Hi all,
Today I pre-ordered a Canon 10D for $1514.95 (with two-day delivery). The
decision to go all digital for color dictated having to choose which
company has the best long-term future in digital. Well, sorry to say,
there's not much contest among the traditional photographic companies.
Canon
Just on the small chance this hasn't been posted to the group yet...
www.letsgodigital.nl/webpages/events/PMA-2003/news/pentax/SLR-IST_uk.html
Tom
Hi all,
Mike has a nice column, bits and pieces of which we've already read on this
list, that includes his current thinking on the *ist (which I still think
means realist as in: what's going to make us the most money as a common
digital/film platform). He sets the *ist up to make his point about
Hi all,
The Canon G3 has convinced me to go all digital, and, yes, to go with
Canon. And so I'm offering the following for sale to the group before
turning to ebay on Sunday.
1. Totally mint Black FA77mm/f1.8 Limited complete with caps, softcase,
original box. There aren't many of these
Hi all,
As I noted in a previous post, I suspect that black and white is better
served (at least so far) by film. Why this is so I'd love to hear some
speculation on by such folks as Mike. But let's say it is. Then going all
digital doesn't mean leaving film. It just means that color is better
Hi all,
Sorry for putting up for sale on Sunday rather than Friday, but I've had a
hard time deciding to let go of the following.
1. Black KX (Serial# 8380420): This is in *very* good condition with the
only signs of minor brassing on the right corner of the base-plate (on the
very edges of the
Hi all (again),
Here's more (and, yes, I'm selling to save up for the Pentax DSLR):
1. LX with FA-1 finder, serial #5317237. Bought from Rob Studdert a few
months ago. 3200 ASA, regular shutter release surround, roller on film back.
No brassing at all and really fine shape except for the bottom
1. FA*200/4 EDIF (one of my fantasy lenses).
2. A100/2.8 Macro (my current macro lens, a sweetheart that I also use for
portrait work when I want a part of someone's body or face).
3. K100/4 bellows (for work in the garden when I finally break down and get
the bellows for the LX and true
it to anyone
interested in quality macro photography.
Christian Skofteland
[EMAIL PROTECTED]
- Original Message -
From: Tom Davis [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Thursday, October 10, 2002 4:55 PM
Subject: Re: SMC Pentax K-Mount Macro Lens Poll
3. K100/4
Thank you very much for the information, Antti-Pekka.
Tom
From: Antti-Pekka Virjonen [EMAIL PROTECTED]
Reply-To: [EMAIL PROTECTED]
Date: Wed, 02 Oct 2002 10:44:45 +0300
To: [EMAIL PROTECTED]
Subject: Re: Yellowing of screwmount Super-multicoated 50/1.4s
Resent-From: [EMAIL PROTECTED]
Hi all,
I realize this has been discussed in the past, but I need a refresher:
exactly what is the problem with the yellowing of the screwmount 50/1.4s?
I take it that this is some kind of problem with the aging of the early
multicoating process, but I'd like to know more details, specifically
Having just lost out on ebay for a A*85/1.4, I'll have to compensate by
dreaming about:
1. A*135/1.8 (to up the ante on my K135/2.5)
2. FA*200/4 Macro EDIF (to up the ante on my A100/2.8 Macro)
3. and then a lens I actually own and love: M150/3.5 (just used it at a
friend's wedding with great
love to, but hesitate because of its
front-element you're staring at a huge lens effect; I like low-key work
with people. Still
Tom Davis
Associate Professor of Philosophy and Chair
Department of Philosophy
Whitman College
From: Arnold Stark [EMAIL PROTECTED]
Reply-To: [EMAIL PROTECTED
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