I'm 100% perfectly aware that I can monitor the level of an individual track by
interacting with it, then finding the meter, and then, I can keep hitting vo+F3
to read what's under the Voiceover cursor. what however I'm looking for, is
something slightly more robust. Is there a way, and if
Beyond using a hotspot, there's not a way that I'm aware of. Assuming
your hardware doesn't have a horribly high noise floor or anything,
then your best bet is probably just to air on the side of caution and
go in at a lower gain level whenever it's a particularly dynamic part
and raise the level
Hi Chris,
This might be what you are looking for, it will only alert you by voice when
you clip or at a given level.
http://www.katsurashareware.com/pgs/prolevel.html
Best,
John André
On 07 May 2014, at 12:54, Christopher-Mark Gilland clgillan...@gmail.com
wrote:
I'm 100% perfectly aware
Can you outline for me the steps one would take to make a hotspot and then
have it automatically read it?
I've kind a forgotten how to do this.
Chris.
- Original Message -
From: Scott Chesworth scottcheswo...@gmail.com
To: ptaccess@googlegroups.com
Sent: Wednesday, May 07, 2014 7:13
OK, but I don't want to have to purchase something just for this one task.
If it requires that much work, I'll just keep using vo+F3.
Chris.
- Original Message -
From: John André Lium-Netland
To: ptaccess@googlegroups.com
Sent: Wednesday, May 07, 2014 7:51 AM
Subject: Re:
Chris,
If you're in danger of clipping, you're recording way too hot. With something
like a vocal, your final peak should be -9 to -6 dB full scale. That means your
average level should be in the range of -18 to -12 dB. That's what headroom is
for. You're recording with 24 bits which give you
Slau,
I have a question then,
I find that on my monitors, if I leave my volume slider in ProTools on a vocal
track at 0%, then on my interface, I turn my gain dial way down to the point
where in PT, on that track, it shows -18DB, that is so profusely quiet, that I
literally almost cannot even
Not to mention, most gear operates most linearly at about -12dBFS.
In addition to what he said, if things are too quiet, turn up your monitors.
At 08:35 AM 5/7/2014, you wrote:
Chris,
If you're in danger of clipping, you're recording way too hot. With
something like a vocal, your final peak
Granted, I'm a Windows guy, but do you have a way of routing VO and
other system sounds through different outputs, or a different speaker
or headphones?
In Windows I have system sounds and my screen reader going through a
secondary interface.
At 09:11 AM 5/7/2014, you wrote:
Slau,
I have a
You have to figure out a way to keep VoiceOver and Pro Tools output separate.
Your just setting yourself up for a difficult time by trying to run things the
way you have them set up.
Also, crank your vocal track up to the max on the fader. As you know, this has
no effect on recording levels,
OK, then, yeah, turn all that way way up on the monitor once I have Voiceover
on another device isolated, but that still doesn't tell me once all recorded
how to then get that volume back to its original level so it's equal with all
my other sound. Is that where a stereo master fader track
The same price
How?
Ramy moustafa saber
Musicc instructor at:
faculty of musical education
music arranger and sound engineer
Sent from my iPhone
On May 6, 2014, at 7:07 PM, Slau Halatyn slauhala...@gmail.com wrote:
That was certainly true for the 002 but I'm not sure that's true for the
Hi, I am interested. How much? Thanks.
Esubalew Johnston
Wanting it won't get it for you! You have to go get it!
On May 6, 2014, at 8:34 AM, Monkey Pusher monkeypushe...@gmail.com wrote:
Selling my lisence for Pro Tools 9/10. get in touch if interested or
with any questions. Includes my
Chris,
Your final mixes should follow the same principle. Ultimately, you need to
create a final master where you bump up your levels, add final EQ and
compression, in other words, mastering. That's beyond the scope of an email
list. I'm simply telling you what the norm is for recording into a
Ramy,
What are you talking about?
On May 7, 2014, at 11:04 AM, ramy moustafa moshtaqlealga...@gmail.com wrote:
The same price
How?
Ramy moustafa saber
Musicc instructor at:
faculty of musical education
music arranger and sound engineer
Sent from my iPhone
On May 6, 2014, at 7:07
Hey all,
What are your thoughts on the below machines:
Mac mini. 2.6GHZ Ivybridge Core I7 quad core CPU. 16GB ram, 256GB SSD.
vs...
Macbook pro, retina, 15. 2.6GHZ Haswell I7. 16GB ram. 1TB PCE-Based Flash
I'd like a decent machine for ProTools. I do like desktop machines; but
if the macbook
Chris what are you using? What kind of mixer and that sort of thing what makes
up your daw?
Ricky Prevatte LMBT1154
On May 7, 2014, at 10:32 AM, Chris Smart csma...@cogeco.ca wrote:
Granted, I'm a Windows guy, but do you have a way of routing VO and other
system sounds through different
Hi Ashley,
If you need to buy it soon, go with the Macbook Pro. It's a faster machine. If
you can wait, there will probably be a new Mac Mini out in the near future
which will likely outperform the MacBook Pro. Thing is, the portability of the
laptop is a real plus with the built-in screen and
Hi, I would go with the mac book pro as you can take it with you and
have editing abilities on the road. That is why I bought my mac book
pro for just this reason. Nick Gawronski
On 5/7/2014 3:17 PM, Ashley wrote:
Hey all,
What are your thoughts on the below machines:
Mac mini. 2.6GHZ
Which Chris are you asking?
I'm still using Sonar 8.53 under Windows 7, and an old M-audio card
going S/PDIF to a Mytek Stereo 96 DAC, then to Adam A-7X monitors.
At 04:27 PM 5/7/2014, you wrote:
Chris what are you using? What kind of mixer and that sort of thing
what makes up your daw?
Slau,
I didn't ask for you to gibve me pointers on masterring. that's quite ok!
Don't worry about that part of it. I'm very much willing to do my homework off
list regarding that. I was simply just curious if I was even on the right
track in the first place, thinking that I'll bring those
Ricky,
You actually've heard one of my recordings with all this stuff listed below
when I did Everlasting God. Which I dono whatever came of that project...
Hint: Get with me off list...
Anyway, I'm using a Macbook mid 2010 pollie-carbon 13 inch 5200RPM Mavericks
10.9 2GB ram, ProTools
Since you said you preferred desktops, if you do go the Mac Mini
route, look into the Mac Mini server line.
On 5/7/14, Nick Gawronski n...@nickgawronski.com wrote:
Hi, I would go with the mac book pro as you can take it with you and
have editing abilities on the road. That is why I bought my
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