipher.One of the things I've learned from folding and teaching tessellations is that there's a common misconception that the
>Laura asked “So what’s the problem with the GV technique? “
I can’t speak to any one individual’s like or dislike for anything.
What I can introduce is the idea that the repetitive, ritualistic nature of
folding the units may have served the detainees in ways much like prayer beads,
rosary
Not to plug anyone, but I also really struggle with CP. I recently took a
class with Madonna Yoder, she is also on Instagram I think, anyway the way
she teaches tessellations really helped me understand new ways to read
crease pattern. Kind of gives a visceral sense of how those repeated
patterns
Dear folding friends,
I do not mean to side track this enlightening discussion - and thank you all
who have shared thoughts - but on the topic of aspects of origami which have
been less enjoyable, may I indulge a thought which has been percolating for
some time?
Despite dog-earing my copy of
I, too, agree that 3D origami is origami. I didn't know the term "golden
venture".
The fascinating thing is that the modules can be used like Lego. In that it is
similar to other types of modular origami like assembling mainly geometric
models from Sonobe modules, or the impressive pixel
I'm just wondering if anyone has a copy of the first edition of this book
(which I believe was published in 1955)?
The reason for asking is that I am trying to work out how it differs from the
1963 second edition. Google Books says the first edition has 96 pages, whereas
the 1963 second
A good topic!
I have friends who like Golden Venture origami, or as they call it 3D Origami.
Mostly they also seem to like other paperfolding techniques such as book
folding or quilling which are also not mainstream in the 'origami community'.
None of these have any attraction for me, but
I feel the same way, but I am inclined to believe that I may be harbouring
some inherent prejudices on my part.
I find the repitious folding of the modules mind-numbingly boring.
Moreover, since getting a stroke in 2009, my dominant hand is not as
'obedient' as it uded to be. Assembling the